10,000 search results (0.022 seconds)
  1. PLATOoN - Personal use only
  2. skullphabet - Unknown license
  3. the EV$NT - Personal use only
  4. Stripelane - Personal use only
  5. LC Bagira - Unknown license
  6. XXII ARMY - Unknown license
  7. Newlyn - Unknown license
  8. Oneworldonefuture - Unknown license
  9. We2000 - Unknown license
  10. Broad - Unknown license
  11. LITLLE KING PERSONAL USE - Personal use only
  12. PALMSPRINGS PERSONAL USE - Personal use only
  13. Norwich Aldine ML by HiH, $12.00
    Norwich Aldine ML is a all-cap typeface with enlarged serifs, designed and produced in wood by William Hamilton Page of Norwich, Connecticut in 1872. Norwich Aldine ML is a fine example of the strength of decorative wood types: large, simple type forms that provide the visual boldness sought by advertisers of the Victorian period. While our marketing has gotten so very sophisticated, there is always a place for a simple, visually strong typeface. Although about 14 miles inland, Norwich, Connecticut lies at the head of the Thames River. The river is both wide and deep, and therefore was not bridged in the early 20th century. Until then, if you wanted to get from Groton on the west bank to the whaling port of New London on the east bank by land, you had to go by way of Norwich. Because of its size, the Thames is navigable all the way from Norwich to New London. Docks were built in Norwich around 1685 and the city became Connecticut’s 2nd largest port by 1800. With the construction of the Norwich & Worcester Railroad in 1835, Page could easily ship his wood type north by rail or south by coastal schooner. Included with our font, Norwich Aldine ML, are two 19th century printer’s ornaments of sailing ships similar to those that sailed up the Thames to Norwich. Reference: Moon’s Handbooks, Connecticut 2nd Edition (Emeryville CA 2004) The family has expanded from one to four fonts: 1. Norwich Aldine ML: the concept font, computer-sharp corners and smooth curves, as we imagine it was designed. 336 Glyphs including some reduced-width alternatives for better letter spacing. 2. Norwich Aldine Worn ML: the way actual wooden type would look after have been used for a while. 332 Glyphs 3. Norwich Aldine Distressed ML: the way the wooden type would look after it had really been used, perhaps abused. Alternatives to the more popular letters reflect the damage that typically occurs on a well-wormn font, with nicks, cuts and scratches and the overall wear that reduces the overall height and leads to uneven inking due to varying heights in the chase. A couple of bullets look like bullet holes. 345 glyphs. 4. Norwich Aldine Cyrillic: Cyrillic includes alll English and Cyrillic letters for MS Windows Code Page 1251, ISO 8859-5 and MacOS Cyrillic. 235 glyphs. We did Cyrillic because is was fun and we felt the basic design cried out for Cyrillic. While obviously subjective, we hope you will agree.
  14. Mila Script Pro by FaceType, $79.00
    Proud to introduce: The all hand-drawn Mila Script Pro Family Mila Script is a handmade brush script with round and soft letterforms, a low x-height and jumping baseline. Smart OpenType features care about all letterforms and choose between connected and non-connected styles. AutomaticSwashControl adjusts the swashy letters to the available white space. It’s installed within Mila’s main features OpenType Contextual-Alternates, Swashes and Titling-Alternates. Switch one on and let Mila do the rest. · Please read over the manual. It describes the family in detail. · Of course there’s a little more know about Mila Script Pro: 2600+ characters offer four different initial styles, capital swash and titling alternates, connected words, 17 different initial and terminal swashes and much more. All of course with full ISO latin 1 & 2 language support. · Mila Script Basic (900+ characters) offers all single features contained in OpenType Contextual-Alternates: subtle contextual swash alternates, positional forms, ligatures, connecting and non-connecting characters … · Mila Script Sans: Mila Script Sans is a hand-drawn/handwritten “all caps” in three different weights. Mila Script and Mila Script Sans go well together: combine them and equal the line weights by choosing Light, Regular or Bold. Always keep it way smaller than Mila Script. Mila Script Sans also works well as a standalone. It offers negative typesetting, bicolor typesetting by layering two styles and even alternates without counters. Please see the manual for instructions. · Mila Script Ornaments: Change the size and keep the line weight: activate Contextual Alternates, type a letter and add + to enlarge all swashes according to your likings. Mila Script Ornaments contains 69 different swashes and symbols, all of them available in seven different sizes, which makes a total of 483 characters. All ornaments are within easy reach and there’s no need to access certain symbols manually via your glyph palette. · Have fun! · View other fonts from Georg Herold-Wildfellner: Sofa Serif | Sofa Sans | Mila Script Pro | Pinto | Supernett | Mr Moustache | Aeronaut | Ivory | Weingut · Language Report for Mila Script / 195 languages supported: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic, Asturian, Aymara, Bashkir, Basque, Bikol, Bislama, Bosnian, Breton, Cape Verdean, Catalan, Cebuano, Chamorro, Chavacano, Chickasaw, Cimbrian, Cofan, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz, Galician, Genoese, German, Gooniyandi, Greenlandic, Guadeloupean, Gwichin, Haitian Creole, Han, Hawaiian, Hiligaynon, Hopi, Hotcak, Hungarian, Icelandic, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istroromanian, Italian, Jamaican, Javanese, Jerriais, Kala Lagaw Ya, Kapampangan, Kaqchikel, Karakalpak, Karelian, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino Sine, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Makhuwa, Malay, Maltese, Manx, Maori, Marquesan, Meglenoromanian, Meriam Mir, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinhpatha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami Lule, Sami Southern, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Seri, Seychellois, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio, Somali, Sorbian Lower, Sorbian Upper, Sotho Northern, Sotho Southern, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tuvaluan, Tzotzil, Uzbek, Venetian, Vepsian, Volapuk, Voro, Wallisian, Walloon, Waraywaray, Warlpiri, Wayuu, Welsh, Wikmungkan, Wiradjuri, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni
  15. DavysRibbons - Unknown license
  16. Grafn by Baqoos, $18.00
    Grafn is a preeminent noetic linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 240+ glyphs with ligatures and fractions.
  17. Exphany by Danil Reyman, $12.00
    The font is made in the direction of Tribal aesthetics. He is restrained, but at the same time very cityistic, has an aggressive mood.
  18. Artz by Hackberry Font Foundry, $24.95
    Artz is a highly stylized sans serif with a Deco look in Narrow, Plain and Wide. It has oldstyle numbers and many special characters.
  19. Schein by Almarkha Type, $29.00
    Schein – Sans & Slab inspired by the famous minimalist logo and perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more.
  20. Ankle by VType, $8.00
    An elegant sans serif typeface with style. Fashionable, classy but still modern! Designed and shared by Vikers | RerdSystems. Perfect for logos, posters and more.
  21. Linotype Aroma No. 2 by Linotype, $40.99
    Linotype Aroma No.2 appears straightforward in form, completely sans serif, yet with a trace of humanistic features that gives it that extra edge.
  22. Comment by cm5dzyne, $12.00
    Comment is a unique yet still basic sans serif created to provide a consistent, attractive appearance in print, especially in small-to-medium sizes.
  23. Rabona by AcidType, $15.00
    Rabona is a typeface for designers; easy to implement, clean and utilisable. A quintessentially modern geometric san-serif, filtered through a gently humanist lens.
  24. Shatter by ITC, $40.99
    A basic sans serif letterform was used to create the impression of broken glass in this unique typeface. Created by talented designer Vic Carless.
  25. Rolhausen by Patria Ari, $12.00
    Rolhausen is a Sans Serif Typeface which is suitable for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc.
  26. Endast by Cercurius, $19.95
    Sans-serif reversed capitals in outlined circles, resembling old-fashioned typewriter keys. Intended for logos and signs, and for enhancement in lists and maps.
  27. KG LET HER GO by Kimberly Geswein, $5.00
    Tall, chunky title-friendly sans serif capitals in 3 styles. Use all caps for even lettering or alternate caps and lowercase for bouncy lettering.
  28. Tomino by Mans Greback, $59.00
    Tomino is a dot serif, or a sans-serif decorated with dots. It's wide and clear, and works great in small and large sizes.
  29. Illuminati by Fatchair, $9.95
    Originally designed as an experiment in monospacing (Illuminati Mono), Illuminati is a mixture of sans-serif and serif. The Italics have some cursive features.
  30. Geopa by Baqoos, $15.00
    Geopa is a fractional conversant tech sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions.
  31. Brilliante by Gerald Gallo, $20.00
    Brilliante is a geometric, uniform stroke, sans serif font with rounded end strokes. It is ideal for headlines, titles, branding, small blocks of text.
  32. Maesgo by Baqoos, $12.00
    Maesgo is a bodacious joculatory linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.
  33. Traklin MF by Masterfont, $59.00
    Great sans text font family for all your needs, text, signage, logos etc. Very elegant and suitable for classic as well as formal design.
  34. Auxilia by Typomancer, $20.00
    Auxilia is a geometric sans serif font with a bit of humanist feeling, comes with various weights and condensed width for all purpose design.
  35. PIXymbols ADA Signs by Page Studio Graphics, $40.00
    Signage mandated by the Americans with Disabilities Act of 1990, plus additional accessibility signs, in both font and EPS format in the same package.
  36. Wood Stencil by Jeff Levine, $29.00
    Giving a stencil treatment to a classic wood type sans serif grotesk design, Wood Stencil JNL is available in both regular and oblique versions.
  37. FeggoliteDancing by Ingrimayne Type, $7.95
    FeggoliteDancing has monospaced, wobbly letters. It is a variation of FeggoliteMono. For other fonts that have the same tipsy look, see NoPain and Seasick.
  38. Rugen by Variatype, $12.00
    Rugen is an urban all-caps sans serif that perfectly matches your branding project and more. FONT FEATURES Additional Accents 66 Languages Kerning Alternates
  39. Final Edition JNL by Jeff Levine, $29.00
    A classic sans grotesk wood type design, Final Edition JNL was modeled from actual headlines found in online examples of an old daily newspaper.
  40. The "Cartoonist" font, designed by George Edward Purdy, is a testament to the playful, expressive nature of fonts inspired by the golden age of comics and animation. This typeface stands out due to i...
Looking for more fonts? Check out our New, Sans, Script, Handwriting fonts or Categories
abstract fontscontact usprivacy policyweb font generator
Processing