Cervo Neue is the new perfected and extended version of Cervo, containing 18 variants. It differs from the previous version with the higher accents over glyphs, enlarged punctuation, old-style numerals and the newly added varieties Semi Bold, Bold, Extra Bold and Black. Additionally, there is the variety of grotesque. Font Cervo is inspired by a “You And Me Monthly” published by National Magazines Publisher RSW „Prasa” that appeared from Mai 1960 till December 1973 in Poland.

Hustlers™ was inspired by carnival, circus and tattoo signs shop from the late 1800's. It works well with normal size text, but works even better for large displays, short words, or just to incorporate a few or single characters in a design.

Randu Sans Serif Display Font Family is a sleek, modern font family with an elegant typography style. Created with clarity and boldness in mind, this font offers a variety of bold and italic styles, providing flexibility in its use. Whether used for titles, headings, or poster designs, the Candied Sans Serif Display Font Family provides the clarity and appeal needed to hold an audience's attention.

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally designed by Frederick Goudy for the original Life magazine, circa 1908. Because of delays in production, the face was never used by the magazine. However, Gimbel Brothers, the famous New York department store, opened in 1910, around the time of the release of the typeface, which was used almost exclusively for its advertising and was often known as Goudy Gimbel, but the typeface was better known by the Monotype series number Goudy 38.

This family was inspired by a font carved circa 1590 for a Polish editor. We don't know who was the punchcutter, nor the printer's name. We have added the special East European diacritics (Czech, Hungarian, Romanian, Croatian, Slovak, Slovenian, Sorbian )as the original font has only the Polish accents. It is a Garamond type, like our 1592 GLC Garamond or 1589 Humane Bordeaux, rough and a little approximate, but attractive. We recommend using OTF version with Windows Vista, providing a best compatibility.

Keep up that great western tradition with Buckle Bold! Buckle was created to be a contemporary twist to old "cowboy" fonts. It is bold while retaining a narrow width. When reduced down, it has a slightly worn look caused by the reduced double diamonds inside the capitals - which does not look out of place at all.

Roncial is an Ultra Bold font with a hint of serif. This is one of the fonts originally designed before the advent of digital and started out being a bolder, slightly serifed version of Folio Extra Bold which was one of the boldest fonts at the time (old metal set). It is available as Roman and Italic.

Apparata is a versatile display and text typeface suitable for identities or magazines. With a rounded finish, some characters have a combination of diagonal and curve strokes. Currently includes 4 styles: Light, Light Italic, Bold and Bold Italic. With more than 700 glyphs in each font, smallcaps, tabular and old style figures, fractions, ligatures, punctuation and symbols.

Gezart is a modern sans serif with geometric touch in 32 weights - 16 uprights and its matching italics. The weights are ranging from Hair to Heavy, with one of them (Extra Thin) is for free of charge. Each weight of Gezart contains more than 700 glyphs. The family is equipped for complex, professional typography with Open Type Features including — small caps, localized forms, old-style figures, standard ligatures, subscripts, superscripts, numerators, denominators, numbers in circles arrows, currency symbols and fractions. The Gezart font family is ideally suited for branding & layout design, posters, body text, web, editorial design, and more.

The other day I was at a market with my kids and they had this really retro kind of circus thing. The signs and posters there, were designed in a really sloppy and poor manner - but they all had a lot of naive charm! I was really fascinated by all these uneven letters and I was immediately inspired to do a font like that! And out of the magic hat comes...ta-da-da-da...Cirkus Fantastiko! Planning on throwing a party with a circus theme? Then Cirkus Fantastiko is ready to play the juggling clown while riding the elephant! Play around with the 3 different layers to create that low budget hand painted cirkus posters! :)

Piolin So new. So different. Piolin is a memorable display font inspired by the circus universe. This typeface, which has the same name of the most renowned brazilian clown, is full of magical tricks like several characters alternates, swashes and discretionary ligatures. Please, explore the opentype features included in this typeface at their best and go deep inside the circus imaginary.  Piolin is suitable for brand identities, book design, editorial design, campaigns, exhibitions and other promotional materials that seek a special flavour to stand out an astonishing message. If used in big sizes, Piolin reveals its marvellous details which make us feel bewitched by how carefully it is designed. Feel the magic up close!

Kismet has the look of a modern, ornamental alphabet, but looks are deceiving: the typeface was designed by John F. Cumming in 1879. The basic forms are strictly constructed, most based on the form of a circle, a shape which also appears again and again in the ornamentation. Cumming decorated his figures generously with spiral elements and tiny circles in the middle of the letters. Characteristics which suggest the beginning of the Jugendstil are the floral designs and some individual forms, for example, T, M or P. Small, pointed serifs add a sobering element to all the flowery, oriental decoration. Used sparingly in headlines, the extravagant Kismet will be sure to attract attention.

The new Fabrizio™ types, designed by Ari Rafaeli, have made their first appearance in Saggi di Letteratura Italiana: Da Dante per Pirandello a Orazio Costa, by Lucilla Bonavita, printed at Pisa in March 2016 by Fabrizio Serra Editore for whom the type was specially designed. The types are now offered for general sale. Each style (roman, small capitals, italic, semi-bold, bold) contains Cyrillic and ‘polytonic’ Greek letters and letters for many European languages (Czech, Hungarian, Icelandic, Lettish, Polish, Romanian, Serbian, Ukrainian, Welsh etc.), non-kerning fs, long ſ, ligatures and fractions. Alternative forms are supplied in ‘B’ versions of each style. A set of swash letters and sets of superiors, inferiors, fractions and phonetic letters are also offered. Two ‘Special’ fonts (roman and italic) containing special accents, letters for transliteration, Vietnamese letters, mathematics signs and symbols, arrows, commercial signs, pictograms, figures in circles, scansion marks, braces & benzene rings and the Rafaeli-Meruba Hebrew letters, as well as Latin, Cyrillic and Greek letters, are included in the Fabrizio family.

Interval Next is a modern sans serif font family that is the successor of the successful Interval Sans Pro. Designed by Olivier Gourvat, Interval Next typeface consists of 16 fonts in 8 weights — Ultra Light, Light, Book, Regular, Medium, Semi Bold, Bold, Black— and has 4 styles. This super family combines a humanist mind with its contrasted shapes and a modern look with its open counters. With its four versatile styles (Condensed, Narrow, Roman and Wide) Interval Next has a creative palette able to meet the modern typographic demands. Its OpenType features will provide you almost unlimited multilingual support as well as small caps, case sensitive forms, proportional and tabular figures, slashed zero, numerators, superscripts, denominators, scientific inferiors, circled figures, subscript, ordinals, fractions, arrows and f-ligatures. Also extremely functional for professional editorial design, Interval Next has a pro kerning and would be extremely suitable for mobile applications, e-books, web sites, headlines, posters, signage and many more. Interval Next covers a large spectrum of languages such as West European, East European and the Cyrillic.

Core Sans CR family is a rounded version of Core Sans C; a part of the Core Sans Series, such as Core Sans N, Core Sans M, Core Sans E, Core Sans A, Core Sans D, Core Sans G, Core Sans R and Core Sans B. Core Sans CR is inspired by classic geometric sans (Futura, Avenir, Avant Garde etc.). It is based on geometric shapes, like near-perfect circle and square. It has a much higher x-height (height of lowercase letters), an effect which promotes readability especially at small print sizes. The Core Sans C Family consists of 9 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy, Black) and Italics for each format. Core Sans C supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. Core Sans C is an ideal font family for use in magazines, web pages, screens, displays, and so on.

Another experimental typeface by Marshall. This typeface is almost difficult to read but that is almost the point. It features words or almost enclosed circles as well as thick strokes around the letter forms. The font has an mysterious edge while providing shock to whomever views it.

KD Arguru Stencil is a geometric display font that will give your projects an elegant look. It breaks away from traditional stencil faces by using circle as a main design element. Originally published in 2014, it's now been updated with changes to letter shapes, curves, OT features.

HippityDippity is a whimsical typeface with big, sloppy serifs and no straight lines or smooth circles. It comes in two weights and an inline variation. HippityDippity Inline Middle and HippityDippity Inline Inside are designed to be layered with HippityDippity Inline to produce bicolored or tricolored letters.

Geotype is typeface inspired by circle shapes simple but significant, and defined by its crisp edges and modern touches. It is designed for optimal legibility. An lowercase is unique with some alternates, Geotyface makes a statement without making a scene. Three weights, four very different personalities.

Based on some examples of a Clarendon-inspired wood type design, Clarenwood JNL is a bold and effective titling font which harkens back to old times and advertising on a grander scale.

Striptease JNL is the bold, brash, "your-name-in-lights" companion to Showgirl JNL, and was inspired by a scene in an old television show depicting a burlesque house of the 1930s.

The box cover of “Drawing Stencils No. 3 for Use on Slate or Paper” [a children’s drawing set produced by Montgomery, Ward & Company of Chicago circa the 1890s] had its title in an elegant spurred Roman type face. Working from the few letters available, a complete character set was created that resulted in Antique Packaging JNL, which is available in both regular and oblique versions. To note, this is the 1500th font release from Jeff Levine Fonts since its inception in January of 2006.