It's a beautiful, elegant, clean and unique typeface you need to have! Contains over 1000 glyphs, it has many alternate characters so you can make a beautiful decorative type easily. Familia Script is truly a perfect script for any project that needs a delicate typeface such as custom name, greeting card, create logos, etc. A handy font for tattoo designers and artsy creative people! How to get access alternate glyphs from open type fonts: http://adobe.ly/1m1fn4Y USER GUIDE: https://www.youtube.com/watch?v=kwYVZznG4Bo

Curve is a modern neo-classical typeface family with some features of the Didone genre, but especially designed for contemporary typography. A large x-height not only creates space in the letters for extra-bold styles, but also lends Curve an open and generous character in the more narrow and semi-bold versions. It has 616 glyphs with small caps, numbers and ligatures in 10 weights. Curve is a contemporary serif typeface, special for logos, brands, magazines and editorial and for setting trends in fashion and design.

Herlyon is a serif font with an elegant and classy look. Each Herlyon glyph font is designed with natural and beautiful curves. Herlyon typography can help you complete various projects such as luxury brand logos, journals, business cards, titles, products, social media posts, web and much more. If you're involved in a project that requires beautiful, professional writing, the Herlyon font is perfect to help you get it done. Herlyon font features open type, kerning, ligature. Herlyon fonts include uppercase, lowercase, numbers, punctuation and multilingual support.

Insan, designed by Ihsan Al-Hammouri in 2005, is a modern Arabic typeface in three different weights. The design is based on simplified Naskh with a very low modulated stroke treatment. It is suited for text settings, especially in brochures and magazines. It is characterized by a large body height and open counters and as such can be used in small sizes. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

Sierra is an antiqua with a high x-height and generous, open counters. Many curves of the letters are almost right angles, which was particularly suited to the Digiset machines from Dr. Ing. Rudolf Hell, Kiel. The forms of Sierra with their flowing stroke contrast and half serifs have a calligraphic touch, which is especially highlighted in the italic weights. This is a graceful text type and its bold weights look almost like woodcuts. Sierra is an excellent choice for both texts and headlines.

Sans Atwic Modern is a clean simple sans serif typeface. It has a universal and neutral look thanks to repeated vertically cut end strokes and thanks to letters that have similar width. Lowercase has higher x-height and its end strokes are open, that a guarantee for better legibility in smaller sizes. Atwic has several alternates which together with left slanted italics freshen the whole font family. It's handy while working on poster, headline, brand identity, website or mobile app. Specimen: http://carontwice.com/files/specimen_Sans_Atwic_Modern.pdf

- Heptal is a typeface family with five weights including true italics. The geometry of the characters is neo-gothic and the serifs are polygonal concave or inverted Tuscan. - Heptal fonts offer a complete set of lowercase alternatives and advanced open type functions. - The proportions, the metrics and the Kerning are meticulously configured so that the texts are shown fluid and the graphic stain is compensated. - These fonts have a wide table of characters (530 glyphs) with support for all the languages derived from Latin.

Henry8 is a historical caps font originally penned in the 16th century. I have extended it to include numbers and a few symbols.

Columna is an all-caps, Classical Roman-inspired typeface designed by the renowned Swiss typographer Max Caflisch (interesting fact: Columna is Caflisch's only typeface). Caflisch's Columna adds a stately elegance to any application, and is best used in large sizes.

Inspired by old books and misprinted type, Subway Novella is perfect for adding that washed and worn look to your designs without going over the top making it look fake or over done. A little distress goes a long way!

Fire Ace is a fiery display font with incredibly hot feel. Fire Ace has a fiery effect, it’s the perfect font for giving any design a fiery and dangerous feel, spices brand, speedy racing burnout effect or maybe spicy delicious food!

About the Product Blade is a bold and authentic display font. It celebrates abstract shapes in all their eclectic brilliance. Add this font to any racing or speed related design idea and notice how it will make them stand out!

Marquee is a family of two fonts, containing both faceted and solid characters which can be layered to effect 3D, dimensional and translucent marquee-style typography, allowing for the creation of headlines reminiscent of classic theater and motion picture marquee signage.

For decades, cereal companies have included premiums [promotional gifts] inside their packages, printed on the cartons or to send for with a special coupon and redemption instructions. During the 1940s, Pep cereal [a long-discontinued Kellogg's brand] offered a series of water-applied decals within its boxes. Most likely made by the Meyercord Company (one of America's largest transfer decal manufacturers at the time), one decal in particular had an alphabet in gold letters with black outlines. (One can only presume the marketing strategy was to have kids bug their parents to buy more Pep cereal if the child needed more than one letter of the alphabet for his or her initials!) Those decal letters have inspired a digital version as the outline character font Toy Decals JNL, which is available in regular oblique, solid and solid oblique styles.

Gallego Pro is a classical, pen-drawn upright script useful for many applications, e.g. book titles, ads, magazines or any kind of display work.

This 3D lettering font was done with my inky ballpoint pen. Comes with ligatures for double lettering and alternate letters in upper- and lowercase.

Découpé Based on a French children’s play from 1906. In a car boot sale André Toet found a funny looking box containing a lot of cut out cardboard figures, in fact it looked a bit like a geometric puzzle! He played around a bit and succeeded to create a workable typeface with it ! The interesting thing about this particular font is, that in fact it’s organized chaos. The 26 letters of the alphabet are a mix between caps and lowercases, so within one word caps and lowercases will be used next to each other. It’s a very useful font for different projects. Concept/Art Direction/Design: André Toet © 2017

Markout is a chunky marker pen font. With a casual style and loose baseline, it's a great display font for titles, headings and logos. The Markout family has regular and alt versions, where some of the characters are different. Most notable is the 'k' in the Alt version this has a more normal size and shape when compared to the regular. Also includes five marker pen emoji ligatures and double letter ligatures.

From the mid -17th century, new commercial writing styles emerged which clear showed the influence of pen-crafted calligraphy. A traditional pen-formed flowing script as the “Citix” font, may be suitable for commemorative letters, invitations cards and the most elegant visual communications projects. This font comes with three different kinds of capitals, regular and swashes to choose from, a full set of stylistic alternates, standard and discretional ligatures. Old style numerals, ornaments and tails.

Dereza is a grotesque typeface designed specially for display use in children’s books and magazines. Books for little ones are usually set in grotesques, and a vigorous font would make a nice addition to the main face. Playful and lively, Dereza is great for any non-grown-up design such as games and toy boxes, cookie jars and cereal packs, clothing labels and other things meant for kids. It looks super in speech bubbles. The Dereza family includes four fonts, from light to bold, with ligatures, lowercase figures and accented characters.

NarrowPath is a family of 18 condensed and ultra-condensed sans-serif typefaces. The family was derived from the font family NarrowWay by adding true lower-case letters. Some alternative letters forms can be reached with the OpenType feature of stylistic sets. The character spacing in most of the styles is quite loose and it can be tightened with an application's character spacing if needed. These typefaces are display faces that can be useful for squeezing tall lettering into tight spaces. Uses may include packaging, signage, and titles.

Another jewel of the vast treasure of historical font designs was digged out and brought to life again. Due to the courtesy of the Quay Brothers, London, who yielded to me an age-old brochure of Albert Auspurg’s ‚Miami‘, released by Schriftguss in 1934, I was able to redesign this elegant font. This font which I called ‚Elbflorenz‘, a cognomen for Dresden, contains West and Central European type faces as well as those for Romanian and Turkish. To get access to the historical number sign please use either the OT feature additional ligatures or ordinals.

Kau is a quirky, sans serif display font in two weights. Its funky, stencilled outline bursts onto the page with in-your-face energy, just demanding to be noticed. Kau Black is big and bold, specially crafted for posters, headlines, ads and logotypes. Kau Light forms a perfect foil - clear, skinny and edgy. Use the two together, in a contrasting explosion of form, to create exciting contrasts and vibrant designs The font has all the features of a fully professional typeface. Language support includes all European character sets.

Nat Grotesk family consists of 14 styles including 6 narrow ones. It has a half-closed sans serif design with simple and clear lettershapes. Due to compact proportions the face is very space saving, but nevertheless it is rather legible even in small sizes. The bold weights demonstrate increased contrast. The font is recommended for text and display typography as well as for headlines and advertising. It was designed by Natalia Vasilyeva and released by ParaType in 2007. The upgraded version with extended character set was released in 2009.

Seven superb scripts, to be freely mixed with one another. Alone, each of them flows nicely, but combined they reach ultimate vitality and grace. The Pleiades are one of the most beautiful constellations in the sky, and in Greek mythology they were seven divine sisters. Luxurious freedom of choice and excellent readability make Pleiad the perfect face for a variety of projects, from stylish invitations to magazine ads, from poetry books to restaurant logos. Sometimes calm, sometimes flittering – but always fair and graceful – this sublime calligraphic type family will hold an everlasting fascination.

Alisha is an expressive yet legible script face with a generous x-height and a equally generous complement of over 200 alternates and swash forms. Alisha retains the distinctive look of custom lettering with varied letterforms that are personable; yet polished and refined. Alisha is ideal for attracting buyers to product packaging, beckoning readers to headlines and hero graphics, or charming clients in identities and wordmarks. See what’s included! This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here.

Finocchio (yes, we know — wink) has the playful, round shapes of a French Ronde with the sharp angles of Italian Futurism. It's a bold, fun, excellent branding face — wherever you need some gusto or brio or forza! Finocchio comes with a large number of ligatures for fluidity. It also comes with a solid, readable set of non-script small caps, so all you need for that sign is one coordinated font! It also comes with loads of fun alternates! Finocchio is made with love in The Ampersand Forest.

What has become a rite of passage at baseball games got its start in 1908 when lyricist Jack Norworth and music composer Albert Von Tilzer wrote "Take Me Out to the Ball-Game" (which was published by Von Tilzer's York Music Company). The Art Nouveau hand lettered title on the cover of the sheet music was eccentric and attractive enough to warrant being turned into a digital type face, and in honor of its namesake song is called Ball Game JNL; available in both regular and oblique versions.

Stroma is a serif display faces with moderate contrast and quirky cuts. Intended to use it on headlines in the editorial design environment or big type style graphics, The function of this typeface allows it to use on larger and compact text for any graphical elements that need special treatment. The details interpreted from the straight axis pointed into flourish calligraphic serif, the shape of the letter contains straight details and cuts, this gives them a rich and fine looks. The Stroma family includes four weights, ranging from Light to Bold with italic uprights.

The Bitstream version of Monotype Rockwell, 1934. Twentieth-century design influence is revealed in strokes of more even weight than in the original nineteenth-century Egyptians or Slab Serifs. Rockwell is a prime example of this twentieth-century approach. It seems to be a simple Constructivist geometric sans with strong square slab serifs added to. Angular terminals make its sturdy design particular sparkling. It is a strong face for headlines and posters, and is legible in very short text blocks. Cyrillic version was developed at ParaType in 2000 by Isay Slutsker and Manvel Shmavonyan.

Linotype Compendio is a part of the Take Type Library, chosen from the contestants of the International Digital Type Design Contests from 1994 and 1997. Christian Bauer designed this font based on the basic forms of Transitional faces of the 17th century. The outer contours of the letters are purposely raw and irregular, much like alphabets printed on low-quality paper. The legibility of the font is thus reduced, making it necessary to use this font only for shorter texts or headlines, but it is exactly this characteristic which lends Linotype Compendio its distinctiveness.

Niveau Serif - the companion of Niveau Grotesk - is a type family of six weights plus matching italics & small caps. It was designed by Hannes von Döhren in 2013. Influenced by classical nineteenth century engravers faces, the fonts are based on geometric forms. Niveau Serif has a contemporary feel and combines the clearness of a Sans with the elegance of a typeface with serifs. Niveau Serif is equipped for complex, professional typography with alternate letters, arrows, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.

Linotype BioPlasm is a display face created by Italian design Mauro Carichini in 2002. It distorts and deletes parts of letters, creating the appearance of a living, typographic organism in pages of text. Lines set in Linotype BioPlasm seems bubble to the surface, and always hints at some sort of unrevealed secret. Although only parts of most letterforms are visible, the high x-heights of Linotype BioPlasm's letters make its text surprisingly legible for such a concept-font. For usage in products ranging from Sonic to Science, Linotype BioPlasm may be the font for you!

Chunkie is a simple serif experiment going for minimal width and maximum height. I made it into my display version of OpenType Pro, but mainly it was a vehicle for me to try out some more extreme serif ideas and glyph shapes. The solutions for the lowercase a and e are unique, for example. The double g ligature is a fun solution. I like the solution for the @, but I’m not sure how it will be received. That being said, it turned into a useful dark display face with a small x-height.

The Ehrhardt name indicates that this typeface is derived from the roman and italic typefaces of stout Dutch character that the Ehrhardt foundry in Leipzig showed in a late-seventeenth-century specimen book. The designer is unknown, although some historians believe it was the Hungarian Nicholas Kis. Monotype recut the typeface for modern publishers in 1937 to 1938. Ehrhardt has a clean regularity and smooth finish that promote readability, as well as a slight degree of condensation, especially in the italic, that conserves space. Ehrhardt is a fine text face, especially for books.