Meta Link is Sans Serif inspired by future techno and sport great for product logo, poster, headline, card logo, web, magazine, packaging, stationery and much more. Easily creates your own logo types with font. Meta Link have 4 weight fonts with italic style also has an Open Type feature to access a large selection of unique alternative letters and many ligatures to make it easier for you to create. Meta Link can be accessed perfectly on design applications such as Adobe Illustrator, Adobe Photoshop, Corel Draw, Affinity Designer but does not rule out the possibility that it can also be accessed using web-based applications such as kittl, canva, artboard studio and others.

Chevin is a contemporary rounded type family in 6 weights which was designed with functionality and legibility in mind. With its open counters and slightly condensed style Chevin can be used for text and is particularly suited to signage. Erik Spiekermann is a fan, noting that Chevin “is charming without being cute, and very legible even in small sizes because of its restrained shapes and simple construction.” Chevin is named after a hill on the outskirts of Otley in West Yorkshire. Since 2007 the type family has been highly prominent in the UK as Royal Mail’s corporate font and the typeface that adorns every Post Office in the country. The Chevin Pro set includes additional Greek and Cyrillic layouts.

Ready to elevate your design? For a dramatic design result, you can take it up a notch with our lovely font, Rivage. It is an elegant sans serif font. This font is quite enigmatic, in that its geometric but also has an open curves. The result is a font that looks friendly and professional at the same time. Also, Rivage is versatile enough to be used on tittle or body text. Features: Stylistic Sets Ligatures Alternates Multilingual Supports Numerals and Punctuation It can be used for branding, logos, social media quotes, stickers, posters, vintage designs, wall art, merchandise, social media, and many more. Get more inspiration by seeing the preview. Thank you for purchasing our premium fonts! Happy Designing!

It introduces a cute display font "Kazuwa". This font is complete with all punctuation and multi-languages support. Kazuwa also has a unique casual shape and looks like a natural kid handwritten, so this font will be perfect when applied to the fun concept design. This font will be useful for posters, name cards, books, comics, presentations, or packaging designs. Enjoy this font, it also supports multi-languages. In some features like stylistic alternates, we put some cute illustrations to make your design more cheerful. Features: Stylistic Alternates & Ligatures Numerals & Punctuation Accented characters Multiple Languages Supported HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type - glyphs

Kondes is our "101 Dalmatians" – it's 101th release in our catalog! And it is the 1st one that belongs to variable typefaces. Kondes (which is made up word as mixture of "condensed" and "kondezovan" on Serbian) is simple, compact, straight-in-your-face sans serif family with 9 weights and 9 Italics. It was designed with purpose to serve and to be use in any project, from editorial to website. For example, Black weight could be used effectively as poster type, in big sizes while Regular fits perfectly as main webfont. Stem joining is done with generous ink trap that divides and opens letter contours, so letter breaths in smaller sizes. Contains extended Latin character set. Enjoy!

About Royalis: Royalis is an expressive and extravagant serif typeface family. It is characterized by a high contrast and dynamic features in the details, such as long terminals or deep inktraps. Royalis is available in three versions: a display version in six weights, a corresponding condensed version also for display applications, and a text version for body text in four weights. It also comes with all the corresponding italics. This makes Royalis versatile, especially for editorial, packaging, branding and advertising. The wide range of weights and possibilities allows Royalis to be used variably. The thinner weights are characterized by their elegance, while the thicker weights captivate with their powerful contrast. They complement each other like the three musketeers once did. Be it the charmingly elegant Aramis, the sober strategist Athos, the powerful ruffian Porthos or the charismatic d'Artagnan, who led the group. Features: The Royalis family has a total of 32 weights, from extralight to black with matching italics, as Display, Display Condensed and Text versions. With over 1027 characters, it covers more than 200 Latin-based languages, with a whole range of Open Type features. There are alternative characters as stylistic sets, small caps, automatic fractions - just to name a few. Arrows and numbers: In particular, the extensive selection of arrows and numbers should be mentioned here. Thanks to Open Type features and a simple system, the various designs of arrows and numbers can also be easily "written" without first having to select them in a glyph palette.

Keep Big Stuff away from toner and ink as it can't resist eating them up.

This beautiful old design was originated at the Connor Foundry, New York, about 1888. Ideal for the small "in between" lines in modern versions of Victorian job printing.

Neo Sans began as an intriguing assignment from a branding agency. The agency’s client wanted an “ultra modern” type family that was "futuristic without being gimmicky or ephemeral.” When a bureaucratic decision cancelled the project, Monotype staff designer Sebastian Lester decided to finish the design on his own. “I was left with a sketchbook full of ideas,” he said, “and thought it would be a shame not to see what came of them.” Lester decided that the principal ingredient of an "ultra modern" typeface was simplicity of character structure: a carefully drawn, monoline form, open letter shapes and smooth, strong curves. By further amplifying these qualities, he crossed the line from modern to futuristic. Two highly functional and versatile typefaces emerged. These are Neo Sans and Neo Tech, designs Lester describes as "legible without being neutral, nuanced without being fussy, and expressive without being distracting." Both the Neo Sans and the more minimalist Neo Tech families are available in six weights, ranging from Light to Ultra, with companion italics. Neo Tech offers a suite of alternate characters.

Cerafino creates a sense of movement using open, angular strokes on lowercase characters. The capitals and numerals are less exaggerated.

Inline Lettering JNL was directly inspired by the opening title of a classic 1940s horror film, "The Invisible Man's Revenge".

Search Party is a handwritten font, made with a Sharpie pen. It is a little wild, a little uneven, but legible and perfectly suited to be used in your designs. Comes with extensive language support and a set of alternates for the lower case letters.

Plasma is a contemporary font family, characterized by its clean and geometric appeareance. As a square based style, Plasma has a technological and futuristic feeling, so is suitable for a very wide range of uses, such as editorial, corporate, packaging, posters and web design. Plasma Family consists in 21 fonts, which comes in seven weights, and three different wides. Each font has 516 characters, and can be managed by using its Open Type features, and supports Western European, Central/Eastern European, Baltic, Turkish and Romanian Languages.

Alexio Ace Display is a Unique Modern Elegant Typeface From Alexio Family with Web-fonts. It's a very versatile font that works great in large and small sizes. Alexio Font would perfect for branding, logos, headlines, Captions. or simply as a stylish text overlay to any background image. Strong capitals and a smooth, open lowercase are effective in a variety of applications. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile and easy to read. 04 Weights Included. Free updates and feature additions.

Tabac Big Glam probably stretches the Tabac super-family’s boundaries the furthest. While it’s based on the serif version, it achieves an especially surgical cleanliness and extremely sharp typesetting by completely letting the serifs go. Despite this, the text isn’t boring for a moment — the angled cut of the stems on b, d, h, k, l, the open loop on g or the rounded variant of the italic y, which can be called by turning on the stylistic set, reliably banishes any suspicions of the letters’ monotony.

Apocalypto Display is a Unique Modern Elegant Typeface with Web-fonts. It's a very versatile font that works great in large and small sizes. Apocalypto Font would perfect for branding, logos, headlines, Captions. or simply as a stylish text overlay to any background image. Strong capitals and a smooth, open lowercase are effective in a variety of applications. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile and easy to read. 07 Weights with 14 Styles Included. Free updates and feature additions.

Letterature is an elegant serif. I designed old-fashioned letters with playful ligatures. The font may be used for creating classical printing, logo design, clothing embroidery, product packaging, vintage header, luxury identity, etc. What you will get: * Uppercase and lowercase * Ligatures * Multilingual support * Numbers * Symbols * Punctuation To have a look at all the ligatures in the font you may open the glyphs panel: In Photoshop go to Window - glyphs In Illustrator go to Type - glyphs Please feel free to request to add characters you need: kaer.pro@gmail.com

Insan, designed by Ihsan Al-Hammouri in 2005, is a modern Arabic typeface in three different weights. The design is based on simplified Naskh with a very low modulated stroke treatment. It is suited for text settings, especially in brochures and magazines. It is characterized by a large body height and open counters and as such can be used in small sizes. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

Madison Street is a font family with 8 fabulously fun typefaces! Eliza Gwendalyn & Jim Lyles of Studioways have teamed up with Spencerian calligrapher Elaina DeBoard to create a classic pointed pen calligraphy font. From its ornamental monograms, to its variety of complimentary text styles, and to its Madison Street Pro, with its elegant stylistic swashes and OpenType goodies, there is a font for every designer. Enjoy the sleek Madison Street Sans, Serif or Script, paired with the Ornaments font, complete with ornate monograms, or use each typeface on its own! Madison Street Pro has all the OpenType bells and whistles. The Ligature feature automatically substitutes beginning and ending letterforms, as well as 100 ligatures. Turn on the Swash feature for elegantly sweeping swash lowercase forms. Enable Stylistic Alternates for even more variations. There are also 10 Style Sets to chose from. And many more OT features! Madison Street is a basic version of the Pro font, intended for users who do not have OpenType savvy applications. Madison Street Stylistic is also a basic version of the Pro font, intended for users who do not have OpenType savvy applications. It has stylistically different ascenders and descenders. Madison Street Swash is intended to be used with the basic fonts, Madison Street and Madison Street Stylistic. It has lowercase beginning and ending swash glyphs and cannot be used to set text by itself. Madison Street Sans, Serif, and Script are text fonts modeled after the handwriting of Elaina. They are intended to be complimentary to any of the script fonts. However, you'll need to set them at a smaller point size (about 1/3 the size) in order to get the preferred scale and weight. Finally, the hairline weight of the Madison Street script fonts is very thin, and at small sizes up to 40 pt, you may notice some breaking up when printing to desktop printers. To remedy this, we recommend outline stroking the text a small amount (.1 -.3 value). this should improve the output without adding to much weight overall.

Wamelo, a work that is purely a result of handwriting and writing by using a liquid ink pen, has a natural characteristic. This is perfect for invitations, signatures, blogs, social media, business cards, product brands. OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. They can also be accessed through the character map.

Designed for ParaType in 1999-2003 by Manvel Shmavonyan. This is a low-contrast serif typeface with large x-height and small square cove serifs. For use for text and display typography. Due to its open letterforms and big number of styles the face is a good companion to open humanist Sans. Hybrid design was awarded special prize at Kyrillitsa'99 international type design competition.

Americana is a transitional typeface with very rounded, open characters. It was designed in 1967 by Richard Isbell for American Type Founders. Americana is a wide and open face with short, wedge serifs and a rather large x-height. Typical uses for this typeface are advertisements, short pieces of text, such as greeting cards and leaflets. The Americana font family is also ideal for headlines.

Algoria is a functional sans serif that includes open character openings, a uniform distribution of white and black, and excellent readability. The general neutrality of the font patterns is not without elegance, and all the details of the typeface are crafted with mathematical precision and love. Typographic designs are developed for the widest possible range of tasks that any quality corporate font must accomplish.

You'll have to admit this is a rocking font, man. It's Fab AND Gear. Not only that, it's called BackBeat and it's GOT a backbeat -- you can't lose it (not if you back up all your data on a hard drive stored at a separate facility), any old way you choose it (Opentype, PostScript or TrueType). Yes, it's just gotta be Comic Book Fonts, if you want to dance with the folks who got all shook up about these kind of things. Yeah.

"Portiere" is a natural handwritten font, we created this font using a marker pen, the natural emphasis of the pen makes the round size random. We write one by one on the paper and then we select each glyph to be the font. This is how we get a natural impression. To sharpen the natural impression we made several ligatures because in natural writing you will not find the same composition. Activate the ligature and feel a natural writing sensation. This font is very suitable for writing quotes and short sentences. Even more so for text animations such as on YouTube and other social media. Its unique shape also allows it to be used for logos.

Marginal Notes SRF is from the creative pen of Ray Larabie whose Typodermic foundry graces MyFonts.com. Designed to emulate the look of handwritten words using a felt tip pen, this font can be perfectly applied to any project where notations, subtext, memos or other forms of personalization with a human touch is required. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Peoni is sweet and quirky… and distinctly different. Her hand-lettered glyphs have retained their original textured appearance for an even more authentic custom-lettering feel. With over 1200 glyphs, Peoni is robust and full of open-type features. She’s designed to select the most ideal characters as you type. But feel free to make changes via your open-type panel, glyphs panel or character map. Have fun with it! There are plenty of options to allow you to create something truly unique and special. Peoni’s Open-Type features include: Stylistic Sets*, including 6 different Caps Styles Contextual Alternates Standard Ligatures Discretionary Ligatures Swashes Contextual Swashes Tabular Numbers Proportional Old Style Numbers Extras- Stylized words (i.e. and, the, from, etc), Roman Numerals (I, V and X), Ordinals (1st, 2nd, 3rd) *Stylistic Sets (ss01-ss18) & alternate glyphs aren't accessible with all programs. If your design software doesn't support open-type, you may need to use your computer’s character map to access other characters.

Filature is a fully connected typeface with open type features. Use Filature any time you want fancy, legible, and original text.

Whoever said that girls can't play sports was wrong! DoodleBat Girly Soccer highlights the fun in soccer.

Opinion varies regarding the role of Claude Garamond (ca. 1480–1561) in the development of the Old Face font Garamond. What is accepted is the influence this font had on other typeface developments from the time of its creation to the present. Garamond, or Garamont, is related to the alphabet of Claude Garamond (1480-1561) as well as to the work of Jean Jannon (1580–1635 or 1658), much of which was attributed to Garamond. In comparison to the earlier Italian font forms, Garamond has finer serifs and a generally more elegant image. The Garamond of Jean Jannon was introduced at the Paris World’s Fair in 1900 as Original Garamond, whereafter many font foundries began to cast similar types. Morris F. Benton’s Garamond appeared in 1936 and is based on the forms of Jean Jannon, which already displayed characteristics of the Transitional style.

Opinion varies regarding the role of Claude Garamond (ca. 1480–1561) in the development of the Old Face font Garamond. What is accepted is the influence this font had on other typeface developments from the time of its creation to the present. Garamond, or Garamont, is related to the alphabet of Claude Garamond (1480–1561) as well as to the work of Jean Jannon (1580–1635 or 1658), much of which was attributed to Garamond. In comparison to the earlier Italian font forms, Garamond has finer serifs and a generally more elegant image. The Garamond of Jean Jannon was introduced at the Paris World’s Fair in 1900 as Original Garamond, whereafter many font foundries began to cast similar types. Garamond Classico is based on the forms of Jean Jannon, which already displayed characteristics of the Transitional style.

This Font is born basing itself on several standard typographic models. Inspired by our calligraphic drawings, the idea was to synthesize these many shapes into a unique font that can be used commonly. The slab base has been gradually humanized. The serifs have been carved, refined, rounded off, in order to galvanize the font and ease the task of reading in lower case. The angle of attack of the round letters is an echo of the 15 Century typographic heritage. It was important for us to create an expressive and humanized font, which could also be used for edition. The purpose was to confront the Ancient typographic canon of beauty with some funny and fancyful elements.

Inspired by the « lettres bastardes », Arthas is a modern interpretation of ancient letterforms dating far back, before type even existed. It has been subtly adapted for better readability in 2020. The sharpness of the design creates an elegant contrast between old and new, ancient and futuristic, and will add an ominous, regal mood to your graphic design projects. This typeface is meant mostly for display use, but we can’t wait to receive a picture of someone using it for introductory text, at the start of a book…. Maybe that’s you? As all of our releases, it will be updated at time goes on. Those updates will always be free for people having already purchased the font(s).

Loving Hearty is a beautiful and flowing handwritten font with love. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Loving Hearty a new fresh & modern script with a valentine style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!! The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. You can mix and match with Opentype feature: Ekstras 16 ligature More than 245 of glyphs Alternates Stylistic sets from ss01 to ss08 If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). To Access Alternate Characters Click The Link Below: Adobe illustrator CS https://www.youtube.com/watch?v=geL0Ye02Ryk Adobe illustrator CC https://www.youtube.com/watch?v=V25yiUh8BcE Ms Word https://www.youtube.com/watch?v=HxkhZiCuwEw Coreldraw X7 https://www.youtube.com/watch?v=UBVsufJjons Adobe Photoshop CC https://www.youtube.com/watch?v=BYKXl58AdNY Indesign CS https://www.youtube.com/watch?v=HgZTCxKG14Q Check my other Font here : https://gilarstudio.com/

Valentina is a beautiful and flowing handwritten font with love. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Valentina a new fresh & modern script with a valentine style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!! The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. You can mix and match with Opentype feature: Ekstras 15 ligature More than 364 of glyphs Alternates Stylistic sets from ss01 to ss08 If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). To Access Alternate Characters Click The Link Below: Adobe illustrator CS https://www.youtube.com/watch?v=geL0Ye02Ryk Adobe illustrator CC https://www.youtube.com/watch?v=V25yiUh8BcE Ms Word https://www.youtube.com/watch?v=HxkhZiCuwEw Coreldraw X7 https://www.youtube.com/watch?v=UBVsufJjons Adobe Photoshop CC https://www.youtube.com/watch?v=BYKXl58AdNY Indesign CS https://www.youtube.com/watch?v=HgZTCxKG14Q Check my other Font here : https://gilarstudio.com/

Berylover is a beautiful, flowing and lovely handwritten font. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Berylover a new fresh & modern script with a handmade valentine style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!! The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. You can mix and match with Opentype feature: Ekstras 16 ligature More than 283 of glyphs Alternates Stylistic sets from ss01 to ss08 If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). To Access Alternate Characters Click The Link Below: Adobe illustrator CS https://www.youtube.com/watch?v=geL0Ye02Ryk Adobe illustrator CC https://www.youtube.com/watch?v=V25yiUh8BcE Ms Word https://www.youtube.com/watch?v=HxkhZiCuwEw Coreldraw X7 https://www.youtube.com/watch?v=UBVsufJjons Adobe Photoshop CC https://www.youtube.com/watch?v=BYKXl58AdNY Indesign CS https://www.youtube.com/watch?v=HgZTCxKG14Q Check my other Font here : https://gilarstudio.com/