Dark Monsta font is very emotional and innovative products! unique look to company branding, logos, greetings, magazine layout, homeware, prints and invitations. I hope you like it Available : uppercase, lowercase, numerals

Introducing Cocweet font is very emotional and innovative products! unique look to company branding, logos, greetings, magazine layout, homeware, prints and invitations. I hope you like it Available : uppercase, lowercase, numerals

Soli, based on an architect's handwriting is a fun, modern script face with a very complete character set. Can be used for journaling, scrapbooking, or anywhere a handmade touch is needed.

Nicholas is a headline version of Goodchild , Shinntype’s version of Jenson . It has been specially modified with very fine details and an ultra-tight fit for headlines that really get noticed.

Dense is a versatile, elegant, geometric and compact sans-serif typeface. Though it is a very flexible typeface, it truly shines at larger sizes when used for headlines and poster design.

Verena was written with a common felt marker pen, scanned and worked over, to keep just the right amount of roughness. The result is a very readable and usable handwritten font.

Nagarawa is an Asian style font, very suitable for various logotypes for Asian nuanced products, such as Asian food, martial arts clubs, music, novel and comic titles, apharel clothing and others.

DB Bridal Doodles is a mixture of lovely phrases and cute doodles themed after that special day. Very useful in making a wedding book for you or your friends and family.

An entertaining typography, dense but at the same time very gestural. "Ding" is a sans font that contains different alternatives of letters, a Cyrillic alphabet and Dingbat, special for children's titles.

Down With the King is a very bold all caps font best used for large titles, headers and logo work. The lower case letters have rounded edges for a softer feel.

Leaves... lots of leaves... all hand drawn... 62 of them in fact. Big ones, small ones, line ones, reverse ones to use alone or together in groupings. A very versatile font.

Circle typeface is a font inspired by the circle geometric form. The result is a very clean and harmonious design that can be used for many different purposes, contexts and styles.

Rudolph is a bold serif headline typeface with strong contrast in the stroke and the sharp edges. It is very expressive and suitable for food packaging, product branding, magazines, and invitations.

David Philpott was inspired by the flax growing on the side of the motorway out of Wellington, New Zealand, and crafted this very distinctive, natural typeface family based on the plants.

SG Munke is a groovy display font with a curvy base shape. Very suitable for you who want to make both vintage and modern pop designs. Include multilingual, uppercase, and lowercase.

Marin, a name that is associated with water and ships, looks very confident and follows the ideas of Eurostile, but in a stencil design. Marin was designed for the URW++ FontForum.

A 14-weight sans family based on the original British ‘M.O.T.’ (Ministry of Transport) alphabet. A capitals-only, single-weight design was drawn up around 1933 for use on Britain’s road network, and remained in use until Jock Kinnear and Margaret Calvert’s ‘Transport Alphabet’ was introduced for Britain's first motorway in 1958. The identity of the original designer is not preserved; however, Antony Froshaug in a 1963 ‘Design’ magazine article mentions Edward Johnston as an advisor. Speculation that it was based on Johnston’s London Transport alphabet is discussed in archived government documents from 1957: “So far as I am aware, the Ministry alphabet was not based on Johnston’s design; indeed, it has been suggested that Gill got his idea from Johnston. Our alphabet was based on advice from Hubert Llewellyn-Smith (then chairman of the British Institute of Industrial Art) and Mr. J. G. West, a senior architect of H. M. Office of Works.” A 1955-57 revision of the alphabet which polished the somewhat mechanical aspects of the original may be the work of stone carver and typographer David Kindersley. For the digitisation, Rian Hughes added an entirely new lower case, italics and a range of weights. The lower case mimics the forms of the capitals wherever possible, taking cues form Gill and Johnston for letters such as the a and g, with single-tier versions in the italic. A uniquely British font that is now available in a versatile family for modern use.

When we fall asleep, we become free in our thoughts, in our judgments, in our choice, we decide on bold actions and words. This font will bring all this to life. UNCONSCIOUS-This font is for brave, free and liberated creators. For people with a good sense of humor and able to derive joy even from bad things.

M Comic is a humanistic script design characterised by its modern, stiff, free and blocky construction. M Comic incorporates free and irregular characteristics of M Cute. Crossbars (橫) and stems (豎) are straight and slightly slanted. Entry and finial points of strokes are squarish and parallel without flare. Contrast of stroke is low, together with its bold stems (豎), making it suitable for large display text to catch attention. The result is a loosely coupled line of text of free, stiff and blocky glyphs. It is best for casual and humanistic display, illustrations, set upright, non-condensed.

M Comic is a humanistic script design characterised by its modern, stiff, free and blocky construction. M Comic incorporates free and irregular characteristics of M Cute. Crossbars (橫) and stems (豎) are straight and slightly slanted. Entry and finial points of strokes are squarish and parallel without flare. Contrast of stroke is low, together with its bold stems (豎), making it suitable for large display text to catch attention. The result is a loosely coupled line of text of free, stiff and blocky glyphs. It is best for casual and humanistic display, illustrations, set upright, non-condensed.

Imaginer is a great font for designers looking to give that space age, techno look to their designs. Four standard weights and six outline styles make it a very versatile typeface indeed.

CG Triumvirate was designed for use on the Compugraphic phototypesetting system. The CG Triumvirate font family is very similar to Helvetica, and is an ideal font choice for text and display use.

This design from Jeff Levine defies description. It's kind of techno, somewhat of a novelty and definitely unusual. Diagon JNL is the perfect font for projects that need a very different look.

Dioxide typeface classic taste including two styles regular and texture, its authentic and very interesting to make a memorable vintage logo, packaging, poster or title design with a serif and victorian style.

Babysitter is a nice, feminine font. It can be used for a variety of purposes. Very unobtrusive in nature, yet with a big impact! Comes with all the accents, bells and whistles.

Inspired by Minimalist style then Minimalisty is born! Minimalisty is a stylish signature font with a minimalist look.This font is very suitable for signatures, logos, and making your favourite social media posts.

Polo is one of Ralph M. Unger's original designs, a very beautiful non-slanted script font, quite lively despite its upright characters. Polo is reminiscent of the wild brush typefaces of 1960s.

Only You Icons, with more than 300 options between icons, ribbons and frames that will make your project very attractive and romantic. Only You Icons is brilliant. Also available Only you Pro.

Signor is a soft and easygoing all caps font. Signor is very easy to use and is at its best when you need to make an impact but have a casual feeling.

Slightly curly and very romantic! Olazy can be used for anything that needs a twist of elegance or romance - or would fit perfectly for children's toys! Contains both fi and fl ligature!