This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually. The frames font uses the same calligraphic elements as PR-Swirlies-01, but has them combines in ways which form an elliptical cartouche. Many of the elements can be used in a modular way to create frames of varying length.

I suggest you to pay attention to the "Design" font. It's bold, with softened corners and some slope for dynamic effect. "Design" font has a unique charm and easy visual readability, so it's perfect for headlines, whether for sports events, automotive posters, logo or monograms designs.

I suggest you to pay attention to the "Speed" font. It's bold, with sharp angles corners, spurs and slope for dynamic effect. "Speed" font has a unique charm and easy visual readability, so it's perfect for headlines, whether for sports events, automotive posters, logo or monograms designs.

Teo Tuominen’s Trevor took its first breath as a revival of an 18th century antiqua, but culminated in an entirely new and good-natured family. Trevor is an affable slab serif in nature: both heavy and kind. Known for their familiarity and their dark colour, the terminals of slab serifs put additional weight along the line to maintain an inky presence. Their clunky forms reveal slight immaturity and arouse the reader’s sympathy for the subject at hand. Trevor connects with others by consciously riding the line between being personal and commanding. One goal with Trevor was to pair the robust nature of a low contrast slab serif with more sophisticated elements, such as the ball terminals. So wherever one looks in Trevor, rounded corners rule the day, softening the overall appearance by mimicking ink spread made by old metal type. The easygoing look is tempered by very few inktraps and sharp corners, mostly to the inside of characters and in acute angles. Whatever Trevor is paired with, it has an altruistic outlook in that it sees the best in others. It’s the neighbourly type family
 — the neighbour you actually want. Trevor’s almost monolinear weight and high x-height give it a typewriter look in the extralight and light weights, but the whole family was made to work with many other font styles, design work, and information structures. It certainly finds its home in packaging and advertising, its sturdy verticality and narrowness fit the needs of headlines and intro text, and its seven weights are primed for plays and involved text needing many layers of distinction. The black weight is treated like a separate display style with altered ball terminals and serifs to capitalise on the added heft. Trevor’s seven roman weights cover the Latin A Extended glyph set to bring its kindly and commanding outlook to your projects. Along with alternate version of the ‘R’ in the black weight, its OpenType features include both tabular and proportional lining and oldstyle figures, ligatures, and fractions. The complete Trevor family, along with our entire catalogue, has been optimised for today’s varied screen uses.

“There is just something magical about type design,” says Sebastian Lester. “If you draw a successful typeface it can travel the world, taking a part of you with it.” If this is true, his Soho® Gothic family has taken him far and wide. Understated, modern and exceptionally versatile, the family has been put to good use in just about every application imaginable. A good choice for virtually any type of project, The Soho Gothic family performs equally well as the backbone of a global brand as it would in an edgy fashion magazine. Versatile, extensive, customizable, and multilingual – the Soho Gothic typeface family has it all.With the same proportions as Soho, its slab serif cousin, Soho Gothic ranges across seven weights, from a willowy hairline to a brawny ultra – each with a complementary italic.Lester took care to ensure that the Soho and Soho Gothic designs work in perfect harmony. According to him, “The typefaces were developed alongside each other so that I could consider every aspect of each design and be certain that they would be absolutely compatible.”Soho Gothic is a more understated and more subtle design than Soho. Features that give the design its distinctive tone are the flat, crisp apexes of the diagonal characters like the A and V, and the marked horizontal stress in the a, g and s. “I wanted the family as a whole to radiate effortless modernity,” recalls Lester, “to be a master communicator that works in all conditions and at all sizes.” A collection of alternate and “semi-slab” characters were also part of Lester’s plan. “I like to develop alternate characters for all my type designs,” he says. “I believe they give graphic designers greater flexibility and make a typeface more valuable.” Soho Gothic is available as OpenType® Pro fonts that have an extended character set which supports most Central European and many Eastern European languages. If you’re looking to complete your designs, consider pairing it with Bembo® Book,Joanna® Nova,Neue Frutiger®,PMN Caecilia®,or ITC Stone® Serif.

Oddsorts’ Ciao Bella family pairs the funky elegance of a hand-drawn copperplate script with a bouquet of ornament fonts. Ciao Bella’s expansive range of alternate opening and closing forms, word-connecting ribbons, and swash characters use the power of OpenType to create a genuinely hand-lettered look. Bursting with over 2,000 characters, the Ciao script mates broad linguistic support with expressive possibilities galore in an easy-to-use software experience. But then there are the ornaments! What’s truly innovative about Ciao Bella’s ornaments is that most of the characters come in pairs that can be set in multiple colors without any stacking, layering, or aligning. They work in any application that supports kerning — even most word processors. See the slideshow and Gallery link above to see how they work. Ciao Bella marries the best of the old world — the warm, classic feel of ink on paper — and the new — the amazing capabilities of “smart” OpenType fonts — in a union that’s sure to delight.

Blosta Font Duo is a luxury and elegant font pair that will bring a unique style and a trendy look to your designs. Comes with Serif Decorative and Calligraphy Typeface with trending ligatures and special character, this will make Blosta Font Duo usable in all design projects and work perfectly to pair with any other font. With duo styles you can create design such as wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or luxurious look. Try Blosta, Enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. • Multilingual Support If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows)

FranklinGothicHandCond is another part of a series of hand-drawn fonts from way back in time – before computers changed the way we worked in advertising. When I was in advertising – before computers – a very time consuming part of my daily work was sketching headlines. I used to be able to sketch headlines in Franklin Gothic, Times, Futura, Helvetica and several scripts. We had a kind of huge inverted camera – which we called Lucy. We projected the alphabet onto a sheet of transparent paper, outlined the letters with a fineliner and then filled them in. It was very tedious work, but the resulting headline had its own charm and we had a permanent race going on who was best and fastest. I won most of the time! They used to call me the fastest "Magic Marker" this side of the Atlantic. Great days, just like today! Your sentimental type designer from the past, Gert Wiescher.

Hello everyone, I would like to introduce my newest font Molista Script is a beautiful modern calligraphy typeface, I hope you will be interested in this font, if you want to use it for your work. This font can be used easily and simply because there are many features in it. contains a complete set of lowercase and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains multiple ligatures and many contain alternative Style Stylistic Sets such as a heart swash alternative. You can see an example in the image above. Molista Script is very suitable for market designs being developed today, this font has a stylish, trendy, natural and soft font, with this font you can take advantage of opportunities every moment is a great way to highlight the celebration of the best of the party, because this font will be an advocate for the purposes such as wedding invitations, branding, parties, graduations, birthdays, gatherings, etc. Thank you, LetterFresh

BLANC GROOVE INKTRAP, a font with a futuristic and experimental concept created with a strong and charismatic character. following the current trend design style. BLANC GROOVE INKTRAP is made experimentally following a futuristic style recipe with alternate characters made with outstanding INKTRAP and display that makes this font more stylish and varied. BLANC GROOVE INKTRAP is a variable font that has 18 Font, 9 weights with 2 Variable from thin to black & Italic. also includes alternates that are more varied with variables. BLANC GROOVE INKTRAP is a versatile font system, designed primarily for display uses with a need of visual impact. What's Include : Thin & Italic Light & Italic ExtraLight & Italic Regular & Italic Medium & Italic SemiBold & Italic Bold & Italic ExtraBold & Italic Black & Italic Feature : Alternate Character Ligature Discretionary Ligature Multilingual Support Numeral & Punctuation Symbol etc Wish you enjoy our font and if you have a question, don't hesitate to drop message & I'm happy to help.

Charlie Adams Signature Handwritten consisting of a fashionable sophisticated signature-style script with its own unique curves and an elegant inky flow. Charlie Adams Signature Handwritten is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects that need handwriting taste. Ornaments are in the Charlie Ornaments garis file, please install Charlie Ornaments garis then click the letters a b c d e to apply. Please email me so I can send the ornament font for free, because it can't be uploaded at all. What's Included : -Standard & Multilingual glyphs -Alternates -Swash -Works on PC & Mac -Simple installations -Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support for; Afrikaans, Danish, Dutch, French, German, Indonesian, Irish, Italian, Norwegian, Portuguese, Scottish, Spanish, Swedish, Swiss.

The award-winning Scala family (1990-1993) is a worldwide bestseller and has established itself as a ‘classic’ among digital fonts. It was one of the first serious digital text fonts to support small caps, ligatures and different set of numbers. In fact Scala and Scala Sans (1990-1993) are two different typefaces sharing a common form principle: the skeletons of both Scala and Scala Sans are identical. Scala’s dark colour and low contrast works to prevent the thin parts from breaking up. The generous length of Scala italic’s serifs gives it a strong rhythm. The bold weight has the same character widths as the normal weight, so changing a text from normal into bold does not affect the set width. Another part of Scala is very popular among its users: Scala Hands, containing more than one hundred decorative hands and pointers, is a free bonus. Scala Jewels is a set of four highly decorative typefaces, based on the bold capitals of Scala.

FranklinGothicHandBold is another part of a series of hand-drawn fonts from way back in time – before computers changed the way we worked in advertising. When I was in advertising – before computers – a very time consuming part of my daily work was sketching headlines. I used to be able to sketch headlines in Franklin Gothic, Times, Futura, Helvetica and several scripts. We had a kind of huge inverted camera – which we called Lucy. We projected the alphabet onto a sheet of transparent paper, outlined the letters with a fineliner and then filled them in. It was very tedious work, but the resulting headline had its own charm and we had a permanent race going on who was best and fastest. I won most of the time! They used to call me the fastest "Magic Marker" this side of the Atlantic. Great days, just like today! Your sentimental type designer from the past Gert Wiescher

The typeface Neon Club Music is designed in 2011 for an Logo-Design of a electronic music label from South Germany. 324 glyphs incl. decorative extras like arrows, dingbats, emojis, symbols, geometric shapes, decorative ligatures (type the word #SMILE for ☺ or #LOVE for ♥ as OpenType-Feature dlig) and stylistic alternates (as OpenType-Feature salt. For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! CONCEPT/CHARACTERISTICS The geo­me­tric and roun­ded cha­rac­ter of the type­face is a very uni­que futu­ristic sci-fi atmo­s­phere. The sans-serif mono­line letter-forms looks very modern, clean, fresh and fancy. APPLICATION AREA The fancy, geo­me­tric & round party, music & movie font “NEON CLUB MUSIC” would look good at dis­play size for party flyer & movie pos­ter, music covers or head­lines in maga­zi­nes or websites…

Spillsbury was inspired by some examples of 1920s signwriting (principally seen on the side of some vintage vans-good thing they were in a photograph and not on the move!). Spillsbury draws inspiration from these sources to provide a unique combination of legibility and flair, which echoes the charm of advertising and publicity material from the halcyon days of the 1920s. A basic range of four display faces os offered - Regular, Plain (not all that plain really!), Shaded and Shadowed. In a new departure for Greater Albion, three pairs of 'Duo' faces are also offered. These are designed to be used in pairs-and only sold on that basis for little more than the cost of a single face-to provide for two-coloured typographic design, enabling the recreation of those evokative two coloured blocked lettering styles that were used to such good effect in the past. Take a trip back to more colourful times today with Spillsbury!

Linotype Projekt was created by German type designer Andreas Koch with both a well-defined inspiration and goal. It occurred to me that typefaces like Helvetica and Univers seemed to have a higher quality in hot-metal composition as with modern digital typesetting. They are stronger and livelier. This is in part due to the printing process, which presses the characters onto paper, and in part to the forms of the letters, which differ from the PostScript version of the same typeface. An important aspect of printing is the slight increase in character width resulting from the pressure which also serves as an optical correction to the forms. (True exact squares appear slightly barrel-formed to the eye.) I wanted to revive this peculiarity, not because of a nostalgic feeling, rather just because it is more attractive." The result is Linotype Projekt, a text font which is harmonious, clear and extremely legible. Koch lives in Bielefeld, Germany, and is a freelance book and type designer."

Brecksville is a condensed grotesk typeface that takes inspiration from early German designs of the mid-19th century. It was designed as part of my current research into grotesk typefaces and different letterforms, as part of my dissertation research, “Perfected Letters: German Grotesk in the Nineteenth Century”, which focuses on the role of German design in typography. The Brecksville font family provides a wide range of weights, ranging from light to bold for both its rounded display style and more rugged sharp style. Both its styles feature the same horizontal proportions and metrics so they can freely be combined with no spacing issues. Brecksville's visually punchy condensed style and sharp edges, allows it to stand out on the screen – at almost any size. Its black composition also brings out the details needed in magazine and tabloid headlines, while maintaining readability throughout. The rounded display version is ideal for posters and other uses where you want something eye catching but not too hard on the eyes.

This family was created inspired from the first font carved and cast in France, for the Sorbonne University’s printing workshop (Paris). The characters were drawn by Jean Heynlin, rector of the university - inspired from Pannartz’s - and in all probability was carved by Adolf Rusch. It has only one style, in one size (about 14 Didots points). We have added the U, J, W and Y, some accented characters and others not in use in the original, but the standard and historical ligatures and the numerous Latins abbreviations are these of the original font. The font is proposed in two choices : Basic Latin, MacTT & TTF, free for a private use, and “Pro”, TTF/OTF, available for standard basic Latin plus Central Europe, Baltic, Turkish, Croatian, Romanian, Celtic.

I only had this bouncy curve and a photograph of a daily menu (Truite Meunière) I took outside an obscure Paris restaurant when starting the design of this font. But while working on it I suddenly started thinking about Jacques Tati the famous but almost forgotten french director of Les Vacances de Monsieur Hulot, Jour des Fêtes, Mon Oncle, Playtime, Trafic etc. I thought about his bouncy walk and his hilarious ideas. The memories never left me while working on the font, so I decided to name the font after this great French moviemaker who gave me so many happy hours. Since Tati was a very funny character, I gave my characters a funny price. Thank you Jacques Tati, yours Gert Wiescher

Papercute Inline is a cute layered hand-drawn font designed by Fanny Coulez & Julien Saurin in Paris. Inspired by paper cutting, this font is easy to read, and easy to play with 8 different styles, including 3D, outline, full or dotted line, that you can use alone or together. To do so, you can simply superimpose them with a compatible software like Photoshop, then choose a color for each, making your works charming and unique. This font, finely designed for cards, book titles, headlines or any artworks is the Inline version of Papercute . Just click on our foundry name to see it! You could follow us on our Instagram: instagram.com/sc.type We hope you will enjoy our work. Merci beaucoup!

In 1952, Charles Peignot made a bold and fortuitous move: he invited a young Swiss designer to Paris to be the art director of the Deberny & Peignot type foundry. This started the professional type design career of Adrian Frutiger; and since then he has designed an astonishing range of masterful typefaces. One of the earliest for Deberny & Peignot was Président, a sharp-seriffed Latin titling face. Latin" is a typographic designation for roman typefaces with wedge or triangular-shaped serifs, a stylistic form that Frutiger would return to later with his beautiful typeface Méridien. Président™ has wide, solid shapes; very little contrast between thick and thin strokes; and an air of assurance. Use this titling font for business cards, announcements, or artistic signage."

Probably everyone living in Europe has heard of the (in)famous Route Du Soleil. The Route Du Soleil (Motorway Of The Sun) is a stretch of road from Paris to Lyon (in the south). It is THE route holiday makers take to reach southern France, so they can get there before everyone else does. The result: endless traffic jams, overheated engines and people and more toxic exhaust fumes than your average petroleum distillery. Route Du Soleil is also a very nice hand written font that comes with swashes and ligatures. If you happen to find yourself in a traffic jam on your way to southern France, then I hope you have downloaded this font. Just one look at it and you’ll forget your problems! ;-)

Grotesques can answer a really wide variety of design problems and go from small sizes to large without missing a beat. Vinila is Flora de Carvalho's take on the genre. The family’s multi-purpose intention comes from having 4 widths - from compressed to extended, each with 6 weights and obliques. Rhythm and music played an important part in the design of this font, which started off as the lettering for a Brazilian Music album. Its distinctiveness comes from having powerful ink traps that go from elegant and supple in the lighter styles to commanding and impactful in the heavier styles. A distinct rhythm is achieved, making it a strong face for editorial design, branding projects and so much more. Vinila is the ideal companion to expressive display faces, where it serves a supporting role with a marked presence. We use Vinila every day in our own brand identity. We've had some of the best designers use it and test it in many different environments, printed, digital, mobile and more (they really like it!). Also in the package, Vinila Variable is an experimental version of Vinila, where you can have a virtually infinite mix of weights, widths and slant, all from a single font file. Available when you license the complete family. Vinila pairs happily with our cheerful Manteiga , elegantly with our organic didone Tenez and mechanically with our monospaced Odisseia . What other matches can you think of?

Introducing my new font "Queenzy" Queenzy is made by paying attention to details on each letter so that it produces a beautiful arrangement of letters that can be used in each of your design work. I hope you like my creation.This font is also made in an italic version

Charon's Obol is a scary, brushed typeface. It was created using cheap paint and stiff brushes - hence the rough texture of the glyphs. Using this font will ensure you a safe passage across the river styx - just don't pay the ferryman until he gets you to the other side…

D Sert—based on the Pirata typeface—is inspired by 70s Chilean constructivist design and the political propaganda posters artwork of La Unidad Popular (Chilean political coalition). D Sert is the result of the combination of the Chilean graphic art revival with new trends, such as the handmade movement and super font families. The super family comprises 47 weights and comes with two versions: D Sert and D Sert Alt, plus extras. Diagonal strokes are significantly different between the two versions: diagonals of the Alt version are much more logical than the diagonals of the normal version. Another difference is the bowls of the capitals: in the D Sert version, they slightly project above the cap height, making it a more daring version and bringing it closer to calligraphy; contrarily, in the Alt version, bowls do not project above the cap height, which makes it a more tidy font. This way, the combination of the two versions and extras provides the user with the freedom to create any kind of artwork.

Chinook has been designed as an homage to the iconic chunky look of the Italian movie titling from the 70s and 80s. Despite its vintage flair, our sturdy display font is perfectly adaptable for any contemporary context with its balanced and soft text typesetting. This project is obviously influenced by the everlasting classic "Cooper Black", but includes more modern letter shapes, with rounded serifs and a fluffy overall appearance. Chinook, includes a customized italic set, features an extended charset covering several languages based on the Latin Alphabet, and sports a complete set of Open type features. It's equipped with swashes, alternates as well as discretionary ligatures, old-style figures, subscript and superscript numerals, and even more special glyphs. The heavy appearance makes this font ideal for high-impact design, such as headlines, titling, branding, and logotype. Specifications: - Files included: Chinook, including Italic - Multi-language support (Central, Eastern, Western European languages) - OpenType Features (Superscript and Subscript Numerals, Fractions, Oldstyle figures, Stylistic Alternates, Discretionary Ligatures, Swashes) Thanks for viewing, Unio.

Get stylish with Distinct Style, a fashionable and contemporary pair of signature & sans fonts designed to perfectly compliment one another. With a fast-flowing script font and a two-weight modern sans serif, the Distinct Style duo offers typographic harmony for your professional design projects, including; logos, branding, magazines, blog posts, social media, advertisements & product designs. Distinct Style includes 4 font files, designed to work as perfect companions or simply as strong standalone typefaces; 1. Distinct Style Script • A classy fast-flowing signature font containing upper & lowercase characters, numerals and a large range of punctuation. 2. Distinct Style Script Alt • This is a second version of Distinct Style Script, with a completely new set of upper & lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. 3. Distinct Style Sans Light • A stylish, modern sans-serif font containing uppercase only characters, numerals and a large range of punctuation. Creates a perfect pairing contrast with the Disticnt Style Script fonts. 3. Distinct Style Sans Bold • A bolder version of the Distinct Style Sans font. Add some contrast to your text by pairing this with the Sans Light version, or use at smaller sizes. Distinct Style Script contains 64 Ligatures, accessible by turning on 'Discretionary Ligatures' with any software supporting OpenType features. Fonts include multilingual support for; English, French, Italian, Spanish, Portuguese, German, Swedish, Norweigen, Danish, Dutch, Finnish, Indonesian, Filipino, Malay.

MT Bleu Feelin — is a display font with a monospace typographic feel. Please pay attention to Small Caps, Oldstyle Figures, and Alternates. Good for music album covers, posters and magazines. Inspired by the electronic band from Bandung, Bleu House, which has a light and edgy electronic pop experimental music character, the idea emerged to create a font that changes from sound to visual language, namely font. The use of the design for this font is for Display, and while it is issued one regular weight, in the future will develop multiple masters and other experiments. The design concept of the MT Bleu Feelin Mono Regular font is to take a 45 degree diagonal and geometric cut technique. also every corner is rounded which gives a dynamic impression like electronic music. I created this font design because I like visual experiments, and applied it to the character of the font. By using monospaced font characters have an even width. This is a unique feature in that most fonts are 'proportionally' spaced with characters varying in width. While monospace is perfect in certain ways, it is a proportional font that reigns supreme. Proportional fonts are faster to read. however, the MT Bleu Feelin Mono Regular font is intended for display fonts. MT Bleu Feelin Mono Regular supports language settings - Western Europe - Central Europe - Southeastern Europe - South American - Oceania - Esperanto

Blood of Witch is a very cool and unique blood-dripping display font. You can use it for your horror and Halloween themed needs! You can use it for anything ranging from t-shirts and clothing, for your scary book designs, Halloween party needs, greeting cards, stickers, posters, banners, or anything that needs a horror touch. Try it to create fabulous designs and feel the horror and Halloween vibes with it!

Kinemon is a font that has modern minimalist looks but still has an uniqueness on it. Look at the letters, each letter has their own characteristic. Firm, clean and modern. Kinemon perfectly use for a magazine, book, headline or even a poster. We have three styles that can cover your needs. We hope and be honored if Kinemon can be the part of your special moment. Thank you! :)

Addington CF is a graceful and reliable serif, useful in any application. Beautiful and practical, Addington is designed for excellence at small point sizes, while doubling as a capable, bold display typeface. Includes roman and italic sets across seven weights. Addington CF pairs nicely with simple, bold headline typefaces, like Greycliff CF and Articulat CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

RHESON is the ideal font for any project that requires a small amount of gothic flair. Its various lovely and harmonious shapes let you select the perfect word for your project. The best part is that this font is of a high caliber, so you can be sure that your logo, label, badge, the newest music or movie videos, old-fashioned posters, and other items will all look their best.

JetJaneMono is a large family of sans-serif faces which are monospaced. It is very plain (plain=plane=jet). The font family has two widths and three weights, with each upright style paired with an italics style. These twelve fonts are then duplicated with another set in which small caps replace the lower-case letters. The typeface was created in 1994 and in 2021 the condensed widths were added.

This typeface is patterned after the lettering produced by the Marsh Stencil Making Machine, which was an indispensable part of industrial shipping departments in the mid-twentieth century. The font is unicase, but includes a “this side up” pointing hand at the section mark position, and a recycle symbol at the German double-s position. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Braxia is a pure and joyful piece of Art Deco Fun. It is a new face that is overflowing with the character of 1930s advertising, lively and yet with impact all at once, its idea for theater handbills and posters, parties or anything else where you want to encourage people to enjoy themselves. Braxia is offered in two faces, regular and embossed, and is a face to really have fun with!

Mothman Legend is a grunge spooky font, inspired by 90s horror movies. It will be perfect for your horror and Halloween-themed needs! You can use it for anything ranging from t-shirts and clothing, to your book designs, Halloween party needs, greeting cards, stickers, posters, banners, or anything that needs a cool touch. Try it to create fabulous designs and feel the gothic and Halloween vibes with it!

Introducing our newest font Anehik. Halloween fonts are perfect for making Halloween parties fun and full of fun. It’s also the perfect addition to your next various designs, making it easy to make something you can use to make people smile at night. Of course with this font your various design projects will be perfect and amazing, get a beautiful title and start using our font for your special project.

Frederic Goudy designed this blackletter face based on Gutenberg's 42-line Bible. The Lombardic Caps were designed as an accompaniment to Goudy Text and are offered paired with the lower case as an alternate option. The Goudy Text Shaded is an inline variant that was added later by Lanston Monotype. Both varieties of capitals, as well as an expanded Central European character set, are offered in the Opentype set versions.