The name Reallova comes from the idea of true love. Love your great work! Captivatingly display, Reallova provides a bold touch, lots of fun, and brush effect that will add a natural look to your design. This font is very suitable for book titles, posters, quotes, t-shirt designs, logo types, templates, banners, flyers, headline titles, and more. Reallova supports in 23 languages, including: Afrikaans Albanian Catalan Croatian Czech Danish Dutch English Estonian Finnish French German Hungarian Icelandic Italian Norwegian Polish Portuguese Slovak Slovenian Spanish Swedish & Zulu. The benefits of Reallova: - Simple installation - Support for MAC and PC - Can be used in a variety of graphic software: Adobe Illustrator, Photosop, Corel Draw, and others. - Natural texture - MültÎlÌñgûål Súppõrt (23 languages) - PUA Encoded - Ligatures

The M XiangHe Hei Simplified Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces Tazugane Info (Japanese) and Seol Sans (Korean). M XiangHe Hei is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Simplified Chinese.

Brownhill Script is hand written fonts set . Very cool for logos, name tag, handwritten quotes, product packaging, merchandise, social media & greeting cards. And very easy to make design t-shirts and other products. Very save time in making the design of a product. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support. What's Include : Brownhill Script Brownhill Script Swash 3 sets of lowercase letter 2 sets of uppercase letter Bonus Swash Multilingual support To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. If you have any question please do not hesitate to contact me. Thank You!

Macahe is a modern slab serif with dynamic and irregular shapes. It comes with 7 weights, 3 widths and matching (true) italics. The typeface was inspired and name after the city I was born (Macaé-RJ, Brazil), turning the mixture between nature/beach life and the chaotic urban growth into typography. The options (weight, width and true italics) make the font useful both for web and print in multiple occasions; think websites, posters, logos, signage, packaging and etc. Macahe covers multiple languages, including a wide range of Latin and some Cyrillic languages. It also includes a full range of numerals (included old style figures, numerators, denominators), small caps, standard & discretionary ligatures and stylistic alternates. Those features and variations make Macahe a useful tool for any graphic designer.

In spite of its name, this font family embodies the ultimate classic modern advertising typeface, rather than concern itself with revivalism or Didone authenticity. Naturally the spirit of the original Didot faces still exists in this family, but over twelve years of work on it have made it more fitting to the luxurious expression of our day and age, rather than nineteenth century Europe. Upscale and stylish, Didot Display is an essential tool for any designer involved in magazines, books, tasteful music, or overall luxury packaging that requires clean and large classic typography with an unmistakable modern spin. We recommend the use of Didot Display at 48 points and over. For 12-48 pt. use, check out its sister family, Didot Headline.

This time I touched another classic manuscript for my font. The Lindisfarne Gospels is an illuminated manuscript probably produced around the years 715–720 in the monastery at Lindisfarne, off the coast of Northumberland. It’s the work of a monk named Eadfrith. He was a highly trained calligrapher, and he used insular majuscule script in the manuscript. I’m happy to present you the Regular and Colored styles for your design. --- You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ Please note that the Canva & Corel & Affinity doesn't support color fonts! --- You’ll get: * Initials & Regular styles * Uppercase and lowercase * Multilingual support * Numbers * Symbols * Punctuation * Ligatures Please feel free to request any help you need: kaer.pro@gmail.com Thank you!

Lately I have been thinking about rabbits. Not that I have a particular love for rabbits - they’re cute, but also kind of stupid. But as Christmas dinner is approaching, I see more rabbit carcasses lining the shelves of supermarkets. These poor animals never saw the light of day, never felt the grass between their paws and never had a ‘true life’. In honour of the hundreds of thousands of rabbits being slaughtered for Christmas this year, I have named this font: Rabbit Escape. Rabbit Escape is a slightly back-slanted typeface - handmade with a permanent marker I bought in Japan. It is quite unusual, maybe a bit weird, but it will serve you well. Comes with a generous stuffing of diacritics.

These are the letters I doodled in the margins of my high school notebooks. As it turns out, a man named Milt Glaser doodled them first. He doodled a lot of other amazing things too. Mr. Glaser called his blocky alphabet Baby Teeth. I think the type looks better when it says Surfside, so that's what I called my incarnation. This version has been digitized and expanded, and is available for Mac and PC. These letters remind me of the 80s and the 90s, of Gotcha shorts, Ocean Pacific shirts and fluorescent windbreakers. Surfside matched my Airwalks. They're big and bold. Clunky and funky. Spices up words. Makes 'em look great! Surfside is cool and available for a low low price... scoop it up today!

Fruitygreen is Indonesian designer Andi AW. Masry's second typeface following Coomeec™. Idiosyncratic but appealing forms are the signature feature of Fruitygreen™ and provide this new typeface with its truly distinctive character that you can utilize for your projects - and not just in headlines. The unique forms of fruits are not only individually fascinating, but are just as captivating when they are brought together, for example as decoration on a dining table. For Masry, these can be compared with an alphabet whose letters spell out in combination different words and with this as his inspiration, he based his designs for Fruitygreen on the versatile forms of fruits. However, it was not the whole fruits as such but rather small sections of their curves and ends that he decided to use. It is not only because of the characteristic line terminals that the rounded characters of Fruitygreen seem at first glance reminiscent of a brush-written calligraphic typeface; these are traces of the creation process, in which Masry used a digital brush. At the same time, Fruitygreen is by no means simply a brush font. Its dynamic characters reference biological forms and there is definitely something amoeba-like about them, particularly in the bolder variants, and they exude the same serenity and harmony that is inherent to organic structures. The many unconventionally shaped characters also provide for optical contrast. There is, for example, the very scaled down g", the open "q" and the lowercase "r", which has the form of the capital letter. Other letters, such as the sinuous "k" and the rounded uppercase "F" impart an exotic touch to Fruitygreen. Similarly remarkable is the "@", that has only a semi-circle. Available to the designer are other characters that can be used to accentuate a design, such as swash capitals and numerous ligatures. And, last but not least, there are also various numeral sets with oldstyle and lining figures for setting proportional text and table columns together with a selection of symbols, such as arrows and, appropriately, fruits. "

Longwood JNL is a condensed Roman typeface based on wood type examples. The nonconforming line and curves make this a unique font that can replace any of the "traditional" type designs used for titling.

Kohaku Monoline! A Monoline font with a Japanese style. With thin strokes and an extraordinary curve, Kohaku Monoline is perfect for branding projects, cool text, product packaging - or simple style for your poster text.

ArgonType is the first commercial font produced by Vic Fieger. It features thick vertical strokes, soft curves, and incomplete loops. It was designed to be used as an alternative for serif fonts where appropriate.

This is a modern font with a new interpretation of the classic font. It has sharp serifs, delicate hairlines, and beautiful curves that will make your typographic work look vinegar-lidded, stylish, and sexy.

Arcato is a font family shaped from spherical curves inspired by celestial bodies. It supports 114 languages, features a total of 508 glyphs and includes an italicized version for each of the 5 weights.

Keanu is a display sans serif square typeface, with a strong visual impact. Defined by its dramatic squaring with curved strokes, this typeface is perfect for headings, signage systems, interface designs, branding and more.

Magemin is an elegant and bold serif font. It is defined by smooth curves and is perfect for fashion branding or editorial designs. Add it confidently to your projects, and you won’t be disappointed.

Fringio is a fun-loving sans-serif display font. Key characters are formed with curved, flowing lines, resulting in some pleasing word forms. Fringio is great for branding, headlines, signage, social media and more.

My intent in designing Young Gallant was to create as simple and elegant a formal script as possible. It was developed to illustrate my new book Learning Curves discussing the essence of formal script.

Sleepy Head is a comic sans serif with slightly geometric curves, Perfect for anything that has the need for a casual display font. Comes with 5 different versions of each letter and multilingual support!

The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch sources, so Caslon was influenced by the characteristics of Dutch types. He did, however, achieve a level of craft that enabled his recognition as the first great English punchcutter. Caslon's roman became so popular that it was known as the script of kings, although on the other side of the political spectrum (and the ocean), the Americans used it for their Declaration of Independence in 1776. The original Caslon specimen sheets and punches have long provided a fertile source for the range of types bearing his name. Identifying characteristics of most Caslons include a cap A with a scooped-out apex; a cap C with two full serifs; and in the italic, a swashed lowercase v and w. Caslon's types have achieved legendary status among printers and typographers, and are considered safe, solid, and dependable. A few of the many interpretations from the early twentieth century were true to the source, as well as strong enough to last into the digital era. These include two from the American Type Founders Company, Caslon 540 and the slightly heavier Caslon #3. Both fonts are relatively wide, and come complete with small caps, Old style Figures, and italics. Caslon Open Face first appeared in 1915 from the Barnhart Bros & Spindler Foundry, and is not anything like the true Caslon types despite the name. It is intended exclusively for titles, headlines and initials, and looks elegant whether used with the more authentic Caslon types or by itself.

Diotima Classic is a total upheaval for the 21st century of Gudrun Zapf von Hesse's mid-20th-century Diotima, one of the most beautiful types ever cast in metal. Its roots lay in a calligraphic sheet written by Gudrun Zapf von Hesse. The text was the Hyperion to Diotima" by Friedrich Hölderlin; Diotima is the name of a Greek priestess in Plato's dialogue about love. In the philosopher's imagination, she should appear slim and beautiful. In 1948, Gudrun Zapf von Hesse finished the typeface's Roman. The Diotima family was released as a metal typeface for hand setting by D. Stempel AG in 1951-53. This original Diotima is a festive design particularly suited to invitations, programs, and poems. The delicate Italic drew attention to text passages that should be emphasized. Linotype's previous digital Diotima only had one weight, which looked great in display sizes, but was too thin for text setting. Diotima Classic has four weights. The new Regular has more robust serifs and thicker hairlines, making it more appropriate for text sizes. The Diotima variation with finer serif remains under the name Light. Gudrun Zapf von Hesse also took the opportunity in 2008 to add an extremely heavy weight to the family. In comparison to the old Diotima, letterforms of the Diotima Classic are more harmonious and balanced. The rhythm of the Italic letters in Diotima Classic is more consistent. The lining figures of the Diotima Classic align with caps, and the letter spacing of the tabular lining figures in Diotima Classic is significantly better. The forms of the figures have been improved as well."

The Arabetic Sans Serif type family follows the guidelines of the Mutamathil type style but also illustrates the effects of adding and removing Latin-like serifs on Arabetic scripts legibility. It has only one glyph for every basic Arabic Unicode character or letter as defined in Unicode Standards version 5.1. Arabetic Sans Serif employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph’s isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Arabetic Sans Serif family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular, italic, bold, and bold italic styles.

Gessetto is an extensive chalk font family, containing script, sans, roman, figures and ornaments. One of the things most charming about chalkboard lettering is the variation; in both texture and style. Our goal was to achieve a real chalk effect using the varied typographic genres in a digital format. With flexibility and control for the designer in mind, we built a digital chalk toolkit. The script is a fusion of Italic Roman and cursive, it contains swashy alternates for each capital letters with some long and extended flair on some ascendent and descendent letters. An all caps high contrast sans is in 5 complimentary styles. The Roman is precisely proportioned and maintains elegance while being bold. There is a set of Figures and ornaments. Gessetto is perfect to grab attention on signage, print advertising and editorial applications like book covers, but suits branding applications too. The diverse styles and subtle handcrafted textures in this display type family will well serve any designer looking for the authentic chalkboard aesthetic. We recommend to combine Timberline with: Turquoise

Freehand is a type system designed by Debora Manetti and Francesco Canovaro to emulate the natural appearance of handmade brush writing. Open type ligature substitutions are used to randomly alternate between different versions of each character to give the final output a realistic, uneven look. The main typeface of the system is a wide freestyle brush cursive, featuring over four hundreds of alternate version for characters and double letter ligatures. A "brush easy" version is included without the substitutions if you need more consistent look in your design and better control over letter variation through the glyph panel. The two freehand brush weights are complemented by two sets of icons of matching style, one for ui design with navigation icons and one with food icons. The system also includes a blockletter family in two weights, to be used together with the other fonts to create variation and contrast in your design. Freehand covers over 40 languages that use the Latin alphabet, with a full range of accents and diacritics.

CF Cozyscript is an even weighted connecting script. Created in the spirit of the Old Grade School cursive chart seen above the blackboard in the front of the classroom. Giving students a constant visual reference of the smooth flow of Caps and Lower case script. Neither formal nor casual but a combination of both styles. Cozyscript is currently available in 3 styles: Light, Medium & Rounded. The Light & Medium styles are best suited for Invitations, Notes, Advertising, Personal Letters, and Sensitive Subjects such as Movie Titles, Biographies, Wedding paraphernalia, etc. The Light & Medium Glyphs finish in squared-off ends, whereas the Rounded version is slightly bolder than the Medium version with rounded ends resembling a tubular look. The Rounded version lends itself to effective use in Sports, Music, and Advertising, Graphics, Signage, Branding, Neon effects, Logos, Titles, and Packaging. With over 300 glyphs applicable in over 100 languages, Cozyscript is available for use! Cozyscript is CozyFonts Foundry's 17th Font Family released and 2nd script font by Tom (Cozy) Nikosey, California Designer.

Centro Slab Press: Specimen Manual PDF Ever since its first release, Centro Slab has been particularly popular with corporate applications, branding and print media. The new Centro Slab Press version was redesigned with narrower proportions which are better suited for publications such as magazines and newspapers as well as web applications. Centro Slab Press is a very clean and legible typeface even at heavier weights, a characteristic which is not often seen among slab typefaces. This is part due to the fact that Centro Slab Press is not overpowered by clumsy serifs. Instead it incorporates semi-slabs which provide comfortable reading without compromising its modern profile. The italics are narrower than the romans and incorporate beautiful cursive characteristics. Each style consists of 659 glyphs with several opentype features and an extended set of characters which support more that 100 languages such as those based on the Latin, Greek and Cyrillic alphabet. The family is composed of 16 styles from ExtraThin to UltraBlack along with their italics. All weights were meticulously hinted for excellent display performance on the web.

Chancery Lane is a condensed cursive with a breezy, flowing feel. Many of the lowercase characters join up, some uppercase ones too, and the two fonts are slantier than many other chancery-inspired faces, inclined at almost 20°. Each glyph has slightly rounded corners to bestow softness and warmth. The typeface emerged from a study of pen lettering, italic scripts and chancery hands – down a rabbit hole and along the Chancery Lane. The research ranged from early cancellaresca manuscripts to contemporary fonts, and also calligraphic work, most notably that of Indian artist Mayank Baranwal whose lowercase letters inspired many of the Chancery Lane glyphs. Uppercase characters have been designed to harmonise with the lowercase rather than providing overly ornamental openers, true to origins that were functional rather than fancy. Both the capitals and the uppercase alternates are unfussy and relatively simple, and the lowercase swash characters are similarly understated, only modestly flourished. Stylistic alternates and lowercase swash characters can be accessed using OpenType-aware applications or font management software.

The Arabetic Serif type family follows the guidelines of the Mutamathil type style but also illustrates the effects of adding and removing Latin-like serifs on Arabetic scripts legibility. It has only one glyph for every basic Arabic Unicode character or letter as defined in Unicode Standards version 5.1. Arabetic Serif employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Arabetic Serif family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular, italic, bold, and bold italic styles.

Introducing Meisuer – Handwritten Font A Delightfully Cute and Fun Script Meisuer – Handwritten Font is more than just a font; it’s a charming and whimsical script cursive typeface that brings a cheerful and playful vibe to your designs. Irresistibly Cute Meisuer is undeniably cute; each character exudes cuteness with its endearing strokes and whimsical swirls. It’s perfect for creating designs that radiate positivity and cuteness, making it impossible to resist. Infusing Playfulness Furthermore, this font effortlessly injects playfulness into your projects. Whether it’s greeting cards, invitations, or children’s books, Meisuer adds a touch of joy and lightheartedness that takes your design to the next level. Versatile Cheerfulness Meisuer’s versatility shines in various design applications. Its friendly appearance appeals to all age groups, making it a go-to choice for cheerful projects that need to reach a wide audience. In Conclusion In conclusion, Meisuer – Handwritten Font is your ultimate tool for creating designs that are cute, fun, and filled with cheerful vibes. Embrace the whimsical charm of Meisuer, and infuse your projects with a delightful playfulness that captivates hearts and brings smiles to faces.

Sometimes a sans serif just needs a sister. Meet Mamirolle! A geometric wedge-serif companion to Mimolette! (OR is Mimolette the sans serif companion to Mamirolle.... hmmmmm....) Mamirolle, like her sister, is great for text and display alike—she's super-readable AND super-legible, and her different weights lend themselves to creating clear contrast in your textual hierarchy! And she's got some nifty features, too! Mamirolle has a two-story a and g in the upright versions, but if you want a one-story a and g, just turn on Stylistic Set 01! Her italic is a true italic, not just an oblique. Want more playful cursive alternatives in the italic? Activate Stylistic Set 02, and you've got them in the A, E, K, Q, R, and k. She's got true small caps in all styles! She's got true fractions in all styles, as well as oldstyle (small cap) and lining numerals, in both tabular and proportional widths. Best of all, perhaps, Mamirolle was made with love, as always, by yer pals in the Ampersand Forest.

Not to be confused with the prolific, 1980s British super-star graphic and type designer Neville Brody, this brush script typeface was designed in 1953 by the American type designer Harold Broderson. Broderson worked for ATF (the American Type Founders), who were the original publishers of this design. Body is a brush script face that mimics the show card style of lettering, which was very popular throughout the United States during the first half of the 20th Century. The letters appear as if they were drawn quickly and spontaneously with a wide, flat lettering brush. The lowercase letters connect to each other, cursive script style. Brody is the perfect display face to provoke a nostalgic feeling for the 1950s. Anything having to do with apple pie, home cooking, or last minute sales would look great in this face. You could outfit a whole supermarket signage system in a snap with Brody. If you need the original version with more lettered characters then Brophy Script is a good alternate,

Go back to a time when the Mediterranean coastline was truly glamorous, when stylish women and men in wire-framed glasses listened to Domenico Modugno songs on the radio while sipping wine in sidewalk cafes. A relaxing summer’s day, a gentle sea breeze, taking the time to write a postcard to your loved ones in your best handwriting. The 1950’s may have come and gone, but the elegance and simplicity of that classic style has not, Mina keeps the feel of calligraphy, the long connections between letters is elastic, the clean, thin lines, it is a relaxed cursive ideal for logotypes, titles, and lettering. There are eleven Mina font styles and many loops to choose from to customize any letter. Bring the seaside glamour of a bygone era to your projects of today with Mina. Ranging from light to heavy, Mina Calligraphic, and Mina Shadow, this family of fonts work perfectly separately but you can also achieve beautiful results when combining them. Check out also Mina Chic We recommend to combine Mina with: PestoFresco Turquoise

Young, playful, loopy, flirty. Flirt Script® carves out a niche for itself by concentrating on natural writing tendencies and not the simplified mechanics of script-to-font type design. A free-flowing monoline, the two weight typeface exploits the common letter-to-letter transitions of the typical cursive hand by utilizing three variable-height strike points controlled within the machinations of OpenType Contextual Alternates. The ease of writing (and the decisions made from letter to letter) is reflected as the structure and cadence of the writing evolves as the user types. To see it in action, click here USE CONTEXTUAL ALTS Flirt Script® is equipped for complex, conscientious, professional typography. As an exclusively OpenType release, these fonts feature over 2700 glyphs and an extended character set to support Central and Eastern European as well as Western European languages. So, to really let the font perform for you, be sure to have Contextual Alternates activated. Flirt Script® received the “Certificate of Excellence in Type Design” at the TDC2 (2014).

Mosquito Formal, by Éric de Berranger, takes the original jaunty design of Mosquito and dresses it in a tuxedo. The stressed character strokes, simple, straightforward shapes, relatively large x-height, open counters and hint of Peignot are still there, but the cursive strokes and lively terminals have been replaced with traditional designs. The result is a more serious-and more sophisticated typeface. The idea," says Éric de Berranger, "was to assuage the drawing of Mosquito. To 'calm' it; and eliminate its idiosyncrasies while preserving character structure and general appearance." Although still distinctive, as Éric de Berranger puts it, "Mosquito Formal is more to be read than seen, it is more invisible and thus, more readable than my earlier design." He does, however, use both typefaces in his graphic design projects: Mosquito for headlines and in applications where the lively design is appropriate, and Mosquito Formal for those instances that require a quieter more sophisticated look. Mosquito Formal is available in three weights with complementary italic designs in addition to a suite of small caps and old style figures. "

Introducing Guyon Gazebo, the luxurious display font that will elevate your designs to new heights. Get ready to make a bold statement with its unique style, perfect for captivating headlines, branding that stands out, eye-catching promotional materials, or adding a touch of elegance as a stylish text overlay to any background image. With its high contrast strokes, slender stem, and pointed terminals, Guyon Gazebo exudes sophistication and charm. Let your creativity flow as you explore the extensive collection of standard and discretionary ligatures, ensuring your designs are irresistibly attractive and visually stunning. Embrace the jovial spirit of "Guyonan" as this font's name suggests, originating from the Javanese language. Inspired by the traditional rural gazebo, where locals gather to exchange jokes, Guyon Gazebo infuses a sense of lightheartedness into your designs. Included in the package are Guyon Gazebo Regular and Italic styles, along with a full set of basic Latin characters, ligatures, numerals, and punctuation marks, providing you with all the tools you need to bring your vision to life. Don't miss out on this opportunity to enhance your design projects with Guyon Gazebo. Take your typography to the next level and let your creativity shine. Get Guyon Gazebo today and unlock a world of endless possibilities. Ready to make a statement? Purchase Guyon Gazebo now and let your designs speak volumes! What’s included: Guyon Gazebo Regular & Italic Full set of basic Latin+ Ligatures Numeral & punctuation Multilingual Support: Afrikaans, Albanian, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Zulu. Typeface Story: The name "Guyon" derives from the Javanese language and is often associated with humor or joking. In rural areas, there is a traditional gazebo called "Cakruk" where locals gather in the afternoon or evening to exchange jokes (known as "guyonan"). This font's name pays homage to the jovial atmosphere found in these communal spaces. Thank you for choosing Guyon Gazebo! If you have any questions or need assistance, feel free to reach out to us. ------------------------------ Alifinart Studio alifinart@gmail.com www.alifinart.com Instagram | Behance

Traseraha – A Retro Cartoon Font Traseraha, a captivating retro cartoon font, effortlessly channels the whimsical charm of classic animated aesthetics. Designed by the creative minds at Traseraha Studios, this font pays homage to the golden era of cartoons with its playful curves and vibrant personality. Each letter exudes a nostalgic vibe, reminiscent of vintage comic strips and animated shows, making it an ideal choice for projects seeking a touch of retro flair. The Traseraha font seamlessly blends fun and readability, allowing it to shine in a variety of applications, from logo designs to creative headlines. With its unique character and timeless appeal, Traseraha captures the essence of a bygone era while injecting a dose of lighthearted energy into contemporary design projects. Traseraha is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. cartoon font, cute font, traseraha font, retro, vintage, 90s, 80s, 70s, cartoon, cartoon font, comic, comic font, delicious, display, display font, distressed, hand drawn, handwritten font, headline, holiday font, lettering, mexican, mexico, mexico font, packaging, playful, poster, retro, sticker, vintage font Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.