Syndebuk is designed with comics and print in mind. I’ve added 5 slightly different versions of each letter, which really comes in hand when you need a natural and organic handmade look. Play around with the different layers for nice effects!

It’s handmade, organic, all-caps and crispy! Just like a tasty treat or a lovely cake! I’ve added 5 slightly different versions of each letter, and they cycle as you type (no obvious repeating letters!) Of course, it’s multilingual as well!

Trona is a retro-modern condensed serif. Inspired by the typefaces used in print media headlines in the 20th century and with geometrical sharp terminals. Trona comes in 5 weights and with 375 glyphs (covering the major latin based languages)

The Yorkten family of fonts is back with another satisfying addition to its clean style. The rhythmic, new Yorkten Slab expands Yorkten’s basic, contemporary form of geometric and simple lines and adds a level of self-confidence and elegance to your work. Slab's basic structure is compact. It’s more condensed than most slabs, so you can save space yet still have clear, consistent readability. The added serifs create a fresh text color, too, that syncs well with the new font’s inherited features. Like its predecessor, Yorkten Slab offers its natural, simple structure with more than fifty fonts in the family and three different widths - extended, normal or condensed. Each group has eight weights from a lean thin to tough looking black, giving Yorkten Slab plenty of bragging rights among its peers. And like Yorkten, too, Yorkten Slab’s greatest value is the ability of its members to work easily and well together and with a variety of other fonts. Yorkten Slab ensures that you have the necessary tools for any challenge. In combination with its superior functionality and excellent readability, this versatile font can be effectively used for many print and screen operations: e-books, applications, headlines, banners, posters and websites to name a few options. Don’t wait any longer. Start tapping the possibilities that Yorkten Slab offers your work.

Onry Display is a modern family based on Willgray font family. It comes in 20 weights, 10 uprights, and matching italics. The ExtraBold weight is free of charge. This font family can be used as a headline or as a body copy typeface. The font features excellent legibility for print, as it does for reproduction on TV screens.

Le Havre. It's a family with no lack of characters diverse, yet none are as deep or tested in their appearance as the weathered, hand-drawn texture of Le Havre Hand. Tall and lean, the well-aged face carries with it the stories of a thousand miles. Starting with a sans as its origin, this handwritten font's layered structure has been shaped through time and trial, ultimately capturing the simple beauty of a wise, experienced character. This layer-based font family includes style variations and new layering solutions. Le Havre Hand includes 21 font files. It also includes an outline, crosshatched versions and five inline variations, several extruded variants including a unique wireframe options. There are two extruded fonts and two drop shadow fonts. For users that have Opentype programs, such as Adobe Illustrator, Photoshop, InDesign, Microsoft Publisher and Quark, each font also comes with an established set of art deco alternatives. Le Havre Hand's alternate characters come together to exhibit a clear sensitivity to the art deco style. Use them on their own or increase your options by using them with any of the other members of the Le Havre family. Take time to look deep into the soul of Le Havre Hand. It's often the tested, weathered hand that is most reliable to guide you to success.

Aston Script is a calligraphy script font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance. Aston Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters. The classic style is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or any type of advertising purpose. Aston Script has 1330+ glyphs and 1039 alternative characters, including various language support. With OpenType features with alternative styles and elegant ligatures. The OpenType feature does not work automatically, but you can access it manually and for the best results needed for your creativity in combining this Glyph variation. ? New Update, Now the Aston Script font has been updated or has two styles with the Aston Script Bold version.

Orbital Colony is a modern futuristic scifi font. This typeface design is perfect for a clean and minimalist design theme. perfect usage includes logo, poster, display, headline, t-shirt design and many more.

A simple stylistic device gives this clean, bold sans serif face a slightly spooky feeling. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Vreme (eng. Time) is simple, clean and elegant font. Design is based with simple straight lines and elegant curves with slightly rounded edges for nice look. It could be used for different purposes.

Working on a parody of the “got milk?” ads and loved the challenge of creating a whole font (family) from 8 glyphs. Quite condensed, clean, jaunty san serif Usage recommendations Advertising, announcements, logos

Micholas is a simple and casual serif font with an undeniably clean feel. With its neat and beautiful arrangement of letters, this typeface will look outstanding in both formal and non-formal designs.

Inspired by the former Schriftguss, Dresden, font Echo, this fresh-drawn und designed Neue Echo can be filled in many different ways, and makes it a great display font for labels, posters, headlines etc.

Poozer is a hand drawn stencil font that started out as a doodle and ended up on a custom skate deck. It has a nice organic, painted feel. Definitely not your usual stencil font.

Ghouligoo from Magpie Paper Works is a spooky hand-drawn font perfect for comic books, Halloween decor and the zombie apocalypse. The font family includes solid, outline, and inner fill letterforms for maximum versatility.

Shire Script includes alternate characters and discretionary ligatures to help you create settings when informality is called for. Variety in the lowercase x heights and connectors give an overall effect of handwritten headings and text. However, by considered drawing, legibility is not compromised.

Kaantaa is a bold typeface that draws inspiration from stencil and technical typfaces. It has been thought as a display typeface. You can use it to create posters, greeting cards, scrapbooks, CD labels, T-shirts, coffee mugs, digital videos websites and banners.

Arrus was designed at Bitstream by Richard Lipton and first released in 1991. Arrus is based on Lipton’s own hand-lettered calligraphic alphabets that draw their influence from classic inscriptional forms. Arrus has small cap and extension typographer sets available as well.

Ductus is a five weight typeface that is both ancient and contemporary. Drawing on various sources such as rustic capitals, Naskh arabic calligraphy, and black-letter, Ductus is a reflection on how the broad-nib pen can be relevant for today’s designer.

Roseborough is best for: - logos + branding, especially cosmetics, fashion, & clothing brands - website design + website accents - think feminine websites, creative professionals, travel blogs, fashion blogs, & more - clean print design, like magazines + flyers - header elements that need a clean, modern look - quote graphics for social media - chic graphic tees

Five years into the 21st century and the promise of nanotechnology, high-end popular culture design seems to thrive on combining opposites and drawing a fine line between traditionally contradictory ideas. This is seen in modern society's usual cultural frontrunners - like consumer electronics, fashion items, music packaging and publications, where it is evident that traditionally complex marketing statements of fashionability and lifestyle are attempted with simple minimalism. But at the typographic end of this realm, the creative majority still uses old faces that help the modern statement only in passing. Some of the more adventurous creative professionals actively seek new elements to emphasize contemporary impact in their modern design. To those adventurous types (pun intended), Canada Type presents this new face called Go. It is very much a child of the new millennium, inspired by the unmistakable minimalist style of modern 21st century corporate logos, recent design shifts in electronic music and club-marketing collateral, and disc jockeys who have enthusiasm, energy, precision and total control of each and every vibration traveling from mixer to speakers. Go is an original modern techno-lounge face that offers the eyes pleasing collages of friendly minimal forms that give the words an impression of simplicity and depth at once. This is a font that prides itself on its precise grouping of elements and just enough original creativity in combining those elements. The precision builds the sharp edge sought for modern statements, while the creativity keeps the message rejuvenated, clear and interesting. Go's character set consists of a versatile and unexpected, yet mild mix of the uppercase and lowercase forms, with multiple variations on the majority of the letters. The e being a vertical mirror of G is only the first of the pleasant surprises. More than 30 alternates are inside the font. All the accented characters in Go have been meticulously (perhaps obsessively) drawn to be unusual for logos and short statements. Take a look at the character map and be ready for a space-age surprise. To borrow a Star Trek cliché, this font can Go where no font has gone before.

Wide Texas is a cool and playful informal font, inspired by western cowboy cartoons and comics. It will elevate a wide range of design projects to the highest level. You can use this font for many design ideas such as stickers, t-shirt designs, amazing logo designs, magazine or book covers, comics, cartoon drawings, and many more. Fall in love with its incredibly versatile style, and use it to create lovely designs!

A redesign of drawings of News Gothic from the Smithsonian, Cyrus Highsmith and the Font Bureau studio created Benton Sans, one the most popular and versatile families in this genre. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.

Bertham Pro Family (4 fonts) is a revival of Frederic W. Goudy’s Bertham typeface. Steve Matteson produced this unique typeface and added bold, italic and openface styles. The fonts include a variety of OpenType features including swash capitals, small capitals and old style figures. It is unmistakably American in appearance recalling a day of quality craftsmanship and hard work. Publishing, branding and packaging materials will draw inspired attention due to its grace and distinctive appearance.

Welcome to the world of Scradl - where fonts become the tool of the cutter and the artist at the same time. These letters, as if cut out of paper without preliminary drawings, are rough, angular and full of character. The main font is the canvas for your creativity. Additional variations add a stroke, shadow, or even a sticker effect, creating a harmonious visual interaction. Features: - Multilingual - Kerning - Ability to adapt letters to other languages

Botany is a distinct, hand-drawn display font with flourish designed to be unique and beautiful, yet functional — carefully drawn for quality but still rough enough to display the handmade, textured appearance. Capitals evoke a natural elegance and grab attention. Botany is great for display, branding, logos, packaging, titles, and more. Botany features: display (flourish) and text styles; regular and italic styles; flourish stylistic alternates; closed counter stylistic alternates.

Check out other members of the Pocket family: Pocket and Pocket Swash This hand drawn serif font is perfect for giving a fun touch to your projects. It combines a handmade look and rough texture with classic serif forms. It has support for most western and central European languages, and has alternates for most letterforms accessible through Opentype features, allowing for variations that make it look authentically hand-drawn.

Bambusa Pro is a sturdy expressive modern calligraphy family of 4 fonts: Regular, Bold, Basic and Ornaments. It owes its name to the bamboo pen that was used to draw all of the characters and swashes. The typical ink-strokes of the bamboo pen give Bambusa Pro a distinctively different appearance than dip pen calligraphy fonts like Salt & Spices Pro. Similarities between the two are a wide variety of long swashes that connect to the first and last letter of a sentence or name. But with Bambusa Pro this even goes for accented characters, and all upper and lower case letters. Together with five different connecting spaces you can create phrases that look as if the pen was never lifted from the paper. Like Stylist Pro all characters of Bambusa Pro connect to each other, both lower case and upper case letters and vice versa. Bambusa Pro Basic also is hand-lettered with a bamboo pen, but is a lot more straight forward. It combines beautifully with the connected styles Regular and Bold. On top of that Bambusa Pro Ornaments offers 100+ glyphs for additional designs possibilities. Enjoy! You will need an opentype savvy application to get the most out of Bambusa Pro.

Some typefaces need time to ripen; Burian and Scaglione made the first sketches for Ebony back in 2008, but it took a few years of maturing in a drawer to be developed into a multi-functional type family. While keeping in tune with TypeTogether’s focus on complex typographic structures needed for magazine, newspapers and books —whether printed or digital—, Ebony goes far beyond editorial use and promises great performance in branding and advertising. The range of dark weights with taut and powerful curves can boost any headline, while the lighter styles create an approachable and clean feel in blocks of continuous text. Ebony does not fall short on aiding legibility either; letterforms have a distinct direction of ductus and features like the top serif on ‘l’ help making them clearly distinguishable from each other. It is a type family that cleverly seeks a balance between the openness and legibility of humanist sans serifs and the striking and more regularised character of grotesques. The letter-shapes feature generous counters and open terminals with crisp angles, and daringly grow both in colour and width as the fonts get bolder. Infused with this strength, Ebony also shows a quirky side in some of her shapes; the vertical fractions, the at-symbol, the old-style numbers, … The predominantly slanted style of the italics is broken up in some letterforms, such as ‘a e f l’, that are more in line with a classic cursive appearance. This, together with a forceful italic angle, ensure a change in texture within a block of text, despite sharing the same letter weight and width with the uprights. With 18 styles, tending towards the heavier part of the weight-spectrum, this face has a powerful quality!

This typeface was drawn to create short headlines (quickly) for one of my projects (a set of illustrations featuring The Evil Rat, imagined character). Each character (here I mean "glyph") has it's own personality, mostly evil one (jokingly) — that is why the font is called "The Monsters". The font was drawn on paper, then scanned and traced. It has both Latin and Cyrillic sets, since it was used with both. Monsters are good for short notes of comic or ironic style.

Bango Pro is a lively, heavyweight font with a strong cartoon feel, perfect for poster design, packaging, and anything that needs to draw attention - in an informal way. Originally released with uppercase and unicase characters only, this new version (commissioned in 2013 by a London-based design agency) includes lowercase characters and some additional OpenType features, like stylistic alternates, fractions, localized forms, among others.

HT Osteria is a monoline script, but you don’t feel it monotonous because of distinctive shapes of the characters. HT Osteria is suitable for signage, package, and posters or any other kind of display use. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!