Helena derived her curves from the old Chinese Tangram puzzle. She sure is playful, though sometimes she bites furiously. No worries! Helena may seem to be a tad crazy, but all in good moderation. Don’t go overboard, use her well and I can assure you … she’ll be worth all your effort.

A modern blackletter typeface, designed by combining an old english style & modern style. It can be used for textbook, display text, headlines, logotype, and more. Within support by multilingual glyphs (characters), & lot of punctuations to support many people around the world with their unique languange and accent. Thank you very much.

Carbonara. Nope, it's not the pasta sauce, but a nice, grungy typewriter font, made using a pre-war typewriter, some oil and a stack of old-fashioned carbon paper sheets. You can use it to give your designs some oomph. Comes with a whole bunch of contextual and stylistic alternates.

Illuminations Woodcut is inspired by the decorated initial capitals of Medieval manuscripts… and an old book of clip art in which they were found. Try decomposing them in Adobe Illustrator and coloring the pieces or dropping color into them in Photoshop: you can get some stunning results. Caps and TrueType only.

This display decorative slab-serif typeface, contain reverse contrast which remind the old western style, there are also stencil version available (Invertida St). Invertida font family contain Latin and Cyrillic encoding characters and italic versions are also available too. Open type features can provide more options (stylistic alternates, ligatures, swash, figures).

Say hello to **Serendipity** - A font that you were meant to find, and is now destined to be with you :) An elegant cousin of Saturday Script, Serendipity is a lovingly handwritten brush script , with an air of grace and flamboyancy. **Serendipity** is special in that one word can be written in a million different ways - thanks to the large selection of extra letters that it has built in. It comes with 2 sets of alternate lowercase letters, a set of alternate uppercase letters as well as a set of double letter ligatures - all for you to play with, and make your words look exactly how you need them to look. Perfect for Type-based creations, branding, websites, merchandise, packaging, quotes, invites, greetings and so much more, Serendipity will take you where you need to be. The brush script comes in 2 variants - Regular, and Wide each with its own unique feel.

Introducing Groovy of Love, Thanks for checking out Groovy of Love! A very fun yet elegant script font with lots of energy, it lets you create beautiful handcrafted typography in an instant. With extra curves & twists, Groovy of Love is guaranteed to make your text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, headers, weddings and anything else you can imagine. What's really awesome is that Groovy of Love comes with a full set of lowercase alternatives, which allow you to create more authentic custom-feel text. This type has become the work of true love, making it as easy and fun as possible. I can't wait to see what you do with Groovy of Love! Feel free to use the #Black Studio tag and the #Groovy of Love font to show what you've been up to, I really hope you enjoy it! Thank you!

Be the center of attention through your sophisticated design with the awesome Retrim. It is a display font that portrays cute looks. While it’s easy to read thanks to all-capped characters, there are also distinctive styles or layers for optical effect. Slay your design with Retrim’s best features so you’ll look your best on what ever your design is, all the time. You also get 15 illustrations as special extra that you can use as you wish. Features: Ligatures Multilingual Supports Uppercase and lowercase PUA Encoded Numerals and Punctuation This font would looks great on your branding, logos, social media quotes, stickers, posters, wall art, merchandise, social media, and many more. Get more inspiration about how to use it by seeing the font preview. Thank you for purchasing our fonts. If you have any further questions, don't hesitate to contact us. Happy Designing.

Feast your eyes on Paiute, the sultry script that'll have your design looking hotter than a Vegas summer! This font is so seductive, it'll make your audience swoon harder than when Elvis was at the Sands. The exaggerated top stroke and sharply slanted terminals give Paiute a look that's straight out of the vintage Vegas scene. It's like the Rat Pack meets Marilyn Monroe in a smoky casino bar. Whether you're designing a magazine cover, book cover, or movie poster, Paiute is the perfect choice for that extra touch of va-va-voom. It's like sprinkling glitter on your design - except it won't get stuck in your hair. So why settle for boring fonts when you can make your project stand out like a sequined jumpsuit? Let Paiute help you bring that authentic 1960s Vegas vibe to your marketing. Your audience will be shouting "Viva Las Paiute" in no time!

Introducing Winter Brush is a new font with textured stroke detail, also provided some ligatures and swashes extra. Winter Brush can used for various purposes. such as the title, logo, correspondence, signage, labels, newsletters, badges, t-shirt, etc. Also supports in program, Adobe Illustrator, Adobe Photoshop, Adobe InDesign, Corel Draw X version, Microsoft Word, etc What included: Comes with Uppercase and lowercase characters, large set of punctuation glyphs, numerals, supports international languages, stylistic alternates for several key lower case characters And this Font has given PUA unicode (specially coded fonts). Features: - Winter Brush To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. I hope you all enjoy with this stuff. If you have any question, please contact me Via e-mail : barmawymuchtar@gmail.com I'll try to respond as quickly as possible. Thank you for purchase!

A high lower-case x-height geometric sans with open counters, Regulator Nova is extremely legible at text sizes and in extended settings while the range of weights also make it suitable for headlines. The stoke terminals are all cut at close to 90 degrees, lending a sharp precision to the characters. Alternate versions of the g, j, r, w, K, R, W, # and ampersand are available in both upright and italic, and can be toggled on and off in the Opentype panel or the Glyphs palette. Clean, elegant and legible, Regulator Nova has a classical proportions based on a circumscribed circle and square, and shares structural similarities to early sans serifs such as Rudolf Koch’s Kabel, while adopting more British forms for the M and R. Regulator Nova is an extension and reworking of Regulator, now with extra weights, reweighed italics, Opentype-savvy alternates and a full European character set.

Cursed Stone is a spine-chilling display font that will transport your designs to a realm of dark enchantment. Designed in large letters and with a bold weight, this typeface demands attention and exudes an aura of haunting mystery. Each letter is meticulously crafted with eerie stone texture details, adding an ominous and cursed touch to the font. The large size of the letters enhances the font's imposing presence, making it impossible to ignore. The stone texture details in each letter of this font bring an authentic and sinister feel, as if the font was chiseled from the depths of an ancient cursed monument. These haunting details add an element of mystique and darkness, immersing the viewer into a world of malevolent enchantment. The combination of bold weight and stone texture gives Cursed Stone a rugged and formidable look, evoking images of cursed relics and forbidden ruins. The letters appear to hold secrets from the past, carrying a haunting energy that captures the imagination. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Cursed Stone fits in headlines, logos, movie posters, flyers, invitations, branding materials, print media, editorial layouts, headers, and any horror-themed project. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Hazim is a display font designed with isolated letters. It uses thin white slits positioned within extra bold black space glyphs emphasizing the main visual characteristics of the Arabetic letters in two positions: initial/medial and final/isolated. The spacing widths between glyphs match that of the slits to give a virtual cursive look and feel. The name Hazim was chosen to honor a friend of the designer, Hazim al-Khafaji. Hazim supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It comes with one weight and a left-slanted “italic”. The script design of this font family follows the Arabetics Mutamathil Taqlidi style and utilizes varying x-heights. The Mutamathil Taqlidi type style uses one glyph per every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for each freely-connecting letter in an Arabic text. Hazim includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Hazims’s soft-vowel diacritic marks (harakat) are only selectively positioned with most of them appearing on similar lower or upper positions to make sure they do not interfere with the letters. Kashida is enabled.

Jaleh is a sans-serif font family designed by Naghi Naghashian in tree weights, Jaleh Light, Jaleh Regular and Jaleh Bold. Width of this font family is Extra-expanded; a unique typeface. It is extremely legible even in very small size. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Jaleh supports Arabic, Persian ( Farsi ) and Urdu. It also includes proportional and tabular numerals for the supported languages. Jaleh design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Jaleh’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Jaleh was developed for multiple languages and writing conventions. Jaleh supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Thanks for checking out November Starlight! A lovingly hand-painted script font, fantastically elegant & eccentric with a sprinkle of carefree fun. November Starlight doesn't play by the rules - with extra bouncy characters, long vertical brush strokes and authentic hand-painted edges, it's bound to make a bold statement on anything from greeting cards and invitations, to personalised logos and handwritten quotes. November Starlight consists of 4 fonts; November Starlight • A cursive font containing upper & lowercase characters, numerals and a large range of punctuation. November Starlight Alt • This is a second version of November Starlight, with a completely new set of lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. November Starlight Clean & Clean Alt • Totally clean versions of each of the November Starlight fonts, with all rough brush textures removed. Perfect for specialised printing techniques such as laser & vinyl cutting, or simply for a silky smooth finish to your text. Special Characters are also available for several lowercase letters, with added beginning & end swashes - please see the character map image for a full list. These characters are accessible via software with a glyphs panel, e.g. Photoshop CC, Adobe Illustrator.

Stars & Love is a bold, cursive brush calligraphy font, influenced by retro script style with a friendly rounded look and flourished elegance. It features stylistic alternates, contextual alternates, standard ligatures and terminal forms (beginning and ending characters are a bit different) that ensures multiple options for you to choose from for your design work. This font comes in two instances, a Bottom Heavy and a Regular version. Being friendly yet elegant in its visual presence, Stars & Love is perfect for Love theme designs, premium packaging, stationery design, invitations, posters, logos, custom products and more. The Character set covers most Latin languages. Font Guide PDF Font presentation video For feedback, customisation or extra character request please email me at fonts@rolandhuse.com Font Features: • Latin character set: Uppercase & Lowercase A - Z • Stylistic Alternates (up to 3 Sets) • Contextual Alternates (Initial and Final Forms) • Standard Ligatures • Underline Swashes (Stylistic alternates for underscore) • Numerals & Punctuation • Accented Characters • Symbols (Currencies and basic symbols such as @ # % etc.) Please refer to the Font Guide pdf for more details. To access all features of Stars & Love such as stylistic alternates etc., it's highly recommended to use professional design software such as Adobe Illustrator, Adobe Photoshop, Adobe InDesign or Procreate (via 'add text' feature).

Idiom is an extra-condensed, tightly spaced display face with congruent forms exuding a strong sense of rhythm and elevation. The basic stenciled geometric shapes are reminiscent of the decorative style found with P22 Albers and Futura Black. Careful consideration of each letter's construction, relative to all characters, lends Idiom a decided sense of cohesion and sophistication. The included non-traditional 'weights' (Medium and Bold) are completely blacked out, creating entirely new letterforms that exhibit a very stark, contemporary sense. Increasing the versatility of the Idiom family, a selection of OpenType features allow access to a set of contrasting linear punctuation forms, unconventional ligatures, case-sensitive punctuation and more. Features include: Basic Ligature set including 'f' ligatures (ae, oe, fi, fl, ff, fh, fj, ft, fa, ct, st, rt, ot, ta, sa, mi, si, vi, su, oc, oo, ru, ib) Alternate characters (M, W, T, ß, _, $, @, (), {}, [], /, \, |, -, –, —, +, -, ±, ≤, ≥, , «, », and more) Case forms (shifts various punctuation marks vertically to a position that works better with all-capital sequences, in this case the numerals or letters with ascenders) Slashed zero Full set of numerators/denominators and superscript/subscript Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Bold, muscular, vaguely oriental, Wedge Gothic ML is the original name of this font released by Barnhart Bros. and Spindler of Chicago in 1893. The straight-forward, no-nonsense name tells us exactly what to expect: sans-serif letterforms based on wedge-shaped vertical strokes. The typeface was dropped for awhile -- it does not appear in the 1907 catalog for example -- but reappeared in 1925 as Japanette. What is the opposite of "straight-forward" anyway? According to McGrew, Wedge Gothic was originally created for the Chicago Herald newspaper. The designer is unknown. A distinctive display face, useful when a strong and unusual statement is desired. Wedge Gothic ML features: 1. Glyphs for the 1250 Central Europe, the 1252 Western Europe, the 1254 Turkish and the 1257 Baltic Code Pages. Total of 335 glyphs. 2. OpenType GSUB layout features: pnum, ornm, hist & salt. 3. 66 kerning pairs. 4. Both tabular & proportional numbers. 5. Alternate bullets. The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Phiz is a diverse suite of 28 decorative fonts based on Figgins Sans Extra Bold. Classic (10 fonts), Rounded (7 fonts), Rough (4 fonts) and Particles (7 fonts). The Rough and Particles styles emerge as a unique niche—neither imitating distressed printing (e.g. the “rusty” look), nor casual, hand-drawn styles. These type designs are conceived and executed as complex algorithmically-generated graphic procedures, in which repetitive elements have been artfully applied to the Sans capitals, and manually nuanced. As such they also differ substantially from textured glyph shapes that have been cut out from larger pattern fields, for the constituent particles are disposed in relation to the specific shape of each character they define. The caps-with-small-caps format was chosen for two reasons. Firstly, titling display usage is predominantly capitals, and secondly, rather like optical scaling, having the same resolution of texture available in two different “sizes” (upper and lower case) should prove useful in the hierarchy of page layout—not primarily for setting upper and lower case text as caps-with-small-capitals, although this is of course an option. All figures and major symbols (punctuation and currency) are provided in both cap and small cap height.

Boatman Font – 3 Styles + Extras We introduce our new font called Boatman. Boatman is a (All Caps) vintage display font inspired from classic whiskey labels, vintage labels and sing painting. Boatman comes with 3 styles (Regular, Outline and Stamped) that extends the possibilities when you design something. Boatman also has the Stylistic Set. With the Stylistic Set, Boatman gives you so many options to create something awesome. Mix and match the alternate characters to add an attractive message to your design. Furthermore the Boatman includes a Set of Ornament Labels which perfectly complement text compositions. You can see it on my presentation examples. Boatman is great for Logotype, Branding Design, Logo Design, Badges, Digital Lettering Arts, T-Shirt/Apparel, Headline, Posters, Magazine, Signs, Advertising Design, and any vintage design needs. Boatman Features : - All Caps Characters, Punctuation, Numerals. - Opentype Feature such as Stylistic Set. - Fully accessible without additional design software. - Includes a range of multilingual characters. - Ornament Labels You can access all those alternate characters by using a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyphs : http://adobe.ly/1m1fn4Y

Formabbis is a set of 2 handmade pen markers, designed to be combined perfectly and allows you to create amazing handwriting quickly and easily. Also includes a bonus swash set, ideal for giving your text the final touch of tactics! Formabbis comes with upper and lower case characters, large sets of glyph punctuation marks, numbers, and supports international languages. Alternative styles for some lowercase key characters are also available. To enable OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Formabbis Script is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. Thank you very much for searching and tell me if you have questions.

We proudly present Authentic Photograph just for you. This is a font that really characterizes from the handwritten style. This font is crafted carefully in every its single scratch, created to look as close to a natural handwritten script so that it can create the perfect combination on each glyph. When we make this font, we really want to create a touch that is so free-flowing that it gives a natural impression on its use later. For example, if you want letter 't' that has a flow sketch with letter 't', you can find it in 'tt' ligature glyph (just type in the text form below for trying). So if you really want a so natural and flowing touch in your project, Authentic Photograph gives you Natural Ligatures (combining of two or more letters in a glyph), Alternates, Extras (19 Swashes) and included Multi-lingual Support. Authentic Photograph is a signature font and obviously it's so authentic :) Authentic Photograph offers beautiful typographic harmony for your design projects diversity e.g. logos & branding, social media posts, advertisements, product designs, quotes, watermark, photography, poster design, magazine, stationery, or simply as a stylish text overlay to any background image.

Say hello to VARIOUS! Completely unique and custom font with a 00s style, inspired by vintage and hand-painted retro signs :D Various is a font with a delightful retro touch perfect for capturing the essence of the 60s, 70s, 80s, 90s, and even Y2K designs! Its unique characteristics will transport you to those iconic eras, adding a nostalgic vibe to your creative projects. Various come in two versions - Regular and Outline. With two different style fonts, you can easily create eye-catching designs without any extra effort This font is perfect for a retro 00s theme and can be used for cover magazines, brochures, logos, headlines or quotes, stand-alone displays, and short paragraphs or content. Each font in the family is dynamic and authoritative on its own, making it perfect for any display project. What do you get? Various Various Outline Alternates and Ligatures Instructions ( Access special characters, even in circuit design ) Letters, numbers, symbols, and punctuation No special software is required to use this typeface even work in Canva Multilingual Support Let Various take you on a journey through time Enjoy your day! Dharmas Studio

Choosing the right display font can make your designs look more attractive and stunning, so that your designs gain more popularity. This is the Strawberry Junkies for you. It is a rather circled display font of which prone circled letters express soft, fun nuances in order that the company becomes more easily recognized by customers and audience. This font’s main characters are the consistent geometry, proportion, and line thickness on every letter to make it legible for big text sizes. In addition, Strawberry Junkies provides an extra clipart as a special bonus. Furthermore, you can enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Strawberry Junkies fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Shelflife is a display typeface with some extras under the lid. It features all the Standard Open-Type features you'd expect, like Class Kerning and Ligatures, plus some other useful additions and of course accented characters for most European languages and others. In essence it's an easy-to-read headline font with clean lines and a bit of character. There's an outline version that can be layered with the standard version to give the shadow effect seen in the accompanying graphics, simplicity itself to do. There's boxed headlines for SALE, SPECIAL, DISCOUNT (20 in total) all ready-made, plus some which can be tilted at an angle, and done automatically - just easily typed in; easy-to-do bullet numbers; a choice of square or rounded dots on j,ffi, and so on in Stylistic Alternatives; and shorter alternatives for U and N with accents. Details are included in the zip files. The zip file will contain both the OTF and TTF versions of the font. Install only one version, either the OTF or TTF, but not both - otherwise you will get all sorts of incompatibility issues and problems.

Introducing Slothy Jelly! A fun font for everyone. Slothy Jelly is a cute handwritten font that has fun and happy characteristics. This font is authentically handwritten with the marker pen for a consistent look. This font also has alternates so you can mix and match the letters and make it more fun! For some extra hand-drawn cuteness, this font is also thrown in a bonus font with symbols like emojis, hearts, underlines, arrows, and circles - and drawn with the same pen to perfectly go with the writing. So it will help to make your design more cute and happy. This font is suitable for branding, posters, children's books, magazines and others. Your download will contain the following fonts such as Slothy Jelly Regular - a pretty and cute handwritten including a set of uppercase, lowercase, alternates, ligatures and multilingual support. Slothy Jelly Symbols - a dingbat font of many hand-drawn elements These fonts will work in any program, but please note that the alternates and ligatures of the font can only be accessed on software that supports OpenType features. Thank you for your purchase! Hope you enjoy this font

Mynaruse Royale is an expansion of Mynaruse Titling. It features script capitals and widely tracked and smaller titling capitals. Mynaruse Royale has plenty of character and, with its powerful and sharp serifs it draws in the eye. Mynaruse Royale is useful in settings that call for titling with an extra touch of elegance, such as a storefront, wedding program or formal invitation. Mynaruse Royale contains a number of OpenType alternates, including alternate forms for the capitals that are large, drop cap like capitals instead of the calligraphic script capitals found in the default forms. Additionally, there are non-widely tracked lowercase forms that work well with the included alternate characters and ligatures. The lowercase forms are 80% smaller in height than the Mynaruse lowercase forms, so the families are not interchangeable, but they can be used together. The calligraphic script capitals could also be used separately as drop capitals. OpenType-capable applications such as the Adobe suite or Quark can take full advantage of automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of latin based languages.

For best results, use of OpenType features is strongly recommend. This font is inspired by Johannes Janssonius, well know as Jan Janszoon o Jan Janssonius (Arnhem, 1588 – Amsterdam, 1664), was a Dutch cartographer, publisher and engraver. Married to Hondius's daughter. He was the author of many masterpieces of cartography of the 1700s like Willem Blaeu and Hondius, famous maps with heavy use of decorations in the letterig to fill the spaces of oceans, seas, lakes and scrolls. Now you can easily recreate not just ancient maps without effort, but you can use this font creatively, to make unique, modern logos, product names, fresh packaging, hip fashion outfits, refined labels, signs, coordinated images ... Hundreds of alternatives to choose from and maybe to combine with other fonts in an original way. One extra font with 27 castles in Janszoon style are also usefull for map, of course, but also for many different creative artworks. Warning: Jannson Map having oversized swashes compared to the normal standards cannot be used with Windows Word because Word does not give the possibility to manage the line spacing professionally. Jannson Map works great with applications like Illustrator, In Design, quark Xpress, mac Text etc ...

The typeface Typewriter 1950 Tech Mono is designed for the Typo Graphic Design font foundry in 2017 by Manuel Viergutz. A display slab serif type for headlines. Based on an old typewriter machine from 1950. Plus state-of-the-art OpenType-features like contextual alternates (calt), decorative ligatures e. g. type the word “LOVE” for ❤ and the word “SMILE” for ☺ and Versal Eszett (German Capital Sharp S). For use in magazines, posters, headlines and advertisement, plus as webfont for decorative headlines. Character Set: Latin Extended (Adobe Latin 3). 1490 glyphs with 5× A–Z, 5× a–z, 5× 0–9 and 290+ extra icons like arrows, dingbats, symbols, geomatric shapes, catchwords and many alternative letters. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! How To Use – OpenType-Features ■ In Adobe Photoshop and Adobe InDesign, font feature controls are within the Character panel sub-menu → OpenType → Discretionary Ligatures … Checked features are applied/on. Unchecked features are off. ■ In Adobe Illustrator, font feature controls are within the OpenType panel. Icons at the bottom of the panel are button controls. Darker ‘pressed’ buttons are applied/on. ■ Additionally in Adobe InDesign and Adobe Illustrator, alternate glyphs can manually be inserted into a text frame by using the glyphs panel. The panel can be opened by selecting Window from the menu bar → Type → Glyphs. Or use sign-overview of your operating system. ■ For a overview of OpenType-Feature compatibility for common applications, follow the myfonts-help http://www.myfonts.com/help/#looks-different ■ Font Name: Typewriter 1950 Tech Mono ■ Font Weights: Regu­lar + Negative + Black + Mono + Icons + DEMO (with redu­ced glyph-set) ■ Font Cate­gory: Slab Serif Dis­play for Head­line Size ■ Font For­mat:.otf (Open­Type Font for Mac + Win) + .ttf (True­Type Font) ■ Glyph Set: 1490 glyphs ■ Lan­guage Sup­port: 28+ for Latin Exten­ded (Adobe Latin 3). Afri­kaans, Alba­nian, Cata­lan, Croa­tian, Czech, Danish, Dutch, English, Esto­nian, Fin­nish, French, Ger­man, Hun­ga­rian, Ice­lan­dic, Ita­lian, Lat­vian, Lithua­nian, Mal­tese, Nor­we­gian, Polish, Por­tu­gese, Roma­nian, Slovak, Slove­nian, Spa­nisch, Swe­dish, Tur­kish, Zulu ■ Spe­cials: 290+ deco­ra­tive extras like icons for arrows, ding­bats, emo­jis, sym­bols, geo­me­tric shapes, catch­words + Ger­man Capi­tal Eszett. ■ Open Type Fea­tures: Kerning (kern), Sty­listic Set 1 (ss01) … Sty­listic Set 6 (ss06), Ornaments (ornm), Titling (titl), Loca­li­zed Forms (locl), Sub­script (subs) Super­script (sups), Ordi­nals (ordn), Old­style Figu­res (onum), Lining Figu­res (lnum), Frac­tions (frac), Deno­mi­na­tors (dnom), Nume­ra­tors (numr), Stan­dard Liga­tures (liga), Con­text­ual Alter­na­tes (calt) e. g. Sty­listic Set-Loop and Deco­ra­tive Liga­tures (dlig) e. g. type the word “LOVE” for ❤ or “SMILE” for ☺ ■ Design Date: 2017–2018 ■ Type Desi­gner: Manuel Vier­gutz

A friend once jokingly told me that what I really do is mine extinct arts for parts to use in modern things, like going to the scrapyard to pick up bumpers, quarter-panels and dashboards off of Datsuns and Ponies to build a shiny new Ferrari. I still kind of grin at that, but I certainly do spend a lot of time looking at old things and imagining ways they would work today. This shiny new Ferrari here is called Bibliophile, and it contains scrap heap parts from various pages by Louis Prang, the Prussian-American printer and publisher who inspired my Prangs fonts. This is my second engagement with the late 19th century man, and it’s quite a bit more intricate than just an italic Didone with a connected lowercase. Bibliophile marries Round Hand calligraphy with Italian capitals, two styles not often relayed in the same alphabet, but work together beautifully when combined well. When you combine them well with a few long-practised tricks of the trade, then mix in a few trusted features from my previous work over the years, you get my usual crazy exuberance, like 17 different shapes for the d, 21 different forms for the y, endings, beginnings, swashes, ornaments, and so on. It’s no secret that I can get carried away when I’m so consumed by an idea. — Bibliophile comes in 2 weights, each of them with over 900 glyphs covering all the latin languages. Bibliophile also comes with a bold weight, something I’m always reluctant to do with something as adventurous and complex as the structure of this historical mashup. But I couldn’t chase away the idea of increasing the contrast while maintaining the hairlines in a lowercase this narrow. Part of it was the curiosity about the outcome, and part was the sheer challenge of it. I think it turned out OK. Words set in either weight will show delicateness and elegance, and the more time you spend inside the font and micro-manage the setting, the more ways you will find to magnify either. Bibliophile can be as muted or luxurious as you want it to be. This is the kind of alphabet that fits well in fashion marketing and high-end packaging, from the very subdued to the super-exquisite. Enjoy the gleaming new vehicle made with freshly polished old parts.