Krong is a set of font family, modern Geometric in which there are several combinations of unique style sets, so ready to help you to make your designs look elegant. Krong Each contains nine weights ranging from Thin to ExtraBold, all with companion italics. The font includes more than 819 glyphs, covering all European languages written in Latin script. Krong OpenType features: Stylistic Alternates, Sylistic Set, Standard Ligatures, Discretionary Ligatures for lowercase and uppercase, Case Sensitive Forms, Arrows, Circled and Black Circled Figures, Proportional Old Style figures, Tabular Lining figures, Slashed Zero, Fractions, Superscript and Subscript figures.

Minor is contemporary simple equable text grotesk in 6 weights with italics. It combines the best features of neo- and humanist sans types for legibility and easy reading. Clean design and balanced white spaces enables using Minor for long texts. Or in any other work as secondary invisible type in pair with display face. Using as primary type in large sizes it, static and non-emotional, will focus attention to text content. Minor family supports Latin Extended-A (Western, Central Europe, Baltic, Turkish) and Cyrillic Extended encoding languages. All styles contain basic OT-features and numeric forms for text typography.

Hogar Slab, based on the Hogar typeface, is the result of combining a script and a slab serif into a single type system. The system has a monolinear style composed of a slab serif and a script slab serif version that share similar proportions, weight interpolations and details. Hogar Slab is basically a slab serif with script gestures and a script with slab serif shapes. In order to make the system more complete, I included an italic version, which represents a transition between both main styles. Additionally, I developed a set of patterns including some furniture designs by well-known architects.

RooneySans is a humanist sans-serif typeface, and the latest addition to the Rooney family. It shares the same attributes as its seriffed companion – softly rounded terminals and a moderate contrast, thoughtfully applied to classical sans-serif proportions. Although RooneySans was developed as a stand-alone typeface family, it combines well with Rooney since both typefaces share the same stem weights and an equal gray value. RooneySans is suitable for any task in branding and packaging design and gives long texts a warm and inviting feel. All six weights from Light to Black come with matching real italics.

Introducing Kagnue Serif Font - A Brand New Serif Font with Classy and Modern style, Kagnue Serif font made with combination from classic italic font and modern shape. Kagnue Serif font come with More Opentype Feature, more neat curves. WHAT'S YOU GET ? Unique Letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! Fully accessible without additional design software. I really hope you'll get pleasure using Kagnue font and it will be perfect addition to your font collection! Contact me with an inbox message If you have any question. Thank you! Happy Creating.

The Lunaquête family is a collection of Serif fonts with 6 styles and true Italics. It was designed for book typography. Especially Regular and Text are suitable for this purpose. Medium, Semibold and Bold can be used for text highlighting. Light and Light Italic are suitable for headlines.

Snoofer is a modern font that works for both display and text. It comes in 4 weights(Regular, Italic, Bold, Bold Italic). Snoofer was inspired by a character in stories my dad told me as a kid. Somehow they always ended with "... and they never left home again." Enjoy!

Bombalurina Script Family contains 4 styles including alternates, Ligatures, Swash, and also Underline. It comes in Regular, Italic, Bold, and Bold Italic. Bombalurina Script is a signature font that you can use to make a logo for branding, beautiful fashion design, or a handwritten quote. Also already PUA Encoded.

Dysanian is Hand Drawn Sans Font with a natural style and dramatic movement.is a Authentic Font that is written casually and quickly. Dysanian is has 4 style Normal,Italic,Black and Black Italic styles is perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more.

IA Morning Star is a readable universal comic book dialogue font that adorns any book. The family includes Regular, Italic, Bold, and Bold Italic. Added a set of European characters, Cyrillic; auto ligatures to replace repeating characters, and contextual autoreplacing crossbar "I" in words like I, I'm, etc.

Chauncy Pro is a bouncy, artistic, childish handwriting font that comes in four practical weights: Regular, Italic, Bold and Bold Italic. The jaunty little font is based on the left-handed penmanship of an artist and it's ready to go play with some of your fanciful, light-hearted designs.

Hello, proudly present my newest serif font. Metafiz is an elegant typeface that presenting standout, classy, sophisticated, and outstanding purpose. Metafiz comes with 4 styles - regular, italic, bold, and bold italic. Don't worry about the features, Metafiz completed with uppercase & lowercase, numeral, punctuations, and multilingual that support 17 languages.

Designed for global branding and supporting 93 languages, the SST® typefaces blend the organic readability and controlled structure of modern sans serif designs. In combining these attributes, the SST family is understated, versatile – and sure to be a timeless design. The SST Japanese Pro family has 6 fonts in total. It spans four weights from ultra light to bold, and has two condensed weights to further expand the family’s vast range of uses. SST’s subtle design traits provide a quietly handsome and consistently friendly typographic presence that can be used for just about any typographic application. Broad range branding applicability, combined with coverage for almost a hundred languages, makes SST one of the most widely accessible and usable typefaces available. Originally designed in partnership with the global consumer brand, Sony, the SST family is one of the most comprehensive type families available. Since extensive multi-lingual support was a critical design goal from the beginning, Akira Kobayashi, Monotype type director and primary designer on the project, turned to a network of local designers around the world for their individual language expertise. As a result, the details – which could be as subtle as stroke curvature and width – are consistent across Latin, Greek, Cyrillic, Arabic and multiple Asian languages. SST performs equally well in print and on-screen and the designs can be used at very small sizes in packaging and catalogs; while massive print headlines – even complicated wayfinding projects — pose no stumbling blocks to the family’s typographic dexterity.

HD Colton is a 90-style super-sans from London Design Studio HyperDeluxe®. Using a combination of horizontal & vertical terminals along with squarish ovals, it is built with a confident structure that feels so much more than a neutral sans, it feels iconic. Engineered in 5 widths, compressed to extra wide, and in nine weights, HD Colton features a huge 90 styles that will offer your brand ultimate flexibility and variation in one font family. The black weights will help bring prominence to your brand while the light to mid weights will help you tell your story at a smaller size. HD Colton includes 1200+ glyphs per style, providing you with a workhorse sans that supports 200+ languages including extended Latin, extended Cyrillic and basic Greek. Also included are 5 stylistic sets, 2 arrow sets & numerous OpenType features (see last poster for complete list). The HD Colton complete family package comes with a single, 3-axis variable font so you'll have an infinite amount of combinations and uses for you to experiment with and add that touch of finesse to your visuals. Variable fonts are tech friendly providing smaller sizes for developers to work with, while also being responsive and used for motion design on the web. HD Colton key features: 3-Axis Variable Font. 90 Styles. 1200+ Glyphs Per Style. 5 Widths (Compressed, Condensed, Regular, Wide, Extra Wide). 200+ Languages Supported. Extended Latin, Extended Cyrillic, Greek Support. Stylistic Alternates for some key glyphs (J, Q, G, l, &, Arrows). Extensive OpenType features.

Goudy Sans Bold was originally designed by Fredric Goudy in 1922 as a less formal "gothic" and finished in 1929. The light was designed in 1930 and the Light Italic in 1931. Alternate letterforms are included in these three Goudy designs which are digitized true to their original design. In 2006, designer Colin Kahn drew "LTC Goudy Sans Regular" which is a medium weight version intended for text purposes. Kahn has also designed an experimental "LTC Goudy Sans Hairline" which has a skeletal almost mono-width stroke and results in a surprisingly elegant display face.

Lasta is small serif font family with simple elegant shapes, refreshing Italics and poetic endings. Containing 2 weights and 2 italics, with lower x-height which brings more air (empty space, white space...) into paragraphs making text more graceful and legible. Thin serifs bring small touch of dynamic into letter forms, just enough to bring specific tone to paragraph. Beside being mainly imagined as fully text family, Lasta is suitable titles or decorative typography as well for, especially the Italics with fancy curvy endings.

The Seasons is an elegant classic serif font family consisting of a high contrast serif fonts with a vintage chic look, with corresponding calligraphic cursive italics that are based on a number of humanist italic scripts and written with a Pilot Parallel Pen. Both upright and italic fonts (6 in total) share same style soft terminals with a sharp cut and are enhanced by OpenType features such as ligatures and stylistic alternates. The Seasons can be used in high-end branding, logo designs, magazines, product packaging & invitations.

DrivEddie was an attempt to create a rough, hand-drawn typeface that was quirky but easily readable. It has a few serifs so it is almost but not quite san serif. All vertical stems are curved. For almost 25 years DrivEddie was a one-font family and one-font families often have limited applications. In 2020 I returned to this typeface to increase its possible uses by adding five new styles: italic, semibold, semibold-italic, bold, and bold-italic. I also corrected mistakes and added characters.

Bandar is a sans serif sans-serif font family comes in 5 weights; regular, italic, bold, bold italic and outline. Bandar works well in any graphic design project and purpose both as a display typeface and in smaller sizes. Bandar is perfect to use for any kind of design such as branding projects, logo, brochures, business card, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, brand company, stationery and any projects. Features: Regular style Bold Style Italic Style Bold Italic Style Outline Style Alternate Style Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word PUA Encoded Characters Fully accessible without additional design software. Multilingual Support

The impulse behind André Maaßen’s design of the Anno typeface was the design of a New Year’s card for the year 2000 (Anno 2000). His desire to create the perfect printed image developed into a family with four styles: Anno 1, Anno 1 Italic, Anno 2, and Anno 2 Italic. Anno 1 and its Italic are semi-classicist typefaces, with a high degree of stroke contrast, while Anno 2 and its Italic are semi-grotesks, with less stroke contrast. Both Anno 1 and Anno 2 are sans serifs typefaces, but they each offer a new interpretation of the genre. The Anno typeface may be used in a number of applications and sizes. And it is naturally suitable for New Year’s greetings and other cards, of course!

This is a new barely modulated, slightly narrow, sans serif font family. It has eight styles: thin, thin italic, regular, italic, bold, bold italic, black, & black italic grouped into two 4-font families: Amico Thin with the Bold; and Amico with the Black. Amico has the standard feature set developed at the end of 2007. It has many OpenType features and 654 character/glyphs: Caps, lower case, small caps, ligatures, discretionary ligatures, swashes, small cap figures, old style figures, numerators, denominators, accent characters, ordinal numbers (1st-infinity): lining and oldstyle), and so on. It is designed for text use in body copy. However, Amico really shines as the choice for heads & subheads when using Amitale or Brinar for the text family.

Introducing this very simple sans serif font that is Hazelnut Milk Tea font. I created this font with the inspiration of simplicity and it is very friendly to look at, with four versions, namely regular, italic, bold, bold italic. Very suitable to be applied in various aspects of design, Also it’s perfect for logo, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web designs, etc. Features : Hazelnut Milk Tea Regular ( Uppercase, Lowercase ) Hazelnut Milk Tea Regular Italic ( Uppercase, Lowercase ) Hazelnut Milk Tea Bold ( Uppercase, Lowercase ) Hazelnut Milk Tea Bold Italic ( Uppercase, Lowercase ) Symbols multilingual support If you have any questions please don’t hesitate to contact me follow my Instagram: @fkryall Thank you

Celestial Planet, a truly stylized and minimalist font. Perfect placements of glyphs and ascenders/descenders. This font includes all characters and glyph alternates (Included) to bring more charm and style into your designs. The idea of generating this font was for storytelling purposes, each character brings an individual impact in a story & posts. The complete font bucket includes; Regular, Italic, Light, Light Italic, Bold, Bold Italic, Ultra Bold & Ultra Bold Italic which will confidently bring a chic style touch to your designs and websites, the font is designed so easily be read & bring the minimalist effect to any kind of design. Kufic Studio is a platform that provides professional and high-quality designs & fonts to fill the gap that has been missing in the market.

Garalde: the word itself sounds antique and arcane to anyone who isn’t fresh out of design school, but the sort of typeface it describes is actually quite familiar to all of us. Despite its age—born fairly early in printing’s history—the style has fared well; Garaldes are still the typefaces of choice for books and other long reading. And so we continue to see text set in old favorites—Garamond, Sabon®, and their Venetian predecessor, Bembo®. Yet many new books don’t feel as handsome and readable as older books printed in the original, metal type. The problem is that digital type revivals are typically facsimiles of their metal predecessors, merely duplicating the letterforms rather than capturing the impression—both physical and emotional—that the typefaces once left on the page. MVB Verdigris is a Garalde text face for the digital age. Inspired by the work of 16th-century punchcutters Robert Granjon (roman) and Pierre Haultin (italic), Verdigris celebrates tradition but is not beholden to it. Created specifically to deliver good typographic color as text, Mark van Bronkhorst’s design meets the needs of today’s designer using today’s paper and press. And now, as a full-featured OpenType release, it’s optimized for the latest typesetting technologies too. With MVB Verdigris Pro Text, Van Bronkhorst has revisited the family, adding small caps to all weights and styles, extensive language support, and other typographic refinements. Among the features: • Support for most Latin-based languages, including those of Central and Eastern Europe. • Precision spacing and kerning by type editor Linnea Lundquist. The fonts practically set beautiful text by themselves. • Proportional and tabular figure sets, each with oldstyle and lining forms with currency symbols to match. • Ligatures to maintain even spacing while accommodating Verdigris’ elegant, sweeping glyphs. • Numerators and denominators for automatic fractions of any denomination. • Useful, straightforward dingbats including arrows, checkboxes, and square and round bullets in three sizes. • Alternative ‘zero’ and ‘one’ oldstyle figures for those who prefer more contemporary versions over the traditional forms. • An alternative uppercase Q with a more reserved tail. • An optional, roman “Caps” font providing mid-caps, useful for titling settings, and for those situations when caps seem too big and small caps seem too small. __________ Sabon is a trademark of Linotype Corp. Bembo is a trademark of the Monotype Corporation.

The purpose of the original DIN 1451 standard was to lay down a style of lettering which is timeless and easily legible. Unfortunately, these early letters lacked elegance and were not properly designed for typographic applications. Ever since its first publication in the 1930’s, several type foundries adopted the original designs for digital photocomposition. By early 2000, it became apparent that the existing DIN-based fonts did not fulfil the ever-increasing demand for a diverse set of weights and additional support for non-Latin languages. Parachute® was set out to fill this gap by introducing the PF DIN series which has become ever since the most comprehensive and sophisticated set of DIN typefaces. It was based on the original standards but was specifically designed to fit typographic requirements. Its letterforms divert from the stiff geometric structure of the original and introduce instead elements which are familiar, softer and easier to read. The first set of fonts was completed in 2002 as a group of 3 families which included condensed and compressed versions. With its vast array of weights, the extended language support, but most of all its meticulous and elaborate design, it has proved itself valuable to numerous design agencies around the world. Ever since its first release, it has been used in diverse editorials, packaging, branding and advertising campaigns as well as a great number of websites. It was quoted by Publish magazine as being “an overkill series for complex corporate identity projects”. The whole PF DIN Text type system (with normal, condensed and compressed styles) includes 45 weights from Hairline to Extra Black including true-italics. Additionally, every font in the Pro series is powered by 270 very useful symbols for packaging, environmental graphics, signage, transportation, computing, fabric care. There are 2 versions to choose from: The PRO version is the most powerful. All weights support Latin, Cyrillic, Greek, Central/Eastern European, Romanian, Baltic and Turkish, with 20 advanced opentype features including small caps. The standard STD version is more economic. All weights support Latin, Central/Eastern European, Romanian, Baltic and Turkish, with 18 advanced opentype features including small caps. In 2010 Parachute® released 4 new families DIN Monospace, DIN Stencil, DIN Text Arabic and DIN Text Universal. All these are complemented by the popular DIN Display version. Altogether the Parachute DIN series is a set of 8 superfamilies with a total of 96 weights.

Mix Catchphrase is a fun and playful handwritten font that tries its best to be a serious serif (although it fails at being serious, in case you were wondering). With its clean handwriting style and serif details, this font is perfect for adding a quirky, DIY feel to your projects. Use Mix Catchphrase to give your designs a creepy edge, perfect for Halloween or any other ghoulish occasion. With the right styling and color palette, this rough and rugged font is sure to bring personality and character to all of your projects. Add some fun to your designs with Mix Catchphrase. MIX CATCHPHRASE includes the following characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@$#%^&*()`~♥✿•· ÷×+−±≈=≠≥≤[]<>‹›:;'”,.|/?{}<>“”‘’-–—_ …©®™<>«»°¹²³ªº¡¿₱¢€£¥¶§№† ÁÀÂÄÃÅĂĀĄÆĆĈČÇÐĐÉÈÊËĖĒĘĜĤIÍÌÎÏĪĮĴŁŃÑŇ ÓÒÔÖÕØŌŐŒŔŘŚŜŠȘŤȚÚÙÛÜŮŰŪŲẂẀŴÝŶŸŹẐŽŻÞ áàâäãåăāąæćĉčçðđéèêëėēęĝĥıíìîïīįĵłńñň óòôöõøōőœŕřśŝšșťțúùûüůűūųẃẁŵýŷÿźẑžżþß

Albertus® Nova is a faithful digital revival of Berthold Wolpe’s earlier design of Albertus and is one of the five designs in The Wolpe Collection of typefaces. This new design enlarges the typeface set from its previous two weights into a robust set of five ranging from thin to black, all with extended language support including Cyrillic and Greek. Berthold Wolpe began working on Albertus in 1932, at the encouragement of Stanley Morison. Morison saw an example of Wolpe’s engraved lettering and liked it so much that he commissioned a typeface based on the design. Since then, the original Albertus typeface has been used on book covers, in branding, on signs and in video games.

The successful Gill Sans® was designed by the English artist and type designer Eric Gill and issued by Monotype in 1928 to 1930. The roots of Gill Sans can be traced to the typeface that Gill's teacher, Edward Johnston, designed for the signage of the London Underground Railway in 1918. Gill´s alphabet is more classical in proportion and contains what have become known as his signature flared capital R and eyeglass lowercase g. Gill Sans is a humanist sans serif with some geometric touches in its structures. It also has a distinctly British feel. Legible and modern though sometimes cheerfully idiosyncratic, the lighter weights work for text, and the bolder weights make for compelling display typography.

When master letterer Hugh Gordon and his student, Ross F. George developed a set of lettering pens between June 16, 1913 and Sept. 1, 1914, they had no idea that their invention (which they named Speed-Ball®) would still be in use nearly a hundred years later. The C. Howard Hunt pen company [originally of Camden, New Jersey] became the original (and sole) distributor of these pens. By 1915 an instructional booklet entitled "Modern Pen Lettering" was produced, and it was copiously illustrated with examples of layouts, lettering techniques and an assortment of alphabets for the user to learn. Nouveau Poster JNL is Jeff Levine's interpretation of a sanserif design found within the pages of this vintage publication.

The Linotype® Gujarati typeface was originally developed in 1983 by the Linotype letter-drawing studio under Fiona Ross’s art direction. This revival was designed by Gunnar Vilhjálmsson and Kalapi Gajjar with Fiona Ross as a consultant. The family has five weights from Light to Black. It is a traditional design, optimized for setting lengthy text copy for print projects or for use on screens. While faithful to the original design, Linotype Gujarati introduces many design improvements, additional weights, and an extended character set. This new Linotype Gujarati is part of a project to refresh the pivotal Linotype Bengali and Linotype Devanagari typefaces and make them available for the first time in the popular OpenType font format.

Moucha is a geometric superfamily that received the German Design Award 2024 for its multitude of variants. Find a vintage and a modern variant and play with all the proportions in between. The variable font is your typographic toolbox with the perfect sans-serif match for your favorite serif. It supports 619 Latin, Cyrillic and Greek languages. How it works: All variants share the same round characters while rectangle-based characters vary in width. Do you want a dynamic classic look with a narrow ‘n’ and uppercase proportions like you know from prototypes like Futura®? Or do you prefer a homogenous contemporary look? Use Moucha X for the exact middle or bubble up your own variant!

Wola™, by Franciszek Otto, is not for the typographically timid. It creates vibrant digital headings, banners and navigational links, in addition to commanding print headlines and subheads – but it is not shy, reserved or demure. The design blends the stroke weight stress of Bodoni with the urgency of handwritten letterforms, conveying the energy and immediacy of a design that’s bigger than life – and outside the fence. OpenType® Pro fonts of Wola provide for the automatic insertion of ligatures and alternate characters. These are in addition to a character set supporting most Central European and many Eastern European languages, including Cyrillic and Greek. All this makes Wola a comfortable – if boisterous – world traveler.

Get the handwritten, labeled look you love with MIX LABEL – the perfect font for creating clean, thick designs. Inspired by the look of school supplies labeled with a Sharpie marker, this font is ideal for replicating the handwritten style of labels and addresses on mailers. Whether you’re looking to add a personal touch to your branding or simply want a unique font, MIX LABEL has got you covered. Don’t settle for boring, generic fonts – label your designs with MIX LABEL and stand out from the crowd. Includes the following characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@$#%^&*()`~♥❤✿•· ÷×+−±≈=≠≥≤[]‹›:;'",.|/?{}“”‘’-–—_ …©®™«»°¹²³ªº¡¿x₱¢€£¥§№† ÁÀÂÄÃÅĂĀĄÆĆĈČÇÐĐÉÈÊËĖĒĘĜĤIÍÌÎÏĪĮĴŁŃÑŇ ÓÒÔÖÕØŌŐŒŔŘŚŜŠȘŤȚÚÙÛÜŮŰŪŲẂẀŴÝŶŸŹẐŽŻÞ áàâäãåăāąæćĉčçðđéèêëėēęĝĥıíìîïīįĵłńñň óòôöõøōőœŕřśŝšșťțúùûüůűūųẃẁŵýŷÿźẑžżþß Discretionary Ligatures: bb dd ee gg kk ll mm nn oo pp tt

GP Metro® is a faithful version of the Dwiggins 1930 urban classic: Metrolight, Metromedium, and Metroblack. In 1929, English type designer, William Addison Dwiggins, (WAD) was commissioned by the Merganthaler Type Foundry to design a warmer, more humanistic, and less mechanical sans to effectively compete with Futura, a highly-popular geometric sans designed by Paul Renner in 1927 and first released by Meganthaler's arch-rival, the Bauer Type Foundry in Germany. FontHaus has licensed from GroupType updated files with additional styles including 2 rough versions and a soft together with the classic Regular styles and weights. These new styles will offer designers a wider range of options to design with these amazing classics.

Patriotica JNL was inspired by some hand lettering designed by the late Alf Becker for Signs of the Times® magazine. The alphabet was modified and the character set extended in this digital version. Special thanks to Tod Swormstedt of ST Publications, Inc. and the American Sign Museum in Cincinnati for providing a copy of the original lettering for use as a work model. Patriotica JNL is available as a complete font or in a set of two layers (stars layer and stripes layer) for creating two-color graphics. As always, keep in mind that there are some slight variations between drawing programs, so some adjustments may need to be made in the alignment of the layers.

Designed by Werner Schneider and Helmut Ness, the Vialog® 1450 typeface family has been drawn within the standards of the German DIN 1450 regulations. The typefaces conform to the DIN specifications for proportion and line thickness and also contain characters designed in accordance with its requirements. These include characters that can be easily confused, such as uppercase I and lowercase l, and the uppercase O and figure 0, with the corresponding accentuating graphemes and ligatures. In addition, letter pairs that can readily seem to merge together under less than ideal reading environments have also been redesigned. Characters like the g, J and R have also been redrawn to be more legible. Normal glyphs are available as alternatives.

ITC New Baskerville is one of many contemporary type families based on the work of John Baskerville (1706-1775), a writing master and printer from Birmingham, England, whose types were cut by the punchcutter John Handy. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth-century rationalism and neoclassicism. ITC New Baskerville is a late 20th-century interpretation of Baskerville’s style, designed by John Quaranda. It makes an excellent and very readable text face; its sharp, high-contrast forms make it suitable for elegant advertising settings as well. ITC New Baskerville® font field guide including best practices, font pairings and alternatives.