A slightly wide gothic with just a touch of flair. This font will add a nice elegant touch to all your designs; works great for text and headlines.

Designed at ParaType in 1989 by Vladimir Yefimov based on Advertisers Gothic, 1917, by Robert Wiebking, inspired by Art Nouveau lettering. For use in advertising and display typography.

Tipperary was designed by Steve Matteson and named for a favorite 'single track' bike trail, Tipperary is a monoline Humanist Sans Serif typeface. The clear, open, letter forms curve abruptly in an almost squarish geometry much like the sharp turns on the Tipperary trail. The clear, austere forms offer exceptional legibility for both interface designs and extended reading. Small size package labels and crisp branding programs benefit from Tipperary's emphasis on clean, readable design. eText typefaces are designed to meet the challenges of extended reading in digital environments such as mobile devices or desktop screens. Their forerunners are among the world's most popular and important book typefaces for print media. These classic designs were reinterpreted to conform to technological constraints of LCD and e-Paper while retaining the properties of proportion and form which made them favorites for print.

Introducing a new clean signatures script called Bresley. Bresley came with open type features such contextual alternates, stylistic alternates, ligature, good for signature logo, wedding invitation, romantic quote, logotype, poster, social media kit, book cover, tshirt design, packaging and any more.

Beauty Luxury is a luxury typeface, mix of modern calligraphy and serif. full set of lowercase and uppercase letters, numerals and punctuation, multilingual symbols. luxurious and clean style to websites, modern logos, branding identity, social media quotes,and wedding stationery.

Inspired by Fashion magazine adverts from the 70'sand 80's. modern and minimal look, Fashion Mode Font brings a luxurious and clean style to websites, modern logos, branding identity, social media quotes, wedding stationery, and whatever your heart dreams up!

Beachside is a cool handwritten font. Clean and a little bit quirky, this font is suitable for all of your logos, branding, social media, and crafty DIY projects. This font beachside contains 194 glyphs, supporting 66 languages from English to Zulu.

Brosse is a family of slabserif faces which emphasise clarity and geometric cleanliness of line, in a 'Brave New World' sprit that harks back to the 1930s and possibly also to postwar rebuilding in the 1950s. Its clear legibility makes it ideal for poster work and titles, as well as for signage of any kind. Eight faces are offered, regular and italic, bold and bold italic, as well as a condensed face and a bold weight thereof. There are also two decorative forms- outline and embossed faces. All faces include a large character set and extensive Opentype features. A Demonstrater version of the regular face is also offered free of charge-this is fully licensed but has a signnificantly reduced character set.

Ellograph® CF is a charming monospaced font family with easy readability and striking cursive italics. A generous x-height and short descenders allow for even, organized lines of text. Beautiful as a coding font and in logos, headlines, and text. With its clean construction and expressive italics, Ellograph® CF stands as a versatile font family on its own. It also pairs well with a wide array of typefaces – contrasting Ellograph with a serif like Artifex CF or Wayfinder CF is effective and beautiful. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

A rounded version of Albiona, a contemporary slab-serif which revisits aspects of Robert Besley’s classic Clarendon. Originally named after the Clarendon Press in Oxford, the type family was subsequently extended by Stephenson Blake in the 1950s. Albiona adds the inwardly-curved stroke terminals of the same foundry’s Grotesque series, and includes italics and old-style and tabular numerals. The original Clarendon’s ball serifs and calligraphic eccentricities have been rationalised for functional contemporary uses. The family consists of five weights plus italics and a stencil, and its clean readable style is perfect for both extended text as well as headline setting.

Designed specifically for AT&T by Matthew Carter at Mergenthaler to replace Bell Gothic with a typeface that made effective use of digital typesetting technology, Bell Centennial gets several more lines per page than Bell Gothic, reduces calls to information because of its significantly higher legibility under adverse printing conditions, saving AT&T many millions of dollars per year. Although intended for use at small sizes, Mazda UK used Bell Centennial at huge sizes to striking effect in a mid-1990s ad campaign.

This face is a bit of a time traveler. It combines the lowercase from a font called simply Square Gothic from the 1888 James Conner’s Sons specimen book with the uppercase of Morris Fuller Benton’s 1932 monocase masterwork Agency Gothic, resulting in a high-tech typeface right at home in the twenty-first Century. Available in three weights. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set

The Bellonte is a fashionable and relaxed handwritten font with a unique feel and a stunning impact. Comes with rough style regular and italic. This font is great for your creative projects such as watermark on photography, and perfect for logos & branding, photography, invitation, watermark, advertisements, product designs, stationery, wedding designs,label, product packaging, social media, movie titles, books titles, a short text even a long text letter and good for your secondary text font with sans or serif. And also for special events or anything that need handwritting taste. Thanks for checking out this font. I hope you enjoy it!

This workmanlike typeface is based on the Metro series, designed by William Addison Dwiggins in the 1930s for the Mergenthaler Linotype Company. Its clean lines and balanced color make it suitable for text and headline work alike. Available in three weights, plus italics. All versions of this font contain the complete Unicode Latin A character complement, with support for the Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavan, Norwegian, Polish, Portuguese, Provençal, Rhaeto-Romanic, Romanian, Romany, Sámi, Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish and Welsh languages, as well as discretionary ligatures and extended fractions.

Gioviale is a unique hybrid that seamlessly blends an italic and script typeface with flair and elegance, and carryies just a hint of tailored and clean, structured underpinnings. Its versatility is exemplified in its greater readability at small sizes compared to other scripts. Gioviale includes an entire set of alternate swash caps, 20 ornaments, 20 discretionary ligatures, and 300 swashes, which include a standard uppercase set for more traditional text settings, and a swash uppercase set which are even more flourished. See what’s included! http://bit.ly/2bUXDcH *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Zona Pro is a geometric sans-serif type family of 8 styles plus matching italics, designed by Kostas Bartsokas in 2013/14. It draws inspiration from 1920’s geometric style faces, having clean and highly readable shapes, and mixes it up in the heavier weights with a slight variance in the stroke widths, lending it a grotesque-ish unique and distinctive look. Zona Pro is multifunctional and versatile. With its modern yet elegant form it performs amazingly in display sizes and headlines. At the same time its really tall x-height makes Zona Pro equally suited for editorials and shorter lines of text in smaller sizes (magazines, newspapers). Zona Pro supports Greek, Western, Central and Eastern European languages, ligatures and special characters.

The complete Quan font family designed by Chatnarong Jingsuphatada of Bangkok-based Typesketchbook consists of a very usable, clean and modern sans typeface and a rounded sub-family. The font looks clean and geometric but it’s designed with unusual stylistic features to give the Quan font a special and unique touch. The complete Quan type family includes eight weights with obliques and rounded versions for each of them all in all 32 fonts.

Buljirya font is inspired by dream and pastel colour combined with elegant. Perfect for Logo, product packaging, advertisement, social media post, fashion brand, magazine headers and many more complete with ligatures alternates regular italic icon kerning multilingual support

Introducing Le Atallier an elegant sans serif font that look classy. Perfect for Logo brand, product packaging, advertisement, social media post, clothing brand, magazine headers and many more complete with ligatures alternates regular italic icon kerning multilingual support

Pantra is a minimal and clear geometric sans. Pantra is clear, approachable, and effective in both headings and paragraphs and comes in 4 weights: light, regular, medium and bold.

The Lastring is a decorative font. It is perfect for tattoos design and has a gothic and vintage style that will turn any project in a piece of art!

Brazilian designer Eduardo Omine designed his Beret family of typefaces in an attempt to create a warm counterpart to the clean, minimalist sans serif of the 20th Century. The most individual characteristics of Beret are the terminals at the ends of its vertical strokes. They are slightly bent", simulating a subtle flare. Like many classic sans-serif typefaces (e.g., the original Syntax and Univers), this family does not include true (calligraphic) italics. Instead, a masterful set of obliques has been created. As Stanley Morison articulated in the early 1920s and 30s, these slanted versions of the regular "roman" faces may even work better when one wishes to emphasize certain words or passages within a text. The Beret family of typefaces is suitable for numerous applications, in both text and display sizes. The following nine fonts make up the family's design: Beret Light, Beret Light Italic, Beret Book, Beret Book Italic, Beret Regular, Beret Medium, Beret Medium Italic, Beret Bold, and Beret Bold Italic. Beret was awarded an Honorable Mention in the 2003 International Type Design Contest, sponsored by the Linotype GmbH."

HURoundsans is a geometric sans serif variable typeface with matching italics. It has a variable width that adapts to your needs, pushing for maximum readability. Useful for any quirky display uses. Variable is very versatile and can be used in print or on-screen environments. It's perfect for logos, posters, titling, UI/UX design, visual identity, social media, music cover art etc. * Specifications : Files included : Variable including italics Multi-language support

Hargetus is a new clean touched stencil display font that can be used for almost any type of design you wish to create. All you have to do is add it to each of your creative ideas and notice how it makes them stand out. What's Included : Uppercase, Lowercase, Numerals & Punctuations Works on PC & Mac Simple installations Multilingual support PUA Encoded

Candlebright is a gothic calligraphy font with 345 glyphs, including stylistic alternates, swashes, ligatures, and a set of matching ornaments. Candlebright's smooth lines and round corners make it warmer than the average blackletter font, and it can be used for both vintage-inspired and modern designs. Candlebright works particularly well in logotype designs, or as a display font in editorial or website designs. The set of matching ornaments is perfect to add a touch of elegance to any design, and you can use it to achieve eye-catching social media and promotional designs.

Brown Amsonia is a lovely script font of which letters are in handwriting to express unique, personal nuances in your designs. Such a handwriting font is available in high contrasts having noticeable differences between the bright and the dark letter parts to produce clear, firm displays making the designs look professional and modern. Besides, Brown Amsonia can express personal, artistic displays to create more interesting, noticeable designs. The letters are interconnected and their details show sharp, curvy scratches on the edges. Due to the complex font style details, this font is better to apply for big text sizes. In addition, you may enjoy the available features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Brown Amsonia fits best for various design projects, such as brandings, invitations, greeting cards, name cards, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Last Bastion is a strong, resolute serif typeface. The original inspiration came from the idea of an impenetrable medieval fortress that has stood the test of time and defended generations of hardened soldiers. Large stone towers and fortifications are reflected in the font's bold stems. The sans serif font offers a more modern and clean look, while the Gothic font shows the typeface's darker side. All three fonts include alternates for all letters and numbers in both caps and small caps. Last Bastion lends itself to branding, billboards, signage and industry to name a few. The glyph set includes all languages covered in Basic Latin, Latin-1 Supplement and Latin Extended-A scripts.

Aptifer Sans and Aptifer Slab are two 21st century typeface families created by Mårten Thavenius. Each family has seven weights, in roman and italic respectively, making 28 font styles in total. A heritage from two design traditions can be seen in Aptifer. One is the robust American gothic typefaces, like M. F. Benton’s, from around 1900. This is combined with the openness and legibility that comes from the humanist tradition. The sans serif part of the family, Aptifer Sans, is designed without excessive details disturbing the reading. Its sibling Aptifer Slab with its wedge slab serifs is more eye-catching but still suited for text settings. The italics fit well into the text flow of the roman. They are a bit narrower than the roman and have cursive characteristics. Both Aptifer Sans and Aptifer Slab are highly legible typefaces and can be used both in print and on screen. Featured in: Best Fonts for PowerPoints

Oliver Quin, a beautiful and stylish low italic script handwriting font. Oliver Quin offers a harmonious pen movement for a diversity of design projects, including logos and branding, wedding designs, social media posts, advertisements, poster, watermark photography, and more.

Leky Calgria is elegant serif font with beautiful and luxury touch good for gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, logo, branding and much more. Complete with ligatures alternates regular italic icon kerning multilingual support

Protura Sans Serif Masculine - 9 Font Weights With Italics Introducing Protura Sans Serif Masculine, a versatile and powerful font family designed to make a bold statement in your creative projects. With nine distinct font weights and accompanying italics, Protura offers unmatched flexibility for all your design needs. Key Features: Nine Font Weights: Protura Sans Serif Masculine boasts an extensive range of weights, from Light to Ultra Bold. Whether you're crafting a subtle headline or a powerful logo, you'll find the perfect weight to convey your message. Italics Included: In addition to the standard weights, Protura also provides elegant italic versions for each weight. These italics add a touch of sophistication to your typography, making it ideal for editorial work and branding projects. Masculine Aesthetic: Protura's design exudes strength and masculinity, making it an excellent choice for projects aimed at a bold and assertive audience. Its clean lines and sharp edges give your text a contemporary and impactful look. Versatile Usage: This font family is highly adaptable, suitable for a wide range of design applications, including branding, packaging, editorial design, posters, websites, and more. It's a true workhorse font that performs well in various contexts. Legibility: Protura prioritizes legibility without compromising on style. Its well-crafted letterforms ensure that your text remains clear and readable, even at small sizes. OpenType Features: Take advantage of OpenType features such as ligatures and alternate characters to add subtle design nuances and improve overall visual appeal. Multilingual Support: Protura Sans Serif Masculine supports a multitude of languages, making it a globally accessible font choice for your projects. Applications: Branding: Create impactful logos and brand identities that leave a lasting impression. Editorial Design: Enhance the readability and visual appeal of magazines, newspapers, and books. Web Design: Craft modern and engaging websites that resonate with your target audience. Packaging: Design packaging that stands out on the shelf and communicates product quality. Posters and Flyers: Grab attention with bold and stylish promotional materials. Unleash the power of Protura Sans Serif Masculine to elevate your design projects with a masculine, contemporary, and highly versatile typographic solution. With its extensive weight range and italics, this font family empowers you to create impactful and visually stunning designs.

a grunge gothc font