Lonestar is a revival of the old classic slab serif font named Hellenic which was very popular in the middle to late 1800s.

The handwriting of a college student - complete with the whimsical nature of a student jotting down notes to friends or doodling in her journal.

A piece of hand lettered sheet music from the era of the "Roaring Twenties" served as a model for Raccoon Coat JNL. It was a time of Prohibition, bathtub gin, flappers and college boys decked out in beanies and raccoon coats. College pennants, ukuleles and "23 Skidoo" were all part of the youth culture during this period; which gave us such dances at the Charleston, the Black Bottom and the Lindy Hop.

Designed by Morris Fuller Benton in 1907; an improved version of the familiar nineteenth century blackletter as he had executed it in his Wedding Text.

In 1924 Morris Fuller Benton designed for ATF a new variation on his father’s design, Century Oldstyle. Century Schoolbook has become a synonym for readability.

Sport Shaded JNL is a classic block font with a cast shadow, perfect for any project for sports teams, college life or high school activities.

In 1924 Morris Fuller Benton designed for ATF a new variation on his father’s design, Century Oldstyle. Century Schoolbook has become a synonym for readability.

Morris Fuller Benton’s 1910 contribution to the Art Nouveau sanserif, designed for ATF, with all descenders eliminated to encourage combinations of this typeface with other shapes.

The original Tower Condensed font design is attributed to Morris Fuller Benton (1934). PL Tower Condensed is a tall, condensed slab serif typeface; good for headlines.

Morris Fuller Benton’s ATF version of Baskerville’s design cut by William Martin for the British printer and publisher William Bulmer. ATF released the design in 1928.

Designed for ATF in 1913, Morris Fuller Benton’s version of Nicholas Jenson’s roman, the best of the Venetians and a model for regularity in color and fit.

Some Impko decal letters and numbers with a "college look" from the 1960s were the inspiration for designing "Forward Passed JNL"; Jeff Levine's second sports-themed font.

Manual Typewriter JNL was modeled from an example of the 1933 design originally created by Morris Fuller Benton, and is available in both regular and oblique versions.

A font with boxes, bullets, large brace segments, etc. Plus six pt. wide line segments which will generate lines in 16 weights, in any program which supports fonts.

SG - TAKIMON is a display typeface with variable weight. SG Takimon has uppercase and lowercase letters. It’s fun, pop, and playful! Stay pop and inspiring! Regards, Studio Gulden.

As the Latin tag for one’s college or university, Alma Mater seemed to me to be an appropriate title for a font family reminiscent of the lettering commonly used on college sweaters and sports jerseys. Essentially Alma Mater is an extension of my Oscar Bravo font family, but the lively demand for Oscar Bravo Blank persuaded me to go the whole nine yards and and offer inline, outline and shadow variations on the theme. Pick 'em up and run with 'em!

Cross Stitch Brazen is based on upper case characters 13 stitches tall and contains the upper case characters A-Z, ampersand, question and exclamation marks, bullet, comma, and period.

Monotype Sorts is a collection of symbols for use with a wide range of contemporary typefaces. The Monotype Sorts font contains useful bullets, stars, arrows and figures in circles.

Athletico is a layered type family inspired by college and university sportswear lettering. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Century Oldstyle is Linn Boyd Benton’s and Morris Fuller Benton’s renovation of Phemister’s Miller & Richard Old Style for ATF forty-five years later, using the Century name for marketing purposes.

The Collegium is a font family inspired by college and university sportswear lettering. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

The strong, geometric letterforms of this typeface incorporate a heavy outline and were inspired by college and university sportswear, making Stanford an excellent choice for work associated with sports in general.

Atlas is an affable display font (think friendly neighborhood pub) originally created by Day & Collins of London. Atlas has thick strokes and triangular, rounded serifs. Some characters feature curly, decorative elements.

Amulet evolved after a trip to Dublin, Ireland. It has a Celtic calligraphic influence which must have subconsciously come from looking at ancient manuscripts and the Book of Kells in Trinity College.

Goudy Handtooled was done in 1922 and is a shaded version of Goudy Bold. Some authorities credit the design to Charles A. Becker and others to Morris Fuller Benton and Wadsworth Packer.

In 1928, the application of pure geometric form to sanserifs and slabserifs was in full swing. Morris Fuller Benton applied geometry to the Modern letterform to arrive at Parisian and Broadway for ATF.

Spur Rust is a disheveled take on a spicy classic Hellenic Wide. The characters were loosely drawn and then given a scratched effect for authenticity. Victory awaits your design applications with Spur Rust.

Athletico Clean is a clean version of Athletico font, inspired by college and university sportswear lettering. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

In 1928, the application of pure geometric form to sanserifs and slabserifs was in full swing. Morris Fuller Benton applied geometry to the Modern letterform to arrive at Parisian and Broadway for ATF.

A Geometrical font. This idea flashed to me in one of the boring classes we had in college. Since its my special masterpiece we come really cheap at its price of just $8.

Art Gothic was attributed to the Central Type Foundry of St. Louis, Missouri, USA by Henry Lewis Bullen, writing in INLAND PRINTER in 1907, with a reproduction shown in Kelly’s American Wood Type. The typeface appears on the cover of an issue of “The Superior Printer” pictured in Typology by Heller and Fili dated in the 1870s. Art Gothic was designed in 1884 by Gustav Schroeder and proved to be one of the more popular and enduring of the American-designed Victorian display faces of the period, appearing frequently in ads in various publications. The Hamilton Mfg. Co showed a very similar wood type, No. 232, with a modified and rather heavy-handed upper case in 1892. As late as 1897, it may be found in the advertising section of The Ivy of Trinity College of Hartford, Connecticut and was included in the Norwood Press 1902 Specimen Book. Our font includes a complement of five upper case and four lower case alternatives as follows: 123=C, 125=E, 135=H, 137=S, 172=c, 175=e, 215=m and 247=s. Great for period pieces. ART GOTHIC HIH is clean, readable, and surprisingly modern-looking; unlike so many overly complex Victorian display fonts, it can be used in text sizes.

Ruly is my newest font creation. My roommate in college always had the coolest writing. I thought that it deserved to be a font. The font is a great choice for newsletters, cards, etc.

Franklin Gothic SG is part of the Scangraphic Collection and designed 1902 by Morris Fuller Benton. Franklin Gothic is a trademark or registered trademark of Kingsley/ATF American Type Founders or its legal successors.