Tingle has that quick pen look popular with many designs, I have also added the various discretionary ligatures. Usage recommendations: Captions, fliers, packaging, cards, posters, ads, book jackets, manuals, menus, bulletins.

A tall, warm and friendly handwritten typeface with a simple structure and low contrast. Works well for both display and body text. It has a serif version as well - Liniga Serif.

Sutten Batavia is a unique brush font, perfect for use in modern design projects. This font has a slightly aggressive edge, and works well in displays for use in digital media.

Hadeya is a modern and beautiful script font. It has a elegant style and is perfect for creating quotes, logos, social media post, clothing, poster, id card, card, and many more.

Using the genetic inheritance of semi-serif typeface Ninfa, designed in 2008, Ninfa Serif has 10 styles and designed to fulfill all needs in the design of text - books and magazines.

Hi! Introducing a vintage style font Shining Night. This font has additional font file with round dots over the base glyphs, that immitates a lamp lights of a real cabaret signboard.

Arabela is a modern and beautiful calligraphy script, ideal for use in elegant designs. This font has a dancing look and adds a lot of femininity to all types of projects.

Remaglide is a Brush Handwritten Font. It has several swash and several alternative styles that can be used as needed. Remaglide will do great on invitations, in quotes, ads, and more.

"Fibula" has a surprising and lively effect? The design is based on the form of a safety-pin. Fibula display font offers designers creative alternatives to create brands, packaging and titles.

A unique slab serif with strong shapes give it an unmistakable character and charm. Every letter has been designed with passion and the family comes with lots of opentype features. Enjoy!

Mleyoth is a bold and detailed blackletter font. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level!

Duesenberg was designed to be similar to turn of the century fonts used primarily in newspapers. It has roman characteristics, yet is clearly not, and really doesn't fall under any category.

Atlas is an affable display font (think friendly neighborhood pub) originally created by Day & Collins of London. Atlas has thick strokes and triangular, rounded serifs. Some characters feature curly, decorative elements.

KARDELEN means,snowdrop flower in Turkish BEAUTY Kardelen font is created for expression of pure beauty GEOMETRY Every glyph on kardelen has a ratio to one another,which makes it rational

Mid Century Sans (MCS) is composed of high-geometric shapes. László Moholy-Nagy —professor in the Bauhaus— said “Typography is a tool of communication. It has to be communication in its most intense form. The emphasis must be on absolute clarity since this distinguishes the character of our own writing from that of ancient pictographic forms.” As same as you can see in modern typefaces in the early twentieth century, MCS has very efficient, clear and minima letterforms. There are not any decorative parts in the skeleton of letters. At the same time, Mid Century Sans has one more feature. In the middle of the twentieth century, one big movement which was called Mid-century modern had occurred. The Mid-century modern movement in the U.S. was an American reflection of the International and Bauhaus movements and it was slightly more organic in form and less formal than the International Bauhaus-style. In other words, it was friendly and stylish. We added Mid-century-spices to the Bauhaus-modernism. The basic letter form is geometric yet it has very friendly strokes and human touch. Mid Century Sans consists of 8 weights and their matching Italics for a wide range of usages. Farther, Mid Century Sans is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also MCS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works. Lowercase "a" has OpenType stylistic alternates for advanced typography.

German graphic designer Ralf Weissmantel created Boogie in 2003. Boogie is an ironic reference to pop art, and to disco lettering from the 1960s and 70s. Its round forms and outlines evoke the flashing, pulsating lights and music of that era. Shipping with five different, width-compatible fonts, the Boogie typeface has four different components: an outlined letterform is the base element, and forms the first font. Three additional fonts may be layered over top of this base, surrounding the first font with up to three bubble-outlines. In graphics applications like Adobe PhotoShop or Illustrator, these elements can each be assigned different colors. There is also a fifth font, which contains the base outlined letterform pre-surrounded by three additional outlines of the same color. Boogie works best in large headline, display and signage applications, where its forms can be clearly seen and enjoyed. When different colored layers are applied, text set in Boogie will gyrate and jive across the page! Weissmantel has worked as an art director for various international advertising agencies, and has led Corporate Design projects for firms such as Grey and MetaDesign. His design work, honored internationally, has been included in the typography collection of the Museum for Art and Trade in Hamburg. He is currently teaching graphic design at the Düsseldorf University of Applied Sciences. Weissmantel has been an associate of the United Designers Network since August 2002. Boogie received an Honorable Mention in the 2003 International Type Design Contest, sponsored by Linotype GmbH.

Pietro Aretino (1492 – 1556) Was an Italian author, playwright, poet, satirist and blackmailer, who wielded influence on contemporary art and politics. The most vigorous and versatile vernacular writer of the 16th century He was a very versatile writer, famous for his Lascivious Sonnets – which caused great scandal at the time – but also for his satirical verses, addressed to all the powerful people in Italy, without forgetting the many plays that he wrote for the theatre. Part of the charm of his letters is that through them you may know the whole of Venetian society from the top to the bottom. The little-known church of San Luca in Venice (in St Mark's district) has been a place of pilgrimage for centuries for people who are decidedly not devout: journalists, writers, free thinkers. In 1556 Pietro Aretino, a unique character of the Italian and Venetian Renaissance period was buried there. Such strong of personality, has contributed to generate the powerful wind of change that emerged from the italian renaissance. We have inspired on that talent searching for a new sight the famous Venetian typefaces. Probably looking for more vigour and contemporary digital style. This typeface is slightly condensed, lighter and has more contrast between the thick and thin letter-strokes, it has concave bracketed serif. Their ascender and descenders strokes are very shorts. Aretino family is completed by four weigh: Regular, SemiBold, Bold and ExtraBold, while Italics has three weighs. These fonts came with a full OpenType features and CE languages.

Ultraxoid has got autoligatures for both double numbers, double letters, and a good handful of the most common letter combinations. You will need to use OpenType supporting applications to use the autoligatures.

Bendita could evoke the didones of the 19th century. It has an extreme contrast that makes it only suitable as a display typeface, with its characteristic shapes. The fatty type par excellence.

Ruckshack is a natural script font that has power on each stroke that is very dynamic and characterized. Ruckshack is very suitable for various design, branding, product packaging, clothing line, banner, etc.

Arpa is a display sans and condensed font family. The source of inspiration of this typeface is “wheat-barley”. This typeface has three styles. Extensive Latin language support and features multiple weights.

Public Interest in my all caps fine looking handmade font. Each letter has 5 different versions and they automatically cycle as you type - making your text look even more lively and vibrant!

Oksana Text Swash has swashed initials and ampersand for Oksana Text italics in six weights from Thin to Heavy. For all-in-one fonts please look to OpenType version of Oksana Text.

Take a trip to a tropical paradise. This brush style font has an exotic appeal with alternate uppercase characters borrowed from the font, Babylonica. The OpenType Pro version offers extra alternate characters.

Сurvede Pro – is a sophisticated multilingual typeface with fine details on the letters. Great for working with headlines for magazines, newspapers, creating logos. The font also has Cyrillic, Latin and many ligatures

Display Robust is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Robust has an uppercase alphabet, numbers, and punctuation.

Infirmly Indicator is a modern and simple handwritten script with an classy touch, this font has a unique shape of each character that will add great impression to the design we made.

Dockyard is a relaxed handwritten font, has a gentle and beautiful flow. This font is perfect for logo, wedding invitations, stationery, photography, social media posts, product packaging, greeting cards, and much more!

Yes Margo is an unique handwritten font. It has sweet and lovely touch. Yes Margo is perfect for many design purposes, just try on your creative project and it will be cool :)

It's sharp and pointy! This font is anything but minimal, it has an edgy personality with asymmetrical qualities. This edgy font is perfect to use for a band or an edgy poster.

This typeface is based on Guillaume I Le Bé typeface. This font has all diacritic accents including the chanting diacritic (trop) and modern Nikud (Holam Chaser, Shevana, Kamatz Katan and Dagesh Hazak).

Based on examples of common medieval Gothic typefaces, High German has lots of character, giving an immediate impression of the densely packed pages of the 'traditional' backward looking printers of the day.

My font Diashapes has been created by the power Point shape Diagonal Stripe and its angles act like curves. It is a unique font that stands out like a building frame work.

willgive is a font with a firm and pointed tip which is perfect for writing with a strong impression, this font has 4 families that can be used according to your wishes.