The typeface Hand Print Stamp Rough is designed in 2018 for the font foundry Typo Graphic Design by Manuel Viergutz. The rough hand-printed typeface based on old wood letters, rubber-stamps and plastic stamps. 7 font styles (Reg + Mix, Circle, Diamond, Square Star + Icons) each with 1350+ glyphs incl. 200+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word LOVE for ♥ or SMILE for ☻ as OpenType-Feature dlig) and stylistic alternates (9+ stylistic sets). For use in logos, magazines, posters, advertisement and packaging plus as webfont for decorative headlines. The font works best for display size. Character Set: Latin Extended (Adobe Latin 3). 1350+ glyphs with 200+ extra icons like arrows, dingbats, symbols, geomatric shapes, catchwords and many alternative letters. (9× A–Z, 9× a–z, 9× 0–9) For use in magazines, posters, headlines and advertisement, plus as webfont for decorative headlines. Have fun with this font & try-before-buy the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: Hand Print Stamp Rough ■ Font Weights: Regular + Mix, Circle, Diamond, Square, Star + Icons + DEMO (with redu­ced glyph-set) ■ Font Cate­gory: Sans Serif + Slab Serif Dis­play for Head­line Size ■ Font-For­mat: .otf (Open­Type Font for Mac + Win) + .ttf (True­Type Font) ■ Glyph Set: 1350 glyphs ■ Lan­guage Sup­port: 27+ for Latin Exten­ded (Adobe Latin 3). Afri­kaans, Alba­nian, Cata­lan, Croa­tian, Czech, Danish, Dutch, English, Esto­nian, Fin­nish, French, Ger­man, Hun­ga­rian, Ice­lan­dic, Ita­lian, Lat­vian, Lithua­nian, Nor­we­gian, Polish, Por­tu­gese, Roma­nian, Slovak, Slove­nian, Spa­nisch, Swe­dish, Tur­kish, Zulu ■ Spe­cials: 200+ deco­ra­tive extras like icons for arrows, ding­bats, emo­jis, sym­bols, geo­me­tric shapes, catch­words + Ger­man Capi­tal Eszett. Open Type Fea­tures: Kerning (kern), Sty­listic Set 1 (ss01) … Sty­listic Set 16 (ss16), Loca­li­zed Forms (locl), Super­script (sups), Ordi­nals (ordn), Slashed Zero (zero), Frac­tions (frac), Stan­dard Liga­tures (liga), Con­text­ual Alter­na­tes (calt) e. g. Sty­listic Set-Loop and Deco­ra­tive Liga­tures (dlig) e. g. type the word “LOVE” for ❤ or “SMILE” for ☺ ■ Design Date: 2018 ■ Type Desi­gner: Manuel Vier­gutz

A bold, energetic, friendly font with a little bounce to it. A good, casual headline font. Works back well with Plz Print or Plz Script.

Print Shop Treasures JNL is another fun collection of nostalgic cartoons, stock cuts, corner pieces, embellishments, sales helpers and miscellany; all carefully re-drawn from examples of vintage letterpress pieces.

Printing Press Extras JNL is another collection of classic printing embellishments and stock cuts from Jeff Levine, with a few new ones thrown in for good measure.

This family was inspired by a small French "toy print" box, with rubber stamp characters, from the 1920s. The set contained only capital letters, no accented letters and limited punctuation. We have reconstituted a complete modern standard set. The doubling of each usual character in each style (A-Z/a-z and numerals) gives a rich and variously uneven appearance, looking like the results of the real use of those old rubber stamps. The bold style may be used as a reinforcement, mixed with Normal style without disadvantage, allowing four choices for each usual letter... The original size is 6mm (about 17 pts).

Printing Press Designs JNL accumulates various vintage embellishments, ornaments, border elements and miscellaneous designs into one handy collection.

Pointing hands, floral embellishments, a World War II "Victory" emblem and an old telephone are but a few of the classic images redrawn from vintage source material for Print Shop Relics JNL. Lovers of pre-digital clip art from the letterpress era will find these embellishments useful, charming and helpful.

Print Shop Stencil JNL was created from the few letters spotted on the packaging of a 1960s-era toy printing press set.

Printing Press Elements JNL contains an eclectic assortment of printer's elements. From a set of dice (in both black and white faces) to cartoon embellishments to border and decorative elements there's something to fit numerous uses. Also included is an extendable bracket. The left-facing elements are on the (greater than) keys. The right-facing elements are on the [ (left bracket), \ (backslash) and ] (right bracket) keys.

Print Shop Classics JNL is comprised of twenty-six decorative letterpress ornaments from vintage source material along with the words "Welcome" and "Introducing" on the period and comma keys.

Print Shop Delights JNL is another assortment of vintage letterpress cuts of cartoons, decorations, embellishments, border pieces and attention getters.

More Printing Helpers JNL gathers another assortment of vintage printing embellishments and ornaments from the late 1800s. Within the standard twenty-six alphabet keys are pointing hands, corner pieces, border elements and decorative center and end pieces. On the lower case, certain elements have been flipped or inverted for matching effects. Some additional positions are available on the 1 through 9 keys and on the colon and semicolon. A bonus to this font: three expandable panels. the first (with decorative end caps) is attained by typing the left parenthesis for the left side, the hyphen for the center lines and the right parenthesis for the right side. The second one features ribbon ends, and the combination of the less than-equal-greater than keys creates this panel. The third design can be made by typing the left brace/vertical bar/right brace keys.

Once again, another eclectic mix of vintage cartoons, ad cuts, sales builders, dingbats, borders and embellishments come together in Print Shop Cuts JNL. These charming images add that touch of "retro" to any digital or print project.

Fuse Vol 2 Printed is an extension to the popular Fuse & Fuse Vol 2 type family. W Foundry worked alongside Julia Martinez Diana (Antipixel) to create a balanced and consistent texture throughout the whole family. All the typeface’s textures have been meticulously outlined to give a natural look mantaining the soft and round edges, making Fuse Vol 2 Printed more easy-going and spontaneous. It is perfect for large display usage due to the professional shapes of its outlines, which were hand-crafted glyph by glyph. Each character has its own printed style, which is not repeated in the accented characters, nor in other weights of this family. The typeface is designed with powerful OpenType features. Each weight includes alternate characters, ligatures, fractions, special numbers, arrows, extended language support, small caps and many more. Perfectly suited for graphic design and any display/text use. The 32 fonts are part of the larger Fuse superfamily.

This fun and whimsical font features a very youthful lettering with a bit of toggle and bounce in the baseline.

Print Shop Parts JNL has a nostalgic assortment of blank sign panels, a pointing hand, decorative embellishments and even an assortment of "Made in U.S.A.", "Made in America" and "Made in United States" emblems located on the 1-9 keys. All are from vintage type catalogs and sign painting instruction books from the early 1900s. When scaled up, the blank sign panels can be used for small signs or price tags as originally made in years past. During the early part of the 20th Century, it was common to create show cards in attention-getting shapes matched with beautiful hand lettering.

Printing Press Cuts JNL gathers vintage cartoons, sales helpers and decorative ornaments into one handy collection for embellishing any retro-oriented project.

This font was inspired by music from the band The Dresden Dolls.

An older typeface belonging to a family of sans serif fonts known as Grotesque (or Grotesk in the classic spelling) has been re-drawn by Jeff Levine and released as Album Cover JNL. The font's name is derived from the fact that this typeface was found on many long-playing record jackets during the 1950s and 1960s. To add a look closer to that of hand-set type, there are minute variants in some of the heights of the characters.

Although less prevalent today, a cover charge was added to better class night clubs of the 1930s and 1940s to discourage patronage by people of questionable social graces. The general idea was that the lower strata of society (meaning the "average Joe" or "hoi polloi") would balk at paying an extra fee just for entrance to a place of good entertainment and fine dining.

The handmade title on the cover for the 1939 edition of “A Wand’ring Minstrel” [from Gilbert and Sullivan’s “The Mikado”] was rendered with a round nib lettering pen in an Art Deco style. This type design is now available as Cover Letter JNL in both regular and oblique versions. However, the font’s name is a bit of a pun, as it has nothing to do with cover letters, but rather the lettering found on the cover of the sheet music.

This font was inspired by music from the band Asteria.

This typeface is an amalgam of two cut-paper typefaces, as presented by Margaret Shepherd in her book, Calligraphic Alphabets Made Easy. Also included are a glue bottle at the bar position, and round-edge scissors at the dagger and double-dagger positions. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Cover Art JNL was inspired by the hand-lettered sans serif title of an Art Deco era Portuguese magazine called Ilustraçáo. The mix of conventional and non-conventional letter forms made it a perfect candidate to turn into a digital font.

Because You Demanded It! The Collectors Item Classic BLAH BLAH BLAH makes a triumphant return as an all-uppercase comic book lettering workhorse. Complete with auto-ligatures and our groundbreaking Crossbar I Technology, to put that sneaky & enigmatic character exactly where it belongs! Includes full sets of Western & Central European accents.

New Comer Sans is a combination of two ideas. First is my speed writing with flat acrylic marker on boards. And second is to make new bold font something like puffy «comic sans» font. Unstable stems (vertical main lines) give it some playful unserious character. The result is cute funny font. You can use it in short text blocks in huge and medium sizes. For example, for comic books or kids applications. NewComerSans includes: uppercase lowercase more than 480 glyphs which support Latin, Western European, Central European languages (Cyrillic is also included) Hope you are enjoying using New Comer Sans. Please do not hesitate to ask me any questions about the product. (c) Photo credit - Unsplash

Hand selected from multiple sources, the 60+ glyphs of Antique Borders & Corners 2 can be mixed and matched to make authentic 18th and 19th century borders of any length. Flip the orientation for 'bottom' borders with the shift key.