Mountella is a modern editorial serif font family that includes 18 fonts, uprights, italic, and 2 variable font from Extra Light to Black which has more than 500 characters, and still has all the nostalgic vibes!. Mountella is a beautiful serif family that includes many visual details, adding uniqueness that looks incredible in both large and small settings as a display and body text. Mountella can be used in high-end branding, logo designs, magazines, product packaging & invitations. One thing to note about Mountella is the letter spacing. It was intentionally for clean reading if you wanted to use it for the body type, so I recommended setting the spacing a little tighter for display use (around -10 to -50 should do!). Design Tips: combine the regular and italic, whether all in one word or body text for logo or quote. Adjust your letterspacing to add more groove! Tighter letterspacing for large headers.

Singel is a neoclassical serif with semi-condensed proportions. As a contemporary interpretation, this typeface combines the rationalist modulated stroke with an elegant silhouette and crisp serifs. The altogether splendid appearance of Singel, completed with a full set of Small Capitals and true form of italics makes it perfect for any luxurious and graceful design. Other aspects of its characteristics include the consistency of 10 styles from Light to Bold; a coverage of Extended Latin and Cyrillic with span for more than 130 languages; a flawless functionality and support of many OpenType features, such as localizations, tabular numerals, inferiors and superiors, numerators & denominators, fractions, case sensitivity etc. Features: • Over 900 glyphs in 10 styles (Light to Bold); • Extended Latin and Cyrillic for more than 130 languages; • Tall x-height and Semi-Condensed proportions; • High contrast and modulated stroke with vertical stress; • Neoclassical characteristics and moderate apertures; • Full set of Small Capitals; • True form of italics; • Coverage of multiple OpenType features; • Suitable for wide design purposes.

Bilderberg is a luxurious bold, serif, display typeface. It comes in 2 styles, Regular and Italic, and includes many alternates with swashes that can make your lettering / logotype become more interesting. The clean and neat of a serif combined with the swirl swashes makes this font very attractive. This font fits perfectly for logos and the other various formal forms such as invitations, labels, magazine headers, books, greeting/wedding cards, clothing, branding, product packaging, fashion, make up, quotes, stationery, novels, labels or any type of advertising purpose. Features : 2 styles (Regular and Italic) uppercase & lowercase numbers and punctuation multilingual ligatures stylistic alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to Access Alternate Characters: Open glyphs panel: -In Adobe Photoshop go to Window - glyphs -In Adobe Illustrator go to Type - glyphs Thanks & Happy designing

Extra Old is a vintage serif typeface. With heavy strokes and miniscule serifs, this classic font family is the perfect lettering for a headline to emit genuine quality. Why not use Extra Old for a traditional logo or balanced product label. Created with pride and care, this type has the optimal appearance of a classic vintage logo but for a modern setting. The font family consists of Regular and Italic, as well as Bold and Bold Italic. Also included are the font styles Coaster and Floria Corner, two typefaces for beautiful decorative elements, combining with the lettering. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

As comic book readers know all too well, team ups are every super hero’s bread and butter... when the brave and the bold are in a pickle, and super villains are running onion rings around them, here’s how they roll: They Meat! They Team-Up with your taste buds! They Fight Hunger! Our original Hero Sandwich font has become a go-to for video game and app graphics, due to its easy readability and friendly demeanor. The new Pro version adds nine weights from Thin to Heavy, with matching italics, plus a versatile Variable Font to dial in your preferred combination of weight and italic slant. Each weight includes four numbering options and support for 222 languages, including Cyrillics. So take a footlong bite out of crime, and make the subways safe again with our mouthwatering Hero Sandwich! Prepared with care and plastic gloves by those awfully nice chaps at the Comicraft deli.

My Spellbound an authentic groovy typeface. So, The Stranger Things series is already watched and you'll waiting the last one season for another two years. Well, if you miss for late 70s or early 80s in your design – this one is for you. Smooth, groovy and playful – exactly for your vintage projects. This typeface will suit for the display block texts like package labels or will be perfect for an any display header. Create a vintage t-shirt print or make groovy stickers - Spellbound will suits perfectly. A lot of alternates will give you a really wide range of results. You may combine it with Italics and get a really playful pair. Two characters for any caps and up to 6 alternates for lowercases. Regular and true Italic Open Type Features Multilingual I would really love to see what you create with my products, so please feel free to tag me @vintagevoyagedesign on Instagram. Happy creating! Thank you.

The award-winning Scala family (1990-1993) is a worldwide bestseller and has established itself as a ‘classic’ among digital fonts. It was one of the first serious digital text fonts to support small caps, ligatures and different set of numbers. In fact Scala and Scala Sans (1990-1993) are two workhorse-like typefaces sharing a common form principle: the skeletons of both Scala and Scala Sans are identical, therefore they can be combined perfectly. Where many of the modern sans serifs (like Helvetica and Univers) have rather ‘closed’ letter shapes, the same elements in Scala Sans are much more ‘open’. This greatly improves legibility, especially in the smaller point sizes. The italic of Scala Sans is not a slanted version of the roman, but rather a ‘real’ italic. Another part of Scala is very popular among its users: Scala Hands, containing more than one hundred decorative hands and pointers, is included in the Scala fonts and is a free bonus.

Corporative Sans Rounded is the rounded version of Corporative Sans. Its curved terminals provide it with a marked personality and distinctive traits, but turn it into a friendly face at the same time. The font works well at both display and small sizes. Corporative Sans Rounded is the perfect choice for logotypes, posters, signs, branding, packaging and so on! Corporative Sans Rounded comes with Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative Sans Rounded provides users with a wide range of characters, weights and widths for every project. By combining different variants, designers can achieve the best results. The family consists of 32 fonts: a basic family that includes 8 weights plus italics and an alternative family of 8 weights with matching italics as well. Corporative Sans Rounded was created by LatinotypeTeam and developed by Elizabeth Hernández and Rodrigo Fuenzalida, under the supervision of Luciano Vergara and Daniel Hernández.

Discórdia is a type-family of contrasting contrasts. Each of the four members of the family has a different contrast type. Regular has broad-nib contrast, Bold has horizontal contrast, the Italic is monoline, which means it has no apparent contrast, and Bold Italic is... Well, it’s probably best if see for yourself. These different design structures were fine-tuned to work well together in the same line, creating emphasis and hierarchy through a mini-super-family that groups a wedge-serif Regular, a slab-serif Bold, a sans-serif-ish Italic and a twisted Bold Italic. Naipe teamed up with Ben Nathan of Hafontia to extend Discórdia and give full Hebrew Support. Coming soon!

Mancunium is a sans serif family with a contemporary monolinear character, though designed with the iconic proportions of Roman capitals in mind. In addition to reliable romans, the typeface includes proper, optically corrected italics. Also, uniquely, a set of ‘vertalics’ that contain the more script-like glyphs of the italics with angled stem terminals, but which are unslanted and upright in aspect, and without the slight narrowing of the italics. Each font includes a full complement of Latin Extended-A characters and additional oldstyle numerals. Mancunium is sold in two collections – a Regular/Bold package and a Light/Medium package. Each package contains six fonts - two romans, two italics, and two vertalics.

Arcron is a first release. There is also an Italic version.

Halfron is a first release. There is also an Italic version.

Fontron is a first release. There is also an Italic version.

Malista is a large yet elegant Family display font. The unique and creative character according to today's style will be very interesting for you to create any design work with a classy model while still maintaining a calm and classy style to look at. You're sure to have inspiration to match your creativity! Multilingual Support. Ligature Pounding . Malista . Malista Italic . Malista Italic Outline . Malista Outline . Malista Rounde . Malista Rounde Italic Don't delay any longer to download quality goods only here. Thank You

Introducing a clean geometric font family in Modernism style. Neat and at the same time provocative font attracts attention with its forms. New-fashioned font with original letters will perfectly complement both trendy abstract designs and designs in a retro style. Constructing letters with a bias towards heavier weights and contrast. Versatility of the typeface works well with designs in different styles. Features: Geometric and Modern 6 fonts in family: - Thin, Thin Italic - Regular, Italic - Bold, Bold Italic Kerning ld.luxfont@gmail.com

Lessa is an elegant classic serif font family consisting of simple style serif fonts with a vintage look, with appropriate cursive calligraphy italics based on a number of humanist italic scripts, perfect for creating templates, posters, brochures, logos and more. This font consists of upright and italic fonts (10 in total) all of which have the same number in each letter, Lessa is equipped with multi-languages and is supported by various languages from various countries. Mail support : maculinc@gmail.com Thank you! Maculinc

Hand & Write is casual handwriting font that have 4 style linked regular, italic, bold, and bold-italic. Hand & Write font made by inspired of casual hand write so this font is suitable for quote text, sticky note, fun and childish theme, scrapbook, greeting card, and etc.

Blambot's Adversary BB family is a robust sans with a hint of retro-futurism. It was initially created for use in Blambot founder, Nate Piekos's pesonal title block for design projects. It's therefor very clean and extremely legible. The set includes regular, italic, bold, and bold italic.

Inspired by 15th century Venetian italic book texts and based on examples from volumes on the history of type. Fourteen64 has a rugged charm and lots of character featuring 'Roman' capitals with italic lowercase. Includes alternate characters, extra ligatures and a small selection of medieval ornaments.

Gumball is a hand drawn font using an old letter ruler. It is a versatile sans serif font, perfect to make a statement in postcards, posters, titles, branding and packaging, etc. The Gumball font family includes four fonts: Gumball, Gumball Italic, Gumball Blackout, Gumball Blackout Italic

Bajka (or Fairy tale in English) is a Baskerville font family made for children’s fairy tale books. Originally designed in 2010 ([www.behance.net/gallery/483582/Fairy-tale-font Fairy tale Font]). Today the family contains Regular, Bold, Italic, Bold Italic, Symbols and Ornaments (Latin, Cyrillic, dingbats, ornamental caps).

Environment is an geometric, minimalism and elegant sans serif font. It perfectly used for product presentation, elegant logo design, packaging or invitation cards Four weights, four very different personalities. Environment Bold Environment Bold Italic Environment Italic Invorenment Regular Features Four weights/ Numbers & Punctuation / Extensive Language Support/Alternate

Bushy family is a clean and lining brush scripts. It is available with four different styles: Regular, Italic (Oblique), Shadow, Shadow Italic (Oblique). Bushy fonts are swashy and decorative, fun and cheerful, it will easily revive your design. The family has an Latin Supplement and Cyrilic characters.

AutopromPro is a modern sans serif display font with a geometric touch contains 24 styles. It comes in 6 weights and its matching rounded and italics. The Thin weight and Black Rounded Italic is a free of charge, so you can use them to your projects.

Marbellya an Condensed Sans Serif Font with luxurious style. Available in 6 styles : Regular, Italic, Outline, Bold, Bold Italic and Bold Outline. Included alternates, ligatures and multilingual support. It's perfect for headlines, logos, quotes, packaging, magazine covers, editorial design, and many more project with suitable purpose!

Geometric sans fonts in the Bauhaus tradition were the inspiration for the design of FF Mark®, for example the Universal font by Herbert Bayer, Erbar® Grotesk, Kabel®, Neuzeit Grotesk and of course Paul Renner's Futura®. From an aesthetic point of view, FF Mark is a descendant of these classics of German typeface design that intends to meet the needs of modern communication. Hannes von Döhren and Christoph Koeberlin had the support of the entire FontFont Type Department in the design of FF Mark, including Erik Spiekermann, who took over the artistic direction of the project. The teamwork resulted in carefully planned, balanced forms, which are responsible for the harmonious overall impression of the font. The capitals are not based on Roman square capitals; rather, they have a uniformly wide letter form in a comfortable ratio to the x-height. Thanks to the x-height, which is significantly larger compared to the historical models, FF Mark is also very legible in small sizes. This makes it a very flexible font in terms of its range of applications. A contrast in the stroke width is barely noticeable. At the same time, light modulation supports readability, especially in the bold styles in small sizes. The uniform line ends are obvious for a contemporary sans family nowadays (unlike some of the historical precedents, which evolved over years). Other details from the predecessors are consciously maintained and provide for added individuality in FF Mark. For example, the limbs in the uppercase "K" and "R" are offset slightly from the stem. Alternative characters with crossbars are available for the numbers "0", "1", "7" and the uppercase "Z" and the lowercase "a" also has an alternative with an open form. German typesetters have the option of uppercase umlauts with points that are set lower, as well as a long "s" from the Fraktur. And last but not least, FF Mark has the very characteristic ft-ligature of Futura. FF Mark is available in ten finely tuned weights ranging from Hairline to Black. A Book style for text setting further emphasizes the well-rounded features of this contemporary typeface. When the font was published, it also included ten carefully designed cursives for all weights. Users also have the option of various numeral sets with old-style and uppercase numbers as well as small capitals. FF Mark also has some geometric shapes and arrows based on the features of Futura. FF Mark is a modern, full-featured, geometric sans serif that you can use without hesitation for large projects in headlines as well as in texts. FF Mark's design is a nod to the historical models and transports their charm, elegance and in some cases unusual design applications into a modern font family equipped with the most current typographical features. NEW: the new FF Mark W1G versions features a pan-European character set for international communications. The W1G character set supports almost all the popular languages/writing systems in western, eastern, and central Europe based on the Latin alphabet and also several based on Cyrillic and Greek alphabets.

Best Choice is a family of next-generation monospaced fonts for developing, programming, coding, and table layout. Some desirable features in monospaced fonts are listed below. 1.Easy to distinguish 2.Easy to identify 3.Easy to read Best Choice has very distinguishing letterforms for confusable letters such as Zero&Oh, One&I, and Two&Z. A lot of ingenuity makes this family very distinguishable. Italics have a very large inclination angle to be distinguished from their Roman. For the same reason, Italics are slightly lighter than Romans. Italic is not cursive Italic. It is near the slanted Roman. This is an intentional design to identify Italic letters. Cursive is not suitable for programming font. Very clean and natural letterform is good for reading. Common curvature for tails and hooks makes harmony and a sense of unity. Best Choice supports almost all Latin including Vietnamese and Cyrillic. Try this all-new experiment.

Embark on a journey of refined typography with the Elio & Oliver Font Family v2, an exquisite upgrade that seamlessly integrates italics into its nine meticulously crafted weights, so you will get 18 fonts, 9 weights - from Thin to Black, and an italics version for each of them. Inspired by the timeless elegance and undeniable allure of Italy, this sans serif typeface captures the essence of sophistication and refinement, now enhanced with a touch of expressive flair. Italic Magnificence - A Symphony of Style The new italics bring a captivating dimension to the Elio & Oliver family, adding a graceful fluidity and dynamic rhythm to your designs. Each italic weight complements its corresponding roman counterpart, creating a cohesive and harmonious visual aesthetic. Unveiling the Full Spectrum of Elegance From the delicate Ultra Light to the bold intensity of Black, Elio & Oliver v2 offers an expansive range of weights, allowing you to tailor your designs to any project or mood. Whether you're crafting elegant editorial layouts, crafting impactful branding materials, or crafting sophisticated digital interfaces, this font family seamlessly adapts to your creative vision. Language Versatility for Global Impact Recognizing the power of language diversity, Elio & Oliver v2 boasts full language support, enabling you to communicate your message effectively to a global audience. With seamless compatibility across English, Italian, French, Spanish, and beyond, this font embraces the richness and cultural nuances of diverse languages. Captivate Attention, Leave a Lasting Impression Elio & Oliver v2 elevates your creative projects to new heights of sophistication, infusing them with an aura of refined elegance. Its graceful curves, captivating italics, and versatile weights will effortlessly capture attention and leave a lasting impression on viewers. Step into the Realm of Timeless Design Immerse yourself in the world of Elio & Oliver v2, where every letter narrates a story and every curve embodies the essence of impeccable design. Let the spirit of Italian chicness and timeless elegance guide your creative endeavors. Unleash the Power of Elio & Oliver v2 and Elevate Your Designs Discover Elio & Oliver v2 and transform your creative projects into masterpieces of timeless elegance. Join the ranks of designers who elevate their work with this exquisite typeface and unleash the power of sophisticated typography. Happy creating everyone!

Cassia - a dynamic ‘Egyptienne’ with contrasting Italics and a classical appearance. More individual and agile and less cold than most Slab Serifs, it joins impetuosity with vitality. In display sizes it dazzles through its lusty appearance, and, even in the smallest sizes, it works superbly for large amounts of text. Cassia comes in ten styles, in OpenType format and with extended language support for more than 40 languages. All weights contain small caps, standard and discretional ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals.

Syke is a versatile, sans serif type family that combines both humanist and geometric concepts. A companion to the monospaced type family Syke Mono, it blends narrowly rounded letter shapes with subtle square detailing, creating a design ideally suited for typographical work in digital applications. Syke has a distinctive character without being overwhelming, making it ideal for film titles, user interfaces and the web. Details include seven weights with true italics and two free weights, over 570 characters, five variations of numerals, ligatures, manually edited kerning and Opentype features. For a monospaced version of this type family, visit Syke Mono .

Human Sans is a humanist sans serif font created as an experiment. The goal, how much a simple substitution of a small set of characters could change a font's nature. In its base form, Human Sans is a humanist sans serif geared toward text. However, through stylistic sets, it can adopt a myriad of different visual styles. This includes geometric alternates, uncials alternates, contextual swash caps, and the high and low midlines, typically seen in Art Deco lettering. These features are combinable for whatever look you may need. Human Sans comes with a full set of diacritics, in 9 weights and corresponding Italics.

Ida is a simple and utilitarian typeface reminiscent of late 19th/early 20th Century grotesques, yet having a warm and friendly nature. Closed apertures and low contrast combined with elegant skeleton of individual characters create an impression of both rationality and comfort. Technically the font is modern and functional but still calls forth the emotion of a valve radio. Ida comes in 18 styles – 6 roman weights with companion italics and 6 narrow widths. One can also benefit from the use of small caps, alternate characters and indices. The typeface was designed by Maria Kharlamova (Selezeneva) and released by ParaType in 2017.

Cholleo Display is a unique modern sans and serif type in different mixed types to combine in one font, it is recommended you can use this font for magazines, posters, logos, titles, quotes and suitable for headlines.which makes your text stand out! you can see on the picture. What you will get: All Caps Letters with different uppercase and lowercase letters Italic version as an alternative. Number & Symbol Multilingual support PUA Encoded This type of family has become a work of true love, making it as easy and enjoyable as possible. I really hope you enjoy it! Thank you

Spock has a neutral and clean structure but as we explore its OpenType features we will begin to discover a rich variety of alternates—even glyphs with pointed ears. All these combined elements provide a wide range of choices to meet different design needs. Each of the 4 sub-families consists of 6 weights and matching italics, making Spock a super family of 48 styles. The Pro family set contains 609 characters and it includes a generous number of alternates. The three other Essential sets are composed of alternative glyphs. Spock is specially suited for advertising as well as editorial and corporate design.

Typography or Calligraphy. Unconnected or Connected. For us, at DSType Foundry, that was the main question. With Aparo, we tried to bring the best of the two worlds into a single, yet complex, typeface. Aparo appears to be a very simple bold italic roman typeface, but it has plenty of calligraphic flair, including swashes that make your words stand out, collision detectors so that you don't get weird combinations, alternate characters activated by default for improved calligraphic effect and a very extended character set in a total of 897 glyphs. Download our detailed type specimen for complete information on Aparo.

Blom is a humanist sans with subtle squarish character in reverse contrast. The combination of heavy horizontals and modern geometry give the typeface a unique visual aesthetic whilst making small text perfectly readable. Blom bucks the trend of conventional letterforms in favour of a versatile typeface with bags of originality, that is both inventive in style yet completely functional in a wide range of intended uses. Details include 463 characters, six weights with matching italics and five variations of numerals. Opentype features include inferiors, superiors, fractions, slashed zeros, case-sensitive forms, ligatures and language support covering Western, South and Central Europe.

Kenac is an elegant, fresh and modern serif typeface, with unusual yet functional shapes, that combines characteristics of Roman type with elements of calligraphy and Victorian style. Its singular modulation and contrast between thick and thin strokes make it look great in titles. In order to ensure ease of use, the Kenac family includes only 5 weights while its matching italics provide contrast and make the font a harmonic choice for continuous text. Kenac has a unique appearance that makes it ideal for editorial design such as book covers and magazine website's headers as well as brand identity design.

Lark is a modern calligraphic sans inspired by a rich history of broad-edge and translation contrast calligraphy. By combining its sharp geometry with flared curves, Lark exhibits a nice warmth as a display face. Lark was initially conceived as a final project as part of the Type@Cooper West Extended Program's post-graduate certificate program in typeface design, so its journey has benefitted from routine feedback from experienced typeface designers. Comes in Bold, Medium, Regular, and Light weights for both roman and italic, and supports multiple languages including Danish, Dutch, English, French, German, Italian, Portuguese, Spanish, Swedish, and more.