Kimberly Script is a stylish handwritten calligraphy font, combines from copper slabs to contemporary fonts with dancing baselines, classic and elegant touches. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, label, news, posters, badges etc. File included: Kimberly Script.otf How do I access the alternate characters? The alternates are accessible by turning on 'Stylistic Alternates' and 'Ligatures' buttons on in Photoshop Character panel, or via any software with a glyphs panel; e.g. Adobe Illustrator, Photoshop CC, Inkscape. If you have any question, don't hesitate to contact me by Email: bonjourtype@gmail.com

Tabarnak started out as an assessment and correction of an old concept by George Wilkens. The original idea was for a bold upright alphabet reminiscent of Oz Cooper’s work, but ornamented with some shocard/signage traits. That idea was radically redrawn and reinvented to become a simple 21st century font made to turn heads and induce a friendly rush. Tabarnouche is Tabarnak’s “jittery” incarnation. Just as great for packaging as they are for ads, posters, book and magazine covers, both Tabarnak and Tabarnouche come with about 600 characters, including tons of alternates, and support for the majority of Latin-based languages.

Introducing Two Race Typeface 🏁The Two Race font 🏁 is inspired by the sporty racing display font. This bold, italic and strong font with an impression of speed is perfect for making sports racing themed designs. Can be used for making logo designs, car stickers, racing event titles and so on with sport race themes. In addition to the regular Two Race, there is also an italic version which makes it look faster and cooler. Apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA).

So many designers hate Comic Sans. They think people who don't know design are overusing this funny little friendly font, which is nearly every time out of place. Some years ago, type designer Hannes von Döhren created a free alternative to Comic Sans. The difference: It has serifs and a much cooler look. The big success of the HVD Comic Serif pushed Von Döhren to create a Pro Version with an eastern, central and Western European language support. “The HVD Comic Serif should spread all over and make the world a little bit better.” says Hannes.

Winterday Elegant Calligraphy font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Winterday Elegant Calligraphy font attractive because it is subtle, clean, feminine, sensual, glamorous, simple and very readable, because it has many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes

Deicide Remain Font is a cool alternative for you to easily create your Underground band logo or whatever. Using alternative fonts and ornaments will liven up the font and will look cooler and fiercer. It comes with a basic character set and a small group of symbols and signs frequently used in the extreme music sector - Death- and Blackmetal classics such as pentagram drops, roots, wings and more. Features : - All Caps - numbers & punctuation - Alternate & Ligature - Multilingual - Symbol Ornament - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Taking its name from the arabic word for "king", Malik is a flared sans serif typeface family designed in 2020 by Andrea Tartarelli. The designer wanted to find a way to bridge the classical letterforms of Roman Old Style typefaces with the readability of contemporary sans typefaces. This was achieved by using the so-called flared serif that emerges gradually from the stem of the letter, ending in a sharp angle. It's something that also reminds of the peculiar shapes of the Simoncini Method, invented by italian type designer Francesco Simoncini to get a sharper definition of letterforms. To this blend of classical elegance and modernist expertise, Malik adds the calligraphic influence of modern masters like Frederic Goudy or Ed Benguiat, visible in signature details like the reverse contrast uppercase B, or the calligraphic lowercase k. Malik also means "owner", and this font surely wants to rule the page. It manages to be extremely readable when used in body text size, but looks surprising and expressive in display use. The inclusion of the Malik Heavy Display weight, with its black texture balanced by deep inktraps, allows for striking logo design. The weight range of the family is extremely wide, including a Book alternative to the Regular weight for fine-tuning readability, a range of light display weights and a solid choice of bold weights for branding, all coming with matching true italics. The 16 cuts of Malik have been equipped with all the features you need to solve your editorial and design challenges, including a wide language coverage (thanks to over one thousand latin and cyrillic characters) and a complete set of open type features (including small capitals, positional numbers, case sensitive forms). Alternate characters and stylistic sets allow you to fine-tune your editorial and branding design by choosing variant letter shapes. Malik is the typeface for everyone who wants to design like a king...or like he doesn't care who the king is!

Colour is more fun than black, but multicolour is even better. Let me introduce URLOP, a wide type family suitable for your fancy posters, headlines, covers, illustrations, websites, initials, blackmails, chronicles, signboards, poems and many others. Twelve basic styles, which make the overall construction, give a wide range of opportunities. All of them, being able to mix with each other, vary from a thin INSIDE, through a medium FILL, to a double-stem PLUS styles. And then comes a range of colour fonts, so you don’t have to waste any of your precious time for experiments, because I’ve already done it for you! URLOP is an all-caps display collection consisting of three sub-families of fonts, divided by the usage they are designed for. First of all, there is a wide range of alphabets made in the new OpenType-SVG colour fonts format. This is quite a novelty and a very promising technology at the same time. It allows designers to store colour information inside the font. Due to my experience with layered colour thinking that I explored in my first family - Epilepsja , I decided to make several preset layer combinations in this auspicious format. This sub-group is tagged RGB. Make sure that your field of usage and software support OT-SVG format. However, if you feel a need to experiment in the old-fashioned way, you may buy separate layers under the DIY tag. The last group is very similar to the DIY, but it was optimized to look better when standing without other layers. It’s called PRO*. All styles cover Latin alphabets of Europe, basic Cyrillic and Greek sets. Have fun! Before using the font, read the instructions and specimen attached to font files in the purchased package or download them from the Gallery tab on this site. This will help you avoid making unexpected mistakes when combining layers. *PRO subfamily release planned in 2019.

Thalweg serif typeface is a project focused on the digitalization and development of the Thalweg font. The font was originally designed in 1993 by the Bulgarian artist Ivan Kyosev. In 2018 Ani Dimitrova began the revival of the Thalweg font and converted the drawings into a digital form. The existing set of characters required some necessary expansions such as the development of capital letters, alternative symbols and many other functions. Furthermore, some additional weights were developed which aimed to make the font more complete. Thalweg was completed in 2020 with 16 weights ranging from Thin to Black with extra drawn italics and small caps versions, each style containing more than 1100 glyphs. The font comes with an extended coverage of the Latin, Cyrillic and Greek Scripts. All of the weights are specifically equipped for complex, professional typography with Open Type Features. These features include: Small Caps, Ligatures, Discretionary Ligatures, Superscript, Subscript, Tabular Figures, Old-Style Figures, Circled Figures, Arrows, Matching currency symbols and fraction. The Thalweg serif typeface is a perfect choice for body text, branding design, web design, editorial design and more. Ivan Kyosev (1933-1994) was one of Bulgaria’s most famous artists whose work influenced several generations of bulgarian designers. He was born on February 5, 1933, in the city of Burgas. In 1957 he graduated in illustration at the National Academy of Art in Sofia led by Prof. Iliya Beshkov. Mr. Kyosev was a member in the management of the “Graphics and Illustration” section in the Union of Bulgarian Artists, member of the UBA board, artist in the publishing houses “September” and “World”. Together with Boris Angelushev, he worked on the layout design of the “Literary Front” newspaper. Furthermore, in 1963 - 1964 he was the main artist in the publishing house “Prosveta”. Ivan Kyosev excelled in the field of illustration, book design and library layouts in various genres (classics, children's literature, poetry, journalism, memoirs, etc.). He is also the author of many fonts.

An unadorned Grotesque with a refreshingly personal touch. If “Grotesque” mainly means “industrial, mechanical, anonymous typeface” to you, Klainy might redefine your image of the genre. Yes, it’s a Grotesque—but with a contemporary look and a lot of personality. Klainy’s apertures are more closed at the top and more open at the bottom, creating an informal rhythm that sets Klainy apart: a confident, optimistic voice with a clean appearance. Terminals are subtly back-bent: these quaint “hooks” make Klainy a bit more personal, a bit friendlier. (You can find them in the a, c, f, and r.) Just like its old-style Grotesque ancestors, Klainy is optimized for display sizes and short texts. There, its unobtrusive quirks can be wholly appreciated. However, the familiar Grotesque appearance makes sure that the typeface is comfortable to read in smaller sizes, as well. Use Klainy whenever a basically classic sans-serif typeface with a modern and individual twist is called for. This font family comes in eight weights ranging from Thin to Black, each with a matching italic style. More than 500 glyphs and a bunch of Open Type Features make it a reliable companion for all of your projects. You can fine-tune the flavor of Klainy with Stylistic Alternates such as a one-story a and a two-story g. Their simple construction blends perfectly with the design concept of this typeface. Klainy is a seasoned blue-collar worker that surprises you with wit and team spirit. It’ll be a great addition to your font library.

Hi, introducing a script font named Tasha. It's a trendy typeface with smooth flowing shape. Tasha font supports english and most of european latin languages and also has ukrainian cyryllic alphabet (check out the screenshot with all available glyphs). There are also 9 special underscore glyphs, you can access them by typing "_1" with turned on standard ligatures feature (Check out a presented screenshot). Please make sure that your software supports OpenType Features.

Insecticide Infused with a laid-back charm, our casual handwriting captures the essence of relaxed authenticity. Effortlessly stylish, each stroke exudes approachable warmth, making it the perfect choice to connect with your audience on a personal level. Embrace a brand identity that feels as comfortable as your favorite pair of jeans

The Icons developed to the font Only You Sexy make reference to hipsters concept a recurring nostalgia and a recovery of an almost forgotten romanticism. Bring all that romance back. Bring the sensuality in your works and projects. The font has more than 300 icons. Also available Only You Sexy.

This hand-lettered italic casual is another versatile font produced by Jeff Marshall, aptly named “Flick” due to its off the brush casual feel. This style was a work horse back in the day where it was used on cafe menu boards through to regulation lettering on trucks and aircraft.

Présence is a modern sans serif with a light stroke contrast. The capitals are a bit narrow for a titling use which makes them space-economical without lack of legibility. The lower cases have a normal width for a fluid reading. Its wide range of weights allows it many uses.

First Responder JNL is a back slanted version of Catalog JNL, and is intended to be used for graphics on police and fire vehicles to emulate "forward" movement, which is a popular theme on such vehicles. It is also useful in conveying the same image in print applications and web design.

Aryzena is handwritten, textured, artistic brush script. This font also has swash characters that make your design more attractive and natural, giving your text an authentic and laid-back characteristic. This font works well in designs for clothing, tittle books, quotes, branding, logos, packaging designs, posters, invitation, mural and more!

IxD is a modular, semi-futuristic sans serif that uses its geometry to evoke the kind of future we all thought we'd have back when we were kids: sleek, assertive, cool. Many of its deep cuts and unusual letterforms are strikingly out of the norm, but they still feel inviting.

Introducing Quick Letter - Authentic Handwritten Ligature Script is a Quality script that is written casually and quickly has many alternative letters, with a front and back tail that adds to a more attractive appearance. Quick Letter is perfect for homeware designs,branding projects, Logo, design, Quotes, Product packaging, Photography, Watermark.

The cover of the sheet music for 1930's "Walkin' My Baby Back Home" features the title hand lettered in a bold sans serif with the slightest flair of Art Nouveau styling. This design is now available as Evening Walk JNL, which is available in both regular and oblique versions.

If there s a back-story about the design inspiration for Modern Appliances JNL, it's lost to time. An unfinished design for quite a while, this clean sans with an Art Deco flair was recently completed, and the design quality should speak more for its appeal than any promotional blurb.

Axteroid was made to look like something that was teleported from a computergame from way-back in the 80s. To make it more 21st century-like, I have spiced the font up with some OpenType alternate letters and ligatures! You will need to use OpenType supporting applications to use the autoligatures.

The roots of Adana going back to the year 1930, to the Berlin-based German graphic designer Wilhelm Berg. His typeface can be interpreted as an answer to Lucian Bernhards Schönschrift. Adana Circular and Regular play well together in all kinds of adverts, as well with designs like Bodoni or Didot.

This font is a must for dinosaur lovers, as it brings back to life a variety of these huge reptiles. Besides figures of complete dinosaurs there are also a number of 'portraits' and poses. A creative combination of dinosaur figures allows the depiction of various situations, fighting, eating, etc. Have fun!

British Stencil JNL was sketched from images of a vintage stencil set made by Reese and Sons of England that was being sold on ebay. In truth, this is a semi-stencil, as some of the characters are solid; lacking the breaks in the letter shapes so typical of stencil alphabets.

Drawing inspiration from both the Western and Circus genres, this design offers a wide variety of uses as a display font. Due to the nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 200 pt and above).

Originally issued by the Palmer and Rey Type Foundry of San Francisco in 1884, this typeface bore the name Octagon Condensed, and is as fresh today as it was way back when. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Hello Everyone, introduce our new product Font Faceless it is lack metal Typeface, Rooted, but still readable.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font Faceless is great for your next creative project such as logos, printed quotes, invitations, cards, product .

This is an original, confident and cheeky little font; characterised by its boldness and dense letterforms, which boast a solid texture and distinctive lack of counters. Drawn with a marker pen, the bounciness of Rockland counteracts its solidity to make for a friendly aesthetic that’s as confident as it is playful.

Allust Italic is an Upright italic font that is inspired by italic version some old-style serif typefaces specimen and an from my own flawed italic letterforms back in 2016. Download the cheat sheet for Allust Italic Ornament here: https://www.dropbox.com/s/yz1rvdopxm6mwva/Allust%20Italic%20Ornament%20Cheat%20Sheet.pdf?dl=0

Connectica, as the name itself refers, is joined monolinear script family. Comes in two weights, Light and Regular. Due to specific design, we added fake Swash OpenType feature for initial capital characters, where letters like E, F, U, V, W, Y lack joining line on the left side of the characters.

Signs of Yesterday JNL brings another twenty-six vintage signs inspired by a series of decals once made by the Duro Decal Company (now Duro Art Industries) of Chicago. This font complements the original twenty-six designs found in Too Much Information JNL. There are two blank sign panels on the parenthesis keys for use in creating custom retro signage.

Volume is a 3D font, with interlocked characters, inspired by vintage wooden block capitals! Superimposed weights bring light and shadow on the structure and allows many coloured combinations. Cubo est une fonte en volume dont les lettres s'imbriquent, inspirée d'anciens caractère d'imprimerie en bois. Les diiférentes graisses se superposent, créant des effets d'ombre et de lumière, et facilitant la colorisation des caractères.

Online auctions offer a myriad of unique, vintage and novel lettering devices – all which are fertile ground for typographic inspiration. In this instance, a set of stamped metal letters for outdoor signage was the basis for Stamped Metal JNL. Some of the non-traditional letter weights makes these simple block letters a wonderful change of pace for bold, attention-getting headlines.

Rocksolid's appearance is somewhere between a font resembling large, carved blocks of stone and a negative outline grunge font, and it is surprisingly responsive to simple effects in graphics programs. Mostly it is intended for titles, display and headlines. There's an extensive set of accented characters and punctuation. The zip contains both OTF and TTF versions - install either OTF or TTF, not both.

This elegant stencil face is based on an alphabet found in one of the innumerable Dover Books volumes edited by Dan X. Solo. Intended for headline use, it can also be employed effectively for short blocks of body copy. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

The Occidental family is a geometric, sans-serif text face marked by its angular construction. Occidental is suitable and economical enough to set large blocks of copy, but at display sizes Occidental's inherent character takes over making it useful for headline setting as well. The family includes four weights, each with corresponding italics (excepting Display) for a total of seven fonts.

The chamfered block style of lettering has been a workhorse for years. From the early signage of the 1800s to military markings to the techno fonts of the 1980s and beyond, its clean and simple look gets the message across easily and boldly. Industrialist JNL and its oblique partner were modeled from the title on a piece of sheet music from the 1940s.

In NewLibrary the letters are on books, not in them. (The letters are from the typeface BeneScriptine). The NewLibrary fonts have characters with blank books, both solid and outlined, that can increase coloring possibilities. Instructions on how to form the layers or alternatively to get the effects with a string of characters, some with zero width, are given in this pdf file.

A heavy font made by Minor Praxis. Inspired by blocks toy design. Ideal use for headlines, medium and large prints format, displays, and posters. Built by a quite heavy structure and dense kern which can make a hefty and solid impression. It can be matched with basic sans serif fonts as a body copy. Available in 4 styles with multi languages support.