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  1. Beorcana Std by Terrestrial Design, $20.00
    Beorcana can be classified as a serifless roman, a stressed sans, a glyphic sans, or calligraphic sans. However it is classified, Beorcana derives not only from other stressed sans designs like Lydian, Amerigo and Optima, but also utilizes classic Renaissance proportions in both Roman and Italic, which facilitate extended reading. Beorcana is available in Display, regular Text and Micro styles. Beorcana’s Text styles offer comfort and liveliness in books, dictionaries, magazines and other reading-intensive settings. Display styles offer a stately and organic flavor for any application. Micro styles perform in tight and dense settings like dictionaries, bibles, maps and fine print. The name Beorcana is a variant of the Icelandic word for the Birch tree, and the related words for the Icelandic rune. Many variant spellings are used for the tree and the rune: Beorc, Berkanan, Birkana, Bercano, Bjork, Bjarka. The Birch was revered as a symbol of renewal, due to its role as a pioneer species in burned, boggy or otherwise unforested areas.
  2. Tecna Dark Up Triangle BNF by Descarflex, $30.00
    The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone. What is Lorem Ipsum? Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum. Why do we use it? It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout. The point of using Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using 'Content here, content here', making it look like readable English. Many desktop publishing packages and web page editors now use Lorem Ipsum as their default model text, and a search for 'lorem ipsum' will uncover many web sites still in their infancy. Various versions have evolved over the years, sometimes by accident, sometimes on purpose (injected humour and the like). Where does it come from? Contrary to popular belief, Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College in Virginia, looked up one of the more obscure Latin words, consectetur, from a Lorem Ipsum passage, and going through the cites of the word in classical literature, discovered the undoubtable source. Lorem Ipsum comes from sections 1.10.32 and 1.10.33 of "de Finibus Bonorum et Malorum" (The Extremes of Good and Evil) by Cicero, written in 45 BC. This book is a treatise on the theory of ethics, very popular during the Renaissance. The first line of Lorem Ipsum, "Lorem ipsum dolor sit amet..", comes from a line in section 1.10.32. The standard chunk of Lorem Ipsum used since the 1500s is reproduced below for those interested. Sections 1.10.32 and 1.10.33 from "de Finibus Bonorum et Malorum" by Cicero are also reproduced in their exact original form, accompanied by English versions from the 1914 translation by H. Rackham. Where can I get some? There are many variations of passages of Lorem Ipsum available, but the majority have suffered alteration in some form, by injected humour, or randomised words which don't look even slightly believable. If you are going to use a passage of Lorem Ipsum, you need to be sure there isn't anything embarrassing hidden in the middle of text. All the Lorem Ipsum generators on the Internet tend to repeat predefined chunks as necessary, making this the first true generator on the Internet. It uses a dictionary of over 200 Latin words, combined with a handful of model sentence structures, to generate Lorem Ipsum which looks reasonable. The generated Lorem Ipsum is therefore always free from repetition, injected humour, or non-characteristic words etc.
  3. Grandesign Roman - Unknown license
  4. Hornswoggled - 100% free
  5. Underground - Unknown license
  6. Poseidon - Unknown license
  7. HerzogVonGraf - 100% free
  8. Silkscreen Expanded - Unknown license
  9. Model Worker - Unknown license
  10. Ruffian Outline - Unknown license
  11. Silkscreen - Unknown license
  12. Brawnie by Gerald Gallo, $20.00
    Brawnie is a very bold, contemporary, sans serif font. It is ideal for headlines, titles, branding, and small blocks of text.
  13. Canapa by Serebryakov, $29.00
    Canapa it a simple humanistic sans serif font family. Canapa's 10 styles are good for friendly oriented package design layouts. Try!
  14. Gothic Narrow by Wooden Type Fonts, $15.00
    A revival of one of the popular sans serif wooden type fonts of the 19th century, narrow, short ascenders and descenders.
  15. Bagunsa by Turto Studio, $10.00
    Bagunsa is a multilayer fun party play sans font. It intend to be an ongoing family with maybe infinite possible styles.
  16. Luxerie by MlkWsn, $15.00
    Luxerie is an elegant display sans with unique letter shapes to complete any design, especially in fashion, branding, and for logos.
  17. PyeMan by The Northern Block, $16.70
    PyeMan is a rounded block typeface influenced by home computer games from the 1980s. Examples include Asteroids, Defender and Pac-Man.
  18. Itzkarl by Hanken Design Co., $25.00
    ItzKarl is a unique hybrid typeface with serif and sans serif features that is suitable for headline, logo and poster use.
  19. Excess Baggage JNL by Jeff Levine, $29.00
    Excess Baggage JNL is a clean sans serif typeface, and one of a number of stencil fonts offered by Jeff Levine.
  20. Zaius by The Northern Block, $12.80
    A bold sans serif typeface influenced by Ed Benguiat 's work for the 1968 movie poster for Planet of the Apes .
  21. Illustrious by Gerald Gallo, $20.00
    Illustrious is an all caps, bold, sans serif font. It is ideal for headlines, titles, branding, and small blocks of text.
  22. Hollywood MF by Masterfont, $59.00
    High legibility at small sizes. An extended sans serif typeface with rounded endings that provides unique softness appearance without losing legibility.
  23. Shakeout by PizzaDude.dk, $20.00
    A legible sans serif, with bouncy edges. A little loose but not too jumpy! Comes with a fi and fl ligature.
  24. Nighthawk JNL by Jeff Levine, $29.00
    Nighthawk JNL is a clean, bold headline sans serif with a slight touch of Art Deco added for a nostalgic look.
  25. Ekistra by Dharma Type, $14.99
    Crazy sans for happy, fun time. There are two other fonts designed by in the same concept. -Deluta Black -Xesy -Ekistra
  26. Novia by VladB, $12.00
    Novia is a modern sans serif geometric font, includes upper and lower case characters, Latin, Cyrillic, Latin Extended symbols and other.
  27. Sturdie by Gerald Gallo, $20.00
    Sturdie is an all caps condensed sans serif font. It is ideal for headlines, titles, branding, and small blocks of text.
  28. Clinch by Gerald Gallo, $20.00
    Clinch is a clean, contemporary, condensed sans serif font. It is ideal for headlines, titles, branding, and small blocks of text.
  29. Pudgie by Gerald Gallo, $20.00
    Pudgie is an all caps, bold, sans serif font. It is ideal for headlines, titles, branding, and small blocks of text.
  30. Molor by Sons Of Baidlowi Typefoundry, $8.00
    Molor Font is a sans serif font with an amazing feel. It will turn any design idea into a stand out.
  31. We The People by K-Type, $20.00
    This typeface is extrapolated from the ‘We the People’ calligraphy of the handwritten US Constitution Preamble which employed a style based on German Text and Square Text exemplars from George Bickham’s penmanship copy-books, the most celebrated being The Universal Penman published in 1743. The original Constitution document was transcribed onto parchment by Jacob Shallus, a Pennsylvania Assistant Clerk, over a weekend in 1787. Shallus’s biographer, Arthur Plotnik (The Man Behind the Quill, 1987), notes that he was paid $30, a modest monthly wage at the time. He also suggests that the calligraphic headings, ‘We the People’ and ‘Article’, may have been inserted by Shallus’s 14 year old trainee son, Francis, “The manner in which the ‘Article’ headings are squeezed into the space Shallus allowed for them suggests a second hand—and perhaps not a very experienced one.” The unconventional backslant of the headings would seem to support this contention, and at the end of the document there is perhaps a novice’s inconsistency in the structure of the letter n between that used for ‘done’ and those used for ‘In Witness’. However, one has to admire the elegant swagger of the wavy t, h and l which the K-Type font extends to the b, f and k. Also, the simpler, Schwabacher-style W, an enlarged version of the lowercase w, is a little less flamboyant than the capital W from the German and Square texts in Bickham’s manuals. For designers using OpenType-aware applications, the typeface includes some Alternates, including a Bickham-style W, the letters t, h and n with added flourishes, two simpler forms of the A, and a few roman numerals for numbering articles. Also some ornamental flourishes and a round middle dot/decimal point. Punctuation marks are drawn in square, calligraphic style, but an alternative round period/full stop, for use with currency and numerals, is available at the period centered position (though placed on the baseline), accessed by Shift Option 9 on a Mac, or Alt 0183 on Windows. The full phrase, ‘We the People’, has been placed at the trademark keystroke and can be accessed by Option 2 (or Shift Option 2) on a Mac, or Alt 0153 on Windows. For designers who find the backslant awkward or unpleasant, the licensed typeface also includes two additional fonts which have a vertical aspect that may be more conducive to graphic design layouts. ‘We The People Upright’ and ‘We The People Upright Bold’ both retain the distinctive style, and the heavier weight is only slightly emboldened, just enough to add some punch.
  32. Pascual Ferry by Comicraft, $39.00
    The slick and sexy letterforms of Ace ACTION COMICS artist, Pascual Ferry, are the latest to join our MASTERS OF COMIC BOOK ART font line. Pascual's work on the SUPERGIRLS storyline in ACTION made us want to lick each page -- but, y'know, not when anyone was looking... we know they're just comic book characters, they're not REAL and we don't fancy them or anything -- Uhhh... so we were delighted when Pascual invited us to create this stylin' sans souciant family of fonts for him. All we asked for in return was this smokin' alternate cover for the next issue of HIP FLASK... Hey, don't lick your monitor, you might get an electric shock...
  33. LC Trinidad by Compañía Tipográfica de Chile, $34.00
    Lc Trinidad is the result of a series of wonderings regarding geometric Sans Serif typography design, in particular; Futura of Paul Renner. A “conversation” arose between me and the designer – actually there was no conversation, it is an euphemism for “I saw his designs, I draw them and discussed with myself some of his decisions – that ended up being the origin of this font firsts glyphs: A, H, N, O, R and S. I started with uppercase letters, and here is when Rudolf Koch with Kabel and his “Das schreibbuchlein” joined the conversation. This is how I could develop some alternative lowercase letters so as to illustrate this imaginary discussion. The result is a sans serif, geometric, modern typeface with classical Roman proportion in the uppercase letters; two stylistic sets for lowercase letters (setKoch and setRenner), rational, open and sharp ends. It is ideal to form titles, medium length texts, branding, exhibitions and animations. The family consists of 9 weight variants and their corresponding oblique versions and small caps. With more than 900 glyphs, it covers more than 190 Latin languages and together with its Opentype functions it creates a modern and versatile family. Besides, it has powerful OpenType features for each style, including stylistic sets, extended language support, ligatures, contextual alternates, lining figures, oldstyle figures, small caps numbers, arrows, fractions, superscripts, subscripts and many more.
  34. Patron - Personal Use - Personal use only
  35. Jawbreak by BoxTube Labs, $24.00
    A modern sports font with classic roots. Jawbreak's three distinct styles and alternate cuts makes it incredibly versatile and perfect for logotypes, sports branding, posters, apparel design, magazine headlines, labels and so much more. Jawbreak features a full Adobe Latin 1 character set, with support for most western languages including: Afrikaants, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish.
  36. Already Broken by Allouse Studio, $16.00
    Already Broken a Rebellious Font With Twos Styles. Scratch : Bring an rebel and anarchy impression. Dull : Bring an rebel impression but more subtle. Already Broken is perfect for any tittles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Already Broken also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!
  37. Dreadnought by Hanoded, $15.00
    With Dreadnought I go back to my roots: one of my very first fonts was a scary brush typeface called Face Your Fears - a very popular typeface with horror lovers, thrill seekers and gangsta rappers. Dreadnought was created using a stiff brush and some very high quality paint on textured paper. The result is a lively, scary and very legible font. Use it for your movie, book or album: you won't be disappointed!
  38. Spindletop NF by Nick's Fonts, $10.00
    One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Spindletop’s ultra-condensed letterforms allow a lot of information to be packed into little horizontal space. Named for a famous East Texas oil field that made a lot of people rich in the early part of the twentieth century. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.
  39. Megista Display by Great Studio, $19.00
    Megista display is a modern serif font with a unique ligature style, a high contrast and light font perfect for feminine logo signs, fashion heads & editorial designs, branding projects, Clothing Branding, packaging, magazine headings, advertising, T-shirts, postcards and much more. Megista display is also included full set of: Uppercase and lowercase letters Automatic ligatures Multilingual characters Numerals Punctuation If you have any questions, don't hesitate to contact me. Thank you, Great Studio
  40. Hello Christmas by Zetafonts, $39.00
    Hello Christmas is the christmas-themed version of Zetafonts' Hello Script family including a set of Icons (designed by Cristiana Pezzatini), both featuring multilayer color fill. An high contrast calligraphic script designed by Cosimo Lorenzo Pancini, featuring monoline swashes and terminals and strong, round body shapes designed with a parallel nib. It covers over 40 languages that use the Latin alphabet, with full range of accents and diacritics, and comes with over ten different swashes.
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