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  1. Toddler JNL by Jeff Levine, $29.00
    The fun, lighthearted appeal of Toddler JNL will bring out the inner child in you. Perfect for any layout or project that has to do with newborns, toddlers, preschool, playtime or anything related to little ones. There's a fairly complete character set - and two different width blank boxes on the brace keys - which can be used as spaces between words.
  2. Local Druggist JNL by Jeff Levine, $29.00
    Inspired by an image of the chamfered block lettering of a semi-faded “ghost sign” for the Thomas Drug Co. in Thomas, Oklahoma, Local Druggist JNL is available in both regular and oblique versions. “Ghost Signs” are the visible remnants of hand-painted signs on buildings where the original business had long closed or moved, yet the lettering had survived the passing years.
  3. Cascabel by Sudtipos, $39.00
    Cascabel was built on a modular harmony and creates visibly maze-like geometric structures. When typeset in complete words, it conveys an unmistakable architectural approach to a design project. Ideal for magazines, posters or flyers, Cascabel is an alphabet functionally defined by a concept similar to that of building blocks. Designed by Ariel Di Lisio and digitized by Ale Paul.
  4. Impact by URW Type Foundry, $35.99
    Impact As its name suggests, Impact, a bold sans serif, is designed to make an impression on the reader. Obviously a display font, Impact makes use of its thick strokes and blocked style, to catch and hold the eye. Because Impact is so striking, it is best placed in plenty of white space so that it does not overwhelm any accompanying text.
  5. Jane Plain NF by Nick's Fonts, $10.00
    Here's a clean, simple architectural-blueprint style, eminently suitable for subheads and text blocks. Inspired by and named for a gentlewoman who gave up a career as an architect in Bolivia to care for the elderly in the United States. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.
  6. II Balfron by Increments, $19.00
    Inspired by Ernö Goldfinger's east London tower block of the same name, II Balfron is an imposing, all caps, one-weight typeface. Brutalist in form, the characters embody the principles of the distinctive 27-storey concrete profile with unexpected angles set within a rigid, structural grid. Much like Goldfinger's humanist, utopian housing ideals, the font is best viewed at large scale.
  7. Blandit by Webhance, $18.00
    Blandit - Display & Logo Font family Blandit is a Display font family for design of minimalistic logos. The fonts are very much suitable for creating wordmarks, titles, taglines,Film Posters, headlines, Block letter, Subheading, Logo Designs, Big Banners. Classic & Decorative Typography Web Designs. Upper / lowercase glyphs Multilingual Support Webfonts included Free updates and feature additions Font Designed and Crafted by Webhance Studio.
  8. Upstanding Pro by Multiformis, $10.99
    Upstanding Pro is suited for use as a display typeface, but legible enough to be used in small blocks of text (lighter weights), thus providing a lot of flexibility for all kinds of projects. Upstanding Pro conveys presence, strength and speed with the italics, yet conserving certain traces of sobriety and elegance. Want to make a statement? Use Upstanding Pro!
  9. Raeling by Volcano Type, $19.00
    Raeling is a display font inspired by a visit to Luxembourg, capturing shadows falling intricately from park railings appearing as broken-script lettering. A mixture of manmade / natural, traditional / new, ugly / beautiful reflecting the paradox and contradictions of the city. A single curve and stroke developed into a grid block from which characters emerged and broke free of their barriers and conformity.
  10. Marins Perdus by Biroakakarati, $9.00
    This font is inspired by graffiti calligraphy, it's only block letters in a modern style and more readable. The name "Marins Perdus" is from a novel by Jean-Claude Izzo "Les Marins Perdus", set in Marseille. The letters of "Marins Perdus" have a light inclination to the left, slim letters in a cool style, perfect for a title or a street event.
  11. Precious Serif by G-Type, $60.00
    Precious Serif is a distinctive, modern slab serif typeface, first released in 2003 and now refreshed in 2017. This contemporary, chunky gem is the sister typeface to our Precious Sans family, both sets designed with similar metrics and characteristics to ensure they pair together seamlessly in print & digital applications. Mix Precious Sans & Serif together in a block of text to wonderful effect!
  12. Town And Country JNL by Jeff Levine, $29.00
    Town and Country JNL features a mix of block-style characters along with rounded ones found so often in the Art Deco fonts of the 1940s. Modeled from the hand-lettered title on a piece of sheet music from that era, this unusual coupling of two distinct design styles works despite it breaking all of the obvious rules of typography.
  13. Madriz by SilverStag, $14.00
    Introducing Madriz, a slab serif font with a retro feel that's perfect for any project that needs a touch of old-school charm. With over 32 fonts in one font family, Madriz offers a wide range of styles to suit any need. You can choose from Thin to Black weights and Regular to Extra Expanded widths to create your perfect look. Madriz is inspired by the old-school signage of Madrid, Spain. The name "Madriz" is actually the affectionate nickname that Madrileños, the people of Madrid, gave to their city. The font's bold, blocky letters capture the essence of Madrid's vibrant and historic streets. Madriz's versatile nature makes it a great choice for a wide range of projects. Its bold, retro style is perfect for showcasing heritage brands or giving a modern touch to classic designs. Madriz can also be used to create a sense of nostalgia, making it ideal for retro-themed projects or campaigns. Here are some of the ways you can use Madriz: Titles and headings: Madriz's bold, eye-catching style is perfect for titles and headings. Text blocks: Madriz's wide range of weights and widths makes it suitable for text blocks, from body copy to large paragraphs. Logos and branding: Madriz's retro charm makes it a great choice for logos and branding. With its 32 font styles and support for over 90 languages, Madriz is an incredibly powerful tool for any designer. It can be used to create a variety of looks, from classic and elegant to modern and edgy. Whether you're working on a print project, a web design, or an app, Madriz has the potential to make a lasting impression. Madriz is the perfect font for anyone who wants to add a touch of old-school charm to their designs. With its wide range of styles and features, Madriz is sure to make a statement in any project. Would you like to get 5 completely free fonts worth over $75? No tricks, no hidden words, terms or anything. Just subscribe to my newsletter, make sure to check your email to approve the subscription, add me to your contacts so that the emails don't end up in spam folder and you will get 5 fonts for free. The fonts are packed with alternates, ligatures and some even come with extra goodies. Happy creating everyone!
  14. Double Nines JNL by Jeff Levine, $29.00
    Double Nines JNL is a dingbat font containing fifty-five glyphs for the tiles found in the second level of domino games. Sets of dominoes can be of either double six, double nine or double twelve. In this font, the double blank tile is located on the zero keystroke, while the one/blank and 1/1 tiles are on the 1 and 2 keystrokes. The rest of the tiles (in numerical order through 9/9) are located on the A-Z and a-z keystrokes respectively. To use any or all of the images contained in Double Nines JNL in any manufactured products or services, please refer to the software license agreement provided when purchasing this font. A separate royalty license must be secured from Jeffrey N. Levine for such purposes. The images are NOT licensed for use in proprietary logos or service marks.
  15. BD Gitalona Variable by Balibilly Design, $139.00
    We introduce our Variable Font from the high-complex BD Gitalona font family. Consisting of 3 axes; weight, optical size, and serif, that will give you a different experience extending the family of BD Gitalona. We don't want to mention how many families can be generated from this variable font. During the development process, we got up to more than 50 families and stopped to allow you to continue to play with the slide buttons. And again, BD Gitalona is filled with an explorative and experimental decorative version that we present separately. Figure out the decorative version BD Gitalona Moxa to make the aesthetic appeal of this whole typeface here! Inspiration The world of entertainment moves non-stop. One by one, figures appeared and left. We expect to create something to entertain previous trends with packaging more relevant to the present. More specifically, we admire and are inspired by some of the world's leading and top singers with a segmented nature. We imagine so many figures that can affect every viewer. However, each artist or singer has a segment because almost all of them have characteristics. The Design The basic design of this typeface begins with a transitional serif shape with sharp, shapeless corners. Then in the middle of the invention, there was an opportunity to explore it further from the readability side by adding an optical variable that can adjust the serif thickness when used together between large, medium to paragraph text sizes for editorials. The shift from serif to sans-serif with the contrast initiated by the shift of the serif family form as a different variable also makes this font richer in terms of the features it contains. Parts are expected to add to the user satisfaction with the complexity of this font. The Features BD Gitalona consists of one sub-family intended for body text with nine weights from Thin(100) to Black(900) and four other display sub-families such as Display serif, Flick, Harmony Sans and Contrast Sans. Each consists of four weights Thin(100), Regular Weight(400), Bold(700), and Black(900). And again, there are also retailed separately; the BD Gitalona Variable font, which is designed to accommodate all Subfamily in 1 font file, and BD Gitalona Moxa, an experimental typeface. A total of 700+ glyphs in each style. Advanced OpenType features functionally and aesthetically, such as Case-sensitive forms, small caps, standard and discretionary ligatures, stylistic alternates, ordinals, fractions, numerator, denominator, superscript, subscript, circled number, slashed zero, old-style figure, tabular and lining figure. Supports multi-languages ​​including Western Europe, Central Europe, Southeast Europe, South America, and Oceania.
  16. BD Gitalona by Balibilly Design, $22.00
    We introduce our high-complex typeface. A wide range of serifs for text and display titles are divided into one prominent sub-family and four display sub-families. Comes shifted from serif to sans serif to fulfilling the completeness of this font family that we named BD Gitalona. In addition to these massive things, this font family is filled with an explorative and experimental decorative version that we present separately. Figure out the decorative version BD Gitalona Moxa to make the aesthetic appeal of this whole typeface! Inspiration The world of entertainment moves non-stop. One by one, figures appeared and left. We expect to create something to entertain previous trends with packaging more relevant to the present. More specifically, we admire and are inspired by some of the world's leading and top singers with a segmented nature. We imagine so many figures that can affect every viewer. However, each artist or singer has a segment because almost all of them have characteristics. The Design The basic design of this typeface begins with a transitional serif shape with sharp, shapeless corners. Then in the middle of the invention, there was an opportunity to explore it further from the readability side by adding an optical variable that can adjust the serif thickness when used together between large, medium to paragraph text sizes for editorials. The shift from serif to sans-serif with the contrast initiated by the shift of the serif family form as a different variable also makes this font richer in terms of the features it contains. Parts are expected to add to the user satisfaction with the complexity of this font. The Features BD Gitalona consists of one sub-family intended for body text with nine weights from Thin(100) to Black(900) and four other display sub-families such as Display serif, Flick, Harmony Sans and Contrast Sans. Each consists of four weights Thin(100), Regular Weight(400), Bold(700), and Black(900). And again, there are also retailed separately; the BD Gitalona Variable font, which is designed to accommodate all Subfamily in 1 font file, and BD Gitalona Moxa, an experimental typeface. A total of 700+ glyphs in each style. Advanced OpenType features functionally and aesthetically, such as Case-sensitive forms, small caps, standard and discretionary ligatures, stylistic alternates, ordinals, fractions, numerator, denominator, superscript, subscript, circled number, slashed zero, old-style figure, tabular and lining figure. Supports multi-languages ​​including Western Europe, Central Europe, Southeast Europe, South America, and Oceania.
  17. Salden by Canada Type, $40.00
    The Salden fonts are our tribute to the man who was dubbed the face of the Dutch book, and whose work is considered essential in 20th century Dutch design history. Helmut Salden’s exquisite book cover designs were the gold standard in the Netherlands for more than four decades. His influence over Dutch lettering artists and book designers ranges far and wide, and his work continues to be used commercially and exhibited to this very day. At the root of Salden’s design work was a unique eye for counter space and incredible lettering skills that never failed to awe, regardless of category or genre. This made our attention to his lettering all the more focused within our appreciation to his overall aesthetic. Though Salden never designed alphabets to be turned into typefaces (he drew sets of letters which he sometimes recycled and modified to fit various projects), we thought there was enough there to deduce what a few different typefaces by Salden would have looked like. The man was prolific, so there were certainly enough forms to guide us, and enough variation in style to push our excitement even further. And so we contacted the right people, obtained access to the relevant material, and had a lot of fun from there. This set covers the gamut of Salden’s lettering talents. Included are his famous caps, his untamed, chunky flare sans serif in two widths, his unique Roman letters and an italic companion and, most recognizable of all, his one-of-a-kind scripty upright italic lowercase shapes, which he used alongside Roman caps drawn specifically for that kind of combination titling. All the fonts in this set include Pan-European glyph sets. They’re also loaded with extras. Salden Roman (908 glyphs) and Salden Italic (976 glyphs) each come with built-in small caps (and caps-to-small-caps), quite a few ligatures, and two different sets of alternates. Salden Black and Salden Black Condensed (636 glyphs each) come with a set of alternates, and both lining and oldstyle figures. Salden Caps (597 glyphs) comes with a set of alternates, and Salden Titling (886 glyphs) comes with a quite a lot of swashed forms and alternates (including as many six variants for some forms), a few discretionary ligatures, and two sets of figures. There are also some form alternates for the Cyrillic and Greek sets included in all six fonts. These alphabets were enjoyably studied and meticulously developed over the past ten years or so. We consider ourselves very fortunate to be the ones bringing them to the world as our contribution to maintaining the legacy of a legendary talent and a great designer. The majority of the work was based on Salden’s original drawings, access to which was graciously provided by Museum Meermanno in The Hague. The Salden fonts were done in agreement with Stichting 1940-1945, and their sale will in part benefit Museum Meermanno.
  18. VTCTattooScriptTwo - Personal use only
  19. The SF Archery Black Outline font, designed by ShyFoundry, is a distinct typeface that captures attention with its unique blend of strength and delicacy. This font stands out for its combination of b...
  20. ND Laterne by NeueDeutsche, $20.00
    Introducing ND Laterne: a font that masterfully blends the timeless essence of tradition with the sleek aesthetics of modernity. At a first glance, its uppercase letters exude a comforting familiarity, yet upon closer inspection, its lowercase characters unveil a captivating and singular personality. Delicately embracing curves and meticulously sculpted forms, ND Laterne beckons for attention, instilling a profound sense of assurance and empowerment.
  21. Amiga by Volcano Type, $19.00
    The Amiga is a family of home computers originally developed by Amiga Corporation as an advanced game console. Development on the Amiga began in 1982. Commodore International introduced the machine to the market in 1985, after having bought Amiga Corp. The machine was ahead of its time, sporting a custom chipset with advanced graphics and sound capabilities, and a sophisticated multitasking operating system.
  22. Habanera by Artegra, $29.00
    Habanera's design is based on the idea of taking perfectionist geometric shapes and making them funky! With gentle tweaks here and there, the glyphs are deliberately designed to look more humane and fun. Same fonts are also presented with round corners, giving it an even more gentle look. Latin poster design and graphic art was an inspiration to design Habanera.
  23. Lille Snemand by Hanoded, $15.00
    Lille Snemand, in Danish, means Little Snowman - like the Little Mermaid, but then colder… Lille Snemand is kin to the original Snemand font, which is an all caps typeface, but unlike its big brother, Lille Snemand comes with lowercase glyphs. It is a very legible font and has that 'unevenish' look - making it a great typeface for packaging and books.
  24. The Hohoho by Avchi, $12.00
    Tho Hohoho is a font specially designed for christmas purposes. This font is a condensed sans serif, have a round corner, and have a happy concept. The main target is for Christmas design, but can be use for another purposes such as kitchen, nature, and other. This Font Include : Ligatures Latin Numbers & Punctuation We wish this font can bring customers to happiness.
  25. Jealous Radio by Bogstav, $14.00
    Each letter is handmade and drawn with a “blobbly” pen, leaving a wobbly and grungyline. The corners are rounded which adds a blurry look to the rough lines. All in all, Jealous Radio is kind-looking,soft, yet rough and really organic looking! Useful for a wide range of things: from kids products, comics, posters, invitations or even protest banners!
  26. Basketto by Mike Zuidgeest, $12.50
    Basketto is a carefully crafted, handmade sans serif font. Completely built from scratch in Adobe Illustrator. The glyphs are nice and bold, with sharp corners. Use Basketto for your product packaging, out of home adverting, food truck posters, festivals or the travel industry. This is my official font debut, I would love to hear from you to see my font on your product!
  27. Printers Impressions JNL by Jeff Levine, $29.00
    Printers Impressions JNL is an assortment of various letterpress ornaments, corner pieces, catch words and other designs, along with some shipping labels with perforated edges; all re-drawn from vintage source material. For the shipping labels, print them in red and you will recreate the standard form of gummed label so popular for years before self-adhesives took over the market.
  28. Kaisar by Hazztype, $21.00
    Kaisar is a geometric sans serif typeface that draws inspiration from Eurostile or similar typefaces, with less boxy feels. It comes with 9 weights and matching italics and contains 400+ glyphs that support broad latin language. Kaisar was designed to give a corporate, technological, futuristic look, great for many contexts from web to print, as a headline or as a body text.
  29. Nordika by Scholtz Fonts, $19.00
    Nordika is an understated, elegant, sans serif face with that clean legible corporate look. Its simple, trendy design makes it distinctive enough for display work. It makes a bold statement and is highly readable. Nordika is both condensed and quite bold and is therefore suitable for body text where some emphasis is required. Great for text and headlines - for just about any application.
  30. Ruby Lights by Bogstav, $17.00
    Say hello to Ruby Lights - a bold rounded font, made to bring fun and joy to your designs! Ruby Lights has no sharp edges, everything has gentle rounded corners and edges, leaving a soft yet vibrant look. Go ahead and use Ruby Lights for your children’s books, posters of any kind, invitations or maybe packaging - actually anything that needs a fresh handmade attitude!
  31. Ganery by Sensatype Studio, $15.00
    Madani is a sans serif font family with modern, corporate, elegant, unique and classy-look. This font crafted specials for logo design projects, ready to use on Logo, Branding, Magazine, Social Media, and Many more that needs modern touches. Madani is also included full set of: uppercase and lowercase letters 18 weights multilingual characters numerals punctuation Wish you enjoy our font. :)
  32. Raavi by Microsoft Corporation, $49.00
    Raavi™ is an OpenType font for the Indic script Gurmukhi, used to write Punjabi. Raavi is based on Unicode, contains TrueType outlines and was designed by Raghunath Joshi (Type Design Director) and Apurva Joshi for use as a UI font. Copyright ™ 2001 Microsoft Corporation. All rights reserved. Character Set: Latin-1, Gurmukhi (Punjabi). NOTE: An OpenType-savvy application is required.
  33. Uberschrift by FDI, $25.00
    Uberschrift is an elegant display font for creating expressive headlines or logos. The font contains only capital letters, but comes with 200 discretionary ligatures and several alternate characters. Check out the type specimen PDF for more details and a closer look at the typeface. To access the ligatures you need to use an OpenType-savvy app that supports discretionary ligatures.
  34. Brushlie by Abo Daniel, $13.00
    Brushlie is urban font family that made with real brush and is ideal for logos, apparel, quotes, product packaging, or anything which needs a font with a natural brush taste. There are available 2 version - Brush - Solid and the swash make it compete Even though Brushlie is an uppercase font, the lowercase characters will give alternate for uppercase characters. Thank You Abo Daniel
  35. Blackout by Blackout, $20.00
    Blackout is the first and signature font to the Blackout Foundry. Inspired by gothic structures, but maintaining a constructive form. Everything in balance, simple, and straightforward. The font has hard corners on one end, and subtle curves on the other. It is intended for anyone wanting to have a moody appeal to their work, but still maintains a legible format.
  36. Oakes Grotesk by Studio Few, $12.00
    Oakes Grotesk is a more corporate take on the Oakes typeface. It explores a set of brand new metrics that allow it to be more legible in body text as well as headings. The letter 'g' has been tweaked to become double-story as well as the refinement of other characters. This is all whilst maintaining the subtle curves of the Oakes typeface.
  37. TE Ruqaa by Tharwat Emara, $35.00
    Ruqaa font is one of the original Arabic fonts. It is the most common font and is written in most Arab countries because it has the potential to be written in a narrow space when compared to other Arabic fonts. It is used in the titles of books, magazines, daily newspapers, commercials, banners, advertising, holiday cards, newspaper headlines, Introduction to students.
  38. Idle Fancy NF by Nick's Fonts, $10.00
    This elegant yet playful offering is based on the typeface Domino designed by Alfred Riedel for the German foundry Ludwig & Mayer in 1954. Its large x-height and subtly sinuous curves make it a natural choice for headlines which are both warm and compelling. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).
  39. Beliau by Yukita Creative, $14.00
    Beliau is a modern serif typeface that has been expressly designed for high-resolution displays and print media. With its elegant appearance and finely balanced proportions, it is perfect for headline text, corporate branding, and other design applications where a touch of refinement is required. - Affordable and versatile - Well known for its exceptional readability - Get one font for any occasion
  40. Nikoovers by madeDeduk, $15.00
    Nikoovers Font is a modern rounded sans that exudes simplicity and versatility. Its clean and geometric letterforms make it ideal for various design applications, from corporate branding to editorial layouts. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative Ligature Feel free to drop us a message any time and follow my shop for upcoming updates Hope you enjoy it.
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