Paneuropa 1931™ is a faithful recreation of XX-century Polish classic, made by Idzikowski foundry in Warsaw, 1931. Original Paneuropa was a renowned and highly popular typeface in XX-century Poland, and was widely used in all kinds of design, editorial use and printed materials for decades. Paneuropa is a geometric, clean and versatile font family inspired by Paul Renner's famous Futura - it is a bit narrower, with different proportions and details in drawing, completely different figures and punctuation shapes than Futura. It is an interesting and refreshing alternative to Futura with its own distinct personality and a subtle authentic vintage flavour. Paneuropa 1931 contains separate styles for display and large sizes as well as styles for small text sizes - differing in spacing and the softness of letterforms. The family features an original Paneuropa Double font - a beautiful inline style for headlines and display use. The whole family is completed with added missing inbetween styles as well as italics. The original subfamily set is available for purchase and it contains solely the original Paneuropa styles (Thin, Regular, Bold, Text Regular, Text Italic, Double). Paneuropa 1931 characteristics: letter shapes and proportions are very faithful to the original, keeping its idiosycrasies and inconsistencies spacing and kerning are carefully adjusted in order to achieve the colour of the original fonts, keeping maximum possible consistency - a compromise between authentic vintage feel and legible consistent text colour (for hardcore users: just turn off the kerning) weights precisely matching the original (Thin, Regular, Bold, Text Regular, Text Italic, Double), inbetween weights were added (Light, Demi Bold, as well as missing italic styles) italic angle faithful to the original (8 degrees) softened corners help achieving the character of old imprecise printed display styles for big sizes are sharper and have tight spacing, text styles have softer shapes (recreating small print imperfect print) and broader spacing for use in paragraph text (spacing in both display and text styles matches the original as well) original style names in Polish for devices with Polish set as their primary language The family is very versatile. The Inline style as well as bold and thin weights are perfect for headlines and display use, other styles works wonderfully as paragraph text. Paneuropa 1931 consists of 18 fonts - 5 display weights with corresponding italics + 3 text weights with corresponding italics + 2 inline styles (for big and small print sizes). It has extended support for latin languages, as well as broad number of OpenType features, such as case sensitive forms, fractions, superscript and subscript, ordinals, currencies and symbols.

Oliver Quin, a beautiful and stylish low italic script handwriting font. Oliver Quin offers a harmonious pen movement for a diversity of design projects, including logos and branding, wedding designs, social media posts, advertisements, poster, watermark photography, and more.

The Circularis family includes 8 styles and weights - eight uprights with eight italics. Circularis is characterized by the nice and smooth unordinary circle geometric contruction inspired at last century, nice readability, low price and finaly many variation of useful.

Boomtown is a bold, slightly cursive font for advertising, headlines, packaging design, signposts or posters. Although it is highly constructed, it has some handwriting attributes, too. An italic font is in my planning and maybe a light style, too.

This font was originally designed for one lettering job with only one simple purpose—to be as much condensed as a font can be. Then it was developed as a font family of 4 weights with regulars and italics.

Radian is a modern geometric sans serif typeface that comes in 16 weights: 8 upright fonts and their matching italics. Radian works well in any graphic design project and purpose, both as a display typeface and in smaller sizes.

Promo is charming rounded sans family. This typeface is defined by multiple features, which give it a friendly feeling. Promo is perfect for branding and display purposes. Entire family consist of 9 styles with italics from Thin to Bold.

Curator family is serif based fonts that has multi language support including all european and basic cyrillic letters. It has bold and italic styles. You may choose letters in glyph panel, because each font has alternative symbols and ligatures.

Busy Scratch is very useful for something that needs a simple, yet eye-catching handmade look. The letters are carefully hand-kerned and spaced for a natural and legible look. For extra energy, try switching between Regular and Italic!

Oksana Std has only the Western Latin characters from multilingual Oksana. It has six weights with real italics, and Alt faces with Old Style figures, alternative characters -a-g-k-y- and ampersand. German großes Eszett is also included.

Leky Calgria is elegant serif font with beautiful and luxury touch good for gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, logo, branding and much more. Complete with ligatures alternates regular italic icon kerning multilingual support

Digital Sans Now combines and completes the many diverse requests and requirements by users of the past years. By now, 36 versions for over 70 Latin and Cyrillic languages have become available, including Small Caps. Digital Sans Now is also available as a webfont and reflects, with its simplified and geometric construction and its consciously maintained poster-like forms as well as with its ornamental character, the spirit of the decorative serif-less headline typefaces of the 1970s. The basic severity of other grotesque typefaces is here repressed by means of targeted rounds. Exactly these formal breaks allow the impression that it could be used in a variety of visual applications. Short texts, headlines and logos of all descriptions are its domain. It is because of this versatility that the typeface has become a desirable stylistic element, especially in such design provinces as technology, games and sports, and that, for many years now, it appears to be timeless. Additional weights designed on the basis of the original, from Thin to Ultra, the Italics, Small Caps and alternative characters allow for differentiated “looks and feels”, and, with deliberate usage, give the “Digital Sans Now” expanded possibilities for expression. The basis for the design of Digital Sans Now is a headline typeface created in 1973 by Marty Goldstein and the Digital Sans family which has been available from Elsner+Flake since the mid-1990s under a license agreement. The four weights designed by Marty Goldstein, Thin, Plain, Heavy and Fat, were originally sold by the American company Visual Graphics Corporation (VGC) under the name of “Sol”. Similarly, the company Fotostar International offered film fonts for 2” phototypesetting machines, these however under the name “Sun”. The first digital adaptation had already been ordered in the mid 1970s in Germany by Walter Brendel for the phototypesetting system Unitype used by the TypeShop Group, in three widths and under the name “Digital Part of the Serial Collection.” Based on the versions by VGC, Thin, Plain, Heavy and Fat, new versions were then created with appropriate stroke and width adaptations for data sets for the fonts Light, Medium and Bold as well as for the corresponding italics

A very rare metal face made a brief appearance in Lanston Specimen books and has all but vanished from use. In fact no examples of the font in use seem to exist. It shares some of the hand-rendered casual feel of Nicholas Cochin, but much heavier and well suited for bold headlines and package design.

Handcrafted signs line the stoned walkways of old Italy. Some a century old, these often forgotten works of unknown artists remain etched across cities and villages. But now, they make their inviting impressions once again as the inspiration for insigne design’s Gineso Soft typeface. Gineso Soft absorbs the personality of northern Italian posters, headlines and logotypes, providing a type especially nice for signs and titling with its condensed qualities. The font contains matching italics for the the eight weights and three widths. We’ve also included small features along with fractions and superior / inferior characters to broaden your options. Even more, Gineso Soft is ready for all applications and features a large character set for the languages ​​and literature of Europe. So add a soft touch the next time you’re in a tight spot. Add Gineso Soft and make your project a work to be remembered.

For well over a century, stencil machines allowed manufacturers, shippers and even the military to quickly mark and identify objects. Mechanical Stencil JNL was created from examples from one of these machines.

Basic Pixel is the right font to have fun with. With 15 different styles you can combine styles and color like building blocks to create endless new combinations and intriguing visual outputs.

The typeface Typist originated during an extensive research on the origin and development of typewriter typestyles. The first commercially manufactured typewriter came on the market in 1878 by Remington. The typestyles on these machines were only possible in capitals, the combination of capitals and lowercase came available around the end of the nineteenth century. Apart from a few exceptions, most typestyles had a fixed letter width and a more or less unambiguous design that resembled a thread-like structure. A lot of this mechanical structure was due to the method the typestyles were produced. Looking at type-specimens for print before the first typewriters were good enough to came on the market we can see that in 1853 and in 1882 Bruce’s Type Foundry already had printing type that had a structure of the typewriter typestyles. Of course printing types were proportional designed as typewriter typestyles had a fixed width. So it is possible that except from the method of production for typewriter typestyles, the design of printing types were copied. In the design of the Typist, the purpose was – next to the monospace feature – to include some of the features of the early typewriter typestyles. Features such as the ball terminals and the remarkable design of the letter Q. This new typeface lacks the mechanical and cold look of the early typewriter typestyles. The Typist comes in six weights with matching italics in two versions. One that resembled the early typewriter typestyles (Typist Slab) and a version designed with coding programmers in mind (Typist Code).

The typeface Typist originated during an extensive research on the origin and development of typewriter typestyles. The first commercially manufactured typewriter came on the market in 1878 by Remington. The typestyles on these machines were only possible in capitals, the combination of capitals and lowercase came available around the end of the nineteenth century. Apart from a few exceptions, most typestyles had a fixed letter width and a more or less unambiguous design that resembled a thread-like structure. A lot of this mechanical structure was due to the method the typestyles were produced. Looking at type-specimens for print before the first typewriters were good enough to came on the market we can see that in 1853 and in 1882 Bruce’s Type Foundry already had printing type that had a structure of the typewriter typestyles. Of course printing types were proportional designed as typewriter typestyles had a fixed width. So it is possible that except from the method of production for typewriter typestyles, the design of printing types were copied. In the design of the Typist, the purpose was – next to the monospace feature – to include some of the features of the early typewriter typestyles. Features such as the ball terminals and the remarkable design of the letter Q. This new typeface laks the mechanical and cold look of the early typewriter typestyles. The Typist comes in six weights with matching italics in two versions. One that resembled the early typewriter typestyles (Typist Slab) and a version designed with coding programmers in mind (Typist Code).

Nagietha is a type of handwritten font with a dynamic & natural flow. This font is designed with original handwriting and gives it a personal touch. Carefully digitized by keeping the rough line still looks natural, romantic and personal. You can combine this font with many font styles such as serif, san-serif, oblique, italic, slab and etc. This font is specially made for personal branding but also works well for many applications. Perfect for logotype, labels, cosmetics, packaging, watermarks, quotes, apparel design, signature template, wedding invitation, food menu, doodle or any advertising needs. Nagietha is PUA Encoded, that allows you to access all of the alternates characters without any special software. You can simply access them by using Font Book (Mac) and Character Map (Win). TTF & OTF Format in a zip file featured : Uppercase Lowercase Numbers & symbols Accents Stylistic alternates Ligatures Swashes. Thank you for watching and stay safe everyone!

Introducing new font Supercorsa comes with style of font. Supercorsa is a modern modular display font family inspired by American sports graphics. Supercorsa is based on the compact solid font, by combining a variety of styles. Suitable for Logo especialy logo sports, greeting cards, quotes, posters, branding, name card, stationary, design title, blog header, art quote, typography.You want to make a greeting card or a package design, or even a brand identity, craft design, any DIY project, book title, pop, vintage design, retro design or any purpose to make your art / design project look pretty and trendy? Feel free to play with Supercorsa ! Product Content : Supercorsa Regular Supercorsa Italic Features : Uppercase & Lowercase Standard Ligatures Numerals & Punctuations (OpenType Standard) Accents (Multilingual characters) PUA Encoded No special software is required to use Supercorsa. Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Lettercorner Studio

VVE Giallo brings simplicity, elegance and a certain warmth wherever a contemporary geometric typeface is needed. The balanced characteristics, clear and legible silhouette and simultaneously vivid appearance of VVE Giallo makes it perfect for any needs. VVE Giallo’s characteristic high x-height does not only give perfect legibility but also perfect matching for strong headlines, outstanding logos and also for long texts. By keeping the “o” and “a” perfect circles gives VVE Giallo the minimalist and modernist looking. VVE Giallo has six weights, thin to heavy, give it a full range of expression for branding; in print and on screen. Matching true italics, carefully slanted 10º, are perfectly designed one by one. The family totally consists of 16 styles. lt supports many OpenType features, such as tabular numerals, inferiors & superiors, numerators & denominators, fractions, discretionary ligatures, arrows and etc. It combined more than 500 glyphs.

As the foundry’s top–of–the–line family, Gerlach Sans was named after the highest peak in Slovakia. Its functional design is enhanced by a few subtle ingredients, adding life and giving words a more playful voice. The family has eight weights ranging from delicate hairline to the super thick black. Each of them includes a genuine italic companion with variant shapes. The large character set accessible through OpenType features provides the designer with a wealth of opportunities and supports a wide range of Latin-based languages. It is stuffed up with tabular and proportional figures, old-style and lining figures, fractions, superscripts and subscripts, ordinals, case-sensitive forms, circled numbers, arrows, icons and many more. Combining legibility and usability of its grotesque style with cool elegance, Gerlach Sans provides a strong partner for your print and web project. You can download the instruction PDF here.

Nature Boy was born in a fantasy world of old, where you can find magic, elegance, dreams and fun all together... just like nature in its purest form with its leafy curves and shapes that make it peacefully enjoyable. Soft and simple yet fairly ornamental, attributes that create an enchanting atmosphere but keep the texts legible at the same time when combined. Nature Boy can bring life and magic to every design, from editorial to posters, brands and packagings. Just picture this font on any product intended to move your soul and take you on a journey into a different and most beautiful place and time and let the adventure begin. This font family is made up of optically corrected regular, italic and bold types. All of them contain functional ligatures with alternative glyphs for texts and words to be dynamical and fluently graphed.

Chamberí is designed to be Vogue España's bestpoke typeface. An ambitious typographic branding project made for one of the most iconic magazine headers of the world, it defines the Spanish edition’s personality through a blending of the functionality of XIX Century Modern Romans (also known as “Scotch" typefaces) and the gestural expressiveness of typographic Baroque. Chamberí is a peculiar combination of the rational and the delicate, the sturdy and the feminine. The family is organised in a broad spectrum of 56 variants in which the transition from the restrained text version to the flamboyant, elegant display is modulated by contrast. The family is organised in seven weights: from Extra Light to Black, plus four optical sizes : Text, Headline, Display and Superdisplay. All this with its own Italics, Small Caps and Old Style Figures, besides the due refinement to resolve any editorial and communicative requirement.

Introducing our newest typeface called Castello - Retro Bold Serif with ligature & alternates. Comes in 2 styles regular & italic, this typeface has many alternates with swashes that can make your lettering / logotype become more interesting. The clean and neat of a serif combined with the swirl swashes makes this font very attractive. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazine headers, books, greeting / wedding cards, Clothing Branding, product packaging, fashion, make up, quotes, stationery, novels,cutting, labels or any type of advertising purpose. No special software is required to type out the standard characters of the Typeface. To access the Opentype Ligatures, you will need software that supports Opentype features in fonts. Current Language Support : Danish, English, Finnish, French, German, German (Switzerland), Norwegian Bokmål, Norwegian Nynorsk, Portuguese, Spanish, Swedish, Swiss German.

Even though the name seems not to tell much, Indecise shows a clean and coherent design. The shapes of the characters reference the Latin typefaces that were promoted by great figures like Enric Crous-Vidal and José Mendoza y Almeida in the 50s. Indecise uses the body of incise typefaces and gets rid of the subtle terminals for the strokes. It is a high-contrast sans divided into 5 elegant subfamilies, which use different widths. From the condensed version to the extended one, the family includes 50 fonts counting upright and italic. This collection of widths make for many possible combinations of styles. Indecise is a humanist typeface, it puts geometry apart and embraces the calligraphic gesture. This helps to suggest the movement of the strokes while avoiding to create text with a static appearance. Thin and thick strokes come together and define a smooth rhythm for reading.

Dear type lovers, meet Lifehack - a casual script with a huge personality. Warm, amiable and organic, yet elegant, it is perfect if you want to convey individuality and style. The Lifehack family consists of the original Lifehack script, an Italic version, a narrow handdrawn Sans and a Basic version of limited glyph set with letters that do not connect. All fonts in the Lifehack family work easily together to create visually appealing logos, packaging, presentations, headlines or editorials. The combination of casual sans and a script has proven useful many times and thus preferred both for print and web. When it comes to OpenType features, Lifehack comes with swashes, stylistic alternates and initial/terminal forms for you to give a custom flare to your designs. All fonts have several weights and a lovely collection of goodies - various ornaments, borders and ribbons that complement the fonts' charm and uniqueness.

Pulchra Desiderio which in Latin means “Beautiful Nostalgia” is an elegant resto inspired serif, which comes with a complementary italic version. The typeface is a mix between a vintage and modern look, this unique combination will make your next project really standout. The typeface is also designs to look great in both large and small settings, this makes the typeface great for headlines and editorials. The typeface comes with creative ligatures and alternative characters, this makes it perfect for creating nostalgic and elegant designs such as: mastheads, magazines, feminine logos, wedding invitations, Instagram posts, websites, blog posts, pull quotes, editorials and much more. If you are looking for something modern and nostalgic for you next project, this is the typeface for you. WHAT YOU GET: Uppercase and lowercase letters. Numbers. Punctuation. Ligatures. Alternate characters. Multilingual symbols. I hope you enjoy using the Pulchra Desiderio typeface.

TG Glifko is a new contemporary sans-serif grotesque typeface with a combination of large and small aperture, make Glifko feel quirky, dynamic, and unusual. TG Glifko works excellent for display applications and still looks gorgeous in small size. It comes in seven different weights, from ultra-light to extra black, and matches with italic. They also supported various OpenType features, like stylistic alternates, case-sensitive forms, numerators, denominators, superscripts, subscripts, fraction, and multilingual support, coverage more than 200 languages. We are pleased to see our typefaces used by many people. If you are one of them who use our typefaces in your project, feel free to send some in-use sample images to us at info@tegamitype.com. We may upload them on our social media and our website www.tegamitype.com If you have any question or concerns regarding our products, please send us an email at info@tegamitype.com

There's an appealing quirkiness about Amrys, which offers a confidently unusual alternative to more conventional designs. Its charm lies in its tapering tips, flexing stems, and unexpected notches, which combine to suggest something of the chiseller's tool at work. As a modulated serif, its letter shapes live between serif and sans serif, lending the design a sense of pleasing irregularity – something that's really highlighted at larger sizes. However this is also a typeface that works for text, injecting rhythm and texture into reading. “It's distinctive, idiosyncratic, and weird,” says its designer, Ben Jones. He started designing Amrys while studying an MA at Reading University, creating it in response to a brief for a magazine typeface. Amrys features an extensive and impressive character set. In addition to Latin, Amrys covers several scripts including Cyrillic, Greek, Arabic and Armenian. The family consists of 8 weights, from Light to Black, with matching italics.

Informative is a typeface consisting of a whole family of sans fonts and a collection of thematic pictograms. This combination of two different types of communication reflects the current need for using text and images as means of conveying information in a complementary way. The family comes with a text version of 7 weights (with matching italics)—Thin, Light, Regular, Medium, SemiBold, Bold and Black, and includes 7 thematic icons sets which allude to elements related to alimentation, city, energy, people, politics, sports and work. Each set contains 88 glyphs and includes both outline and black versions. The text font contains a set of 423 glyphs that support 207 different languages. Informative is a clean, simple and versatile typeface well-suited for a wide range of graphic design and visual communication projects. This font has especially been designed for infographics, maps and digital applications.

About The Product Lemonade Fresh font is a Display Serif Typeface with a unique circular shape inspired by the alternate shapes in most serif fonts, but Lemonade Fresh makes it a regular shape, and Lemonade Fresh still has 50+ other alternate that you can combine to get curves and beautiful shapes easily just in seconds. It is a display font with moderate contrast that perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects, it makes with a high level of legibility. What's Included: - Fresh Lemonade Regular - Fresh Lemonade Italic - Accented Characters (West Europe) - Ligature & Huge Stylistic alternate - Works on PC & Mac - Recommended using Adobe Illustrator or Adobe Photoshop. Wish you enjoy our font and if you have any questions, don't hesitate to drop message & I'm happy to help :) Thanks, Have a wonderful Day, Say Studio

Chemre is a serif font filled with a modern and classy atmosphere. This font is complementedwith a mix of all caps. which is the same height and allows for unlimited combinations to give a unique style to your typography. The high contrast between thick and thin strokes gives Chemre a luxurious look. This font comes in two styles, Regular and Italic Version. Chemre is suitable for posters, packaging, branding, logotypes, headlines, titles and editorial designs. Features: 48 Ligatures - Standard Multi-Language Support Alternative Characters A, C, S, T, V, W, Y Unicode PUA Encoded This type of family has become a work of true love, making it as easy and enjoyable as possible. I really hope you enjoy it! I can't wait to see what you do with CHEMRE! Feel free to use the #Dora Typefoundry tag and the # Logo CHEMRE font to show what you've been up to!