Introduced by the font foundry C.E. Weber in 1951 and 1955, Delphin was designed by Georg Trump and cut by Egon Graf. Its lower case letters have a handwritten feel which contrasts nicely with the straighter, relatively small capitals. Delphin has a lyric character particularly suited for poetic texts.

Designed by Ashley Havinden, Ashley Inline is a monoweight all-capitals typeface with a hand-crafted look, suggesting European decorative wood-cut letters from the twenties and thirties. The term inline refers to the fine reversed-out line in the centre of the characters of the Ashley Inline font.

This typeface is Mergenthaler Linotype’s unlicensed version of Futura, copied weight by weight from Bauer. It was produced in 1939 when Metro failed to gain a significant share of the market, and was later adopted by ATF. The small sizes of Book and Heavy cut for classified are original.

Potpourri was based on an energetic alphabet written by expert calligrapher Gottfried Pott. To create the elegant yet rugged strokes, Pott cut a pen with a unique fringed tip — from a drinking straw! He then produced an huge series of drafts before deciding on the final alphabet for digitization.

Unearthed by our friend Dimitris Karaiskos in an antique shop in Vienna, we digitized it and added more glyphs. Blitzplakat is the name of this pre-Letraset system, where you could make your own little advertising posters by cutting out these letters and sticking them on paper like stamps.

Signboard JNL is based on die-cut cardboard display lettering once made by the Duro Decal Company (now Duro Art Industries) of Chicago, Illinois. Available in various sizes, these letters and numbers could be affixed to a number of different surfaces to make affordable signs, displays and show cards.

Obsession has taken me completely in its spell. I could go on forever creating new forms for this script. But I have other fonts to do, so this is as far as my obsession goes for the moment. There are six different cuts and all letters can be mixed.

Introducing MBF Reute, a cutting-edge font that redefines modern typography. With its squared, minimalist design, this typeface strikes a perfect balance between rounded warmth and sharp precision. Clean lines and a contemporary aesthetic make MBF Reute the go-to choice for a sleek and versatile visual language.

Decorative heritage font with family tree design.

Decorative heritage font with family tree design.

Cut as a private version for the Nonesuch Press in the early 1930s, Monotype Bulmer was first released for general use in 1939. Based on types, cut by William Martin circa 1790, used by the Printer, William Bulmer, in a number of prestigious works, including Boydell's Shakespeare. Martins types combined beauty with functionality. Narrower and with a taller appearance than Baskerville, it anticipated the modern face of Bodoni but retained vital qualities from the old face style. This new digital version of the Bulmer font family was drawn by Monotype following extensive research into the previous hot metal versions and a study of Bulmer's printed works. Additional weights have been designed together with a wide range of Expert and alternative characters.

Geogrotesque Stencil is a member of the popular Geogrotesque family, and despite being thought as a display typeface, it goes one step further and tries to solve some of the typical problems with stencils fonts. Geogrotesque Stencil comes with 3 widths of cut (A, B and C). These cuts not only allow a better performance when printing at different sizes, you can also move across versions A, B or C in accordance to the rigidity of the material used. The family consists of 42 styles, 7 weights with 3 versions each plus italics, all of them in Open Type format including ligatures, tabular figures, fractions, numerators, denominators, superiors and inferiors with support for Central and Eastern European languages. For more details see the PDF.

Nature Stencils JNL brings together a number of vintage decorator stencils with bird and flower motifs (along with individualized elements from the original designs). These home decor stencils were manufactured by the Huntington Oil Cured Stencil Company somewhere around the early 1950s. Originally located in Huntington, New York, the company later relocated to the South Florida area, but there is no additional information found about the company's background.

Bright Orchid is a Bold Handbrushed Font. Bright Orchid is perfect for product packaging, branding project, megazine, social media, wedding, or just used Bright Orchid has multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Melts Script Rough by Estudio Calderón is the textured version of Melts Script. It has a texture design in high definition that runs very good in any size and concepts. Good news! It includes a free version of “Melts Script Rough Sanscript One”. Specimen

Resotho is a geometric sans serif (uppercase) family. It comes in 18 weights, 9 uprights and 9 italics. Perfect for graphic design, branding, packaging design but very versatile. Language support covering Western, South, and Central Europe. The Extralight & Extralight Italic weights are free of charge.