A usable version of the classic artists’ stencil font, picks up from where Josef Albers left off. Pared down for maximum minimalism, yet remarkably readable.

Anglo Saxon Futhark Runic adapted form of that beautiful impressive alien script from the Fantastic Predator movie. It looks great with the impressive red color.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.

Missale Incana is a redesigned, new interpretation of a typeface from Herbert Thannhaeuser. Its a strong calligraphic roman typeface, well suited for headlines. OpenType features:

Like a phoenix from the ashes - here comes Capitol Pro, a complete redesign of Schriftguss' 1931 Capitol font of which just a few letters existed.

Monopoint is the little brother of Doublepoint. By overlaying the single weights from light to bold you will get a nice outline-in-outline look.

Authentic rendering of the original font called Vanden Houten from the Keystone Foundry in Phaladelphia. Very popular among job printers of the early twentieth century.

Thataway JNL is an assortment of arrows in many different sizes, shapes and directions that were collected from antique letterpress blocks and other vintage sources.

Inspired by art deco posters from the period between WWI and WWII, Lumier comes in 3 weights with the proportions of a modern sans families.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benefit from a "spoonful of sugar" visually.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.

A light roundhand with mildly clubbed terminals on the capitals. It was expertly transferred from an engravers’ pattern plate to the Fotosetter Intertype about 1955.

The Tommy's Type font from Judith Sutcliffe is an original creation. Tommy's Type shows Sutcliffe's historical and calligraphic inspirations with simultaneous whimsy and creative balance.

What was the inspiration for designing the font? Spanish script from 16th Century. What are its main characteristics and features? Handwriting. Usage recommendations: Literature books.

Finally the light version of Wilhelm Berg’s hot-metal classic which had found its way from Schriftguss to Typoart can be released for nowaday’s use.

Cartoonist JNL was modeled from a casual brush lettering style found in a catalog of lettering templates sold by the Wright-Regan Instrument Company (Wrico).

Thought to have developed from a display face first listed in 1890, the Derek Italic font is a heavy face ideal for short titling purposes.

We had a dozen or so letters of this of this, picked up at the flea market in Vienna. The rest came from our imagination.

The hand lettered title card from the 1935 melodrama “Magnificent Obsession” inspired the digital revival Movie Classic JNL; available in both regular and oblique versions.

Bay Ridge JNL, modeled from vintage sheet music lettering, is named for a neighborhood in the Southwest corner of the borough of Brooklyn, New York.

Paola is a redesigned, new interpretation of a typeface from Carl Rudolf Pohl. OpenType features: Central European faces Ligatures & contextual alternates Proportional & mediaeval numerals Fractions

Omnidirectional Arrows JNL is a series of arrow dingbats in different shapes and directions in both solid and outlined drop shadow versions from Jeff Levine.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benefit from a “spoonful of sugar” visually.