Mixed Tape Rough is a simplified version of the Mixed Tape font family. It’s a rough calligraphic font duo which includes 2 Styles: Regular and Capitals. It doesn’t have as many alternates as Mixed Tape and supports more languages. Mixed Tape Rough is a dynamic calligraphic font so it can be used for posters, t-shirts, menus, packaging, headlines, etc.

Quegos is a display font with a sleek yet bold look. make a strong impression. comes in the iconic bubble style with strong outlines and fat strokes. very suitable to create a big, bold logo for your business, work on a poster for an event, or whatever your project, and Perfect to create amazing headings, logos, menus, social media graphics, and many more.

Samuel Welo’s “Studio Handbook for Artists and Advertisers” (published in both 1927 and 1960) showcased this talented man’s hand-lettered alphabets; used as inspiration for the sign trade and for graphic designers. A particularly interesting slab serif from the 1960 edition has many unusual character shapes, and served as the model for Casual Slab Serif JNL – available in both regular and oblique versions.

Norberto, a CastleType original, is based on a Russian design from the late 19th century that in turn appears to be based on Bodoni. However, Norberto is a much warmer design than most Bodonis, with many soft touches such as very gentle curves from the serif at the top of B, D, P, and R; a jaunty cap on the ‘A’ (and Cyrillic ‘El’, ‘De’, etc); charmingly quaint numerals; hairline accents, and other subtleties that make it a wonderful addition to the Modern typefaces. In addition to several useful OpenType features, Norberto also offers extensive language support, including modern Greek and most languages that use the Cyrillic alphabet, as well as built-in keyboard support for Esperanto and Yoruba. Norberto now has a stencil version which combines the elegance of the original with the informality of a stencil cut. As one enthusiast says, "As a die-cut companion to his compact Norberto, Jason Castle's Norberto Stencil hits us right where we live with its svelte stature and sexy, Bodoni-esque bones." — Typedia

Bloem, two new fonts with oodles of character designed by Carine de Wandeleer. Its slight bounce and intentional irregularity gives your words a wonderful flow. The thick and thin strokes in this typeface combine balance and harmony. This new font family includes a sans regular and a script font. The script has OpenType features such as Stylistics and Contextual alternates, Swashes, Ligatures, up to nine Stylistic sets by letter that allow you to mix and match pairs of letters and  a Central European language support to fit your design. This will help your creativity and make it easier to make the impressive and elegant typographic work. All OpenType features may only be accessible via OpenType-aware applications, or the Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. Bloem Sans is a complementary handmade font, that works in harmony with Bloem script to create accurate typographic designs quickly! Bloem looks lovely on wedding invitations, greeting cards, logos, business-cards, fashion, magazines, food packaging and menus, book covers and whatever your imagination holds!

Mirella Script is a modern and clean approach of the classic French Bastarde script style. Mirella has the follow resources : - Lots os ligature forms (using contextual alternates open-type feature), - many stylistic alternates for each letter (upper- and lowercase and all accessed with the glyph palette), a set of 55 ornaments and fleurons accessed with the glyph palette or using the Ornaments feature); - initial and final letters with artistic variations accessible using the initial and final form open-type features - a tour-de-force kerning work: almost 700 gliphs in this font was adjusted to your kern pairs handly. In non-OpenType-savvy applications it works well as an unusual and beautiful script style font. We ever suggest the use of the glyph palette to find ideal solutions to specific designs, because the high number of gliphs. The sample illustrations will give you an idea of the possibilities. You have full access to this amazing stuff using InDesign, Illustrator, QuarkXpress and similar software. Mirella Script has original letters designed by Iza W and overall creative direction plus core programming by Paulo W.

Architype Konstrukt is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals have helped to shape the design philosophies of the modernist movement in Europe. Due to their experimental nature character sets may be limited. Architype Van Doesburg derives from the 1919 experimental geometric alphabet by Theo van Doesburg, whose work was heavily influenced by De Stijl theories, specifically rectangularity. The typeface has been constructed on the same 5 x 5 grid, and is limited by his ‘single alphabet’ theory.

Mr Brown is a typeface based on hand drawn letters to our new book for children. It has up to four alternate glyphs for each character. You can switch them manually or use OpenType Contextual Alternates feature. It will automatically set alternate glyphs de-pending on frequency of appearance of the same character. The script doesn’t throw random glyphs. For example in the word “HIPPOPOTAMUS” you will automatically get three different “P” glyphs and two “O” glyphs. It really works great but of course you can always fine tune it by hand.

Hudzaifah is a crème de la crème modern calligraphy font with sophisticated messy ink accents. It is perfect for branding and packaging design. Hudzaifah includes full set of lovely uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. All lowercase letters include beautiful and unique . Also, includes multi-lingual support. There it is! I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question. Now just read this, go there and make it happen :)

Dranskof is a light-hearted, cheery font. It is inspired by a page from an extraordinary serbian publication for children by the writer, poet and journalist Duško Radović. Dranskof whimsical letterforms are full of joie de vivre, consisting of different glyphs on upper and lower case slots for added flexibility.The contextual alternates feature will instantly alternate glyphs. To literally add a twist here and there, Dranskof is equipped with a spirited set of stylistic alternates, easily accessible through stylistic alternates feature or by the glyphs palette. This is definitely a 'make feel good' font. Enjoy!

Architype Konstrukt is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals have helped to shape the design philosophies of the modernist movement in Europe. Due to their experimental nature character sets may be limited. Architype Van der Leck originates from the lettering that Bart Van der Leck created for ‘Flax’ magazine in 1941. The letterforms‘ restricted shapes and abstract, stencil-like forms reflect the strong geometric language of De Stijl and show influence from his abstract paintings.

The 1930 Geneva Motor Show (Salon International De l'Automobile Et Du Cycle) showcased a lot of new cars, but one item in particular took my interest: the amazing art deco poster announcing the show. Lokomotiv font was based on this poster. It is a very deco-ish font, futuristic, angular, with bold squares, rounds and triangles. As I had to work with just a handful of glyphs, and needed to fill an entire font, I made up the missing ones myself. Lokomotiv, by the way, is German for Locomotive.

Introducing Luckystrikes, a handwritten script-font inspired by a poor amount of characters in the 1950-style advertising of the well-known American cigarettes. Kustomtype redrew this font with a very clear and cool old-script style. This font is great for all your creative projects. Luckystrikes comes with uppercase, lowercase, numerals, punctuations in script so you can use it to customize all your designs. Perfect to use for Logos, Letterhead, Poster, Apparel Design, Package design, Label design etc. Luckystrikes is designed by Coert De Decker in 2018 and published by Kustomtype Font Foundry.

Griffo Classico™ was produced by Franko Luin in 1993. It is a revival inspired by the types cut by Francesco Griffo for the Venetian printer Aldus Manutius at the end of the fifteenth century. The roman is based on the type Griffo cut in 1496 for Bembo's de Aetna," and the italic on a type he cut in 1501 for an edition of Virgil. Griffo did not make separate italic caps, so Luin designed his own for Griffo Classico. This is a serviceable family with five weights, including small caps.

Catorze27 is a typeface inspired by northern Portuguese modernist lettering. Wrought iron is a widely used element on Portuguese architecture and, as such, the typeface started after collecting several photographs of modernist iron signage in several cities in the north of Portugal, specially in Espinho, Porto, Ponte de Lima and Viana do Castelo. As a result, Catorze27 / Style 1 is the first of 3 styles, featuring 570+ glyphs, 7 weights, case-sensitive forms, 2 styles of numerals in 2 sizes, Greek (Monotonic), Cyrillic and supports most of the Latin Unicode ranges.

Motley Crew is my last font for 2016. It is quite a lively, quirky and a little bit scary typeface, which will give your designs a little more ‘joie de vivre’. It was made with a soft brush and Chinese ink. The splatter was added after I had painted the glyphs. I forgot to put away my laptop, which now looks like this font… Motley Crew wishes you all the best for the coming year - in a lot of languages, as it comes with a generous splatter of diacritics.

Vododeo JNL is directly named for the free-form sheet music title lettering from Jack Yellen and Milton Ager's "Vo-Do-De-O". The term itself was a catchphrase made popular during the era known as the "Roaring 20s". Yellen and Ager were responsible for such hits as "Ain't She Sweet" (1927) and "Happy Days Are Here Again" (1930) along with countless others. During his career, Jack Yellen provided lyrics to over 200 songs. As a side note, Yellen was married to a distant cousin of type designer Jeff Levine's late mother.

Koala was originally designed in 1999 by Eric de Berranger with an individual, independent character. A distinguishing characteristic of this sans serif font is its marked stroke contrast, typical of Modern Face fonts. The open, airy forms are reminiscent of ancient Roman capitals. The lower case letters display traits similar to those often seen on posters and in advertisements of the 1930s and 1940s. The lively Koala is particularly good for shorter texts and headlines in larger point sizes and combines well with fonts with little stroke contrast.

Can you imagine the delight that the printers of the Incunabula era would have had if they had such a tool as this font with a hundred and fifty glyphs of decorative capitals. The printers of that era were lucky to have more than a handful such delights. These Decorated initials and drop caps are all based on early period exemplars, dating to prior to 1525, from a wide range of printers such as Thomas de Blavis to Günther Zainer. Every Proportional Lime Font comes equipped with a complete character map.

Decize font is a classic “Didona”, characterized by extreme contrast in thick strokes and thin strokes, by the use of very short serifs, and by the vertical stress of the letters. This version, designed by Carine de Wandeleer, is slightly condensed and is also enriched by a full set of OpenType features of tails, ligatures, alternates and swashes. Decize Italica is a true "italic" This font was designed and carefully drawn to combine with Decize Regular, it has 652 glyphs and the same OpenType features than the regular version.

Caupako is a display font. Inspired by the shape of the axe. Nostalgia on the legendary old action film. A young man armed with a deadly axe. Comes in two font styles, regular and oblique. Caupako comes with 400+ glyphs, which also include multilingual languages. It's perfect for headlines, branding, and many more.

Marphidy Script is a calligraphic script font that features a beautiful changing character, a classic decorative brass script type with a modern touch, designed with high detail to bring the elegance of style. Marphidy Script is attractive as its typography is soft, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many good letter connections. I also offer some vibrant style alternatives for many letters. The classic style is suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make-up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels.

Momoiro is a feminine typeface family, designed for editorial use. "The first case in which appeared a fashion content in a magazine was in 1672 in the magazine Le Mercure Galant, which was a magazine of entertainment and varied content, including fashion. But the first illustrated and specialized magazine was Le Journal Des Dammes Et Des Modes, created in 1797. "(Fashion Trends, 2011). On the basis of this historical period, the creation of typography has characteristics of a Baroque type. "In this category we mainly include the types created in the Netherlands during the seventeenth century and whose protagonists are the punch makers Reinhard Voskens and Christoffel Van Dijck. Baroque typography stands out for its accentuated play of irregular axes and contrasts that permeate the text of great vividness. " Therefore it has contrast in the thick and thin strokes, Roman serifs, humanistic axis. With this typography, we are not looking for a re-reading of the baroque, but rather a current typeface with humanistic characteristics of the handwriting, with a brush as a differential. Momoiro comes in two weights plus italics to cover as much design needs as possible. It compliments from OpenType features such as ligatures, swashes, true fractions, old style numerals and stylistic sets.

Zenoa Display Serif Font Family - They are sharp and sensitive, but connected-oriented. That's why they're designed by incorporating hook glyphs into an elegant serif style. Somewhat high contrast between vertical and horizontal, they reveal the strong individuality of each glyph, so you can create creative layouts. The meticulous design stands out so that readability and individuality can be expressed in harmony. And, these are the special excellences of this font family: Stylish Alternates and Ligatures where calligraphic subtlety is artistically connected. These OpenType features are decorative pleasures of using this font family more functionally. Please check first if the app you are using supports these features. They are easy to use in Adobe apps such as Photoshop and Illustrator. Alternates : A, B, C, D, E, F, G, H, J, K, L, M, N, P, Q, R, S, T, U, V, W, X, Y. Standard Ligatures : ff, fi, fl Discretionary ligatures : Am, Ba, Ca, Ch, De, En, Fr, Ge, Ha, In, Lo, Mi, No, Pa, Ro, Sa, Th, Va, Wo, Yo, an, bi, ck, de, ee, gn, ha,ie, lo, mo, no, oo, pr, ro, ss, st, te, um, ve, we, yo. Supported Languages: Western Europe, Central/Eastern Europe, Baltic, Turkish, Romanian

American Revolution is a unique collection of signatures of 84 key personalities from both sides of the American Revolutionary War, one of the supreme dramas in history. A must-have for autograph collectors, desktop publishers, history buffs, or anyone who has ever dreamed of sending a letter, card, or e-mail “signed” as if by one of these famous Revolionary War figures. This font includes signatures from the following American Revolutionary War personalities, from both sides: Ethan Allen, Charles T. Armand, John Armstrong, Benedict Arnold, Pudhomme de Borre, John Cadwalader, George Rogers Clark, George Clinton, James Clinton, Thomas Conway, William Davidson, Philippe du Coudray, The Chevalier Louis Lebegue dePresle Duportail, Chistopher Gadsden, Horatio Gates, Moses Hazen, John Glover, Mordecai Gist, Nathaniel Greene, William Heath, Edward Hand, John E. Howard, Robert Howe, Isaac Huger, William Irvine, Henry Knox, Baron Johann de Kalb, Tadeusz Kosciuszko, Marquis de Lafayette, Charles Lee, Henry Lee, Andrew Lewis, William Maxwell, Benjamin Lincoln, Francis Marion, James Moore, Daniel Morgan, William Moultrie, Peter Muhlenberg, Alexander McDougall, Lewis Nicola, Lachlan McIntosh, John Nixon, Hugh Mercer, Samuel H. Parsons, Thomas Mifflin, John Paterson, Richard Montgomery, Andrew Pickens, Charles Cotesworth Pinckney, Enoch Poor, Count Casimir Pulaski, Israel Putnam, Joseph Reed, Elisha Sheldon, Arthur St. Clair, William Smallwood, Philip Schuyler, John Stark, Charles Scott, Adam Stephen, John Sullivan, Jethro Sumner, Thomas Sumter, James Varnum, Baron Friedrich Wilhelm August Heinrich Ferdinand von Steuben, Lord Stirling, Artemas Ward, Joseph Warren, George Washington, Anthony Wayne, James Wilkinson, Otho H. Williams, John Paul Jones, William Woodford, David Wooster, John Burgoyne, Sir Guy Carleton, Charles Cornwallis, Sir Henry Clinton, Sir Thomas Gage, Richard, Earl Howe, Sir William Howe, Sir Banastre Tarleton. This font behaves exactly like any other font. Each signature is mapped to a regular character on your keyboard. Open any Windows application, select the installed font, and type a letter, and the signature will appear at that point on the page. Painstaking craftsmanship and an incredible collection of hard-to-find signatures go into this one-of-a-kind font. Comes with a character map.

Hyggemand is not a real word: it is a combination of Hygge (meaning ‘fun’ or ‘coziness’ in Danish) and Mand (which means man in Danish). Combined it means something like ‘Nice Man’. I just like the sound and look of this name, so if I offend Danish languages purists, then I apologise for this monstrosity! ;-) Hyggemand is a happy kids font that comes with extensive language support and a set of alternates for the lower case glyphs. If you want the cute Huggeman face, you will find it as a stylistic alternate for the asterisk.

Amanda Manopo is a calligraphy script font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance. Amanda Manopo Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters. The classic style is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or any type of advertising purpose.

Khalifah Script is a calligraphy script font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance. Khalifah Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters. The classic style is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or any type of advertising purpose.

Antura Script is a calligraphic script font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance. Antura Script is an attractive typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters. The classic style is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or any type of advertising purpose.

This family was inspired from the set of font faces used in Amsterdam by Daniel Elzevir to print the famous “Tractatus de corde...” the study on earth anatomy by Richard Lower, in 1669. The punch cutter was the famous Dutch Kristoffel Van Dijk. In our two styles (Normal & Italic), font faces, kernings and spaces are scrupulously the same as in the original. This Pro font covers Western, Eastern and Central European languages (including Celtic), Baltic and Turkish, with standard and “long s” ligatures in each of the two styles. The Roman (Normal) style contains a U stylistic alternate, and the Italique style A.

Almost every type designer feels the need, from time to time, to interrupt his or her serious work on complex text type systems for something more playful. In Luc(as)'s case this has often meant designing more typefaces. In the early 1990s, while working on Thesis, Luc(as) drew several display faces which were based on the shapes of TheSans but were either de(con)structive versions or experimental variations. Jesus Loves You All is a heretic thorny typeface vaguely based on the outlines of TheSans. Jesus Loves You was given a remarkable three-dimensional treatment in Abbott Miller's Dimensional Type project.

Circulaire is a set of initial caps designed by Sjoerd Hendrik de Roos in 1926, and digitized in 2009 by Hans van Maanen. Unusual serifs, spurs and swashes make for interesting continuity points in the familiarly angled shapes, while adding a unique calligrapher's touch to the beheld forms. As far as initials go, this set contains the extra touch of personality needed to lead into a paragraph, which is preferable to the usual swashed italics that are widely used. Circulaire is available in all popular font formats and includes extended support for a wide variety of Latin-based languages.

Controlled casualness is the watchword in this new handwriting script from the prolific young French designer Éric de Berranger, who also designed the sans serif type family ITC Octone. ITC Berranger Hand has its roots in chancery calligraphy, yet its surface looks like contemporary informal lettering that was written quickly with a felt-tip pen on slightly absorbent paper. The counters of some letters appear to almost fill in from ink spread, yet Berranger Hand is admirably readable at small sizes. The capital letters are restrained, without swashes, so they can be used together in all-caps combinations.

Lempicka is a ligature-rich typeface duo with support for Latin and Greek. Lempicka Display and Small Caps are a pair of light, clean fonts with strong Art Deco character. Lempicka Display has over 150 ligatures and alternates (in Greek, too!), so it's extremely customizable and versatile. Lempicka Small Caps is Display's little sister: the perfect complement for creating hierarchy in a layout.⁠⠀ This is a beautiful typeface for wedding invitations and personal stationery, as well as unique logo design and branding projects. The name of this type family is an homage to Art Deco painter Tamara de Lempicka.