Nouvelle Vague is a display script typeface of a distinguished look defined by a steady rhythm, only broken by its offbeat, dynamic uppercase initials. It's directly inspired by french advertising scripts from the fifties, particularly by Roger Excoffon's Mistral. In order to accentuate this influences and to reproduce their graphic impact, simply structured connections between letters are preferred over OpenType fanciness.

Zanderley was inspired by a small, almost random sample from a turn-of-the-last- century calligrapher’s instructional manual. It’s a bit Roman, mixed with a little blackletter and a lot of random decorative fun.The family consists of two typefaces- Zanderley regular is a heavy, friendly an d fun display face. They are well complimented by Zanderley initials. Try them out soon!

Kruda is a Handcrafted display sans with 3 widths and 5 weights with accompanying slanted version. inspired by a vintage grotesk on a worn out signs and this was an initial sketch for our typeface Naratif, but it went too far. so we completed the language support for LATIN, CYRILLIC, and GREEK. and decided to take the risk to release it.

A classic typeface with timeless appeal, based on the venerable Weiss Initials II, designed by Eric Rudolf Weiss for Bauersche Gießerei in 1931. Essentially a monocase font, this version also includes variants located at lowercase a, e and g. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Forged to be as imposing as a Norse horde ready to stampede into battle, Works great in all caps which it was initially designed to. I designed the lowercase characters to match really well with each other and the uppercase, so it works well in title case. Plus it has a great set of looking numbers and loads of extras.

Here's a handy collection of 72 type adornments gleaned from American Type Foundry catalogs from 1913 to 1934, featuring little treasures from some of the early twentieth century's most respected designers, including Will Bradley, Frederic Goudy and George Trenholm. Among the goodies are fleurons, pilcrows, guidons, bishops fingers, mortised initial frames and several other useful elements to dress up your documents.

Snell Roundhand Script was designed in 1965 by Matthew Carter. Conception and design were both based on the 18th century round hand scripts. The font has an elegant and festive feel and its capitals can also be used as initials mixed with other alphabets. Snell Roundhand Script is well-suited to middle length texts and headlines. Featured in: Best Fonts for Logos

Bodoni Classic Bold Ornate is another puzzlestone in my ever growing Bodoni Classic family. This time the letters are ornated within the limits of the letter, this keeps the classic form of the typeface intact and still gives it ample decoration. Please use this font only sparingly to decorate text or use it as initials only. Your Bodonimaniac, Gert Wiescher

Rogan: A Robust Modular Sans Rogans clean lines started out as an exercise in modularity and geometric forms. This initial construction approach was then adapted to improve the functionality of the family; Breaking away from the strictly modular system in exchange for more refinement and clarity. The resulting forms display a refined contemporary feeling alongside a hi- tech industrial element.

The Grimm family is a blackletter inspired graffiti style built for headline and display. The family includes 3 variants: Grimm Regular & Grimm Curves both utilize traditional upper & lowercase letters while the Grimm Fat variation is an all-caps style. All 3 styles include initial, terminal & isolated letter variations as contextual alternates as well as a number of stylistic alternates, ligatures & other embellishments.

Aesthet Nova is a display type family. Released initially as Aesthet in 2015, it had a significant makeover. Inspired by the 70’s aesthetics, Aesthet Nova remains true to its original "back to nature" roots. It is a smooth talker with a larger than life personality. Equipped with an extended Cyrillic character set, it features rounded serifs, ball terminals and soft corners.

This set of initial letters is an entirely original creation, inspired by French renaissance patterns used by Bordeaux printers circa 1580-1590. It contains two roman alphabets : the first of decorated letters, the second of single large capitals, all with Garamond style, and a few fleurons using the same background pattern style. Both containing Thorn, Eth, L slash and O slash. It can be used as variously as website titles, posters and flyers design, publishing texts looking like ancient ones, or greeting cards, all various sorts of presentations, as a very decorative, elegant and luxurious additional font... This font is conceived for enlargements, possibly strong ones, remaining very smart and very fine (especially decorated initials). This font may be used with all GLC Foundry blackletter fonts, but preferably with 1543 Humane Jenson, 1557 Italique, 1589 Humane Bordeaux, 1742 Civilite, 1776 Independence without any fear of anachronism.

With a stylish Dutch accent, this font draws inspiration from a 1935 brochure by the talented graphic designer and artist Dirk Hart. Carrying different hand-drawn lettershapes on upper and lower case slots despite being a unicase typeface, this font also brings a nice set of ornaments and complete sets of initial and terminal swash forms. When working with OpenType savvy applications these can conveniently be applied at the click of a button, thanks to the smart swashes programming, which will change the first and last letters in words with its corresponding initial or terminal forms. There are also some stylistic alternates for a (yet) more decorated look. The black version, with a somewhat art-deco feeling with added boldness, is also very decorative and contains the same features as the regular cut: smart swashes, different letterforms on upper and lowercase slots, ornaments and stylistic alternates.