6,736 search results (0.041 seconds)
  1. Old Bikers by Fractal Font Factory, $8.00
    Introducing a new font - an old biker. It is a multilayer vintage typeface with 5 styles. The font contains stylistic alternatives for uppercase and lowercase letters. Numbers, punctuation and multilingual characters for each style. The font design is inspired by gothic, biker and rock culture.
  2. Restauranteur JNL by Jeff Levine, $29.00
    The 1960 revised edition of Sam Welo’s “Studio Handbook – Letter and Design for Artists and Advertisers” showcased a beautiful, semi-condensed Art Deco alphabet called “Modern Gothic”. It has been digitally redrawn and is available as Restauranteur JNL in both regular and oblique versions.
  3. Quelline by Maulana Creative, $14.00
    Introducing Quelline Font. Are you looking for a bold handlettering decorative font that has a medieval gothic feeling? We can help! Try to download our Quelline Font. Suitable to use for any occasion such as book, logo, print, game, event, music, invitation and others. Thanks!
  4. Bank Sans Caps EF by Elsner+Flake, $35.00
    Based on Bank Gothic designed by Morris Fuller Benton in the 30th, Bank Sans Caps from Elsner+Flake offers a wide variety of weights from Light to Bold with Compressed, Semi Condensed and Condensed widths. All weights are also available with Cyrillic character sets.
  5. a Theme for murder - Personal use only
  6. Setebos - Unknown license
  7. Liturgisch - Personal use only
  8. Nightmare Maker - Unknown license
  9. Caslon Openface by Bitstream, $29.99
    A small x-height typeface, originating with engravers near the start of the twentieth century, appearing in type in the 1923 ATF specimen.
  10. Peerless 131 Bold by Wooden Type Fonts, $15.00
    A revival of one of the popular wooden type fonts of the 19th century, suitable for display, or text, closely related to Latin.
  11. Della Robbia by Bitstream, $29.99
    Thomas Maitland Cleland’s careful and scholarly creation of a typeface from 15th Century Florentine inscriptional capitals; designed for the Bruce division of ATF.
  12. Antique Condensed by Wooden Type Fonts, $15.00
    A revival of one of the popular wooden type fonts of the 19th century, suitable for text or display, medium and bold weights.
  13. Peerless by Wooden Type Fonts, $15.00
    A revival of one of the popular wooden type fonts of the 19th century, suitable for display, or text, closely related to Latin.
  14. Antique Sans by Wooden Type Fonts, $15.00
    A modified remake of one of the popular wooden type fonts of the 19th century. An extra bold sans serif suitable for display.
  15. Slab Four Rounded Ext by Wooden Type Fonts, $15.00
    An original slab serif design inspired by the slab serif designs of the 19th century, with a modern geometric look, bold version, extended.
  16. Tuscan Italian Round by Wooden Type Fonts, $20.00
    A revival of one of the popular wooden type fonts of the 19th century, for large display. Lowercase not designed for this type.
  17. Henry8 by Wundes, $12.50
    Henry8 is a historical caps font originally penned in the 16th century. I have extended it to include numbers and a few symbols.
  18. Arte Critique JNL by Jeff Levine, $29.00
    Arte Critique JNL was modeled after an alphabet in an early 20th Century French lettering book spotted online at an image sharing site.
  19. Mister Bones NF by Nick's Fonts, $10.00
    Alpha Midnight, reconstructed from an unnamed source by Dick Pape for Solotype, provided the pattern for this big, bold, unconventional stencil face, sure to grab your readers' attention. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.
  20. The Old Navy by Larin Type Co, $12.00
    The Old Navy - a new stencil style font collection. These fonts are ideal for military-style branding and will decorate any of your projects. You can also use them to create a logo or use for small businesses, t-shirts, hoody, book covers, stationery, logo creation, marketing, blogs, magazines, and more.
  21. Montage by ITC, $29.00
    Montage was designed by Alan Dempsey. Like the name suggests, the design was inspired by the arrangement of elements such as torn paper, cut-outs, scratch board and stencilled letters. Montage is a creative, eye-catching alphabet of casually drawn letterforms set on a background of daub-like brush strokes.
  22. Vaporuz Strikes by Patria Ari, $15.00
    Vaporuz Strikes is more than just a typeface; it's a dynamic fusion of futuristic cyber technology and the bold, distinctive appeal of stencil design. This remarkable font is your key to crafting impactful headlines of all sizes, as well as making waves in editorial design, branding, packaging, logos, and more.
  23. Yard Goods JNL by Jeff Levine, $29.00
    Yard Goods JNL is another typeface derived from a sign making outfit consisting of a series of stencils manufactured by the Display Material Company of St. Paul Minnesota. This clean and casual sans design embodies the hand-lettering of 1920s and 30s era show cards, price tickets and display signs.
  24. Prfecox by Rômulo Gobira, $1.50
    Prfecox is a stencil typeface inspired by some characteristics of wood type and blackletter. Works best in headlines and small passages of text. The family supports almost all Latin languages available and includes the following OpenType features: Small Caps, Fraction, Oldstyle Figures, Subscript and Superscript numbers, Standard and Discretional Ligatures.
  25. Elios by ATK Studio, $15.00
    Elios™ is a stencil display typeface with a strong personality. It comes with all caps letters and monospaced with rounded edges. This font come with single weight and character set that covers over 100 latin languages. Elios™ is perfect for poster, headlines, short texts, branding and other display use.
  26. Dollar Days JNL by Jeff Levine, $29.00
    The National Show Card Writer sign making set contained many different sizes and styles of lettering stencils, and additional type designs could be purchased as add-ons. This product was one of the many economical ways merchants, religious organizations, schools and others could make their own signs at low cost.
  27. Chalulai by Jipatype, $17.00
    Chalulai, a serif typeface, seamlessly merges the aesthetics of stencil letters with a meticulously crafted high-contrast letter structure. Emanating a sense of beauty and delicacy, it offers 18 styles to choose from, supporting both Latin 1 and Thai letters. Ideal for diverse publications that prioritize headlines or a distinctive tagline.
  28. Invertida by Vanarchiv, $35.00
    This display decorative slab-serif typeface, contain reverse contrast which remind the old western style, there are also stencil version available (Invertida St). Invertida font family contain Latin and Cyrillic encoding characters and italic versions are also available too. Open type features can provide more options (stylistic alternates, ligatures, swash, figures).
  29. Dot.com - Unknown license
  30. Maleo by Tokotype, $39.00
    Maleo is a contemporary display sans with grotesque roots, taking cues from typefaces such as Benton’s Franklin Gothic & Alternate Gothic and contemporaries such as Obviously & Mars Condensed. Designed by Aditya Wiraatmaja as his debut retail typeface, Maleo is primarily designed with large-size usage in mind. Its tiny flare and angled cut terminal lends itself a friendly and approachable presence. With a family of 14 styles that range from thin to black with matching italics, it is a versatile display type that stands out in headlines, yet one that emits a charming personality. Maleo support various languages and is equipped with many Opentype features including; Old Style Figures, Ligature, Fractions, Numerators and Denominators, and Stylistic Alternates.
  31. PF Das Grotesk Pro by Parachute, $79.00
    Das Grotesk was inspired by earlier nineteenth-century grotesques, but it is much more related to American gothic designs such as those by M.F. Benton. Due to their pure geometric structure, most grotesque typefaces tend to have a rather monotonous and lifeless appearance, thus failing to express the ideals of the modern creed. Das Grotesk on the other hand is a lively design with several distinguishable characteristics which attract attention when set at large sizes, whilst they become subtle and blend evenly at small sizes, fostering a neutral identity. This is a very legible and space-saving typeface with a narrow structure. It was designed with slanted curved ends and sheared terminals applied on several straight strokes. It has two-storey ‘a’ and ‘g’ but includes single-storey alternates. The family consists of 14 weights ranging from Extra Thin to Black (including true-italics). It provides simultaneous support for Latin, Cyrillic and Greek and is loaded with several advanced typographic features such as small caps. Download its complehensive PDF Specimen Manual for further details.
  32. Xpress by Wiescher Design, $12.00
    »XPress« is a very distinct, expressive, typical new Sans. »XPress« is my new Sans-Serif that impresses – especially in small sizes – with its outstanding readability. Seven precisely calibrated weights from »Thin« to »Heavy« and its corresponding italics make this font-family universally usable. »XPress« got its bearings from the fabulous American »Gothic« fonts of the twenties of last century. Modern, present day elements, high lowercase letters and infinitesimal elegant slight curves in start- and end strokes make the font family not only great for body copy, but also very useful in advertising. »XPress« ist eine individuelle, expressive, typische neue Sans. »XPress« ist meine neue Serifenlose die – speziell in kleinen Schriftgraden – durch aussergewöhnliche Lesbarkeit auffällt. Sieben präzise aufeinander abgestimmte Schnitte von »Thin« bis »Heavy« und dazu passende Kursive machen die Schriftfamilie vielseitig einsatzfähig. »XPress« orientiert sich bewusst an den grossen amerikanischen Groteskschriften der zwanziger Jahre des letzten Jahrhunderts. Durch moderne Formelemente, große Mittellängen und unendlich leichte, elegante An- und Abstriche ist die Schrift jedoch nicht nur als Textschrift, sondern auch im gesamten Bereich der Werbung vielseitig einsetzbar.
  33. DF Dejavu Pro by Dutchfonts, $39.00
    This font is an orphanage where all the beautiful details of classical grotesque typefaces from the early twentieth century are gathered, and thus living together, are forming a ‘new’, happy family. The aim was to collect my favorite characters in one font. The start was an eclectic collection orientated on British types from the Caslon Doric No. 4, the Monotype Grotesque, the Gill, the Franklin Gothic up to the Transport. In this amalgamation I avoided the narrow apertures in the ‘e’, ‘c’ and in the numerals ‘5’, ‘6’ and ‘9’ and enlarged the x-height dramatically. To the classical slanted form of the italics I added real italic forms for ‘a’, ‘e’ and ‘g’ in order to obtain a more distinguished italic style. DF-Dejavu Pro supports all Latin-based languages (Western, Central-European, Eastern-European, Baltic and Turkish) and includes small capitals, ligatures, inferior & superior numerals and letters, fractions, various numeral styles: proportional lining, tabular lining, proportional old-style, tabular old-style and last but not least a slashed zero.
  34. Ansage by Sudtipos, $49.00
    Ansage does not claim to be neutral; it escapes from the rationalist sans of closed strokes and regular forms. Meaning Announcement in German, Ansage is versatile and communicates effectively across a broad range of media and formats such as branding, posters, websites, apps, titles and compositions with little spacing). Ansage is a sans serif font with a strong personality that emerges from an interest in and the study of a wide variety of typographic specimens of Gothic fonts from the nineteenth century. The design process behind Ansage brought about constant transformations in form; the result is a compact and robust font, with a large x-height, small ascenders and descenders, and open terminals that grow in expressiveness as it increases in weight. It is available in 10 weights, ranging from Hairline to Black, and 3 widths – Condensed, Regular and Expanded – plus italics, which make a total of 60 perfect variables to combine and contrast with each other. In addition, it also includes multiple open-type functions such as alternative styles, Old Style Figures, Tabular Forms, fractions, case sensitive, ligatures and more.
  35. Bernhardt Standard by Linotype, $40.99
    Bernhardt Standard, which was designed in 2003 by Julius de Goede, is a flowing Bastarde script. Bastarde is one of the sub-categories of Blackletter typefaces. The term Blackletter refers to typefaces that have evolved out of Northern Europe’s medieval manuscript tradition. Often called gothic, or Old English, these letters are identifiable by the traces of the wide-nibbed pen stroke within their forms. Of all of the various sorts of Blackletter styles, Bastarde scripts are the most flowing, or Italic. The first Bastarde typefaces, cut in the late 1400s, were based on French handwriting styles, especially those styles popular in Burgundy. The flowing nature of Bernhardt Standard makes it similar to some other sorts of Blackletter typefaces as well. Bernhardt Standard, because of its handwritten roots, is also similar to Kurrent, a style of handwriting that was popular in Germany prior the 20th Century. Bernhardt Standard is a very calligraphic face, suitable for formal applications. This typeface would be an excellent choice for certificates or awards. The old style figures in the font allow for nice short settings of text as well.
  36. Kirshaw by Kirk Font Studio, $24.00
    Kirshaw is not your grandfather's sans serif from the 1950s and 1960s. All those old classics like Helvetica, Futura, Franklin Gothic, and Univers are showing their age like an old Elvis Presley song. Kirshaw is a clean, rounded design with sharp contrasting edges. Like those classics, Kirshaw is easy to read in small body copy and captions, plus it's delightfully modern and stylish for headlines and logos. I designed Kirshaw and Kirkly while undergoing cancer treatment at Stanford Medical Center. Font design was always in the back of my mind and now I had extra time. Kirshaw is a distinctive, modern, easy-to-read sans serif family consists of 14 weights (including italics). It’s an Adobe Latin 3 Character Set containing 350 glyphs per style (including special characters).
  37. Gallatin Light by Wooden Type Fonts, $15.00
    A light weight slab serif font, useful for posters and large ads, based as it is on wooden fonts designed in the 19th century.
  38. Antique Tuscan Condensed by Wooden Type Fonts, $20.00
    A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, curved serifs, a very useful design for display.
  39. Fancy Flowers by Gerald Gallo, $20.00
    Fancy Flowers was inspired by textile designs from the nineteenth century. There is an assortment of 47 flowers located under the character set keys.
  40. Grecian Bold Expanded by Wooden Type Fonts, $15.00
    A revival of one of the popular wooden type fonts of the 19th century, suitable for display, geometric slab serifs unbracketed, short descenders,condensed.
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