A bold, handmade stencil alphabet from the book “Lettering” by Harry B. Wright (1950) served as the model for Obscure Stencil JNL – available in both regular and oblique versions.

Sketchetik Fill – brother of famous Sketchetik – is a hand-drawn font in four styles: Light, Regular, Bold and Black. Sketchetik Fill is recommended for use as a display typeface.

Kidzhood represent the characters as funny and flexible, just like childish characters can be. Kidzhood equipped with cute letter form and some attractive ligatures, giving it a playful feeling.

Geraldica is a monoline script that supports foreign languages and has special characters such as ß, ñ, and ç. It includes 381 symbols including alternates with different calligraphic swashes.

Elah Pro is a Title Typography, which contains different styles such as Ornaments and Dingbats, special to play and combine and make a much more pleasant and entertaining title.

Ufaira is an original handwritten font that can be used in various needs of the network such as screen printing of clothes, posters, films, magazines, banners, books, and more!

Cocktail - elegant retro serif with an artistic touch. Specially designed for vintage, retro, elegant projects, perfectly suitable for creating simple, lifestyle designs such as logos, title, packaging, and more.

A crunchy comic font, suitable for both small and large typing. At small sizes the font appears as a "simple" handwriting font, but at larger points the crunchiness appears!

Each style includes 6 fonts of 100 characters each of circle, square, and diamond in positive and negative. For ordering purposes, each style (6 fonts) counts as 1 font.

As once a sign-painter in my younger years I loved the quick brush strokes used to turn out quick 'Sale' posters. I tried to relive in this font.

Astria is a swinging script, that works best in short headlines or as a decorative Element. I like it when the lines overlap, with letters flowing into each other.

Mollandia is a romantic typefaces. bold, elegant & fun vintage script font. Can be used for various purposes.such as logos, wedding invitation, t-shirt, letterhead, signage, news, posters, badges etc.

Each style includes 6 fonts of 100 characters each of circle, square, and diamond in positive and negative. For ordering purposes, each style (6 fonts) counts as 1 font.

In 1994, Apple® Computer, Inc., asked David Berlow for “a future gothic” to replace Chicago®, their system font. Now called Charcoal®, the design was released with Mac® OS 8 in 1996. Through operating system bundles it found its way into every form of design. Released from constraint, Berlow designed Truth FB, a radical series with a spectrum of seven weights. Like its forbear, Truth FB opens new design avenues; FB 2005

Type designer Xavier Dupré’s Garalda is a charming 21st century family that renews a legacy of finesse. As paragraphs on a page, Garalda’s overall impression is of a workaday personality, committed to the main purpose of the job: easy long-form reading. But setting it in display sizes proves something different: This reinvented Garamond is anything but basic. The Garalda story begins with the serendipitous finding of a book typeset in a rare Garalde, called Tory-Garamond, with which Dupré was not immediately familiar. This Garamond was used in bibliophile books in the decades surrounding 1920, but after that it became déclassé for an unknown reason. Dupré found the italic styles especially charming and discovered the family was probably the mythical Ollière Garamond cut from 1914. He obtained low resolution scans of the typeface and used them, rather than high resolution scans, as the basis for his new type family. This allowed Dupré the mental freedom to experiment and remix as he saw fit, culminating in a contemporary family with heritage. As seen in the simplistic rectangular serifs, Garalda is a humanist slab serif, but with a mix of angles and curves to give the classic shapes a fresh, unorthodox feeling. While almost invisible in paragraph text, these produce a graphic effect in display work. The set of ligatures in the roman and italics lend themselves to unique display use, such as creating lovely logotypes. In the italics, some swashes inspired by different historic Garamonds are included, sometimes breaking their curves to be more captivating. Just look at how the italic ‘*-s’ ligatures create ‘s’ with a cursive formation rather than merely a flowing slant. And how the roman ‘g’ link swings as wide as a trainer’s whip. These are all balanced by squared serifs in the roman to keep an overall mechanised regularity. The Garalda family comes in eight styles, includes some of the original arrows and ornaments, and speaks multiple languages for all typesetting needs, from pamphlets to fine book printing. The complete Garalda family, along with our entire catalogue, has been optimised for today’s varied screen uses.

Bradley Texting: a clear, friendly and easily legible calligraphy font, also suited to electronic devices With Bradley Texting, Richard Bradley has published another calligraphic typeface that recalls the style of Bradley Hand and Bradley Type. In this case, however, Bradley has advanced the style with clearer forms for display on electronic instruments and on other formats. Two other font families paved the way to the newly introduced Bradley Texting. In the mid-1990s, Bradley published Bradley Hand, with its rough contours. Since these coarse forms do not cut a good figure in the larger font sizes, Bradley Type followed, with smooth letters. During the development of Bradley Type, the idea for a further font came about ? one in the style of the two other calligraphic typefaces, but with simpler, easily legible forms and suited to electronic devices like mobile phones or tablets. The letters for Bradley Texting began with a marker on paper. Looking back, Bradley describes one of the biggest challenges as having the calm required to draw the relaxed-looking letters repeatedly while still making them fit the general style.The somewhat narrow and dynamically designed letters have round line ends, like those left by a felt-tipped pen. As a hand-written print font, the individual letters are not connected to one another. Nonetheless, they demonstrate the influence of a written font, such as the extended ends and the flowing transitions. Clear forms with open counters and a large x-height guarantee Bradley Texting good legibility in the smaller font sizes. Bradley Texting is also effective under more challenging conditions, such as on mobile phones, e-book readers or tablets; the fonts friendly and lively character comes through. With Regular, Semibold and Bold, Bradley Texting is adequately equipped for use as a headline or text font in various sizes. The selection of characters covers the Western European languages and German typographers will be happy to note the presence of the upper-case ß. Use the dynamic and clear forms of Bradley Texting anywhere you need a friendly character with a personal accent. Bradley Texting is persuasive in the print realm, in advertisements or on posters, as well as on electronic devices.

Strijkijzer is a funfont. It originated as a joke between friends. Do not take too seriously for it. But it is complete. Download it for free and swing your iron.

Ashley Crawford was designed by Ashley Havinden in 1930. Ashley Crawford is very lively and as such it is ideal for packaging and display purposes where fun is the theme.

This is an industrial-style font with a strong and powerful presence, suitable for use in headings and slogans. It can be applied to industries such as factories and construction.

A set of plastic pin-back letters served as the model for Monthly Meeting JNL. Pin-back letters were primarily used on cork bulletin boards for changeable notices and announcements.

Named after Gian Giorgio Trissino (1478-1550) the Italian Renaissance humanist, poet, dramatist, diplomat and grammarian who was the first to explicitly distinguish I and J as seperate letter sounds.

AZ Dramamine font has some inspiration from A&F tee-shirts, but mostly it is completely original script. This font was designed for use as a worn and antiqued headline.

Stencil in nature, Western in feel, this font has both form and function. Can be used as a retro design or in a setting where a stencil font is needed.

Bashan is modern serif font with beautiful contrast. Specially designed for fashion-themed projects, perfectly suitable for creating elegant, chic, lifestyle design such as logos, title, and magazine, and more.

Schneidler-Initialen (initials) was designed in 1936-37 by Friedrich Hermann Ernst Schneidler (1882-1956). Originally known as Schneidler Mediaeval, the font was revived and released by GroupType in 1994.

AlphaCharlie started as an experiment. But once I had a couple of letters, I thought it looked very interesting. So I just designed the whole set. Yours experimentally, Gert Wiescher

Amallthea is natural dry brush font. It can be used for various purposes such as logos, quotes, posters, playful lettering, clothing, and every other design which needs a unique touch.

A great overall Text and Headline face, with its matching drawn Italic it has unlimited possibilites. Even as a stand alone, the Italic will work in just about any design.

Al Seg45 is a very dense alphanumeric display with 45 segments. Thirty-two inner segments, the outer segments have been split as well, making twelve segments, and a central dot.

LouLou is a scriptlike typeface that looks as if it came right out of the sixties and seventies. Flowerpower! I enjoyed doing this one. Your swinging type designer Gert Wiescher

An unconecting script face that closely resembles hand written with a fountainpen. It was expressly designed for informal applications such as invitations, notations, side boxes and hand written personal cards.

The wood type lettering which was the inspiration for Hayfork JNL has been given a spurred treatment, and is now available as Spurwood JNL in both regular and oblique versions.

Moonlander, a modern bold and wide sans serif font.This clean and sharp typeface is inspired from the lively urban lifestyle and can be perfect as a headline, title, logo, branding.

ButtonFaces explores just how much emotion and description of a character can be put into a simple iconic representation of a face. Use them as 'Emoticons' or traditional printers ornaments.

Dantalia is a handwritten font. It is perfect for project designs such as wedding invitations, posters, logos, typography, lettering, and more. Features: Uppercase Lowercase Numerals & Punctuation Stylistic Alternates Stylistic Sets