Coral had its origins in the font Leah. I had requests from users that I create a cursive version of Leah. (In a cursive font the letters are joined together as in handwriting). In the process of development it changed sufficiently that I decided to release it under its own name. Hence "Coral". Coral is relaxed but very readable. It is, perhaps, a tad more formal and regular than Leah but not sufficiently so as to detract from its relaxed quality. The font is fully professional: carefully letterspaced and kerned. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). (It has all the accented characters used in the major European languages).

This was a favorite of the old time job printers;­ decorative but readable. The MacKellar foundry was the largest and most creative of the old foundries, and decorative fonts like this one came out at the rate of several every year.

Inspired by hand lettering on a 1940s toy game spotted on ebay called "Let's Go Shopping", Jeff Levine created "Bal Harbour JNL" and named it after a South Florida community famous for its luxury homes and trendy stores.

Arazatí was inspired by Edward Johnston’s typefaces, although its design is not based on a literal reconstruction. It has 48 variants of 422 glyphs each. In addition, it offers two monospaced variants for free. Arazatí is the name of the place where Johnston was born in 1872, located in San José, Uruguay. This typeface is a tribute to his birthplace.

Prolific calligrapher Angel Koziupa and designer Alejandro Paul charm us once again with an imaginative typeface. Named after the Afro-Uruguayan drum-based rhythm, Camdombe conveys both a upbeat spirit and youthful joy. Its unique forms dance with each other, complementing their wild, brush-lettered origins. This inherent spontaneity makes it an ideal choice for signage, titles, and greeting cards.

Arazatí was inspired by Edward Johnston’s typefaces, although its design is not based on a literal reconstruction. It has 48 variants of 422 glyphs each. In addition, it offers two monospaced variants for free. Arazatí is the name of the place where Johnston was born in 1872, located in San José, Uruguay. This typeface is a tribute to his birthplace.

Acceptable JNL is a typeface modeled from hand lettering on a piece of 1940s sheet music, and has a distinctly casual, yet Art Deco flair. It's name can also be mischievous, for when you're asked "which font should I use for the job" you can answer "the Acceptable font". This may well start a dialogue reminiscent of Abbott and Costello's "Who's On First?"

Impact As its name suggests, Impact, a bold sans serif, is designed to make an impression on the reader. Obviously a display font, Impact makes use of its thick strokes and blocked style, to catch and hold the eye. Because Impact is so striking, it is best placed in plenty of white space so that it does not overwhelm any accompanying text.

Elegant custom font with rounded corners, great for logos, posters, motion graphics and t-shirts. The name is inspired by the sleek curves and its smooth look.

With Lemon Glow, you'll bring the joy back to your design projects with a font that's suitable for anything from creative pieces and children's products to gaming brands and fresh business logos. It's versatile, full of joy, and easy to use! Lemon Glow font includes : Standard Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. PUA Encoded and fully accessible without additional design software Simple Installations Works on PC & Mac Thank You.

Get yourself ready to jump on into the future-verse realm with the VOGATRON. A solid-strong futuristic sans-serif display fonts with a wide range of possibilities in usage. We're not joking when we say wide. The variety of styles that comes in 15 weights, from Condensed to Expanded, will make you ask no more for another choice. Fortunately, we're living in the best moment in this era of Retro-Futurism trends, when the retro and futuristic vibes are running side-by-side in terms of visual implementation nowadays. Which makes VOGATRON are easier to play with on every occasion. Perfectly fit for futuristic branding, retro gaming vibes, posters, esport logo, visual branding, social media content, streaming overlay design, animation project, you name it.

Fong Shay Noon JNL is a non-traditional approach to an Oriental-styled font as there are some letter forms with curves and others with straight lines. The name derives from a Chinese restaurant in North Miami Beach, Florida during the 1960s, which in turn took its name from a play on a Yiddish phrase.

• Algarabía "Joy" is a provocative and multilingual text face designed by Leonardo Vázquez. • It was created for a mexican magazine with the same name that uses it as the body text font, and now it's released for the public. • In 1397, Frederic Goudy's was asked to draw a face for the exclusive use of the University of California Press at Berkeley. The font was called California. In 1983 a digital version of this typeface was created by Aaron Burns and it was called ITC Berkeley. • Algarabía is inspired by ITC Berkeley, it keeps the calligraphic touch and weight, but it presents certain features in its design that might result unexpected, yet at the same time they are invisible when used as body text and provides the typeface its unique own personality. • Small Caps and Small caps italic, Included in each version. • Ideal for magazines, Art books or any editorial purposes where legibility and originality are needed.

Trinculo is a cursive font which combines traditional letter forms with ridiculously ornate embellishments and flourishes. It's rather like what an 18th century clerk might have done with his lettering if he was bored to distraction with writing the same old letters again and again. The upper case characters are more complex with simpler versions of the same characters in the lower case. Trinculo is a lot of fun, though if you use it too much it may become overwhelming.

Kumo Sans is a clear and comprehensible font stylized to mimic marker pen handwriting. The idea was to interpret swift and negligent hand movement in a distinct and easy to read familiar glyph silhouette. Family comes in three weights and italic slant option. Shadow version with outline and shadow effect is perfect for short catchy phrases, brand names and headlines use. Font contains Latin diacritics, Hebrew cursive writing, Bitcoin, Indian Rupee, New Israeli Shekel symbols, fractions etc.

Paestum is a Latin typeface inspired by Greek inscriptions of the 6th and 5th centuries B.C. Its name comes, suitably, from the Latin name for Poseidonia, a former Greek city south of Naples whose two remaining Doric temples have been on antiquities tours since at least the 1700s. Others have scanned this terrain before, of course, but earlier designs failed to supply a lower case. Although Paestum includes complete upper- and lowercase alphabets, diacritics, numerals, and essential punctuation, it does not have many unhistorical glyphs -- such as currency symbols and the @ sign. Paestum comes with three weights: light, medium, and heavy.

This time the font's name is meaningless. Maduki doesn't mean 'cool' in Swahili, nor does it mean 'cup cake' in Sranantongo. It is just a nice name. Maduki is a playful font, created with one of my 2 year old son's marker pens (the 'no stain, wash-out' variety), a couple of cups of coffee and a whole bunch of 'speculaas' cookies. Now you're wondering what speculaas is, right? I'll tell you later - in a couple of fonts... Anyway, there's not much meaningful to say about Maduki font. It is nice, it is cute and it comes with alternates!

"Lekker" is an Afrikaans word, that does not quite have an English equal. I can sum it up with the following mixture of words: yummy, nice, fun, joy. That is what this typeface encapsulates. A fun, playful, informal and easy-to-read font with a few script ligatures. Lekker includes multilingual support for All Western Europe languages, as well as Afrikaan (of course). xx Susan

This bold blackletter is rather wide, which enhances its readability. In Victorian job printing it was not unusual to find one line of blackletter in a card or handbill, just for contrast. This one came on the scene sometime in the 1880s.

Based on retro vinyl records in the middle of 20th century. the mixture of funky, hippie and mid-century’s futuristics. There are three other fonts designed by in the same concept. -African Elephant Trunk -Moon Star Soul -Rebel Train Goes -Word From Radio