Mesh Stitch has a hand-stitched look, with the capital letters/numbers being nine cross-stitches tall (+ about 3 stitches for accents). To make the font look authentic, I stitched some characters using wool and took photographs which were turned into glyphs. As a result, none of the cross-stitches are symetrical and some are at a slightly at an angle, because I didn't want the font to feel mechanical. As a result, the font has a cute, homely character to it. It is particularly good for large displays/headlines.

Typold originated out of the desire to improve geometric forms and push beyond previous achievements through collaborative working methods and knowledge sharing. The result is a finely balanced modern sans serif constructed from mathematical inputs, typographers needs, and the natural hand and eye of an artisan. Details include nine weights and matching italics, three separate widths, 1000 characters with an alternative lowercase a and y, small caps, 12 variations of numerals, Opentype features inferiors, superiors, fractions, case sensitive punctuation, extended symbols including emoji's and language support covering Western, South and Central Europe.

Underpaid? Overworked? If you like Fritos, Jolt and Mountain Dew in your cubicle, your big warm fuzzy Donkey Kong heart is going to like these fonts a lot. Developed in conjunction with actual Code Monkeys*, this user-defined type IS defined -- it's loud and proud, and available in functional monospace for screen or elegant proportional spacing for print. When your pet project needs a soft, pretty face that's visible from across the office, sit down and pretend to work with CodeMonkeyVariable. Released from the captivity of monospacing, these lovely letters can convey even your wildest story ideas. When your syntax needs to line up on screen, get monospaced out with CodeMonkeyConstant. Copy from other sources and your screen captures will look so sweet you'll no longer have to pray your code complies to specs, because even your login page will look like dynamic rock star programming.

There’s nothing stinky about this font, don’t worry! But what’s is up with Stink Buster is a whole lot of serifs gone bad! Each letter is loosely based upon the classic slab serif style, but influence by grafitti and comics just made them crooked and off the grid. But despite that, the font works great if you have a message that you want shouted out loud!

Step into your next project with comfort. Espadrille is handmade, clean, and friendly, without being loud. Appealing for a casual, but style conscious crowd - whether brightening t-shirts, posters, packaging, or publications, its one-height upper and lower case make it fun for creative blocks of text and mixing cases at will. It features double-letter discretionary ligatures as well as a few extras.

Naïve Deco Sans is a layered sans serif handwritten font designed by Fanny Coulez and Julien Saurin in Paris. Our goal was to draw a font with finely irregular lines that give a human and whimsical feeling. It is available in two versions: double or triple lines. The font is also decomposed in three different parts that you can use to improve your designs with multiple colors, giving to the font a deco touch. To do so, you can simply superimpose the parts with a compatible software like Photoshop and choose a color for each. This font is part of our Naïve superfamily that contains lot of variations: Line, Inline, Serif, Sans Serif... Just click on our foundry name to see them all! We hope you will enjoy our work. Merci beaucoup!

Agis is a modern geometric sans-serif family by Cloud9 Type Dept's Jani Paavola. The whole family consists of 5 weights from ExtraLight to Bold. The range of styles provides legit options for title, headline and body text. Suitable for branding of any form. Agis fonts have an extended character set to support Central and Eastern European as well as Western European languages, as well as OpenType features such as small caps, fractions, oldstyle numerals and ligatures.

Barmoor is a robust, classic roman display face, inspired by the letter designs of the Parisian craftsman Claude Garamond and other 16th century French engravers as well as antique roman letterforms. It works especially well letterspaced and in all caps. Alternate W, R, J, M, Q and K can be used to add a modest bit of flair to letterspaced, all cap treatments. Barmoor is mainly intended to be a display font or a limited text font.

Introducing the Puffypuff - A new experimental display typeface inspired by the pillow and cloud shape and behavior. Interpreted into a bunch of letters, so it can be a font that you can't resist to have. Usage tips: Play with strokes to give bold comical and vintage vibes. Duplicate the word and make it all black for the back one, and slide it down a little bit to make a shadow effect. Mix the letters with other fonts in one word to make such an experimental visual concept with it (see 3rd poster). Perfectly fit for logo, branding, poster, music project, album cover, cover artwork, events, y2k concept, graffiti concept, brutalism, modern aesthetic, graphic design project, fashion, apparel, merchandise, and many more.

HU NoodleKR is a stencil-type font designed for drawing with one brush and writing in stroke order. It is composed of large grapheme for good visibility, and fine curves are added to the shape based on straight lines to create a soft feel. In particular, it is a full-bodied square font where personality is felt in double consonants. HU NoodleKR includes Korean.

Estravaganza is an elegant, finely crafted script, with an uneven, drizzled paint line. It has the delicacy of gossamer while boasting the extravagance of bold swashes and loops. Think "ballet-like femininity offset by the distressed paint drizzle of a jackson Pollock canvas." Use Estravaganza to brand perfume, clothing, jewelry, and to enhance wedding invitations, greeting cards and book covers. Language support includes all European character sets.

Although less prevalent today, a cover charge was added to better class night clubs of the 1930s and 1940s to discourage patronage by people of questionable social graces. The general idea was that the lower strata of society (meaning the "average Joe" or "hoi polloi") would balk at paying an extra fee just for entrance to a place of good entertainment and fine dining.

Framboisier means ‘Rasberry Bush’ in French. Even though it’s early spring, I already spotted raspberries at the greengrocers, so I figured a nice raspberry-related name would suit this font just fine. Framboisier is a hand painted script font. It’s a little messy, a little shaky, but legible and cute as well. Comes with all the diacritics and a whole bunch of alternate glyphs.

Celesse - A classic serif font, perfect for creating bold & gorgeous designs. Pour yourself a glass of your finest wine and get classy with Celesse. This font is great for designing elegant logos, quotes, magazine covers, wedding cards, invitations, and brandings. Its stark contrasting lines are best used in headlines and projects with big type. Celesse adds timeless beauty, heavenly curves and a classic appearance to any project.

32 illustrations of 15 Frames and 17 Banners. Most are line drawings with a reverse version. Lots of dots and grids, scallops and stripes to mix and match. Quick way to add some punch to your layouts. Great for mailing labels, labeling for jars, borders for this and that. Nice scrapbook additions too. Take a look at Rae's other frame fonts... Frames & Borders and Frames & Borders Too.

Pisang Manis means ‘sweet banana’ in Bahasa Indonesia. I don’t think this particular combination is used in everyday life, but it sounds nice. Pisang Manis is based on an older font of mine, called Pisang, which I created in 2013. It looks similar, but it is a different font altogether. Pisang Manis is a ‘Tall & Thin’ display font, ideally used for product packaging, websites and book covers.

The other day I drank a glass of white wine, which was partly made with Colombard grapes. When I created this font, I needed a bit of a ‘posh’ name, so I settled on Colombard. Colombard is a nice, handwritten font. Quite elegant, but cheeky at the same time. It comes with extensive language support and a full set of Discretionary Ligatures for double letter combinations.

Proudly Present, Delighty Font. Delighty is a Modern Handwritten Font. This sweet font has nice smooth lines. Delighty is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. This font includes TTF and OTF, Delighty also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Hey Girl is a fun, brush font with a a bouncy baseline. This playful font will give your designs that fresh, modern feel to it and will look lovely on quotes, cards, logo's and all your other lovely projects. Hey Girl has nice smooth lines which makes it perfect for crafters and cutting machines. Hey Girl contains standard characters, lowercase, uppercase, numbers, punctuation, ligatures, and international characters.

Genial is an elegant, contemporary script font in nine styles, specifically designed for maximum versatility. All of the styles, ranging from condensed thin to expanded fat, are clear and legible. The font conveys a feeling of relaxed elegance. The Family: Medium weights - Regular: of medium weight and regular width - Expanded: of medium weight and wide - Condensed: of medium weight and condensed width (narrow characters) - perfect for limited space Black weights (for best readability) - Regular: for bolder statements - Expanded: expanded width for bolder statements Light weights - Regular: regular width, delicate line - Expanded: wide characters and a delicate line - Condensed: condensed width (narrow characters) and a delicate line Fat weight - Expanded: for maximum impact (wide and extra-bold) Use a combination of styles for product branding, book covers, invitations, greeting cards. The Genial combination will enable you to use different styles of the same font for headings, sub-headings and body text. Genial contains over 250 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

Valibuk is a compact clean typeface for headlines and short text. No details are small and it’s a bunch of details that make Valibuk as it is. It’s a heavy, condensed face with a high x-height and tight spacing and that’s why Valibuk can write loud. The quality of the spacing and kerning is ensured by Igino Marini. Lomidrevo is a grunge stencil family derived from Valibuk.

Bubblegum Sans Pro is upbeat, flavor-loaded, brushalicious letters for the sunny side of the street. It bounces with joy and tells a great story. Designed by Angel Koziupa and produced by Ale Paul, this typeface is a loud 21st century shoutout to the kind of the 1930s lettering that sold everything to everyone through every medium. Bubblegum Sans Pro version covers all Latin-based languages and includes some alternates.

blossom lovely is an elegant monoline script font that works just fine. I've always dreamed of designing a font that feels welcoming, Smooth lines, single weight lines and charming variations of blossom lovely achieve the ideal balance of humanity and clarity. This font is perfect for branding and marketing campaigns that call for personality and friendliness. My goal with this font is to create a readable script font that will serve a variety of purposes. This font maintains personality in creating a consistent character set. It has a handmade taste and provides a hint of authenticity; perfect for your upcoming project. Do not miss!

Baro is a powerful, fun and expressive font, great for loud, cheerful and super-fat headlines and packaging for odd novelty toys. With its bold and distinctive stylized geometric forms, it is ideal for logos, heavy machinery and wacky party invites. Baro had its beginning in a handful of rigidly geometric uppercase letters from an unidentified 1960�s or 70�s era press-down lettering font, which in turn was possibly a revival of a 20�s era Art Deco font. The exercise quickly expanded into a complete typeface with 300+ characters, including several catch words (word glyphs), stylistic alternates, discretionary ligatures, multilingual support and both lining and old style numerals. Baro maintains much of the characteristic geometric rigidity of the original handful of letters, but � With the addition of just a little bit of flare, a bit of cheerfulness breaks through, like a wink and a smile on the face of a fat and otherwise stern policeman.

The design for Granjon was produced at the English branch of Linotype under the direction of George William Jones and appeared in 1928. This reproduction of a Garamond typeface was based on the typeface sample of the Frankfurt font foundry Egenolff from the year 1592 . The roman characters of the sample were made by Claude Garamond and the italic forms were designed by Robert Granjon. Jones made sure that the Granjon font remained true to the original characters of Garamond and Granjon.

Clair De Lune is part of the famous Suite Bergamasque, written by Claude Debussy in 1890, and published in 1905. It means Moonlight in French, a kind of romantic name. The name is exactly what I had in mind for this übercute font. Clair De Lune can be used to design postcards and posters, liven up websites and give your designs an overall happy feel. Clair De Lune was handmade using a 0.5 pen, eco friendly Italian paper and a wooden kitchen table.

Opinion varies regarding the role of Claude Garamond (ca. 1480–1561) in the development of the Old Face font Garamond. What is accepted is the influence this font had on other typeface developments from the time of its creation to the present. Garamond, or Garamont, is related to the alphabet of Claude Garamond (1480–1561) as well as to the work of Jean Jannon (1580–1635 or 1658), much of which was attributed to Garamond. In comparison to the earlier Italian font forms, Garamond has finer serif and a generally more elegant image. The Garamond of Jean Jannon was introduced at the Paris World’s Fair in 1900 as Original Garamond, whereafter many font foundries began to cast similar types. The famous Stempel Garamond interpretation of the 1920s remains true to the original Garamond font with its typical Old Face characteristics. The bold italic was a modern addition at the end of the 1920s and the small caps provided an alternative to the standard capital letters. In the mid 1980s, a light version was added to Stempel Garamond. Since its appearance, Stempel Garamond has been one of the most frequently used text fonts.

It's hard luck if you're designing a poster for a creative event, and you're looking for a good fontmatch. But it's not hard luck if you use this font for that particular purpose, because I designed it for that! How's that for good luck?! :) BTW, the font has a nice crunchy line (in all 3 versions!) and I have added 3 slightly different versions of each lowercase letter!

Scratch was designed by Andrew Smith in 1995. It looks as thought many fine lines were drawn next to and over each other with a felt-tipped pen. Small bits of white peek out among the strokes and give the font its dynamic character. Flexible and sketchy, the forms are based on those of a classic sans serif cursive typeface. Scratch is meant exclusively as a headline or display font.

Belle Story is a beauty serif family. This hi-contrast display font Consists of 2 styles Display & Regular and each style has 10 weights from thin to black with fine lines and smooth curves to make this font perfect for luxury, classy, high-end branding, logo, and many more. Belle Story also includes a Variable style as well as multilingual support, numbers, and currency symbols, and dozens of alternates.

Kaufmann font was designed in 1936 for the American Type Founders by Max R. Kaufmann, a letterer, typographer, and one-time art director for McCalls magazine. Kaufmann is a connecting script typeface with a smooth, slightly whimsical look. Its monoweight is unusual in a script type but allows for a nice texture on the page when it is combined with sans serif text type. The bold Kaufmann is fine display type.

MM Cruella is a monolinear display typeface well suited for magazines headlines, posters, catalogs, branding and packaging. The round, large counters combined with the rounded terminals gives it a very fluid look and a warm character while the straight lines establishes a nice rhythm. It comes in 5 weighs and is loaded with discretionary ligatures and contextual alternates that will give your next project a very distinctive look.

Aldo Novarese designed the Fluidum typeface in 1951. As its name implies, the design is very fluid. This high contrast script face curls and twists across the line. It is sort of a cross between Giambattista Bodoni's cursive letters, and Aldo Novarese's later, heavier designs, like Microgramma, Eurostile, and Sprint. Fludium should be set in very large pint sizes. It is perfect for invitations, greeting cards, and fine logos.

Overview of BD Megatoya Consists of 41 fonts, including nine upright, nine italics, nine extended, nine extended italics, all in nine weights from thin to black. 4 outline version in black weight. 1 variable with three axes (weight, width, slant). 1,470 glyphs in each font. Opentype features include small caps, stylistic alternates, ligatures, complete numeral figures, ordinal, case-sensitive forms. language support: Western European, Central European, and Southeastern European. About BD Megatoya Taking a geometric sans serif approach, we designed the letterform with details on round characters to pursue harmony and leave a slightly boxy feel to the extended style. The stylistic alternate is one of our concentrations to make them versatile yet still preserve consistency in stem and metrics to provide good readability in small text. Overall, the various treatments for each character will encourage each other to dynamic colours, flexible, and functional impressions in their application. Slicing edges The edge of the letter slice in 45 degrees will give the impression of a sparkle of light when you look at them for the first 2 seconds (our experience). This is what we did a few years ago when working on automotive branding. The word-mark logotype with slicing form gives an exclusive and different impression from its crowds. If you agree with us, does BD Megatoya deserve to be called a problem solver in branding projects? Jump over to .ss07, .ss08, .ss09, and .ss10 to find them! The Features BD Megatoya font family includes 41 great fonts in nine weights, an extended character set of over 1400 glyphs, multilingual support such as Southeastern Europe, Central Europe, Western Europe. Also advanced & useful open-type features: case-sensitive forms, small caps, standard and discretionary ligatures, stylistic alternates, ordinals, fractions, numerator, denominator, superscript, subscript, circled number, slashed zero, old-style figure, tabular and lining figure. Use BD Megatoya BD Megatoya is very suitable for branding projects and many designs purpose like advertising, posters, invitations, branding, logos, magazines, merchandise, presentations, etc. It's a FREE Get one weight from the BD Megayoya family for Free! Apply to your amazing projects and enlarge your creative tools by adding the complete BD Megatoya family to your font library.

Urfa Rounded Font family is the rounded version of Urfa Typeface. The Urfa Rounded font family comes in nine weights of Normal and Italic. In addition, all weights contain small caps in both italic and normal. With the Urfa Rounded font family, you can create beautiful works for the web, including logos, banners, body copy, and presentations. Urfa Rounded typeface also works nicely in print formats such as posters, T-shirts, magazines, and affiches. Because of its eye-pleasing style, this font is both effective and versatile. It supports a wide range of languages, including Extended Latin and Cyrillic.