Looking like gifted jelly and falling in between cushions and cat food, this plump and inviting letter mixes simplicity with organic style for a wide range of uses. Jellybrush's compact cursive forms and robust friendliness draw on artbrush scripts, blending brush effects with synthetic forms. A versatile workhorse suitable for: * Dairy & beverage * Sweets & soft drink * Five minute food & sauces * Pet food & accessories * Bathroom & kitchen * Cushions, pillows, rubber & swimming pool, etc. Jellybrush is designed to take squishing and outline treatments and still look good. Squish it down in your application of choice, the letter proportions withstand horizontal compression easily. Jellybrush italic is a subtly-slanted fully cursive variant with the character width, counter size and hanging figures required for good text performance. Designed for supplementary text for packaging and advertising comps and any application requiring readable text matching the main font. The font packages contain two (2) formats of Jellybrush, in OpenType & TrueType flavors.

The Wright-Regan Instrument Company (Wrico) was one of the leading manufacturers of lettering templates for many years. Aside from their own line of products, they also did custom manufacturing. A series of lettering guides called “Mimeostyle” for the A. B. Dick Company of Chicago (produced for use in making mimeograph machine printing stencils) featured an art Deco squared letter design with rounded corners. This is now available digitally as Template Sans JNL, in both regular and oblique versions.

Snatch is a dynamic and expressive type system designed for impassioned and unprejudiced creative directors who look to combine the rough with the sexy. The font is well-suited for publishing projects, branding and packaging. Snatch is composed of three sections: a group of sharp-shaped uppercase fonts (small caps and all caps) in 5 weights, a set of script catchwords and eclectic sets of dingbats and flags that communicate the blue-sky thinking and feel of the project. Snatch—a collaborative project between Bercz and Latinotype Team—is the wild, condensed sister of BOWIE and it was developed by Valentina Vega, Rodrigo Fuenzalida and César Araya, under the supervision of Dany Berczeller, Daniel Hernández y Luciano Vergara. The family consists of 5 weights, ranging from Thin to Black, and comes with a 679-character set that supports 206 languages.

Bold and compact, Stamina is a solid, sporty font that punches beyond its weight. Ideal for product logos, headlines and signage, it has both power and panache!

Ceundah font is inspired by thick and thin Hand Sketches. This font can be used for film titles, magazine titles, newspaper front pages, billboards, or company brands.

Oil Barrel JNL is roughly based on lettering spotted in an online auction of custom brass stencils made for marking different petroleum grades on oil company barrels.

A family of extra compressed styles designed at ParaType in 1993 by Alexander Tarbeev. For use in advertising and display typography. Decorative versions were added in 1996.

A mechanically drawn felt tip pen styled font with matching common cap styles suitable for greeting cards, posters, and announcements. Ravenna requires subjective display kerning and compensation.

Print Helpers JNL is a compact little assortment of vintage cartoons, ornaments, arrows, words, phrases and other decorative illustrations used to enhance ads, print projects and fliers.

Bell Centennial was created by Matthew Carter in 1976 for the American telephone company Bell. Its bold, clear characters make it an extremely legible and distinctive font.

Frederic Goudy designed Californian as a private commission for the University of California at Berkeley in 1939. The first Commercial release was by Lanston Monotype in 1958.