Chamelton, a vast layered font family, provides a creative spectrum through layers, colors, and weights, including 109 Sans Serifs, 3 script weights, + 198 extras. You can use the family as a complete design kit or a component of your work. Most styles are stand-alone fonts, but some layers work only in combination. Creating a multi-colored layered font is simple and compatible with any layer-supporting graphic software, including Adobe Suite, Sketch, Figma, etc. See Specimen PDF for more details.

German graphic designer Ralf Weissmantel created Boogie in 2003. Boogie is an ironic reference to pop art, and to disco lettering from the 1960s and 70s. Its round forms and outlines evoke the flashing, pulsating lights and music of that era. Shipping with five different, width-compatible fonts, the Boogie typeface has four different components: an outlined letterform is the base element, and forms the first font. Three additional fonts may be layered over top of this base, surrounding the first font with up to three bubble-outlines. In graphics applications like Adobe PhotoShop or Illustrator, these elements can each be assigned different colors. There is also a fifth font, which contains the base outlined letterform pre-surrounded by three additional outlines of the same color. Boogie works best in large headline, display and signage applications, where its forms can be clearly seen and enjoyed. When different colored layers are applied, text set in Boogie will gyrate and jive across the page! Weissmantel has worked as an art director for various international advertising agencies, and has led Corporate Design projects for firms such as Grey and MetaDesign. His design work, honored internationally, has been included in the typography collection of the Museum for Art and Trade in Hamburg. He is currently teaching graphic design at the Düsseldorf University of Applied Sciences. Weissmantel has been an associate of the United Designers Network since August 2002. Boogie received an Honorable Mention in the 2003 International Type Design Contest, sponsored by Linotype GmbH.

The Typorium presents a new optimized and enriched version of ITC Ellipse which first appeared in 1996 in the International Typeface Corporation typeface library. ITC Ellipse Neo design has been lightly modified. Three weights have been added (light, Medium, Extra Bold, including Italics) to the original Regular and Bold styles. ITC Ellipse Neo is both modern and classic. Modern in the unusual shape based on the geometric ellipse form. And classic in the structure of some letters like the lower cases c, e, g, o, s. These letters alone could come from a traditional typeface, but they fit perfectly with the atypical rest of the alphabet giving it a present-day and traditional mix. Furthermore, the ellipse shape fits naturally in the italic styles, giving the font an organic and fluid feeling. ITC Ellipse Neo offers OpenType features such as alternate characters for upper and lower case, and an extended accented character set to support many languages. Five weights have been created for each style to offer a wide range of graphic possibilities in a tidy digital footprint. Designer: Jean-Renaud Cuaz Publisher: Typorium MyFonts debut: December 15, 2020 Le Typorium présente une nouvelle version optimisée et enrichie d'ITC Ellipse qui est apparue pour la première fois en 1996 dans la bibliothèque de caractères de l'International Typeface Corporation. Le design de ITC Ellipse Neo a été légèrement modifié. Trois graisses ont été ajoutées (léger, moyen, extra gras, y compris les italiques) aux styles originaux Regular et Bold. ITC Ellipse Neo est à la fois moderne et classique. Moderne dans le dessin inhabituel basé sur la forme géométrique de l’ellipse. Et classique dans la structure de certaines lettres comme les minuscules c, e, g, o, s. Ces lettres pourraient provenir d'une police de caractères traditionnelle, mais elles s'intègrent parfaitement avec le reste de l'alphabet plus insolite en lui donnant un mélange de modernité et de tradition. De plus, la forme de l'ellipse s'intègre naturellement dans les styles italiques, donnant à la police une sensation organique et fluide. ITC Ellipse Neo offre des fonctionnalités OpenType telles que des caractères alternatifs pour les capitales et les bas de casse, et un jeu de caractères accentués étendu pour prendre en charge de nombreuses langues. Cinq graisses ont été créés pour chaque style afin d'offrir un large éventail de possibilités graphiques pour une empreinte numérique rigoureuse.

Based on the S. H. de Roos design, Amsterdam Foundry circa 1923.

Bague Round is a soft contemporary geometric typeface which blends distinct minimalist characteristics with mainstream details. It originates from Bague Universal, a superfamily with a warm well-balanced texture and a distinct personality. Usually, round sans letterforms tend to look rather organic and playful at heavier weights. This problem was avoided in Bague Round by applying all necessary optical corrections at the rounded corners in order to retain its robust qualities. Mechanical replacement of the stem endings with standard arcs was not implemented and each round form of the horizontal, vertical and diagonal strokes was treated differently from the other. Whilst the rounded endings at heavier weights become gradually more flat at acute corners, the round stems in letters such as A, b, m, p, s are perfectly matched with sharp diagonals in letters such as M, N, w, v, in a very distinct manner. A remarkable feature of Bague Round is its vast array of uppercase alternates and ligatures which truly shine when set at display sizes. Make your selection from 6 distinct groups of alternates as well as a rich set of discretionary ligatures and watch it transform into a flexible, charming and stylish typeface with strong modern aesthetics. This typeface offers enormous possibilities and variations for editorial design, branding and corporate identity. The Bague Round type family includes 14 weights from Thin to Ultra Black and matching true-italics with a consistent and well-refined structure. Each style consists of 1017 glyphs with more that 280 alternates and ligatures and an extended set of characters which supports Latin, Cyrillic and Greek. PDF Specimen Bague Round on Behance

Little Pea is a cute and fun handwritten font, comes with four family weights: light, regular, medium and bold. the idea in making this font is the wishful thinking of childhood memory, where everything looks so cheerful, colorful and fun. Little Pea font will make your design look modern but still fun. Easy to read and perfect for any design that need a colorful and fun concept like children comic or picture books, greeting cards, toys, posters, song lyrics, website, and much more.

The Gallantic is a Vintage retro font. Inspired from retro typography and lettering in the 70's and 80's combine with bold typography style. This font is perfect for: Clothing design, Fashion, Apparel, shirts, retro designs, procreate, stickers, logos, branding, greeting cards, Cricut projects, posters, magazines, social media, prints, Silhouette, Corjl, 70s, 80s, 90s retro design font, party, bissiness, iPad, Groovy Design, Decor Design, DIY craft,vibtage design and more! *Note This font is not included with "Shadow/ Extrude", it was created manually for display purposes only You can try this tutorial if you want to make it. I made it in Corel DRAW software https://www.youtube.com/watch?v=S6BCkX_cywo Thankyou Subectype Studio

Introducing a new vintage bold script called Vintage Queens. It is inspired from retro typography and lettering in the 70's and 80's combine with bold typography style. With a total of 534 glyphs with 359 alternate, you can make letter combinations for lettering with a lot of options. Includes OpenType feature with many alternates and swashes, helping you to make great lettering. Vintage Queens best uses for Logotype, heading, cover, poster, logos, quotes, product packaging, header, merchandise, social media & greeting cards and many more. This font is also support multi-language. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw.

Hello I'm really excited to introduce Pinkponk designed to become a groovy and vintage, this font has the potential to bring each of your creative ideas to the highest level. Combine with ligatures and special alternative glyphs so you can create a lots with layouts and compositions. Pinkponk brings a touch of 80's and 90's era bespoke custom typography to logos, websites, social media quotes, wedding branding, and more. Whats Included ? Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Thank you so much for checking out my shop, and please get in touch if you have any questions! at: dedukvic@gmail.com find more previews on my Instagram here : https://www.instagram.com/acekelgondolayu/?hl=en

Finador is a modern, soft geometric sans family. The functional style of a geometric sans has been soften by open apertures and rounded corners. This makes it functional and friendly. The default version has open, modern apertures. Stylistic Set 2 includes the whole set with closed, classic apertures. A slightly different look. It´s like having a second font in just one font. So it´s up to you to choose the right look for your projects. The Finador family includes 8 weights, from thin to heavy + their matching italics. With 900+ glyphs per style it supports over 200+ latin based languages, includes an extended currency symbol set and a lot of Open Type Features like small caps, ligatures, fractions, alternates and many more. The lightest and boldest weights are good for display usage, while the middle weights can be also used for body text. As a versatile allrounder Finador supports almost every of your needs. It has the ability to become your next favorite workhorse family.

Nazzaric horror display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Nazzaric grunge horror display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Nazzaric horror display font. Cheers, Maulana Creative

Embar Wisteh horror dripping font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Embar Wisteh horror dripping font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Embar Wisteh horror dripping font. Cheers, Maulana Creative

Alterica Monchins horror display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Alterica Monchins horror display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Alterica Monchins horror display font. Cheers, Maulana Creative

Emoligons grunge horror display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Emoligons grunge horror display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Emoligons grunge horror display font. Cheers, Maulana Creative

Carnifun horror circus display font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Carnifun horror circus display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Carnifun horror circus display font. Cheers, Maulana Creative

Ckornoments is a two-font family of corner ornaments that was inspired by decorative grave ornaments. Similar ornaments can be found on old furniture and woodwork. Almost all ornaments come in sets of four for placement top right and left and bottom right and left. The two fonts, solid and outline, are designed to be used in layers but can be used separately. In addition, ornaments that include flowers have one part of the design separated out so the original and separated characters can be layered to give bi-colored images (or tri-colored with an outline). These ornaments are suitable for posters, newsletters, personal notes, and on other types of documents that benefit from framing. In addition to serving as corners, the ornaments can also be used as dividers between sections of text.

The Vtg Stencil series of fonts from astype are based on real world stencils. These stencils were used in the 50's and 60's by the US Army. If you are interested in the current stencil design, please have a look at Vtg Stencil US No.72 .

The initials ASM represent the acronym of the Santa Monica Arts cultural center located in Barcelona, Spain, where this typeface, with the same name, has served as the custom corporate typeface since 2008 till today (2013). ASM is an energetic monospaced with extreme legibility consisting of two original weights, with an underlined version – used on some of corporate applications – all with their corresponding italics.

You came to the right place, if you need a Bold Clean Script font to make your project perfect such a logo design project, poster design, brand identity, heading, wedding, greeting cards, invitation and more this script handwritten font is into it ! I Created this font for social media need first, but i think this logo is great for corporate branding or logo design project too and boom ! Of Course !

Introducing a SVG font called Bargitta Script. This typeface has 3 different styles that you can use according your needs : Textured SVG, textured vector /rough, and solid. It has very nice look, very suitable for corporate branding, logos, documents, social media design, presentations, print design, web, and more. This typeface comes in uppercase and lowercase, with punctuation, symbols, numerals, stylistic set alternate, ligatures, and also has multilingual support.

Asta, named after the adorable pup in the “Thin Man” movies from the 1930‘s and early ‘40‘s, is an Art Deco / Streamline Moderne all-caps display font. Inspired by forms from the iconic machinery of the day like trains and autos, Asta has a heavy and masculine proportion, a cut-in “grille” effect and a slight slant which emphasizes its moderne roots. Fantastic for illustration or retro applications like antique product “logos,” signs and vintage packaging, or for a fun & funky ‘70‘s Disco look.