Introducing Killuminati - Gothic Type, created by ikiiko. Killuminati is a simple english old type with modern blackletter style. This typeface is inspired by gothic & classic rock band logo. killuminati has a bold font with a combination of sharp and curved corners. This font is perfect for an poster event, stencil, logotype, magazine layout, fashion stuff, quotes, and so much more. What's included? Uppercase & Lowercase Number & Punctuation Alternates Multilingual Support Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

A wooden face, rather prosaically named Gothic Bold, from Hamilton's 1889 specimen book provided the pattern for this bold and brassy face. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Cinzeled Victorian Alphabets is a bold and imposing display font. Add it to your creative ideas and notice how it makes them stand out! Letters crafted to obtain the cinzeled style from the press works from XVIII and XIX centurys.

The Art Nouveau styles of the late 19th century exhibited a bold approach to organic lines and lavish decoration. This new style was spread throughout the world and helped usher in a new era that led to modern art and design.

Schoonheid is based on the thick and thin Gothic typeface that was popular in the US during the first half of the 20th century. Schoonheid Contextual Capitals has more than 100 ligatures, alternatives, and special characters consisting of uppercase letters. Implementing alternative Contextual features makes it easier for all people to use. Hope you enjoy. Intuisi Creative

Arrowman is a strong and bold decorative font with a Gothic feel. It will surely turn any design project into an eye catcher.

Frederic Goudy designed National Old Style Roman in 1916. It is loosely based on a logo he lettered for the National Biscuit Company in 1901. Steve Matteson expanded on Goudy’s original by designing a bold, semibold and matching italics. While much of Goudy’s work is strongly influenced by Venetian types of the 15th and 16th centuries - this design has a truly American quality about it. The design is useful for text or headlines that captures a sense of Americana.

Deco Metro is a 1920s and 30s inspired display family, ideal for posters, banners, book covers and other promotional work. Two weights, regular (with an incised centre line) and bold (without the centre line) are offered. The family has an extensive range of features including discretionary ligatures, old-style numerals, Swash Letter and numeral forms, small capitals, Roman numerals and fractions.

Bastion is an ultra-bold text-style font derived from some turn of the century hand lettered signage. It is characteristic of the very bold lettering used in a lot of advertising and product packaging in the early 1900s, a style of lettering which was also the inspiration for the Cooper font, though we think Bastion has a much more attractive overall look.

Bucintoro is a modern version of the rotunda blackletter, the Gothic book hand of Italy and Spain in the 14th, 15th, and 16th centuries. As the name implies, it's more "rotund" than the tall, angular Textur blackletter used in Germany that Gutenberg imitated. While the use of blackletter continued far into the 20th century in Germany and Scandinavia, the rotunda gave way to roman (and later also italic) letterforms in Italy, France, and Spain. It's less well known these days. Bucintoro has upper- and lowercase alphabets, numerals, punctuation, diacritics but lacks such modern characters as currency symbols. Has light, medium, and black weights.

Nomarch is a charming new Art Nouveau font based on samples of poster lettering from the beginning of the twentieth century. The relatively bold weighting of the characters makes Nomarch particularly good for use in large sizes for titles on posters and flyers.

Vicentina has been created starting from gothic cursive calligraphy, widely used in Italy during XIV century. The ductus of Vicentina has been derived from the documents redacted by Master Domenico Dominici from Vicenza, while most of the inspiration comes from books preserved in the archives of Orvieto Cathedral (Archivi dell'Opera del Duomo di Orvieto). As a result, Vicentina takes form with an elegant, but fast and simplified ductus respect to gothic graphs, rich in ligatures and with over 400 OpenType glyphs, in perfect harmony with the rules of readability of a modern typeface.

Birmingham New Street is the latest updated development of a typeface family inspired by the hand lettered title on a 19th century railway map. The map, prepared by the London and North Western Railway was headed "Birmingham and environs". New Street, meanwhile is the great 19th century commercial road linking the city centre of Birmingham with the train station of the same name. So, in a spirit of 19th century enterprise, we present "Birmingham New Street", a fun family of three display faces, laden with open type features and late Victorian charm, ideal for posters, book covers and any other high flown design you might have in mind.

Poem Script is a mixed collection of interpretations conjuring a late nineteenth century American pen script style. Though not an actual Italian letterform, this style was called “Italian Alphabet” stemming from an old penman’s term for an alphabet where the stress or shades are opposite their normal placement. The American variant followed from the late eighteenth century British hand also confusingly called “Italian Hand,” which itself evolved from some seventeenth century French batarde scripts. It showcases the phenomenal control and mastery of hand skills required to create such ornamental and lively letters centuries ago. Producing the shaded strokes in reversed positions such as this required holding the pen in a position horizontal to the baseline, or the letterforms would have to be written backwards or by rotating the paper at peculiar and extreme angles to achieve the effect. Exotic, elaborate and very attractive, Poem Script contains plenty of variations on each letter and comes with hundreds of calligraphic ornaments. Poem Script received a Certificate of Excellence at the Type Directors Club NY and was selected at the Bienal Tipos Latinos 2012.

Ceramika is a modern tribute to Old Style typefaces. This design is inspired by the letterforms of the serif faces found in history books from the beginning of the 20th-century. Its sturdiness and generous X-Height makes it bold and compact; while the high-contrast strokes and recognisable shapes makes it extremely readable. All this makes Ceramika a really versatile font, perfect for logos, headlines and even body copy. It comes in 6 different weights and 2 styles — Standard and Italic.

Diablo Light was originally called Fabric and was issued by the Farmer, Little & Co. foundry in New York. We liked everything about this font except for the lowercase 'g'. So we changed the offending letter, but for purity kept the orginal as an alternate. We created a bold version of Diablo Light, with minor changes to accomodate the bolder stroke weight. Although the original design is over a century old, the style seems to have an up-to-date look.

Pacifica – hand lettered elegant bold script for decorative typography inspired by American branding typography from end of XX century. Comes with different variates – filled, highlighted or pressed. Perfectly for headers, signs, logos, prints, etc. Comes with ending and some middle alternates and some standard ligatures.

Designed at Polygraphmash type design bureau in 1986. Based on "English" bold styles of the Ossip Lehmann type foundry (St.-Petersburg), of mid-19th century. The digital version was developed at ParaType in 1992 by Vladimir Yefimov. For use in advertising and display typography.

According to Wikipedia, Tin Pan Alley is the name given to the collection of New York City music publishers and songwriters who dominated the popular music of the United States in the late 19th century and early 20th century. The name originally referred to a specific place: West 28th Street, between Fifth and Sixth Avenues in Manhattan. With this in mind, Tin Pan Alley JNL, a typeface based on the bold hand lettering from a vintage piece of sheet music is aptly named.

Bookman, a little lighter than the original, is the ATF version of Phemister’s Antique Old Style, introduced as a textface at the turn of the century.

Franklin Ave. is a condensed sans serif in the style of the classics Franklin Gothic and News Gothic. Nostalgic and gives a great vintage feel. It's bold and comes in two styles: Regular and Oblique. Franklin Ave. is best used in headlines and large formats or in logos or branding.

This font was inspired by lettering found on old stock certificate on the 19th century and comes with two guilloche borders, which makes national currency very useful.

Novela is a chisel flat pen style written with overtones of Uncial, from century old scribes. Very suitable for greeting cards, headlines, packaging and many other applications.

A Roman typeface with emphasized triangular serifs. A font like this one could have been designed in 18th century France. To some extent, Auxerre is a precursor of “Etienne,” which later became popular as an advertising typeface of the 19th century. Auxerre is available in five font weights: light, regular, semibold, bold and black. Auxerre supports Western and Central European languages including Scandinavian languages. Plus, the font includes lots of ligatures, tabular figures as well as a “Capital German Double S.” Auxerre fits perfectly with any topic related to the past two centuries. It also works amazingly well on technical issues. And of course it fits very well with topics of fine art and art history.

Flighter is a bold sans-serif typeface, in a somewhat geometric and balanced style.  It has speed and stability and should bring the thoughts to a mid 20th century traveler.  Created by Måns Grebäck in 2017-2018, this high-quality font has support for hundreds of languages.

Antique is a bold, classic font with high stroke contrast and no bracketing on the serifs. This letter style was hugely popular during the early 19th century and was the basis for a myriad of other designs. This version is based on wood type of unknown origin.

Around the turn of the 20th Century, the Inland Type Foundry produced a display face named Studley. It was a variation on a design by another foundry called Florentine. A condensed face with a bold, clean look, the design resembled the warmth and feel of a classic wood type. Best applied to headlines and titles, the font reads amazingly well at even 18 point renderings. Jeff Levine had added his own personal touch to his digital version of this old favorite and renamed it Bayview JNL.

The old characters of the 8th century are the inspiration for this font. Specifically those used during a remote time of the Basque Country - or waskonia as the Franks would call it - in the old gravestones and doors entryways.

Gotico™, meaning Gothic, is a Blackletter script (sometimes referred to as Old English). The original Gotico design was first brought to market by the Fundicion Tipografica Richard Gans type foundry (1888-1975) in Spain. The designer of Gotico is unknown and for many years the font was formerly sold only in Europe.

The Ancient South Arabian script (Old South Arabian 𐩣𐩯𐩬𐩵 ms3nd; modern Arabic: الْمُسْنَد musnad) branched from the Proto-Sinaitic script in about the 9th century BCE. It was used for writing the Old South Arabian languages Sabaic, Qatabanic, Hadramautic, Minaean, and Hasaitic, and the Ethiopic language Ge'ez in Dʿmt. The earliest inscriptions in the script date to the 9th century BCE in Yemen. There are no letters for vowels, which are marked by matres lectionis. Its mature form was reached around 800 BCE, and its use continued until the 6th century CE, including Ancient North Arabian inscriptions in variants of the alphabet, when it was displaced by the Arabic alphabet In Ethiopia and Eritrea, it evolved later into the Ge'ez script, which, with added symbols throughout the centuries, has been used to write Amharic, Tigrinya and Tigre, as well as other languages (including various Semitic, Cushitic, and Nilo-Saharan languages).