Sets of Art Deco capitals shot full of holes for display effect by by J. Looney at VGC.

Nubrix Grotesk is a condensed geometric sans full of curves, character & charm. Perfect for big statements and impact!

Instamood is a new signwriting script full of ligatures. Perfect for your Instagram post and for casual posts.

M Ling Wai is a humanistic script based on a real handwritten style. It has a feminine, urban and lively character filled with literate finesse. M Ling Wai was written with a thin ball pen by a young woman in a unique, personal, running writing style, such that it is real, natural and feminine. Contrast of strokes is low and the text is visible and eye-catching. Its light to medium stems (豎) make it suitable for small text and subheading with little conglutination. All strokes are highly irregular, inconsistent, irregularly oriented and tightly coupled or connected. Spatial distribution, positioning, size and relative proportion of radicals fully reflect a natural and personal favor. It is one of the first proportional width font in a full scale. It is best suited for casual lively text, illustrations, set upright (non-slanted), non-condensed.

Glosa is a type family designed for editorial purposes. Glosa is delicate and highly readable at very small sizes but reveals all it’s strength and personality when used at big sizes. The contrast of the sharped serifs and ball terminals, provide a fresh and very contemporary look. Glosa Text is a bracketed serif, softer, smooth and less idiosyncratic, suitable for text settings. Both styles have four weights and italics, in a workhorse typeface, full of OpenType features such as Small Caps, Tabular Figures, Central Europe characters and Historical Figures, among others. Glosa Headline is ideally suited for nameplates and headline typography, with four weights and with lowercase matching the small caps. In Glosa most of the diacritics were designed to fit the gap between the x-height and the caps height, avoiding some common problems with the accented characters.

M Ling Wai is a humanistic script based on a real handwritten style. It has a feminine, urban and lively character filled with literate finesse. M Ling Wai was written with a thin ball pen by a young woman in a unique, personal, running writing style, such that it is real, natural and feminine. Contrast of strokes is low and the text is visible and eye-catching. Its light to medium stems (豎) make it suitable for small text and subheading with little conglutination. All strokes are highly irregular, inconsistent, irregularly oriented and tightly coupled or connected. Spatial distribution, positioning, size and relative proportion of radicals fully reflect a natural and personal favor. It is one of the first proportional width font in a full scale. It is best suited for casual lively text, illustrations, set upright (non-slanted), non-condensed.

Glosa is a type family designed for editorial purposes. Glosa is delicate and highly readable at very small sizes but reveals all its strength and personality when used at big sizes. The contrast of the sharped serifs and ball terminals, provide a fresh and very contemporary look. Glosa Text is a bracketed serif, softer, smooth and less idiosyncratic, suitable for text settings. Both styles have four weights and italics, in a workhorse typeface, full of OpenType features such as Small Caps, Tabular Figures, Central Europe characters and Historical Figures, among others. Glosa Headline is ideally suited for nameplates and headline typography, with four weights and with lowercase matching the small caps. In Glosa most of the diacritics were designed to fit the gap between the x-height and the caps height, avoiding some common problems with the accented characters.

Less is More. This stencilled version takes away some of Didonesque’s structure while adding another level of distinguished style and supreme elegance. The Elegante fonts epitomise the style required for high-end fashion and beauty applications with their crisp curves combined with tapered serifs and terminals – instantly creating a polished and fashionable aesthetic. Didonesque Stencil was designed for large display purposes, branding, corporate identities, headlines, advertising, wedding invitations and the like. Of particular note are the minimal ball terminals which are available by activating Stylistic Set 2 – they’re perfect for adding that extra bit of magic to your typographic designs. Key Features: • 4 Stencil weights in Roman and Italic styles • 4 Stencil Elegante weights in Roman and Italic styles • 4 weights in Condensed style • Small Caps, Petite Caps, Alternates, Ligatures and Contextual Alternates • Full European character set (Latin only) • 780 glyphs per font.

Glosa is a type family designed for editorial purposes. Glosa is delicate and highly readable at very small sizes but reveals all its strength and personality when used at big sizes. The contrast of the sharped serifs and ball terminals provides a fresh and very contemporary look. Glosa Text is a bracketed serif, softer, smooth and less idiosyncratic, suitable for text settings. Both styles have four weights and italics in a workhorse typeface, full of OpenType features such as Small Caps, Tabular Figures, Central European characters and Historical Figures, among others. Glosa Headline is ideally suited for nameplates and headline typography, with four weights and with lowercase matching the small caps. In Glosa most of the diacritics were designed to fit the gap between the x-height and the caps height, avoiding some common problems with the accented characters.

Graphite/4b pen illustrations from the past resurrected as vector/tattoo-art! The detailed illustrations can be displayed at large sizes/full magazine layout page down to thumbnail size! a-l: The full Zodiac of Chaos m-u: Parts from the Tarot of Chaos v-z: Faces of Chaos A total of 26 unique illustrations. Upper case A-Z hold mirrored versions. Enjoy!

Lucilee is a full featured, OpenType script font from Michael Clark. It is a sweeping italic with many alternates, including ligatures, beginning and ending swashes, and a full Central European character set. It is a joining script that is fluid and also suitable for titling. Lucilee was designed with packaging in mind, but can be used for a wide variety of uses.

Huggy is a display typeface designed by Michael Parson and inspired by the work of Heinrich Heinz. Full of Art Nouveau flair, this two weight typeface is bold forceful but full of subtle features that give the design a unique personality. With a narrow width and tall aspect, it is perfect for setting text in tight spaces like posters or other titling situations.

Bill Rigney, an old job printer in my home town, established his shop in 1896, closed it in 1900 to take a steady job, stored the equipment in a large shed, and reopened for business upon his retirement in 1950. What a find! A bonanza of old type! We became good friends and upon his death I bought the type. Bless you Bill.

Here I present a full Aesthetic Silhouette font with original handwriting. The design looks stunning and attractive with a natural touch. I made this font for those of you who are in need for branding purposes, taglines, websites, invitations, logos, cards, magazines and so on. Full Set of standard alphabet and punctuation Extra set of ending swashed lowercase Handwritten ligatures Happy creating! Cheers!

ITC Caribbean is the work of California designer Jill Bell, earthy yet exotic. In her typeface experiment, Bell combined unusual angles and curves to produce tall, thin letters whose stroke style completes the suggestion of palm trees which this typeface brings to mind. The typeface contains capitals and small caps. The natural look of ITC Caribbean lends any work a human touch.

Queensberry is a contemporary take on the classic, Egyptian slab-serif style. It is a highly legible text font and an elegant display font at larger sizes. Its versatility is further enhanced by the free-flowing, bespoke italic, which is loaded with personality. Queensberry is available in a full family of five weights and includes a full range of accented characters.

Collegiate is a full font based on the lettering around an old mosaic tile badge at Liverpool Collegiate School.

Based on the earliest ATF/M.F. Benton versions of the Bank Gothic typefaces. ‘Fleshed-out’ into a full family.

Stitch Cursive is a cute cursive font, with the added distinction of looking hand sewn! The applications of this full-out cursive font are many. It is designed to be creative & free flowing, but I also wanted it to be at least somewhat proper. The stitch is the central element to this unique design. Use Stitch Cursive any time you want fancy, legible, and luxurious text. Works great for logo design and beautiful for titles. Go ahead and have fun with it. Stitch Cursive is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications.

Stefani EHYO was designed ultimately with pure simplicity in mind, to carry an inviting, friendly style. The result is an ultra clean look with versatility: useful for either full bodies of text or for a nice headliner. The simplified smooth forms are highly legible and carefully well-matched, so can even be used over a busy background or at very small point settings. Stefani is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments and publications. Choose Stefani for any application where you want solid readable text, any time you want a pleasant and clean feel to your presentation.

This collection of decorative initials culled from specimen books of the late 1800s will add nostalgic charm to any project.