Introducing Nightingale calligraphy font. Nightingale have a 631 glyph, Nightingale works well in Logo, poster, title, header, clothing and many more.

A hearty utilitarian face inspired by stenciled type found on train cars and shipping crates. Ideal for posters, headlines, and titling.

The Squab typeface was designed to be simple, big and bubbly for projects from poster to t-shirt design or animation.

Font TD Stargorod. Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...

Font TD Kinoteatr. Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...

Font TD Skazka. Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...

ItzKarl is a unique hybrid typeface with serif and sans serif features that is suitable for headline, logo and poster use.

Font TD Kareliya. Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...

Font TD Pobeda. Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...

A bold sans serif typeface influenced by Ed Benguiat 's work for the 1968 movie poster for Planet of the Apes .

My Home is a Fun Handwritten Font, Perfectly suitable for creating quotes, kids book, t-shirts, poster, mockup, and many more.

Based on designer's own handwriting, Mia Mano is a decorative display typeface ideal for headlines, logos, magazines, posters and short text.

Personal project, recommend for display, poster or other big applications, some punctuation added and a few ligatures, hope you like it.

Olean is modern handwritten font, with including a lot of alternates and ligatures. Great for headlines on posters, packaging and advertising.

Festo is a hand made font ideal for your graphic project. Usage recommendations: Title, short text, children's book, poster, book cover, brochure.

Rech Munchase is a handmade script font. Rech Munchase is perfect for logotypes, posters, apparel designs, labels, website headers and much more!

Legionary is a new sans-serif with six font styles. It would look nice in magazines, on food packages, posters and flyers.

Introducing Qanthura Elegant bold script .With more alternates. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards.

Romb is the display font based on feeling of the retro typefaces of the early 20th century. Good for posters, magazines, packaging.

A Semi-Slab face with a distinct emphasis on power and legibility. Very paced for packaging, posters, logos and various other applications.

Restou is handwritten font for children theme, playful event, wall type, your signature, or a poster. This font is for personal use.

Sabian Valent is unique handwritten font. Very nice if you use it for poster, gig, logotype, cover, book, tees, and many more.

Clean and elegant display sans-serif uppercase family with three weights and rounded corners. Excellent for headers, posters, t-shirts and websites.

Wicked Sick is handwritten font. Will be nice if you application this font for book cover, tees, movie, poster and many more.

A semi-serif font in vogue in the 1970s. Usage recommendations include captions, packaging, cards, posters, ads, book jackets, manuals, and menus.

Morgy is a unique font that displays a cheerful and dynamic impression, suitable for all modern design concepts from posters to branding

The Closed Door is a high-contrast and condensed font which can be used for letterings, posters, logotypes. Font supports cyrillic characters.

Bat Ghost is a Halloween decorative font. Add it to your Halloween crafts, horror movie posters, t-shirts and other about Halloween.

CircusKS is a new, original typeface based on carnival and circus posters from the late 1800s. Extended Character set for multilanguage support.

Takeshimura is a funky brush font with a very strong character. Very cool if use for logos, headlines, brandings, posters, apparel, etc.

Corvinus Skyline is an elegant retro 1920/30's looking font great for headlines in magazines, posters, signage and other design projects.

Suprapower™SE is a wide typeface for poster, packaging, headline, and titles. It is an update to the Suprapower™ typeface.

Freewill - Handmade Rough Brush Font with ligature and Multilanguage support.inspired by the famous minimalist logo, perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more. Perfect for adding a unique twist to word-mark logos, as well as numbers and punctuation making it super fantastic. Like all of my fonts it is inspired by lettering from the good old past, but it still has a strong modern appearance. Its wide range of stylistic alternates allows versatile design options and works perfectly for headlines, logos, posters, packaging,,coffee shops, restaurants, magazine's headers, signs or gift/post cards,cafe's and weddings.Best for halloween poster, horror poster, childrenbook, cartoon, comic etc

An offbeat not-quite-slab, not-quite-bracketed serif. And its extreme weight and width. Richard Dix started as a surgeon and turned out an actor, one of the lucky few who made a successful transition from silent film to talkies. In 1929 he made the movie western, “Redskins,” and his name appeared on a brilliant poster promoting the film. “Richard DIX”; four upper case and six lower case letters. The font Dix is derived and extrapolated from impressions of those 10 letters. Inspired by the poster for the 1929 film, “Redskin,” and a desire to create a black Edwardian font with an offbeat serif. Usage recommendations Western movie or 19th century-style advertising posters.

In designing an advertising poster to show off the unconventional Safefont typeface, Steve drew what appeared as relatively traditional letterforms for the expository text. When these characters were as well received as the typeface which was the subject of the poster, Steve decided to expand them into a full-fledged graffiti style typeface of their own. While exploring where this new design might lead, Steve worked to elaborate the poster segment which had inspired it. He soon found himself staring at a drawing of a weapons-wielding Bonnie and Clyde. The desperate duo resonated with the graphic elements of the drawn letters; thus leading to the effortless fleshing out of the design, and to its name, Big Clyde.

Aeronic is a work of love. I stumbled upon a fantastic Japanese poster for Nikke Coat by Gihachiro Okuyama (1907 - 1981). Gihachiro Okuyama (also: Okayama) was a very prolific Japanese print artist who started his career making woodblock prints, but later moved on to posters and advertisements. I tried to recreate the hand lettering in the original 1937 Nikke Coat poster, but since I had to work with a few glyphs only, I designed the remaining ones myself. The outline of Aeronic is rather thin, with thicker bits in some glyphs. It is quite rough in places, but it all adds to its unique look. Aeronic comes with a bonanza of diacritics.

How many times have you seen lettering on a book cover, poster, or card and wanted to make something similar? Decorata’s eight intertwining weights finally make that possible in an intelligent way. The first major collaboration of its kind, Decorata pairs the talents of supreme lettering artist Martina Flor and masterful type designer Neil Summerour. Lettering was traditionally understood as using words in an artistic way, while type design created written language for easy reading, the one overlapping the other in several ways. For this unique project, Martina created several versions of the alphabet and its decorative layers in her eye-catching style. Neil then took those designs and created an enormous eight-style font family that respects the designer’s need for control and capitalizes on the artist’s expressiveness. Each style can work separately but, on top of the foundational styles, try placing the Lace, then Filigree in contrasting colors. Use any OpenType-capable program to turn headlines from blasé to wowza, make posters with some pow, and design your own cards with that just-right level of detail. Whatever idea you can imagine with the Decorata family, it promises to be a playful and precise wordsmith where the words themselves are the art. Decorata’s glyphs are bifurcated, have medium contrast to showcase their intricate interactions, and include Shadow, Regular, Outline, Filigree, Lace, Fancy, Intricate, and Dingbat styles — eight in all. The Regular style sets the word or phrase to begin the design, Shadow ensures it lifts off the background, and Outline attempts to restrain its ornate flair. Think of those as the foundation and use the rest of the styles for flamboyance. The Intricate and Filigree styles vary only in the thickness of the glyphs, with Filigree being thinner. Lace removes the external curls around each letter but keeps the internal negative space from those decorative lines. The Fancy style is a solid lettershape that includes its attendant elements, and the Dingbats are exactly as expected: borders, manicules, patterns, frames, and many stylized items to bring designs to life.

Geometric/Technical style logotypes have been developed for car chrome labels since the early 1980’s, but automobile companies don't monopolize the style by any means. During the 80’s and 90’s, a lot of these logos leaned towards the geometric sans styles and the swiss styling of fonts like Handel Gothic, while playing with varying degrees of squared rounds and varying expanded widths per logotype. Mercurial has this flavor, but it wasn’t derived from logotypes. Instead, it began as a digitization of a film typeface from LetterGraphics in the early 70's known as "Sam". It visual ties to this genre of automotive logotypes and fonts like Handel Gothic lend a familiarity to it, yet it has an identity all its own. As with so many automotive logotypes, this singular style film typeface, lacked an expansive family which shows off all potential the logotypes have and what they "could" be and do. And that's where we come in. What originally began as this family’s Regular Width - Bold Style has been expanded into a collection of 3 Width Families, each containing 5 Weights. Here’s what’s included with the Mercurial Complete bundle: 396 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the final poster graphics for a preview of the characters included) 3 widths in the collection: Narrow, Regular, & Wide 5 weights in each width family: Light, Book, Regular, Medium & Bold. Here’s why the Mercurial Family is for you: - You’re in need of stylish sans font family with a range of widths and weights. - You’re love those 80’s automotive logos, but want more range of use. - You’re looking for an alternative to Handel Gothic. - You’re looking for a clean techno typeface for your rave poster designs. - You just like to collect quality fonts to add to your design arsenal.