Receipt is a composite font. Each glyph is composed of either the dollar or cent sign.

Snippity Snap is a font made up of glyphs I cut out from black paper with some household scissors, then pasted onto white paper. When I was cutting out the shapes, my children asked me what I was doing, and when I told them, they thought it was pretty cool and started cutting out shapes from paper themselves. The result is a house filled with paper cuttings, which I keep finding everywhere - even in my bed. Snippity Snap is a very nice font for ads, book covers, packaging and children's books. Enjoy!

Daft Brush is the stylish contemporary brush font you've been looking for. It’s not just a rad face. The original cut brings not only 2 or 3, but 4 alternates for each letter! There’s also 2 alternates for numbers and variations for punctuation marks. Its OpenType Contextual Alternates feature is programmed to instantly cycle all these folks to get an amazing organic feel. Yes, OpenType savvy software is needed, but these days even the pretty basic Windows Notepad will do! Designed initially as an all-caps font, the family now counts with a text font. Daft Brush Text is loaded with a complete set of lowercase letters (and yes, a set of uppercase letters too). Amazing designs guaranteed! It’s only rock and roll and we like it. Play it loud!

Each style includes 6 fonts of 100 characters each of circle, square, and diamond in positive and negative. For ordering purposes, each style (6 fonts) counts as 1 font.

Each style includes 6 fonts of 100 characters each of circle, square, and diamond in positive and negative. For ordering purposes, each style (6 fonts) counts as 1 font.

Each style includes 6 fonts of 100 characters each of circle, square, and diamond in positive and negative. For ordering purposes, each style (6 fonts) counts as 1 font.

Stencilla is a Sanserif Stencil Font made for cutting by Plots.

My son Konstantin wants to become a cook. So I thought it would be a nice idea if I designed a script for his fabulous future menus as a gift for him. I think he will become a great cook. The three Konstantin cuts can be mixed. The A cut has the most straightforward letterforms, the B cut has more swashes in the capitals and swinging descenders and last but not least, the C cut gives you some fancy lowercase letters. All three cuts have different numerals. If you mix the fonts be careful not to overdo things, mostly - even with scripts - less is more. Your family designer Gert

Knip, in Dutch, means ‘cut’. You can tell by the glyphs that I made this font by cutting out the shapes from black paper, gluing it onto white paper and photographing the result so I could digitalise it! I don’t make too many cut out fonts, as it is a lot of work and it often leads to nothing. Besides that, I depend on the paper supply from my kids and they happened to have black paper this time!

The name Vedo is derived from the Latin word for "I see". Vedo is a new, sturdy Sans Monoline in 7 weights and 7 Italic cuts. The Thin cuts are free of charge. Yours designing new fonts in the Bauhaus tradition - Gert Wiescher

The ornamental font is based on original decorative paper cut masks by Iryna Korhcuk.

This cute bunting style font includes extras like a cupcake, anchor, and a fleur de lis. Use the ( ) { } [ ] to make end pieces and join them with the underscore __.

Schelter & Giesecke's highly esteemed font family, cut by Herbert Thannhaeuser, freshly redesigned for present-day use.

A neat and clean-cut little sister for the grungy crosswordBill font. Try CAPS only too!

Grate is a simple styled Font, it is best for Logo designing. How much we can cut down a Font till it is possible to reat it? That was the question, and this font is the answer. I think it is so much cut down but Human can read it. It is total simple Kerning inside. You can overlay the glyphs and it is almost readable.

Typesetter Helpers JNL is another collection of vintage letterpress cuts comprising cartoons, sales helpers, ornaments, stock cuts and other nostalgic pieces.

Crème de la Rue is an urban-art-influenced stencil font. Cut outs and spraying or painting in huge sizes are possible as well as display use for headlines or short paragraphs in mid and large scale. The Stencil cut is available with 246 glyphs, numbers, accents, arrows and ligatures.

Hoxton Samuels is your perfect allround font companion. Four weights will help you find your match whichever purpose you are font hunting for. Soft inner and outer corners will help blend your message into any background.

Dotee inspirit by lettering from soviet book. Dotee is fat decorative font with numerous cut style ligatures and alternatives.

The pages of vintage type foundry catalogs yield so much wonderful type design and artwork. Found within their pages are hundreds of classic text and display faces alongside delicately engraved cuts as well as print shop borders, ornaments and embellishments. These books are treasure troves of their respective times, and Typesetter Ornaments JNL preserves some of that art in digital form. Redrawn from this source material are twenty-six basic design elements that include corner pieces, end pieces, pointing hands, spot illustrations and other designs. Also included are old style parentheses, brackets, an Rx (prescription symbol), two cent signs and a few extra elements located on the number keys and their caps shift counterparts.

A rough sanserif titling cut by Rudolf Koch for Klingspor in 1923. The letters give the appearance of being crudely cut in wood.

Ben Harris' illustrated cover for the sheet music of "I Found A Million Dollar Baby (in a Five and Ten Cent Store)" from 1931's "Billy Rose's Crazy Quilt" lists the show's stars and other credits in a pen lettered monoline design with rounded terminals. This early Art Deco type style has now become the digital font Variety Store JNL (a reference to the Five and Ten Cent stores alluded to in the song title from the sheet music).

Dellimun is a sweet, stylish, and delicate script font. Whatever the topic, this font will be a wonderful asset to your font library, as it has the potential to enhance any creation. What's Included : - Uppercase, Lowercase, Numerals & Punctuations - Ligature & Alternate - Works on PC & Mac - Simple installations - Multilingual support - (PUA Encoded) Compatible with Silhouette Studio, Cricut Design Space, Scan N Cut, Adobe Illustrator and other cutting and design programs.

Nevaeh Scratch is a stylized version of the font Nevaeh. The design has been inspired by the paper cut effect. Nevaeh Scratch has a unique design with rough and irregular linings yet, a perfect font. The font has a simple and minimalist factor with all main characters, the font is specially made for those who are in the printing and branding fields. Carefully engraved and stenciled to deliver clean cuts and design.

FT Brush is a calligraphy style font family of three members - light, regular & bold. Combine different cuts for vivid outcome.

Bellanda is a modern, whimsical and relaxed paint brushed script font. Its authentic handwritten look and feel will add a personal and realistic feel to your designs. Fall in love with this font’s incredibly versatile style and use it to create spectacular designs! What's Included : - Uppercase, Lowercase, Numerals & Punctuations - Ligature & Alternate - Works on PC & Mac - Simple installations - Multilingual support - (PUA Encoded) Compatible with Silhouette Studio, Cricut Design Space, Scan N Cut, Adobe Illustrator and other cutting and design programs. Hope our fonts can help your project.

Southampton is a casual handwritten font. Fall in love with it and bring your projects to the highest levels! What's Included : - Uppercase, Lowercase, Numerals & Punctuations - Ligature & Alternate - Works on PC & Mac - Simple installations - Multilingual support - (PUA Encoded) Compatible with Silhouette Studio, Circuit Design Space, Scan N Cut, Adobe Illustrator and other cutting and design programs.

Censorship JNL joins the wide array of stencil-themed fonts from Jeff Levine. An advantage to this particular design is the larger amount of stencil sections per letter or number. When used with a plotter/cutter, stencils in excess of 12 inches high can be cut into masking material without the cut-out characters becoming floppy or unstable.

One in the series of fonts celebrating the Halcyon Days of Handlettering. Thai Foon, a fun-loving, freewheeling script, is based on a font presented in the book "Lettering of Today" (today being 1933), by W. Ben and Ed C. Hunt.

Continuing the preservation of classic letterpress cut art, Printers Helpers JNL contains more dingbats, embellishments, cartoons, sales helpers and stock cuts re-drawn from vintage source material.

This font was actually designed by trying to teach my helper-monkey, Philip, to cut Helvetica out of a piece of cardboard.

Ornaments 1 are from designs from 18th and 19th Cent. founders descended to Stephenson Blake.

PaperCutPeach is unique in that it is a paper cut font but also a SCRIPT FONT. With PaperCutPeach you can create extraordinary lettering that looks effortless, casual and handmade. Each and every glyph is based on a paper letter cut by hand with a pair of scissors by me in my studio. Ideal for packaging for organic products, illustrated goods, book covers, editorial illustrations and other freestyle projects.

Wonderhand is a new extensive family of scripts designed in seven widths and three weights. It also introduces a third design axis, the slant, presenting an upright 0° cut, a 20° cut and a 40° cut for each. Like written by different hands, each cut has a unique appearance and character. Wonderhand contains two sets of alternate characters and automatic features that imitate the natural flow of handwriting. It is loaded with icons and decorative elements that allow multiple possibilities in layout design.

For many centuries, Chinese cut paper designs have been in common use. Floral Ornaments was inspired by these floral cut paper designs and contains a selection of 114 ornaments.

TiedUp is a distortion of the font Ingone. I no longer remember which font distortion program or procedure I used to get this cut-up or ragged effect.