Super heavy font inspired by the wide trunk of African trees known as baobabs, available in two versatile styles, with sharp, and rounded corners.

Bakeshop is a casual script font family. It is drawn with rounded marker so the contrast is quite low. It has bumps at the end of strokes where the pen has stopped and the ink has spread. Bakeshop includes three weights and has both connecting and non-connecting versions. Connecting Bakeshop versions has OpenType features like Final Forms, looping connections with lowercase e, high connecting stroke with ascenders and plenty of discretionary ligatures. You can enable Final Forms either enabling Final Form feature or Contextual Alternates. If you want to use the high connection strokes with ascenders enable Stylistic Alternates or Stylistic Set 2. And if you like to use the ligatures just enable Discretionary Ligatures feature.

The Standard version of the Norden font family (see Round and Display) is "a standard sans serif" font. However, the significant detail and difference is that it comes with slightly rounded end corners, which makes the font “easier on the eye”, especially at large sizes compared to traditional fonts with sharp-edge corners. This little but important difference gives the font a commanding yet poised presence, without it imposing itself, as it were.

Conifer is a blocky geometric sans serif font that adheres to strict grid rules in order to define its corner angles. Its seemingly rigid form is tempered by the soft, rounded corners, and fine notched details present at acute angles in the glyphs. Available in a clean solid and a varied, textured rough. The result is a rugged, retro, typeface that is at home in fashion lookbooks and wood-carved park signage alike.

Monoline Fonts with strong identity for an outdoor design, camping, wild, journey, adventure, masculine, and etc. Opentype features are available on Marshfield such as Ligatures, Stylistic Alternates (Up to 6 Alternates), Contextual alternates, and Terminal Alternates. Marshfield Comes with 2 Type of Fonts, Script and Cursive. On each type of fonts have 3 different style, Clean (sharp corner), Round (Rounded Corner), and Rough (Rough Version). 6 Fonts in Total for completing your design style.

Bay Ridge JNL, modeled from vintage sheet music lettering, is named for a neighborhood in the Southwest corner of the borough of Brooklyn, New York.

Loftie is an all caps, condensed sans serif font with beveled corner characters. The font is ideal for headlines, titles, branding, small blocks of text.

During a visit to London in 2008 I fell in love with the square font used on the British car number plates. I was immediately inspired to start working on this font and have been developing it intermittently ever since. Several more trips to London and the project evolved before it finally took off and became Shentox. Despite the starting point being inspired by simple, everyday car plates, the font soon evolved into something fine and very rich in detail. Even though the square genre is very restrictive, Shentox is a highly legible contemporary font with a full range of weights, useable not only as a display family for headlines and posters, but as a distinct, clean font family for branding and general editorial use (Especially magazines). It has been carefully drawn paying extra attention to the details, high end finishes that makes Shentox a safe font for use in large scale work. For example, the curves of every individual corner have been adjusted character by character to avoid the common problems encountered with square fonts (Eg. darker corners between weights or a visually inconsistent radius between the Upper and Lowercases as a result of copy/paste). Shentox italic, which has a 12 degree slant, has been corrected to avoid distortion when slanted. The radius of the upper-right and lower-left corners are more pronounced, giving it a more fluid Italic feel. Shentox is available in Open Type format and includes ligatures, tabular figures, fractions, numerators, denominators, superiors and inferiors. It supports Central and Eastern European languages. This type family consists of 14 styles, 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics. Shentox PDF

The Waldorfschrift family was created in digital form in the years 1993-1994 by Joachim Frank, inspired by the naturally organic letters from the anthroposophical movement of the 20th century of Rudolf Steiner . In nature there are no right angles, straight lines or complete uniformity, but instead round corners, varying thicknesses and all kinds of variability. This is what the anthroposophical movement created in their buildings, their art, in their music – and also in their lettering. And this Font is like the plants in nature: it grows upwards, branches out, letters hugs to some letters, with others they keeps more distance, some letters proudly stretch their belly, others crouch in the corner - a completely natural font. Take a look at the brand of Weleda (the natural cosmetics company), Demeter (one of the biggest organic foods companies), Filderklinik (a great anthroposophical hospital in Germany) and you will see these great companies work with different but organic letter styles. More recently, Joachim revisited the Waldorf fonts with modern type design software and added extra characters such as the euro sign, and extra weights to make the fonts useable for a wide variety of design tasks. Dez 21: A big update: All fonts have been digitized again and given a complete character set, new kerning, minor bugs removed.

Alien Segment has got rounded corners and even though being built up upon geometry, it deserves rich text - and works well in both upper- and lowercase.

A futuristic stylistic font with smooth curves, and rounded corners. Comes with more than 500 different ligatures that curl and swurl the letters in funky forms.

Letterpress Helpers JNL continues a series of vintage cartoons, border and corner elements, stock designs, sales helpers and other embellishments re-drawn from vintage source material.

A modern sans serif typeface inspired by the historic geometric’s of the 1920’s, specifically Futura. The design is not a simple pastiche of what went before this is much more than that. It is a close investigation to how Futura inspired other type designs like Avenir and helped push the boundary of what is a modern typeface of its generation. Overlaying perfect geometric shapes careful adjustment is made for each character and each corner to a point of balance between pure mathematics and optical correctness. The result is a distinctively modern geometric font family that is strikingly simple in design yet perfectly pleasing to the readers eye. Details include 550 characters with an alternative lowercase a, g and y, five variations of numerals, manually edited kerning and Opentype features.

Graphie is a modern geometric sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 16 style: eight weights from Thin to ExtraBold and their matching Italics. The range of styles provides flexibility for title, headline and body text. And the clear-cut-corner, vibrant straight lines and large x-heights give them legibility, readability and keenness. The basic skeleton of their letterform was designed geometrically and optically corrected. The sophisticated geometric design gives them universality, neutrality and sense of unity and make it possible to be used across a wide range of applications in all medias, all purposes. Graphie supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And superior figures, inferior figures, denominators, numerators and fraction can be accessed by using OpenType features.

Elegant custom font with rounded corners, great for logos, posters, motion graphics and t-shirts. The name is inspired by the sleek curves and its smooth look.

Rich curvilinear borders and corner pieces, based on organic forms, for use as individual ornaments or as repeat units in the creation of complex shapes and patterns.

Squeezing yet more life out of the Revla skeleton! This is Revla Round, a child-friendly version of Revla Sans, completely overhauled so there's no chance of cutting yourself on any corners. Every rounded terminal and corner has been painstakingly drawn, rather than using a round-corners filter. OpenType contextual alternates make for text that is lively and bouncy, without the monotony of obviously repeating letterforms. It's shamelessly fun, but pretty serious at the same time. The range of weights can be used to maintain an even colour across different sizes - use lighter weights for bigger sizes and vice versa. OpenType features include automatic fractions, ordinals, contextual alternates, standard and discretionary ligatures, and case-sensitve forms. Obviously, in sharing a common skeleton, it will work well with other members of the ever-growing Revla Superfamily.

Modish is a perfectly balanced synthesis of the casually hand-drawn look and the pixel-perfect slickness of digital design. Inky, but neat, flowing, but controlled, the result is a font that’s ideal for on-trend designs for food, clothing, cosmetics, retail packaging, or menus. Modish features 270 swashes, 78 stylistic alternates that include alternates to create a fully connected OR unconnected look and contextual variants in lowercase letters and 43 Ligatures. See what’s included! http://bit.ly/2bNBcao This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

PT Nat Vignette™ was designed by Natalia Vasilyeva and licensed by ParaType in 2002. Original vignettes may be used as fleurons, composed borders, and corners as well.

PlatformOne is a 10 font family consisting of 5 weights with italics. A clean geometric font with precise corners inspired by commuter travel on Britain's public transport networks.

Gracia is a classic connected script design. OpenType features: - over 700 glyphs - central European faces - connection forms & stylistic alternates - proportional, mediaeval numerals & Roman numerals - numerators, denominators and fractions

Gracia is a classic connected script design. OpenType features: - over 700 glyphs - central European faces - connection forms & stylistic alternates - proportional, mediaeval numerals & Roman numerals - numerators, denominators and fractions

Vin (translated from Ukrainian as “he”) is a superfamily consisting of three robust typefaces with pronounced vertical stems and rounded corners. All three typefaces feature very large x-height for even more expression and assertiveness. Vin Slab Pro is a condensed rigid slab-serif with extra-large x-height and rounded corners. It is designed specifically for short texts to add significance and emphasis. Be sure to check other two typefaces of Vin superfamily: Vin Sans Pro and Vin Mono Pro .

Vin (translated from Ukrainian as “he”) is a superfamily consisting of three robust typefaces with pronounced vertical stems and rounded corners. All three typefaces feature very large x-height for even more expression and assertiveness. Vin Mono Pro is a squarish monospaced font family with extra-large x-height and rounded corners. It is characterized by evident straight elements even in horizontal stems. Be sure to check other two typefaces of Vin superfamily: Vin Sans Pro and Vin Slab Pro .

Connecting handwriting script.