A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

Deltarbo is a medium-heavy sans-serif typeface that is designed primarily for great legibilty in graphics and display situations, with clean lines and a modern "rounded-rectangle" feel. Please note that this font is not intended to be formal, the characters are ever so slightly casual.

In 1948, Mergenthaler Linotype released the first weights of Trade Gothic, designed by Jackson Burke. Over the next 12 years Burke, who was the company’s Director of Typographic Development from 1948 through 1963, continued to expand the family. Trade Gothic Next is the 2008 revision of Jackson Burke’s design. Developed over a prolonged period of time, the original Trade Gothic showed many inconsistencies. Under the direction of Linotype’s Type Director Akira Kobayashi, American type designer Tom Grace, a graduate of the MA Typeface Design in Reading, redesigned, revised and expand the Trade Gothic family. Many details were improved, such as the terminals and stroke endings, symbols, and the spacing and kerning. Moreover, there are newly added compressed widths and heavy weights perfect for setting even more powerful headlines. Trade Gothic Next brings more features and better quality for today’s demanding typographers. Trade Gothic Next® font field guide including best practices, font pairings and alternatives.

Eigerdals is a pleasant and visually warm sans-serif type family. Eigerdahl is a soft and amiable face, perfect for when you want to convey a relaxed and pleasant feeling. Eigerdals features a smooth, brushed impression and a tall x-height. The characters are slightly top heavy in the heavier weights to give it a friendly feel. The Eigerdals family contains seven weights and their complementary italics. It contains some unique character traits that give the face a unique look, and the type family is incredibly versatile. The face is highly readable in extended text settings, and the bolder weights are perfect for display work. Eigerdals can be used in a variety of graphic settings. Eigerdals includes many useful OpenType features, including a set of upright italic swash alternates, ligatures and unicase alternates. OpenType-capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages.

In 1948, Mergenthaler Linotype released the first weights of Trade Gothic, designed by Jackson Burke. Over the next 12 years, Burke, who was the company’s Director of Typographic Development from 1948 through 1963, continued to expand the family. Trade Gothic Next is the 2008 revision of Jackson Burke’s design. Developed over a prolonged period of time, the original Trade Gothic showed many inconsistencies. Under the direction of Linotype’s Type Director Akira Kobayashi, American type designer Tom Grace, a graduate of the MA Typeface Design in Reading, has redesigned, revised and expanded the Trade Gothic family. Many details were improved, such as the terminals and stroke endings, symbols, and the spacing and kerning. Moreover, there are newly added compressed widths and heavy weights perfect for setting even more powerful headlines. Trade Gothic Next brings more features and better quality for today’s demanding typographers. Trade Gothic Next Soft Rounded introduces a new friendliness and warmth to the family.

Out of Line Pro BB is a comic book dialogue typeface with Greek and Cyrillic support, as well as a hefty compliment of European diacritical glyphs. It's the improved remix of Blambot's popular Out of Line BB set. Designed after Blambot letterer, Nate Piekos's hand lettering, it features opentype autoligatures, contextual alternates, and fractions.

Ursula Handschrift is based on the designer’s handwriting. Individual characters are simple, soft and expressive; making it a friendly, organic script. It will work well in scrap-book style designs, comic books, for informal headings and image captions. Ursula Handschrift is extended, containing West European diacritics making it suitable for multilingual environments and publications.

You may already found out that "Simple Mints" is a wordplay. The font itself is playful as well - the 5 different versions of each letter makes sure that your text is lively and playful! Inspiration comes from both grafitti and comics...and my usual kind of sloppy handwriting - a mix that makes a great impression! :)

Introducing "Tiger Chest" - Unleash Your Creativity with Urban Pop Vibes! With Tiger Chest, your creativity knows no bounds. Break free from the mundane and explore the wild side of design. Whether you're crafting social media graphics, YouTube thumbnails, event posters, or comic book covers, this font will give your projects the urban edge they deserve.

SPAGHETTI BOLOGNESE is a versatile, discreetly smooth and slightly childlike font, reminiscent of handwriting. It is ideal for authorial and commercial comics and has a lowercase version. The stroke features little modulation, with low or no contrast and is made with a digital brush. The height of the lowercase makes it highly legible and clear.

I have no particular affection for ducks, nor do I keep them, but I thought it was about time someone named a font after them! Sitting Duck is a jolly comic/kids font. Handmade (of course), cute and useful. Comes with extensive language support and a cool alternative asterisk in the shape of a duck.

Proudly Presenting, Rowstead A Friendly Comic Font. Rowstead is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Rowstead also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Say hello to Komix Eighties font. Made with love and joy. Comic look, so it will make your design more beautiful, cute, fun, and colorful. It comes With three awesome styles. Features: - Character Set A-Z (All-caps) - Numerals and Punctuation (OpenType Standard) - Accents (Multilingual characters) - PUA Encode I hope you can enjoy the font :)

Weatpoint is a playful and beautiful handwritten font. It’s great for comics, cartoons, birthday invitations, and any creative project that needs a fun look! Weatpoint is a flowing and elegant handwritten font, created with the help of a brush pen. Get inspired by its unique and beautiful style and add it to your favorite designs!

Proudly Presenting, Wadezix A All Caps Comics Font. Wadezix is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Wadezix also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

The name Grape Feud is obviously a wordplay, and is derived of the, sometimes, mistaken of the orange and the (often) purple fruits. But Grape Feud is also a playful and charming no-nonsense comic style font. The x-height is quite unpredictable, and I've added ligature for the most common double letter combinations.

Sniplash is a lively font inspired by cartoons and comics of the 1960s and '70s. Casual and organic, this font features curly lines and irregular weights in Regular, Light and Bold styles. This design defies serious analysis and offers a fun attitude for lighthearted design. Excellent for parties, retro packaging or any number of uses.

Heft is a heavy slab serif that packs a powerful punch. Available in square-cornered and rounded versions, each with italics, plus two distressed variants — an inky version that evokes the urgency of cheap hot-metal printing, and a worn, distressed version that suggests vintage woodtype or photocopied text.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Smoke is very heavy geometric font. Its unique shape is like a monster for your design project.

At the end of the 19th century, the fin de siècle, both Bauer and Berthold released ‚Herkules‘, a heavy Art Nouveau font for ads and posters. This font was carefully redesigned and makes it a great font in Jugendstil surroundings and a splendid partner of the Carlsbad font family.