Pentagram TwoLetter Monogram Logo Font Family with OpenType magic that can adjust to front and back letters, there are 10 frame variations that you can access at numbers 0-9 how to activate it simply by adding a number in front of your initials, typing something (0AB - 9AB) it will automatically compose . you can use it on any Logo project it is perfect to add to your collection. Pentagram TwoLetter font FAMILY – includes 9 weights (Thin, Extra light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black) : Pentagram TwoLetter Thin Pentagram TwoLetter Extralight Pentagram TwoLetter Light Pentagram TwoLetter Regular Pentagram TwoLetter Medium Pentagram TwoLetter Semibold Pentagram TwoLetter Bold Pentagram TwoLetter Extra Bold Pentagram TwoLetter Black Hope you enjoy. Intuisi Creative

Introduction to Celan Bold Serif Font The Celan – Bold Serif font stands out with its robust and masculine appearance. It features thick, strong lines and minimal white space. This design choice gives it a dominant presence, making it ideal for impactful titles. Characteristics of the Font Celan is characterized by its bold, assertive strokes. The limited white space between letters enhances its solidity. This quality makes the font appear more masculine and forceful. Its serif design adds a touch of classic elegance. Ideal Uses of Celan – Bold Serif This font is perfect for powerful titles that need to command attention. Its boldness makes it suitable for headers in various mediums like posters, websites, and magazines. The strong character of the font conveys confidence and authority.

A modern Sans Serif — prosaic, designed geometrically, beautiful in large sizes All the dimensions of the font are based on Factor 10. The general principle of construction leads to slim forms and nearly equally wide characters. So the font appears very solid but is actually difficult to decipher in longer texts. Along with the ”normal“ Guhly Regular there are also the two versions Guhly Light and Guhly Bold, whereas in each only the vertical strokes [Guhly Light] or horizontal [Guhly Bold] have been changed in strength. The result is a very individual decorative effect which slightly reflects old circus and western scripts. The lower case characters in the version Guhly Book are, therefore, optimized to be suitable for longer texts in smaller font sizes — because after all, sometimes you should read a bit more than just the headline… The design of a shampoo bottle stands behind the creation of this sans serif display font. Prominent, clearly constructed forms with circular arcs define its appearance. This is a font primarily designed for use with capital letters — for all sorts of advertising purposes, headlines and titles. But lower case letters also belong to a good functional font; so, of course, Guhly includes them and ligatures for the more ”critical“ letter combinations as well as stylistic alternates for the letters K (or k), V (v) and o. As a decorative “encore”, the Guhly family also contains the “normal” weight in two variants: on the one hand the Guhly Cutout – these are letters without counter, as if the letters were cut out and the internal surfaces fell out; and on the other hand the Guhly stencil – as the name suggests, a stencil font with the typical bars that give a stencil the necessary cohesion.

Introducing Fortune Font set. This typeface has an old school look with classic western shapes. Fortune Variable Font has three predefined weights (Thin, Regular & Bold) and Variable font with flexible weight. All of the small letters has one or two alternates with bottom expanded shape*. Fortune Variable Font supports most of the European languages. *Make sure that "Contextual & Stylistic Alternates" features are supported & enabled in your software. Also please consider that this feature is available only for English alphabet.

Frederic Goudy designed National Old Style Roman in 1916. It is loosely based on a logo he lettered for the National Biscuit Company in 1901. Steve Matteson expanded on Goudy’s original by designing a bold, semibold and matching italics. While much of Goudy’s work is strongly influenced by Venetian types of the 15th and 16th centuries - this design has a truly American quality about it. The design is useful for text or headlines that captures a sense of Americana.

Inspired from Cambodia’s alphabet, Khmer. I tried to explore the visual of the original character in Latin characters. Inspired by 2 gothic fonts, Old London (for the modern/straight feel) and Berliner (for the dynamic between thin and bold line). The letters are made with pencil in a millimeter block book, then scanned into clean vector format. And the result can be use for Display or a Headline with traditional or ethnic theme, including film, game, event, etc.

Code Saver — Next-generation monospaced font — 1. Code Saver is a monospaced font family for coding and tabular layout. 2. Code Saver is a clean, natural and simple monospaced font family. 3. Code Saver consists of 6 style, Regular, Medium, Bold and their 11° Italic. 4. Code Saver has 93.33% condensed width for more usable space. 5. Code Saver has good distinguishability and legibility especially numerals. 6. Code Saver brings a fresh sensitivity to boring old existing monospaced fonts.

Presenting… a Western style alphabet from the 1960 edition of Samuel Welo’s “Studio Handbook for Artists and Advertisers”… Extra bold, featuring slab serifs and concave corners, this type style could easily have been found on building signage in the Old West… but in redrawing it digitally, it’s been named Modern West JNL because at one time, this would have been considered a modern style of lettering. Modern West JNL is available in both regular and oblique versions.

Vanitha is a bold script font, inspired by vintage logos and old-school sign painting. This font is made with hand drawings and still pays attention to the calligraphic form so that it looks modern and unique. Vanitha is a display font, which you can use as logos, logotypes, merchandise, sports themes, flags, banners, stickers, labels, posters, and others. This font is also equipped with stylistic alternates to beautify your typographic design. Thank you for your support!

Most folks might picture wood type lettering as the fancy styles of the 1880s which so perfectly evoked images of the Old West. Occasionally there is an exception to that rule, as an online image of some vintage wood letters with an Art Deco influence inspired a revival as a digital type face. Wood Lined JNL features a bold alphabet with an engraved line throughout the characters, and is available in both regular and oblique versions.

Blacksign is a cursive brushed handwritten font, featuring a lovely style. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.

Hey Baby is a cute and charming display font. Whether you use it for cartoon related designs, children games or just any creation that requires a lovely touch, this font will be an amazing choice.

Hidup Tenang is a whimsical, laid-back, and fun display font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.

Bergas is a cool, whimsical and wavy display font. Whether you use it for cartoon related designs, children games or just any creation that requires a lovely touch, this font will be an amazing choice.

Vulcano is the mesmerising creation of Salvador –Tori– Alimbau, the one-type-man who gave us this maze. José Manuel Urós took months to devise a negative-positive system for these characters. Hypnotic, charming sophisticated.

Dead Bear is a cool and creepy display font. It is imposing and features uniquely shaped letters, and as a result, it will easily match a wide range of creations that require a distinct touch.

A stylish retro script where I have completely redone the spacing to make the text look more even. All of the diacritics have been redone, too - and the character set expanded in our usual fashion. So now this little gem from Nick Curtis is ready for the big time! Nick Curtis says: “This font is basically a design exercise, influenced by a number of contemporary fonts, but unique in its own way. The gentle, fluid motion reminded me of diner lettering from the 30s and 40s, hence the name.” ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.