This unique handwriting font features extremely tall, loopy descenders and ascenders. The capitals, when used by themselves, offer a totally different look.

Candycorn Overdose represents how I used to feel on the morning after Halloween, way back when I was young enough to go out begging for candy.

HERENGRACHT (Patricians' Canal or Lord’s Canal) is the first of the three major canals in the city centre of Amsterdam. The canal is named after the heren regeerders who governed the city in the 16th and 17th century. The most fashionable part is called the Golden Bend, with many double wide mansions, inner gardens and coach houses on Keizersgracht. Former bureau of André Toet (SO)Design was situated there for over 32 years, it was about time to name one of our fonts to: HERENGRACHT. Concept/Art Direction/Design: André Toet © 2017

This font includes elements of snowy landscapes, holly borders, bells, candles, reindeer, and tree ornaments.

GESTIA is a modern sans serif font with mystical motives. The font is created in classic proportions and decorated with candle inspired elements. GESTIA is represented by sans serif lowercase and ornate uppercase. The font is suitable for the design on the theme of candle design, astrology, mysticism, spirituality, witchcraft, magic, esotericism. GESTIA has extensive language support, it includes English, French, German, Italian, Spanish, Portuguese, Danish, Norwegian, Swedish, Finnish, Estonian, Turkish.

Kapelka's design was prompted by a candy wrapper and brush lettering. For use in advertising and display typography.

I really don’t like candy. In fact, I even hate the smell of candy! But… You can wake me up for caramel in any form or shape! When I was a kid, we used to get a tin of wrapped English ‘quality’ toffees for Christmas. My favourites were the big, flat chewy caramels in a bright purple wrapper! Chewy Caramel is a happy handmade font, ideal for book covers, candy wrappers and labels. Comes with double-letter ligatures for the lower case.

CoffeeMug has letters on coffee mugs. Upper-case letters have the handles to the left and lower-case characters have the handles to the right. The letters on the mugs are from the typeface InsideLetters. The typeface contains characters that will add color to letters. There are two ways to do this. One uses layers and the other a combination of characters, some with zero-width. A file in the gallery explains the ways that this can be done.

Teen Years JNL was inspired by the hand lettered name for the Joyce Records label (circa 1956) which first recorded the New York doo-wop group The Crests (of “16 Candles” fame). The type design is a block sans serif, and is available in both regular and oblique versions.

Yet another font candy!

Bazilic is an informal decorative typeface. It would look nice in greeting cards, children’s books and magazines, on candy and food packages, holiday posters and flyers. Bazilic was based on informal lettering.

Gabara is a modern, fun and dynamic sans serif family. Thanks to its flexible appearance, it is suitable for paragraphs and headings of any length. Also includes Gabara, multilingual support, ligatures, and more. In this way, you can handle many of your needs with a single font family.

When Candy Script was officially released and in the hands of a few designers, I was in the middle of a three-week trip in North America. After returning to Buenos Aires, I found a few reactions to the font in my inbox. Alongside the congratulatory notes, flattering samples of the face in use, and the inevitable three or four “How do I use it?” emails, one interesting note asked me to consider an italic counterpart. 

I had experimented with a few different angles during the initial brainstorming of the concept but never really thought of Candy Script as an upright italic character set. A few trials confirmed to me that an italic Candy Script would be a bad idea. However, some of these trials showed conceptual promise of their own, so I decided to pursue them and see where they would go. Initially, it seemed a few changes to the Candy Script forms would work well at angles ranging from 18 to 24 degrees, but as the typeface evolved, I realized all the forms had to be modified considerably for a typeface of this style to work as both a digital font and a true emulation of real hand-lettering. Those were the pre-birth contractions of the idea for this font. I called it Sugar Pie because it has a sweet taste similar to Candy Script, mostly due to its round-to-sharp terminal concept. This in turn echoes the concept of the clean brush scripts found in the different film type processes of late 1960s and early 1970s.
 
While Candy Script’s main visual appeal counts on the loops, swashes, and stroke extensions working within a concept of casual form variation, Sugar Pie is artistically a straightforward packaging typeface. Its many ligatures and alternates are just as visually effective as Candy Script’s but in a subtler and less pronounced fashion. The alternates and ligatures in Sugar Pie offer many nice variations on the main character set. Use them to achieve the right degree of softness you desire for your design. Take a look of the How to use PDF file in our gallery section for inspiration.

Teapot is a font with letters on teapots. Upper-case letters have the handles on the right and lower-case characters have the handles on the left. The letters on the teapots are from the typeface InsideLetters. A revision in 2018 added some characters that can be used to create multicolored lettering. A pdf file here shows how to use them.

Cold Snowflake - Quirky Ice Cream And Candy Theme Font is a delightful typeface designed to capture the essence of ice cream and candy in a playful and fun manner. The font features quirky, bold, and chubby letterforms, mirroring the sweet and indulgent theme it represents. It can be effectively used alone or in combination with its twelve charming variations. With twelve distinctive variations inspired by ice cream, candy, cones, sprinkles, sticks, melting treats, and chocolate, Cold Snowflake is the perfect choice for children's projects, crafting, and any design that seeks to evoke a sense of fun, playfulness, and a vibrant, colorful aesthetic. This font suits a wide range of applications, including logos, crafting projects, invitations, packaging, posters, titles, businesses, greeting cards, stickers, children's books, magazines, and any design related to the delightful world of ice cream and candy. With its sweet and cheerful theme, Cold Snowflake adds a touch of whimsy to your creative work, making it perfect for all things sweet and playful.

9 months is a decorative face with two font styles. It would look nice on candy and food package, in children's books and magazines. This work is devoted to the period in my wife's life when she was pregnant during 9 months with our daughter.

The English roundhand has always occupied the central position in the group of faces appropriate to the social printing handled by engravers, and their contemporary imitators, thermographers. At the end of the nineteenth century when engraving was mechanised by the pantographic engraving machine, the traditional roundhands found their way onto pantographic pattern plates. Embassy is a traditional roundhand of vigorous contrast with straightforward capitals with ball terminals; it was transferred from such an engravers’ pattern plate to the Fotosetter at Intertype about 1955. Alphatype’s Yorktown is similar, but appears to have less contrast.

In the old Amsterdam neighborhood of 'De Jordaan', you will find a canal called Bloemgracht (Flower Canal). For many years, a coffee store called Schildmeijer could be found here. Their paper coffee bags and advertisements sported a hand made font which I have tried to recreate and the result is Bloemgracht typeface. It is an all caps art deco font, quite angular, but very legible and distinct. Bloemgracht comes with extensive language support.

Watch Elevator Boy bounce up and down, a playful, whimsical display type that looks like fun and tastes like Saturday morning cartoons. Mmmmmm.... it's like font candy!

The design of the font, "Candywrap," was inspired by the various shapes of candies It gives soft and gentle, but optimistic and fun feel to your design. It offers round-shaped glyphs which can be uniquely used for your shop signs, logos, posters, menus, billboards, and many others! It's a caps only font.

The idea of Amsterdam Modern comes from the roofs of buildings ranged along the canal in Holland and the font was designed to have not only an industrial but also a handcrafts atmosphere. The family consists of three weights and is the best used for packaging, logos of products and short sentences.

The display font Docklan arose from experiments of candle-grease and black ink. Book covers, music festivals, wedding invitations or just an essay in school – Docklan will allow you to make a statement in any setting! The lowercases are miniatures of the upper-ones and it comes with a set of basic English/Latin letters and some west European diacritics.

Inspired by a bold serif typeface used popularly in the 1960s, Reprint JNL is perfectly adept for handling any titling needs and will get the point across in short order.

Terracotta is a modern display font with mystical and Art Nouveau motives. The font is created in Bohemian style and decorated with swirls and peaks. Terracotta is suitable for the design on the theme of tarot, mysticism, spirituality, fortune-telling, handcrafts (ceramics, creating candles, soap making ect). Terracotta has extensive language support, it includes English, French, German, Italian, Spanish, Portuguese, Danish, Norwegian, Swedish, Finnish, Estonian, Turkish.

Party Doodles: the perfect font for that quickie party flyer. Six party words in script and hand printing as well as 24 party drawings of gifts, party hats and party crowns, a sundae, a cupcake, fancy cakes, drinks, party horn and noisemakers, candles and a gift tag. One font, many possible party flyers. It can also be found in the book "1000 Fonts" by Bob Gordon.

The above-the-store signage for many newspaper stands, soda shops, candy stores, luncheonettes and pharmacies of the 1950s and early 1960s were what was referred to as “privilege signs” provided by one of the major cola brands. Consisting of the brand’s emblems on the left and right, the remainder of the sign would carry the desired message of the storekeeper (such as “Candy – Soda – Newspapers”) in prismatic, embossed metal letters. Inspired by these vintage signs, Privilege Sign JNL recreates the condensed sans serif lettering style in both regular and oblique versions. The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses.

Spun with webs in mind for the letters pages of the SPIDER-MAN books, INCYWINCYSPIDER is probably one of the World's CREEPIEST Comic Book Fonts! Handle with care - some letters may stick together!

Hypocrite is a wide and black display serif face with a hint of decay and black humor. Handle with care. Shelf-life unlimited. Designed by Alexander Lubovenko and released by Paratype in 2017.

Heino is a decorative face with two font styles that was inspired by an old magazine lettering. Its original features include heavy serifs and tight spacing, particularly if you take the Black version. The bouncing letters create a cheerful impression, and would look nice in children’s books and magazines, on candy and food packages, holiday and circus posters and flyers.

Hygge Adore is a delicate slab serif font with winter patterns in uppercase letters. Inspired by classic Christmas fonts and scandinavian motives. Hygge Adore font is suitable for craft products branding and packaging (handmade candles, soap, tea, coffee, ect.), Christmas and hygge design. Use individual letters and symbols to create logos and monograms. Hygge Adore includes stylistic alternates for all uppercase symbols and numbers. Alternative glyphs are without patterns.

Wake Snake is a beautiful font that is capable of handling a ton of project types and designs. This vintage, Victorian inspired font is ideal for a giving your projects a classy and nostalgic feel.

Fun packed comic style font. Especially made for commercial products such as all kinds of packaging, cereals, video games, candy, kids toys and alike. I added ligatures for double letters to avoid a repeating look. Enjoy!

Harlan is from another place and time. But not just one specific place or time– with its barely-there, knife's-edge serifs, and its smooth curves and flourishes, Harlan feels both vintage and modern; both feminine and masculine. Inspired by the Baltimore bar "WC Harlan", which in turn was inspired by the old candle-lit bars of France, the tucked-away osterias of Italy, and the antique books and journals one might find in a patron's hand. It's a font you'll reach for when you're looking for something refined and elegant, but not too stylized or stuffy.

Christmas A2 uses the following OpenType features to set up to four different color layers. - Superscript/Superior (Trees) - Subscript/Inferior (Stars) - Numerator (Candles) - Denominator (Light, Bells) Note: Due to the complexity of some parts of the font, some printers may have problems of rendering it smoothly. To avoid this problem you should always outline the font data for the final documents. On lower systems turn font antialiasing off for faster screen redrawings.