Cargo TRF is a revision of existing Cargo typeface dated 2001. The new version of Cargo consists of three styles—A (plain), B (punch-out holes) and C (screw heads). Cargo TRF is recommended for use in big sizes as a display typeface. It is available in OpenType format with Western CP1252 character set.

Perfect Island is a Modern Handwritten Font. Perfect Island is a lovely script font featuring charming, playful characters that seem to dance along the baseline. Add this font to your most creative ideas, and notice how it makes them stand out! Perfect Island also multilingual support. Enjoy the font, feel free to email. Thank you!

Jacksonville is a stylish signature brush script. It has a unique, striking look which can be used to make any design stand out. It’s perfect for logos, fashion designs, stationary, quotes, and much more! To stay up to date for my latest fonts, follow me and let’s be friends because there will be many promos.

Ornata F is the sixth of a series of old ornaments that I am trying to save from oblivion. I am completely redesigning the ornaments from scratch. These ornaments have been designed around 1910, I could not find out by whom. This set is perfect to design flowery frames. Your digitizing typedesigning savior, Gert Wiescher

The Kitchen is a groovy display with vintage charm, fashionable appearance with a touch of retro Font is an open type with clean shapes and precise kerning. It includes ligatures encoded by the PUA. Language support: All European languages Don't forget to subscribe so you don't miss out on the new awesome fonts Dima

Introducing Block Space, a negative space font. This font is perfect for your projects related branding design, logo, posters, apparel, logotype, header, quote, invitation, greeting card, cover, poster, fashion design and any more. Come with lot of ligatures character, it's make this font more unique and stand out . This font is also support multi language.

Neue Konstrukteur Round is an engineered, mechanical typewriter font with a hint of heritage blackletter. Inspired by a trip to Germany this font has five weights from Thin to Black with accompanying italics. That makes 10 font files in total, enough for the most demanding projects. Also check out its sister font Neue Konstrukteur Square.

Saneyi is a fun, rich and emotional display font. This font is perfect for parties, birthdays, celebrations, names. Use it for your designs and explore its endless possibilities. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Cashmere - sweet handwritten font with an incredible charm. Clean, elegant, it fits and turns any design project into a true stand out! Use this font for branding or create a logo, a beautiful frame for your home, decorate any project. Or just use it for book covers, stationery, marketing, a blog, magazines, and more.

This handwritten font is the result of trying to write in a different way to what I'm used to: sometimes taking a left turn when going straight was the more obvious way. Or the other way around. The result was quite readable and it turned out that I could make surprisingly matching monographs with it.

HU Cheonggye KR is a typeface for titles with thick strokes and wide flats, mainly produced with a retro feel. In order to bring out the characteristics of the retro typeface, a difference in thickness between horizontal and vertical strokes was applied, and obtuse right-angled serifs were applied. This font contains Korean characters.

Here is another attempt to create a font for invitation work unlike any already out in the world. In casting about for a name, I decided to call it Valerie after Valerie Hope, a mindreader of days long gone, who played California theatres in the 1930s and 1940s. And who, incidentally, was my mother.

Gikit is a very raw and quirky typeface structured according to a strict grid. The design is massive, with very little curve (just the dots and a few punctuation marks). A really stand out characteristic is Gikit’s accents that crush the forms. The type is drawn with 2 styles, for 2 uses: Tittle or Text.

Oregon Highlights is a bold and nostalgic display with clear lines, which makes it awesome in the headlinesFont is an open type with clean shapes and precise kerning. It includes ligatures encoded by the PUA. Language support: All European languages Don't forget to subscribe so you don't miss out on the new awesome fonts Dima

Rainmark is a joyful display font that can help make your designs stand out from the crowd. Use the regular version on its own, or layer it on top of the shadow style for extra oomph! Rainmark works beautifully on posters, labels, T-shirts,... anything where a bold, fun font is what you need.

Neue Konstrukteur Square is an engineered, mechanical typewriter font with a hint of heritage blackletter. Inspired by a trip to Germany this font has five weights from Thin to Black with accompanying italics. That makes 10 font files in total, enough for the most demanding projects. Also check out its sister font Neue Konstrukteur Round.

This font is good clean fun. "Kopa" is a word that means "soap" in the Hawaiian native language. The thickness and rounded edges mimic the form of solid soap. Some additional design involving the base of the glyphs brings out the style just a bit more. This font works especially well with colorful designs.

Caesar Dressing is a 'Markers' take on a Greek alphabet. Open Window fonts gravitate towards more experimental or spontaneous renderings and this one doesn't look out of place next to the most experimental of those. It also maintains the geometric balance of a classic Greek-font quite effectively. Designed by Dathan Boardman of Open Window.

Break out the love beads and fire up the lava lamp! Here’s a fresh take on the Artone alphabet, designed by Seymour Chwast in the 1960s. Beefy, bodacious and bottom-heavy, this typeface keeps on truckin' along. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Juby Rounded - Heavy, visible and distinctive display font, rounded brother of the Juby Font. Designed especially for display purposes. Can be used successfully in posters, headlines, visual identities, and everything needs to stand out. Font containing uppercase and lowercase characters, numerals and a large range of punctuation. The family has 3 weights with matching italics.

50 blobs, brush strokes, balloons, ovals, scribbles and a few characters. Outline, color, flip or flop. Reverse type out of brush strokes and or use them to underline type. Best used in large sizes as clip art. An easy and quick way to add a creative and artistic flare to any job. Lots of variation.

Artonic is a tattoo script typeface inspired by elegant script and sharp look typeface. The characteristic of artonic is flowing edge, elegant,sharp and black. These typefaces are made out of pride and passion for urban tattoo design. Of course Artonic comes with a variety of ligatures and alternative forms, available through OpenType features.

Introducing, Lintang. Lintang is a display serif font that is firm yet elegant and unique because of its character and swash alternatives. Lintang is furnished with many character and swash alternatives that you can choose from making this font feel special and stand out. by using this font you can create elegant designs very easily.

Satreva is a stylish and elegant sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! What's Included : Light, Regular, Bold (TTF) Alternates & Ligatures Works on PC & Mac Simple installations Multilingual support PUA Encoded

The inspiration for this versatile typeface came from both Art Deco and Military sources. It comes with both a clean geometric and hand drawn version so you don't have to get carpal tunnel sketching it out yourself. This typeface is equally at home stenciled with paint on a wall or used on a music poster.

Long before there was Scooby Doo, there was scooby-dooby. This exuberant font is based on the works of whacked-out 50s album-cover artist Jim Flora, whose imaginative illustrations defined hot jazz and cool cats. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

The boss of extended typefaces, Brian Bonislawsky, has belted out this ultra wide design, EuroMachina, that looks like an odd meld of OCR-A, Microgramma and Bank Gothic. And if that wasn't enough, Brian then felt the need to distort it in various ways, creating Broken, Eroded and OverGreased. A little something for everyone.

I have always liked handmade display fonts - maybe that’s why I have so many of them! Display Patrol is a rather fat, in your face font. It is completely handmade and comes in two distinct styles: regular and dots. Use it for your posters, books and product packaging. I am sure it will stand out!

"Holland Matcha" – the handwritten font that adds a touch of organic elegance and warmth to your food and beverage brand. Elevate your identity with this unique, memorable typeface and make your culinary creations truly stand out. Explore "Holland Matcha" today for an unforgettable brand transformation. Features : - Holland Matcha Font - Multilingual, US Roman, Latin 1 Support

Inspired by the many emerging tech startups, we wanted to create a font that can play to give the impression of technology but still fit into various design areas. Eriega gives the impression of modern and technology as a movement for change for the better. Eriega is a modern tech display typeface that unites the enthusiasm and technology. A simple, modern, futuristic font that can be applied to many areas of design. Coming with 90+ stunning and super easy to use alternates and ligatures. Very suitable for apps, magazine, headline, website, ads, product package and all type of design project you have. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easily call alternates character using special combination like A.2 S.2 a.r r.i etc. To get results like the preview just type Er.iega

Krimson is a bouncy fat cutter handwritten font. With bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Krimson font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Krimson font. Cheers, Maulana Creative

Calligraphic Griffo comes from my personal interpretation of Francesco Griffo works. He was one Italian's type founder, punch cutter and type designer and the first who drawn and realize the typographical's punch of the italics around the 1500. His dedication to works and incredible perfection make me fall in love with his typefaces. Here my font: a readable and classical Serif with well-proportioned letterforms, a lot of ligatures combination and initial Swash Letters. Hope you like it, enjoy!

Sabine is an Arabetic type design with a calligraphic flavor. It follows the guidelines of the Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards version 5.1, and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Sabine employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. In Sabine Kashidah, Irsal, and Tasmim keying Tatweel (shift J) after certain glyphs will replace it with a long stroke glyph. In Sabine Tasmim, keying it a second time will replace glyph with a final form swash (Irsal) glyph. In Sabine Irsal all final forms are swash glyphs. Keying Tatweel before Alif Lam Lam Ha will display the Allah ligature. Sabine family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to standard English keyboard punctuations and major currency symbols. Fonts are available in regular and italic styles.

Volta is a robust typeface from the 1950s. A revisit to styles that were en vogue at the turn of the century, Bauer type foundry designers Walter Baum and Konrad Bauer designed this type family in1955. The form of Volta's letters are similar to those in New Transitional Serif typefaces, like Cheltenham and Century. Developed after the Didone (i.e., Bodoni) style types, New Transitional Serifs speak more to the zeitgeist of the late 19th Cntury, and were typographic adaptations to it's newer technologies. Already in the period of mass production, typographers and printers at the dawn of the 20th Century had to cope with larger print runs on cheaper materials. The robust letterforms of New Transitional Serifs were designed to compensate for this, but they were also ingenious little inventions in their own right. Form the beginning, the new, peculiar forms of New Transitional Serif letters were adopted for use by advertisers. Their robustness also allowed them to be used in virtually all sizes. Volta was designed especially with advertising display usage in mind. The x-height of Volta's letters is higher than average for serif faces. It is recommended that Volta be used exclusively for shorter tracks of text, above 12 point. Headlines look dashing set in Volta. Four different font styles are available for the Volta typeface: Regular, Medium, Medium Italic, and Bold."

I love Tea. Do you love Tea? Good. Because there's a whole load of T's in the Totally Terrific Typeface! Bursting with fun and bouncy brush-strokes, this typeface will undoubtedly add a dash of cheeky playfulness to your text - ideal for greeting cards, branding, merchandise, invitations & hand-made quotes. The awesome thing about this typeface is that it's so easy to mix up the various font styles and create totally unique, hand-made looking words each time. The lowercase characters can be connected (Totally Terrific Regular) or un-connected (Totally Terrific Two), and will work in any combination of these two versions. Not only does it also look great in all-caps, but the uppercase letters will fit in with the lowercase at any location - I'm serious! Just throw one in the middle of a word, I dare you ;). Your download will contain 2 font files: Totally Terrific Regular • Contains a full set of connected lowercase letters, uppercase letters, a large range of punctuation, numerals, and multilingual support. Totally Terrific Two • A second version of the Totally Terrific Typeface, with a completely new set of un-connected lowercase characters. These are designed to work in perfect harmony with the connected set from the other font file. Just keep switching between the two fonts to create unique word layouts!

Kadigan: (noun) A placeholder word. A kadigan can be used to substitute for any other noun: persons (John Doe, Acme Company), places (Anytown, 123 Main Street) or things (whatchamacallit, thingamajig). Just like kadigans can be used in nearly any situation, the members of the Kadigan font family can be used in nearly any design! These sans-serif beauties are clear and easy to use, but they also have a little bit of wiggle in their strokes and weights, for a fun hand-lettered look! The three members of the family: - Kadigan Light: An all-purpose lightweight stroke, with sharp corners. - Kadigan: A nice mid-weight stroke, with slightly rounded corners. - Kadigan Heavy: A thick, chonky stroke with pillowy rounded corners. And each member of the family is packed with features, including: - All of the basic stuff you expect from every font; - 340+ extended Latin characters; - Cyrillic character set; - Greek character set; - Those character sets? Support over 110 languages! - 52 double-letter ligatures for variety (That's right, EVERY letter. I'm looking at you, savvy revved trekkers!); - A full set of small caps (including Cyrillic & Greek); - And more! (Seriously, it was hard to stop.) So whether your work is in English, Español, български, ελληνικά, Türkçe, or over a hundred other languages, this cute and fun sans-serif may be just what you've been looking for!

But WHY??? Cowpie.

For many centuries, Chinese cut paper designs have been in common use. Floral Ornaments was inspired by these floral cut paper designs and contains a selection of 114 ornaments.

Minnak, as a whole geometric display type is our take on Square Kufic (Makili) style Latin script fonts, comes in eleven weights with linear progression. It is an Uniwidth typeface at the core. From Hairline to Black, all multiplexed weights take up the same space in width and can be used interchangeably. Supports wide range of Open Type features, with many stylistic alternates in 12 context. Minnak is also have a close relation with pixel fonts, because in spite of its based on Makili forms, it all started as a pixel font in the drawing stage before further steps came into play. The key difference between Minnak and Makili style is that the latter must have the exact square counters with no diagonal strokes, and any other components of a letterform must conform to be proportional. Such style-specific requirements determine the overall dimensions of the glyphs and therefore, there can be only minor differences between the typefaces. In Minnak, counters are rectangular because of its narrow and condensed proportions, but the Makili form influence is still manifest. This impression is best confirmed with Medium weight where negative spaces and stem thickness are equal. Contrast and virtually no optical correction were presented, as characteristic of its genre had to have equal horizontal and vertical line thicknesses. As per the minimal and authentic look of the type, all glyphs are drawn as straight or only as 45-degree diagonal strokes. The representation of the ‘diagonalless’ approach is preserved by stylistic alternatives, making its similarity in visual aesthetics clearly visible. Marks and punctuation is another feature that doesn’t follow the strict rules of the origin style. Although not a pixel font, all building parts of the glyphs in Minnak share the same unit precision as they are designed with pixel equivalents in mind. Even space characters are designed to match glyph widths, meeting the demands of certain typesetting or multi-line lettering compositions. With its Pseudo Ancient and Runic alternates, extention parts and ornaments included in all weights, Minnak is suitable for branding, logo and monogram designs, the screen titles and headlines, packaging, posters, book covers and more, where it shines at big sizes. Its pixel font-like appearance makes it a significant choice for the modern compositions. Thanks to mostly uniform width design, it is possible to use Minnak also as a system for lettering. This feature can be used as vertical fitting of the letters between the lines. As a casual expression in Turkish, “Minnak” is one of the seven typeface designs in Esintype's ancient scripts of Anatolia project, Tituli Anatolian series — representing Seljuk period in the medieval Anatolia and their tradition of architectural stone ornamentation.