GHEA Granshan is a super font family. It has 9 upright weights and their Italics. It supports Latin Pro, Armenian, Greek, Cyrillic, Bulgarian & Ukrainian alternatives alphabet systems. The weights from Regular to Bold and their Italics can be used as text fonts. The weights thinner than Regular and thicker than Bold can be used as Display fonts. It is an easily readable fond and the eyes don't get tired while reading. GHEA Granshan has a slight contrast style and at the same time is quite bright and clear.

Charles Gibbons' Fleischman BT Pro revives J.M. Fleischman's quirky and elegant text faces of the 1730s. Born in Germany, Fleischman worked in Holland, primarily at Enschedé en Zonen where he cut dozens of faces. His types represent some of the earliest examples of the Transitional style, predating and influencing the work of Fournier, Baskerville, and Bodoni. They were wildly popular in their day, used for everything from newspapers to currency, and Fleischman himself has enjoyed a renaissance of late. Fleischman BT Pro preserves the feel of the printed metal types while expanding the original to include four OpenType fonts: roman, italic, bold, and bold italic. They all include small caps, old style and lining figures, discretionary and historical ligatures, ornaments, and superiors. Fleischman Pro also supports Western, Central European, and Eastern European languages.

The genesis of ApronSoft font type family is inspired by soft-vertical structure of airplane window. On the other hand ApronSoft is making a reference to technological design mentality of early 2000's. In short texts it has stable view and also humanist effect. Very suitable for mobile apps, web designs, sportive & technological product packs and ads designs. Especially Narrow Bold and Condensed Bold Italic weights have fluid and strong expression for striking headlines. User friendly ApronSoft serves rich opentype properties; small capitals, alternative letters (a, c, e, g, k, l, q, s, y, A, C, G, K, M, N, R, S), stylistic sets, standart and optional ligatures, oldstyle figures, tabular linings, arrows, bullets and wide money currencies, fractions and math symbols. With reduced file size, it’s softer now!

Tall, skinny handwritten letters in both a wide and a narrow version. The uppercase slots hold all of the wide versions, while the lowercase slots hold all of the narrow versions.

LIETZ Lindham is based on letters taken from an old type specimen folder from 1936 featuring handdrawn sans-serif ABC's. It's kinda bauhausy and straight but also shows the wonderful lively unevenness of hand-drawn letters. Being made for the use in large-scale advertisements and posters, LIETZ Lindham fits perfectly for pro-communist propaganda posters, but also features legibility in smaller sizes, so you can use it for your Neue Typographie manifesto too, Jan. Go grotesk! Go bold! Go neu!

Several roads have been closed around my village, so I need to drive alongside narrow country roads ro get my groceries done. The roads are so narrow that two cars cannot pass, so you need to use the (muddy) kerbs. A lot of cars these days have Xenon lights and they shine really bright and blue. I am non xenon-phobic, but I can tell you that the ‘old’ yellowish headlight were softer on the eyes, especially when you’re trying to navigate narrow country roads! Yes, I know, a long story leading nowhere, but a little personal story (in my opinion) is better than a boring text full of technical bla bla. A font is a font after all and I don’t need to explain what it looks like, because you can see that for yourself! Headlight Blue is a handmade, all caps display font. It comes with all the trimmings, including two sets of alternates that cycle as you type.

P22 Allyson is based on an old metal font by Barnhart Bros. & Spindler named Hazel Script. This font is perfect for elegant invitations and certificates and has been expanded to meet the needs of today's computer user to include a full character set. Allyson Pro contains OpenType features.

M Metallic Hei PRC is a graphic style Simplified Chinese typeface. Graphic font designs have strong personalities and visual impact. Graphic style Simplified Chinese fonts feature decorative elements and pronounced graphics characteristics, suitable for catching attention in display applications.

M Elite Hei PRC is a graphic style Simplified Chinese typeface. Graphic font designs have strong personalities and visual impact. Graphic style Simplified Chinese fonts feature decorative elements and pronounced graphics characteristics, suitable for catching attention in display applications.

Stripy strokes with more open to curves, designed for Young Urban, Professionals! PRC series fonts are in Unicode encoding and consists covers GB 2312 character set. It conforms to GB12345 standard. The character glyphs are based on the regular simplified Simplified Chinese writing form and style. It is generally used in China Mainland PRC and Singapore.

Stems (豎) and crossbars (橫) are direct and simple, dots (點) are short but authoritative, downstrokes (撇、捺) are no longer curvy but straight and sharp, thus, a smart and straightforward typeface. Bold in this family is rough and tough, demonstrating a high extent of muscularity. Meanwhile Light is neatly, naturally and nicely crafted, aiming to achieve high legibility. A popular choice for advertising with diverse usages.

M Zhi Hei's design concept comes from M Stiff Hei , where horizontal and vertical strokes (橫、豎) are direct, dots (點) are short but forceful, downstrokes(撇、捺) are straight and sharp - everything bold and straightforward. One big difference between M Zhi Hei and M Stiff Hei, is the similar thickness of horizontal strokes (橫) across all font styles, so that there would be a strong contrast formed by the thin horizontal and thick vertical strokes (橫、豎) in the bold face. Still, remains bright, neat and beautifully crafted, it is a multi-purpose typeface that convince audiences and cater for different needs.

Among the world of Chinese commercial fonts, M Qing Hua has a relatively high flexibility to be used in different areas, for instance, media of advertising. Its design concept is to combine the neatness of Hei typeface with the roundedness of Yuen typeface. The typeface tries to revitalize the boring traditional design by adding energy, simplicity and modernness to it, which could be shown in the small features in strokes like delicate and curvy finishings. More is the appropriate mix of masculinity and femininity, so as to enable a more effective communication, stronger visual attractiveness and higher affections.

To blend a handwritten style with a graphical aesthetic, Monotype designers paid attention to the balance between the two, hence harmoniously combine their qualities like a mix of tradition and modern. M Felt Pen references the unified stroke thickness and rounded terminals of rounded Heiti typefaces, imitating the fluidity of marker writing. The linked strokes are vivid and suggest the presence of the human hand.

M Kai 2 PRC is a handwritten style Simplified Chinese typeface. Handwritten font designs are derived directly from hand-drawn lettering or handwriting using analogue tools. Handwritten style Simplified Chinese fonts can include typefaces that reference or reinterpret traditional calligraphy, using classical exemplars by calligraphic masters.

The hand lettered credits from the 1931 melodrama “Safe in Hell” inspired the typeface Pre Code Movies JNL, which is available in both regular and oblique versions. The design is strongly influenced by the popular Art Deco style of thick-and-thin characters and also features rounded corners. The font’s name comes from the early era of talking pictures and the short period before the establishment of the Hays Office in 1934 when Hollywood did not self-censor itself. Many then-taboo topics were exploited on film until Will Hays cracked down on such productions. To read more about Pre-Code Hollywood, visit the Wikipedia link: https://en.wikipedia.org/wiki/Pre-Code_Hollywood

M Ying Hei™ is designed by type designer Kenneth Kwok and Robin Hui. Unnecessary details have been eliminated to pursue a minimal form. The structure of characters are well balanced, neat and dignified. Different components of a character are cooperating perfectly in an appropriate proportion. Thickness of strokes are modified according to the number of strokes, thus achieving an even texture throughout the paragraphs. Therefore a perfect choice for prints, user interface and signages. M Ying Hei™ is equipped with 7 weights, which is sufficient for various occasions like matching with different Latin typefaces and handling complex information hierarchy.

M Zuo Hei PRC is a graphic style Simplified Chinese typeface. Graphic font designs have strong personalities and visual impact. Graphic style Simplified Chinese fonts feature decorative elements and pronounced graphics characteristics, suitable for catching attention in display applications.

M Ying Hei™ is designed by type designer Kenneth Kwok and Robin Hui. Unnecessary details have been eliminated to pursue a minimal form. The structure of characters are well balanced, neat and dignified. Different components of a character are cooperating perfectly in an appropriate proportion. Thickness of strokes are modified according to the number of strokes, thus achieving an even texture throughout the paragraphs. Therefore a perfect choice for prints, user interface and signages. M Ying Hei™ is equipped with 7 weights, which is sufficient for various occasions like matching with different Latin typefaces and handling complex information hierarchy.

Zhi series is inspired from vertical shop banners/signages from Japan, where each banners is attached to a slim simple structured skeleton. M Zhi Ngai™ takes reference from M Zhi Hei’s straightforwardness and masculinity but inserted plenty of ornaments and gentleness. Featuring a strong thick–thin contrast in the strokes, the typeface looks bright, smart and contemporary, suitable for promotional materials and more other media.

M Banquet is a humanistic script written by a Chinese restaurant owner, which the name ‘Banquet’ comes from. It is a calligraphic style that always being seen in traditional Chinese banquet menu. Incorporated a feeling of masculinity, fill with strength and energy and attracts eyeballs of customers. It was written with a thin ball pen in a unique, personal and expressive writing style, such that it is realistic, natural and masculine. Contrast of strokes is low and the text is visible and eye-catching. Its light to medium stems (豎) make it suitable for small text to subheading with little conglutination. All strokes are irregular, inconsistent, irregularly oriented and tightly coupled. Spatial distribution, positioning, size and relative proportion of radicals fully reflect a natural and personal style. It is one of the few proportional-width font in a full scale. It is best suited for casual lively atmosphere, illustrations, set upright (non-slanted), non-condensed.

M J Ngai PRC is a graphic style Simplified Chinese typeface. Graphic font designs have strong personalities and visual impact. Graphic style Simplified Chinese fonts feature decorative elements and pronounced graphics characteristics, suitable for catching attention in display applications.

The genesis of Apron font type family is inspired by soft-vertical structure of airplane window. On the other hand Apron is making a reference to technological design mentality of early 2000's. In short texts it has stable view and also humanist effect. Very suitable for mobile apps, web designs, sportive & technological product packs and ads designs. Especially Narrow Bold and Condensed Bold Italic weights have fluid and strong expression for striking headlines. User friendly Apron serves rich opentype properties; small capitals, alternative letters (a, c, e, g, k, l, q, s, y, A, C, G, K, M, N, R, S, 3, 6, 9), stylistic sets, standart and optional ligatures, oldstyle figures, tabular linings, arrows, bullets and wide money currencies, fractions and math symbols. Now please fasten your seat belts and enjoy it.

In 2015, Amsi Pro was released with the intention of easy usage and headings. After more than 5 years, Amsi has developed itself into the direction of Grotesk, which can be use comfortably as Graphic, both text and headlines, keeping its friendliness trait with Semi-Rounded and Humanist approach looking pleasing to the eye, succeeding the DNA of Amsi. The font has been set to equipped with 3 widths (Normal / Narrow / Condensed) for flexibilities in various demands. We are truly proud to present Amsi Grotesk.

‘Scion’ is an original design by Alex Kaczun. The inspiration for the typeface came from the Toyota SCION logo, which bears its name. In Alex’s own words, "I loved the simplicity, proportions and hi-tech look of the logo and decided to create an entire new design series based on its unique look". The fonts come in five flavors: thin, light, regular, bold and black. All the font weights were designed systematically on tabular widths so that the user can make adjustments to overall type color without changing the line length. In addition, Alex Kaczun has provided us with several alternate glyph substitions to further enhance the overall appeal of this contemporary new design. The large Pro font character set, which supports most Central European and many Eastern European languages, makes this typeface series ideally suited for display copy as well as text composition. In the near future, Alex plans to include a narrow, compressed and ultra expanded, along with true-drawn italic variations to further expand the possibilities of this great new display series.

This is a new barely modulated, slightly narrow, sans serif font family. It has eight styles: thin, thin italic, regular, italic, bold, bold italic, black, & black italic grouped into two 4-font families: Amico Thin with the Bold; and Amico with the Black. Amico has the standard feature set developed at the end of 2007. It has many OpenType features and 654 character/glyphs: Caps, lower case, small caps, ligatures, discretionary ligatures, swashes, small cap figures, old style figures, numerators, denominators, accent characters, ordinal numbers (1st-infinity): lining and oldstyle), and so on. It is designed for text use in body copy. However, Amico really shines as the choice for heads & subheads when using Amitale or Brinar for the text family.

Monograf was originally designed as fixed-width monospaced font which has 2 weights (Regular and Bold). Monograf Text is a derived style of Monograf with proportional spacing and well-balanced kerning to make the text easier to read and look optically balanced. So in the total bundle you get 4 pieces of this font: Monograf Regular, Monograf Bold, Monograf Text Regular and Monograf Text Bold. This versatile font with clean geometry and slightly rounded corner elements works great in digital space, as well in print. It also retains its legibility at smaller sizes. Typographic features include old-style figures, directional arrows and four types of asterisks. The entire font is suitable for purposes such as tabular layout, coding, website, but also for magazines, logos, signs, products, and others. Features: Basic latin alphabet A-Z 116 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures, Directional arrows and 4 asterisks

Ultra Heavy Weight Font Champion – that's Kotto Slab. Bold curves and catchy endings. You can always count on Kotto – quirky posters, creative projects or long texts. That doesn't matter. Easy to use and easy to pair with other typefaces. Matching italics and opentype features will make your work faster. Try it with sans and serif fonts, especially with Praho Pro – you won't regret it.