A classic “American” sans serif with a kink Desphalia belongs to the kind of sans serif fonts that were created in the 19th century. You could also name it “American Gothic”, a sans serif in the style of fonts like Franklin Gothic, News Gothic and similar. Above all, the high x-height characterizes this typeface style, as do the identical heights of uppercase and ascenders. However, I allowed myself a few peculiarities ;-) On the one hand, there is the gently sloping horizontal middle line on letters such as H, E, F, A and e. The M also got gently slanted sides. Some of the lower-case letters have an up- or down-stroke: a d m n p u. This "kink" on the shaft also serves to better distinguish the small l from the capital I — as can be seen clearly with the term »Illinois«. In keeping with the tradition of American typefaces, Desphalia does not have a true italic. Rather, the letters of the “Italic” have the same character forms as the normal upright variant, but in oblique — and so it is not called “Italic” but “Oblique”. Style Set 01: Another American peculiarity is the capital I with dashes above and below. It is included in the Desphalia as an alternate character form. An alternative small l with the “kink” in the ascender is also included — as is a y with the “kink” in the descender. Style Set 02: The corresponding “straight” forms a d l m n p u without the break are included as alternatives in a separate style set. Small caps are uppercase letters that are optically the same size as lowercase letters. They offer a very classy way of emphasis. Desphalia is available in the widths Condensed, Normal and Expanded, the weights include Thin, Light, Book, Bold, Black. Using the variable font, all intermediate levels can be freely selected. The figures are optionally available as tabular figures, proportional lining figures or old style figures.

Geometric/Technical style logotypes have been developed for car chrome labels since the early 1980’s, but automobile companies don't monopolize the style by any means. During the 80’s and 90’s, a lot of these logos leaned towards the geometric sans styles and the swiss styling of fonts like Handel Gothic, while playing with varying degrees of squared rounds and varying expanded widths per logotype. Mercurial has this flavor, but it wasn’t derived from logotypes. Instead, it began as a digitization of a film typeface from LetterGraphics in the early 70's known as "Sam". It visual ties to this genre of automotive logotypes and fonts like Handel Gothic lend a familiarity to it, yet it has an identity all its own. As with so many automotive logotypes, this singular style film typeface, lacked an expansive family which shows off all potential the logotypes have and what they "could" be and do. And that's where we come in. What originally began as this family’s Regular Width - Bold Style has been expanded into a collection of 3 Width Families, each containing 5 Weights. Here’s what’s included with the Mercurial Complete bundle: 396 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the final poster graphics for a preview of the characters included) 3 widths in the collection: Narrow, Regular, & Wide 5 weights in each width family: Light, Book, Regular, Medium & Bold. Here’s why the Mercurial Family is for you: - You’re in need of stylish sans font family with a range of widths and weights. - You’re love those 80’s automotive logos, but want more range of use. - You’re looking for an alternative to Handel Gothic. - You’re looking for a clean techno typeface for your rave poster designs. - You just like to collect quality fonts to add to your design arsenal.

Raclette grills are an ingenious Swiss invention. This tabletop grill is used to cook raclette cheese, a unique sort of cheese produced by the happy cows of Valais. Swiss designer Michael Parson created a typeface in 2002 that speaks endearingly to his hearty homeland tradition - endearingly enough, he named it Raclette. Raclette most likely started out as a bold, condensed sans serif. But then, just as one pulls little trays off of a raclette grill, Parsons quickly removed many rectilinear bits from the edges of each letter. Text set in Raclette looks like an old brick wall, or perhaps like a raclette party for several hundred people, that ended an hour ago! Raclette is one of ten of Michael Parson's experiments in type design featured in the Take Type 5 collection from Linotype GmbH."

Streetscript Redux is an update to the now discontinued Streetscript. In the original version, it seems a lot of users didn't like the s’s in the font, and after seeing them redrawn (not always with the best results!) a few times, I decided to make a new version of the font with less idiosyncratic s’s, and this is the result, Streetscript Redux. (I should have listened to my other half - “those s’s look like fives,” she said) All other features of the original Streetscript are intact (barring a couple of s-ligatures no longer necessary). There’s been a little tweaking of some outlines, and slight changes with spacing too, but for the most part, all I've done is redraw those pesky five-like s’s, so that you don't have to.

Talking to yourself out loud? Jabbering? Muttering? Wittering away on some flight of fancy? Why not? Why wait to get compliments from someone else? If you deserve them, pat yourself on the back, give yourself a good pep talk! Create a dialogue with yourself so that you can hear what you're thinking! Whether you’re living on your own or living with others, you’re always living with yourself and you can always be there FOR yourself with a cheerful word of wisdom or two hundred. So, help yourself yourself with Soliloquous! You won't feel alone without it. But please, remember to be respectful and try not to hurt your own feelings. And shut up when you hear yourself tell yourself that’s enough. See the families related to Soliloquous: Monologous .

If you want your design to have that nostalgic typewriter effect, Not my Type would be perfect. It's old-fashioned and retro—letters are worn and grungy like it needs a new ink ribbon. Some of the letters are misaligned—just like a real old typewriter. It is best used at smaller sizes, perfect for logos, headlines, covers and any design where you want that vintage look and feel. Each letter has two alternatives, making three in total. Using the alternative letters, you can make your type layouts look more random, like a real typewriter. You can manually set the alternatives via the glyphs panel in your design software or you can enable them automatically. If you enable contextual alternatives in your design application, the letters will change automatically as you type.

Esteric, originally created with a concept of happiness, fun and playful. Designed initially as an all-caps font. Lowercase are just slightly lower than Capitals. Also, Esteric is created with some OpenType features, such as stylistic alternates, interlocks, and tons of ligatures. Joy and Playful guaranteed! What is interlock? When you are using the stylistic of a rounded letter O and meet another letter with stylistic rounded forms like C and G, glyphs define the space and merged like a ligature. Best scene for using Esteric place like a Party, Happy Events, Fun projects. Any media is suitable based on the concept. But Esteric won’t fit with an serious type of project. Please note that OpenType features are only available in programs that support them, such as Illustrator, Indesign, Quark or Photoshop.

Fabrikat Mono is a type family designed by Christoph Koeberlin. The monospaced Sans Serif family is published by HVD Fonts and consists of seven weights plus matching italics. It is an addition to the popular Fabrikat type family that emphasises its engineering roots. Compared to Fabrikat, the Mono version evens out not only the characters’ variable widths but also its more subtle characteristics: Letters like B and R are counterbalanced, the height difference between caps, ascenders and even “t” are eliminated, while characters like the percent sign together with the stressed punctuation give a nod to typewriter typefaces. The type family is equipped for complex, professional typography with OpenType Features like alternate letters, arrows and an extended character set to support Central and Eastern European as well as Western European Languages.

An offbeat alternate caps typestyle inspired by the title screen of a 1968 Walt Disney film titled, The Horse in the Gray Flannel Suit. This playful and childish font comes with an extensive language set, a stylistic alternates feature that auto-alternates between capitals & lowercase (alt caps), as well as a contextual alternates feature that auto-alternates between sets only where double characters are typed like SS, TT, etc. The contextual alternate feature also enables a few titling word options like " the " " in " and " in the ". As noted in the quotes, when these word sets are typed with a space before and after them, it will trigger the swap when contextual alternates is on. Switching on Contextual Alternates enables automatic alternations between caps and alt caps like AlTeRnAtIoNs to create a more randomized look.

The Vernacular trilogy was designed by Swiss designer Hans-Jürg Hunziker, who had worked for Adrian Frutiger in Paris for many years. Based on the concept of a transitional Linear Antiqua, he has developed a colorful bouquet of typefaces that contain the entire spectrum of typefaces for book design and corporate identity. Thanks to his "Swiss school" and his outstanding skills, he has succeeded in giving the typefaces a particularly noble and sympathetic expression. In addition to the Sans family, there is a Serif family and a Clarendon family, each of which, including the separately drawn italics, is equipped with 12 font weights that are finely tuned to one another. Each of the 3 font styles develops its own character, but thanks to a concept that brings the different font styles closer together, they also work well together and complement each other perfectly. Sans and Clarendon have a vertical axis and similar endings in contrast to the Serif, which has a traditional diagonal axis and horizontal endings. The straight stems and the proportions are used as an element to stress the closeness of the typeface-trilogy. They thus share a comon feature. All fonts contain tabular and proportional figures as well as old style figures. Small caps and small cap figures are also available in all fonts. In addition, some fonts have alternative characters available via style set, such as «g», which can be used to further vary the typeface. Vernacular offers all the options for well-kept typesetting for print and web - for small and large orders.

HD Colton is a 90-style super-sans from London Design Studio HyperDeluxe®. Using a combination of horizontal & vertical terminals along with squarish ovals, it is built with a confident structure that feels so much more than a neutral sans, it feels iconic. Engineered in 5 widths, compressed to extra wide, and in nine weights, HD Colton features a huge 90 styles that will offer your brand ultimate flexibility and variation in one font family. The black weights will help bring prominence to your brand while the light to mid weights will help you tell your story at a smaller size. HD Colton includes 1200+ glyphs per style, providing you with a workhorse sans that supports 200+ languages including extended Latin, extended Cyrillic and basic Greek. Also included are 5 stylistic sets, 2 arrow sets & numerous OpenType features (see last poster for complete list). The HD Colton complete family package comes with a single, 3-axis variable font so you'll have an infinite amount of combinations and uses for you to experiment with and add that touch of finesse to your visuals. Variable fonts are tech friendly providing smaller sizes for developers to work with, while also being responsive and used for motion design on the web. HD Colton key features: 3-Axis Variable Font. 90 Styles. 1200+ Glyphs Per Style. 5 Widths (Compressed, Condensed, Regular, Wide, Extra Wide). 200+ Languages Supported. Extended Latin, Extended Cyrillic, Greek Support. Stylistic Alternates for some key glyphs (J, Q, G, l, &, Arrows). Extensive OpenType features.

The Vernacular trilogy was designed by Swiss designer Hans-Jürg Hunziker, who had worked for Adrian Frutiger in Paris for many years. Based on the concept of a transitional Linear Antiqua, he has developed a colorful bouquet of typefaces that contain the entire spectrum of typefaces for book design and corporate identity. Thanks to his "Swiss school" and his outstanding skills, he has succeeded in giving the typefaces a particularly noble and sympathetic expression. In addition to the Sans family, there is a Serif family and a Clarendon family, each of which, including the separately drawn italics, is equipped with 12 font weights that are finely tuned to one another. Each of the 3 font styles develops its own character, but thanks to a concept that brings the different font styles closer together, they also work well together and complement each other perfectly. Sans and Clarendon have a vertical axis and similar endings in contrast to the Serif, which has a traditional diagonal axis and horizontal endings. The straight stems and the proportions are used as an element to stress the closeness of the typeface-trilogy. They thus share a comon feature. All fonts contain tabular and proportional figures as well as old style figures. Small caps and small cap figures are also available in all fonts. In addition, some fonts have alternative characters available via style set, such as «g», which can be used to further vary the typeface. Vernacular offers all the options for well-kept typesetting for print and web - for small and large orders.

The Vernacular trilogy was designed by Swiss designer Hans-Jürg Hunziker, who had worked for Adrian Frutiger in Paris for many years. Based on the concept of a transitional Linear Antiqua, he has developed a colorful bouquet of typefaces that contain the entire spectrum of typefaces for book design and corporate identity. Thanks to his "Swiss school" and his outstanding skills, he has succeeded in giving the typefaces a particularly noble and sympathetic expression. In addition to the Sans family, there is a Serif family and a Clarendon family, each of which, including the separately drawn italics, is equipped with 12 font weights that are finely tuned to one another. Each of the 3 font styles develops its own character, but thanks to a concept that brings the different font styles closer together, they also work well together and complement each other perfectly. Sans and Clarendon have a vertical axis and similar endings in contrast to the Serif, which has a traditional diagonal axis and horizontal endings. The straight stems and the proportions are used as an element to stress the closeness of the typeface-trilogy. They thus share a comon feature. All fonts contain tabular and proportional figures as well as old style figures. Small caps and small cap figures are also available in all fonts. In addition, some fonts have alternative characters available via style set, such as «g», which can be used to further vary the typeface. Vernacular offers all the options for well-kept typesetting for print and web - for small and large orders.

Introducing Glooser a elegant Serif Font Inspired from modern style combine with bold typography style. Come with open type feature with a lot of alternates and end swash, its help you to make great lettering.

Anchora is a contemporary sans serif font. Its characteristic feature is that it provides clear text at smaller sizes besides has a stulistic stance on screen sizes. The font contains Latin Characters support many languages.

Contains the 20 day names of the Maya calendar as well as (in outline and silhouette mode) as well as the 19 Maya numerals. NOTE: this font comes with an interpretation guide in pdf format.

Dopis (Допис on Cyrillic) is neo grotesque family available in four weights and in two widths. It is universal and neutral typeface, fully applicable in every situation. Contains extended Latin character set with Cyrillic support.

London's Reed and Fox 1874 specimen book featured two faces, Viennese and Corinthian, combined here in one elegant decorative face. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Landeuh Typeface, The LAYERED font Family with 4 variants, the variants are combine with different colors, its EASY to use enjoy with your project -Unique glyphs -Multilingual Characters -UPPERCASE -Lowercase -Numeric -Symbol -Punctuation Character inumocca_type

Ghostly Forest, is an entertaining font that has many options such as ligatures, alternatives, layers, it is special for titles related to halloween or informal design, it contains its extended version as a basic one.

The present font project is inspired by a tombstone inscription on one German grave in northern Bohemia. Suitable combination: Plagwitz, Modell. Teuton is ideal typeface for graves and posters, for advertising as well as magazines.

Palmeyra is a handwritten font with a modern style. This font is suitable for your design projects, brandng, crafting, logos, weddings, and many more. Palmeyra Contains : Uppercase & Lowercase Uppercase & Lowercase Alternate Numeral & Punctuation Multilingual Ligatures

AZ Plug Italic font is inspired from a combination of original early 1900’s Edward Penfield and Franz Hazenplug poster art. This font is designed for use as a worn and antiqued headlines or subheadlines.

Koffer is a decorative headline font that can be used for serious screen graphics, retro posters and futuristic signage on a spaceship. It contains all small and capital letters from the Latin and Cyrillic alphabet.

Steve Jackaman & Ashley Muir. An antique, rustic or even mystical design that will grow on you the more you use it. Pickworth contains all the high-end features expected in a quality OpenType Pro font.

The Barry family combines two opposite weights. This display face has a great effect if the two fonts are used together. If you want to make your design ordinary, Barry is not the right choice.

These Typoart fonts were redesigned and revived for modern use. The italic style got an entire set of swash caps, and both styles contain superior and inferior numerals as well as the historical long s.

Chiara Script has a very simple origin. It's a highly stylized interpretation of Greater Albion's chief designer's handwriting! It combines legibility and cursive characters in a distinctive blend and includes a range of OpenType features.

ATC Oneshot, is a handwritten script font based on neighborhood bodega signage. Contains 160+ glyphs, full alphabet, ligatures, numberals, accents and punctuation. File type included in download is .otf. ATC Oneshot was released in 2019.

Based on the original 1934 Ludlow drawings by Robert Hunter Middleton, we created two additional weights that round out the family. Eden contains all the high-end features expected in a quality OpenType Pro font.

Black beer, strong Gothic. It is designed for logos, prints, headlines and more. The font has 4 styles, base, blurred, outlined, and aged. Contains basic characters and punctuation marks as well as extended multilingual characters.

You will get : OTF/TTF Contains full set: -2 Type Font -Uppercase -Lowercase -Alternative -Ligatures -Punctuation -Number -Multilingual support. I hope you enjoy this font. If you have any questions, feel free to message me

Fander font family is designed to create minimalist logos, wordmarks, titles, taglines. Each letter of the font has up to 12 alternates. You can mix default characters and alternate characters to get the best combinations.

Grambly is a bold sans serif and unique display typeface with a combination of elegant and bold style that will make it stand out. Suitable for logos, stickers, posters, packaging, branding, invitations, notes, print, etc.

Mangarans is a Modern Victorian Blackletter, which is combining modern and classic typography. It has a vintage feel, and as a result, it matches a wide variety of designs. Get inspired by its retro feel.

Ounce is a didone typeface, a combine of high-contrast and rounded characteristic gives a unique feeling. Ounce comes with various weights from Light to Black and two options for Italic. Especially, headline for display.

Mymoon Stencil is an extension of the Mymoon font family. It comes in 3 weights: UltraLight, Regular and Heavy. Contains extended Latin character set with OT features such as OldStyle and Tabelar numerals and fractions.

Blocky combines attractive curves with a fresh urban edge; delivering a stylish script which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, quotes, product packaging, merchandise & social media posts