5,737 search results (0.098 seconds)
  1. SF Proverbial Gothic, created by ShyFoundry, is a distinctive typeface that seamlessly marries the essence of traditional gothic design with contemporary flair, thus creating a versatile font suitabl...
  2. The "Planes-S-Modern" font, designed by Tom Mouat, stands as a fascinating blend of utility and artistry, crafted with a keen eye for both precision and aesthetic appeal. This font is distinguished b...
  3. PF Tempesta Seven Condensed is a striking font crafted by the talented Yuusuke Kamiyamane, a font that embodies both functionality and aesthetic allure within its compact design. This font falls unde...
  4. As of my last update in April 2023, the "OhMyGodStars" font by WhoAmI Design captures a playful yet enchanting essence that dazzles the eye and sparks the imagination. This font is a vibrant ode to c...
  5. Sure thing! Picture a font that captures the sweet and whimsical spirit of an all-American bakery, and you've got American Donuts by Kat Rakos. This font is like a delightful confection for your eyes...
  6. Moby, a distinctive and architecturally inspired font, beautifully captures the modernist spirit coupled with a playful twist. Its design is not just a mere arrangement of letters but a thoughtful cr...
  7. Imagine a font that decides to escape the mundane life of letters trapped on a dusty chalkboard, embarking on a dazzling journey into the neon-filled nights of a sci-fi metropolis. That font would be...
  8. Kingthings Whizzbang is a distinctive and whimsical font created by the talented font designer Kingthings. Known for its playful and eccentric design, this font captures the essence of spontaneity an...
  9. Ah, Kitsu XD, the font that decided it wasn't enough just to carry letters; it had to bring a dash of mischief and a bucketful of personality along for the ride too. Imagine a font that got up one mo...
  10. The Abduction2000 font, created by the imaginative mind behind the alias PizzaDude, is a font that encapsulates the quirkiness and creativity of the late 90s and early 2000s design ethos. This font i...
  11. As of my last update in April 2023, if "Wobble" is a specific typeface that has been developed or dubbed under this name in a niche or less widely recognized font collection, I might not have direct ...
  12. Ah, Lelim 200, a typographic enigma birthed from the creative chambers of Stefan Motzigemba's mind! If fonts were people, Lelim 200 would be that effortlessly cool friend who knows all the best coffe...
  13. I'm sorry, but it seems there might be a bit of confusion regarding the existence of a font named "Wooden Log" by Tokokoo. As of my last update, I don't have information on a font by that specific na...
  14. Ah, if fonts were people, Struck Base PERSONAL USE ONLY PERSONAL USE ONLY by Måns Grebäck would be that incredibly charismatic friend who insists on making a dramatic entrance at every party, yet onl...
  15. The Albertino font, crafted by the talented Davide Ardissone, is a remarkable work of typographic art that beautifully marries elegance with functionality. At its core, Albertino embodies a modern se...
  16. As of my last update in April 2023, "Republic" by DesignStation stands as a contemporary example of a font that beautifully marries versatility with distinctive style, crafted to cater to a wide arra...
  17. Racer, created by the visionary designer onezero, is a font that embodies dynamism, speed, and elegance. Its design is inspired by the high-speed world of racing, capturing the essence of motion and ...
  18. The "Harry P" font, created by GemFonts under the direction of Graham Meade, is a striking typeface that has carved its own niche in the world of typography. It's a font that immediately catches the ...
  19. "Shipped Goods 1 (Personal Use)" is a captivating typeface from the creative mind of Måns Grebäck, a renowned designer known for his prolific output of visually striking and character-rich fonts. Thi...
  20. Feast of Flesh BB is a creation of Blambot Fonts, a type foundry that has made a significant mark in the realm of comic book lettering and graphic design. This particular font encapsulates an aura of...
  21. In the whimsical world of typography, where letters are not just letters but characters bursting with personality, the font Misirlou Day by Ray Larabie performs a vibrant hula dance, beckoning the su...
  22. Imagine if your high school chemistry teacher decided to become a typographer, and their first project was to somehow capture the essence of every "Eureka!" moment they ever had in a font. The result...
  23. Juvelo is a distinguished typeface crafted by the adept type designer Barry Schwartz. It stands out as a testament to Schwartz's commitment to producing fonts that not only serve practical purposes b...
  24. Sure, I'd be happy to give you a glimpse into the world of the "Advanced Pixel-7" font, crafted by the creative minds over at Style-7. This font takes you on a nostalgic journey back to the days of v...
  25. Archeologicaps by Manfred Klein is a tryst with history, wrapped in the enigma of typography that takes you back to the cradle of civilization. Designed by the adept typographer Manfred Klein, this f...
  26. Ah, the Abysmal Gaze font - a creation that seems to hail from the depths of an artist's most intriguing nightmares, or perhaps, their most whimsical dreams. Crafted by the hands and imaginative geni...
  27. Ah, SF Espresso Shack by ShyFoundry, the font that sounds like it was brewed in the cozy, eclectic coffee shop tucked away in the artsy part of town. Picture this: a font that packs all the warmth of...
  28. Arbuckle is a font that dances between the worlds of playfulness and respectability, masterfully designed by Nick Curtis. Picture a font that could easily headline a whimsical party invitation one mo...
  29. Jasper BRK, designed by AEnigma, stands as a distinct and versatile typeface that captures the attention of both designers and viewers alike. This font belongs to the unique family of fonts created b...
  30. Sure thing! Imagine if the fonts in your computer decided to throw a costume party. Amongst the sea of letters dressed in their serif and sans-serif finery, one font stands out for its audacity and f...
  31. The Ben-Zion font by Iconian Fonts is a captivating typeface that draws inspiration from a mix of futuristic elements and classical typography principles. Iconian Fonts, known for their extensive ran...
  32. The "Manic" font, crafted with meticulous attention by the talented Fran Board, stands as a testament to the blend of creativity and precision that typographic design encompasses. This font emerges n...
  33. Made For Japan by Font Aid V, $20.00
    In March 2011, the Society of Typographic Aficionados began organizing a collaborative project that would unite the typographic and design communities. The goal of Font Aid V: Made for Japan was to raise funds to expedite relief efforts after the devastating earthquake and tsunami in Japan. Nearly 300 contributors from 45 countries sent in over 500 glyphs in a single week. Behind the scenes, volunteers Neil Summerour, Silas Dilworth, Delve Withrington, and Grant Hutchinson were up to their elbows in Adobe Illustrator and Fontlab assembling the typeface. The sheer number of submissions coupled with the complexity of some of the designs caused unforeseen delays in completing the typeface. The team not only managed the immense influx of submissions, it also had several technical hurdles and multiple content reviews to mitigate before the final font could be produced. Several months after the project was initiated, Font Aid V: Made for Japan was finally ready for distribution. With the help of Sogo Japan, all proceeds from sales of this typeface will be delivered directly to organizations in Japan, such as Second Hand and AMDA International (Association of Medical Doctors of Asia). Sogo Japan strives to help circumvent regular international charity channels and the inefficiencies associated with them. Thanks to everyone who participated and helped us spread the word about the Font Aid V: Made for Japan project. In particular, we would like to acknowledge the following individuals and groups for their participation and involvement: Jonathan Abbott, Rui Abreu, Frank Adebiaye, Tim Ahrens, Anonymous, Eero Antturi, Leonardo Aranda, Hector Carrillo Aspano, Danielle Atnip, Alejandro Cabrera Avila, Christophe Badani, Joanne Gyo Young Bae, Ben Balvanz, Cynthia Bataille, Priyanka Batra, Donald Beekman, Hannes Beer, David Berlow, Kevin Beronilla, Fabian Bertschinger, Nicole Bittner, Bart Blubaugh, Dathan Boardman, Andrew Boardman, Joel Vilas Boas, Konstantin Boldovskiy, Scott Boms, Michael Browers, Vickie Burns, Matt Burvill, Daniele Capo, Seymour Caprice, Mauro Caramella, Matevž Čas, Eli Castellanos, Sarah Castillo, Tom Censani, Pinar Ceyhan, Ivette Chacon, Hin-Ching Chan, Sarah Charalambides, Karen Charatan, Sinde Cheung, Todd Childers, Justin Chodzko, Felipe Coca, Antonio Coelho, Jefferson Cortinove, Alan Lima Coutinho, Nick Cox, Nick Curtis, Girish Dalvi, Christopher DeCaro, Thomas C Dempsey, Matt Desmond, Chank Diesel, Anum Durvesh, Suzie Eland, Engy Elboreini, Craig Eliason, Emi Eliason, James Elliott, Grace Engels, Exljbris, Hillary Fayle, Carol Fillip, Jeff Fisher, Scott Fisk, John Foley, Stuart Ford, Mathias Forslund, Brock French, Anina Frischknecht, Eric Frisino, Chiyo Fujimori, Kaela Gallo, Ayesha Garrett, Harald Geisler, Alfonso Gómez-Arzola, Adriana Esteve González, Richard Gregory, James Grieshaber, Grupoingenio, Kemie Guaida, Carlos Fabián Camargo Guerrero, Rachel Han, Erin Harris, Stefan Hattenbach, Magnus Hearn, Marissa Heiken, Georg Herold-Wildfellner, Jamie Homer, Ed Hoskin, Dav[id Hubner], Jonathan Hughes, Rian Hughes, Grant Hutchinson, Xerxes Irani, Masayuki Izumi, Jan Janeček, Hyun Kyung Jang, Julien Janiszewski, Dušan Jelesijevic, Cal Jepps, Meghan Jossick, Evamaria Judkins, July Twenty Fourth, Erica Jung, William K, Claes Källarsson, Kapitza, Asutosh Kar, Arno Kathollnig, Sami Kaunisvirta, Hajime Kawakami, Scott Kaye, Richard Kegler, Anna Keroullé, Bizhan Khodabandeh, Lara Assouad Khoury, Ilona Kincses, Becky King, Sean King, Megan Kirby, Max Kisman, Keith Kitz, Romy Klessen, Akira Kobayashi, Kokin, Kozyndan & Silas Dilworth, Atushi Kunimune, Andreas Kuschner, John Langdon, Ray Larabie, Jess Latham, Kelly D Lawrence, Matic Leban, Chien-Hao Lee, Bryan Levay, Enrico Limcaco, Andreas Lindholm, Andrew Loschiavo, Chris Lozos, Ian Lynam, John Lyttle, Gustavo Machado, Jonathan Mak, Ricardo Marcin, Jeannie Mecorney, Steve Mehallo, Cristina Melo, Martin Mendelsberg, The Midnight Umbrella Studio, Goro Mihok, Ojasvi Mohanty, Ahmed Mohtadi, Alixe Monteil, Veronica Monterosso, Dani Montesinos, Masanobu Moriyama, Misa Moriyama, Pedro Moura, John Moy Jr, Marc Marius Mueller, Shoko Mugikura, Joachim Müller-Lancé, Diane Myers, John Nahmias, Yoshihisa Nakai, Hiroshi Nakayama, Reiko Nara, Nathoo, Titus Nemeth, Nathanael Ng, Ngoc Ngo, Antoninus Niemiec, James Ockelford, Kunihiko Okano, Naotatsu Okuda, Toshi Omagari, Onikeiji, Ozlem Ozkal, Jason Pagura, Hrant Papazian, Brian Jongseong Park, John Passafiume, Patrick Griffin, Alejandro Paul, Vian Peanu, Dylan Pech, Rebecca Penmore, Peter Brugger, Jean François Porchez, Carolyn Porter, Andrew Pothecary, James Puckett, Rachel Hernández Pumarejo, James Random, Liam Roberts, Tom Rogers, David Jonathan Ross, Sumio Sakai, Sana, Stuart Sandler, Rafael Saraiva, Riccardo Sartori, Ai Sasaki, Yee Wen Sat, Agnes Schlenke, Giovanna Scolaro, Roland Scriver, Alessandro Segalini, Shawn Semmes, Jane Sheppard, Josh Sherwood, Paulo Silva, Mark Simonson, Luis Siquot, Greg Smith, Owen Song, James L. Stirling, Nina Stössinger, Tanya Turipamwe Stroh, Kevin Strzelczyk, Neil Summerour, Superfried, Shiho Takahashi, Shuji Takahashi, Yusuke Takeda, Naoyuki Takeshita, Bruno Tenan, Chung-Deh Tien, Tom, Ryoichi Tsunekawa, Alex Tye, Matthew Tyndall, TypoVar, Virginia Valdez, Beatriz Valerio, Tom Varisco, Brayden Varr, Catarina Vaz, Andy Veale, Yvette Claudia Velez, Marie-Anne Verougstraete, Abbie Vickress, Ray Villarreal, Pat Vining, Courtney Waite, Hoyle Wang, Viola Wang, Jim Ward, Grace Watling, Terrance Weinzierl, Robert Weiss, Stuart Weston, Kevin Wijaya, Dave Williams, Beau Williamson, Delve Withrington, Katherine Wood, Neil Woodyatt, Jesvin Yeo, Yokokaku, Kazuhi Yoshikawa, YouWorkForThem, Matt Yow, Charlton Yu, Yuriko, Ron Za, Jayson Zaleski, Víctor Zúñiga
  34. Asgard by Zetafonts, $39.00
    Francesco Canovaro designed Asgard as a way to mix his passion for the raw energy of extra bold sans serif typography with the expressivity of high contrast and calligraphy-inspired letterforms. He built the typeface around a strong geometric sans skeleton, to make the letters feel solid and powerful while using wood-type vernacular solutions to solve density through high contrast details. The typeface name was chosen as an homage to the mythical homeland of the Norse Gods, evoking a land of fierce warriors, power and strength - but also of divine, delicate beauty. Thanks to the help of Andrea Tartarelli and Mario de Libero the original design was extended along with the design space, expanding the number of weights and widths with a "workhorse typeface" approach, and adding also a slanted axis to experiment with italics. The result is a super-family of 9 styles of 8 weights for a total of 72 fonts, each coming with an extended set of 968 glyphs covering over 200 languages using Latin, Greek and Cyrillic scripts. The three variation axes (width, weight, slant) are also all accessible in a variable font version that is included with the whole family. This gives the designer a full range of options for typesetting, with the Roman and Fit widths providing basic display and text-sized alternatives, and the Wide width adding more display and titling options. The inclusion of backslant italic styles gives Asgard an extra chance to add its voice to the typographic palette. To complement this, all Asgard fonts have been given a full set of Open Type Features including standard and discretionary ligatures, stylistic sets, positional numerals and case sensitive forms. Dynamic and expressive, Asgard is a super-family that manages to look brutal and refined at the same time, quoting the vernacular typographic practices of letterpress print while expressing the contemporary zeitgeist. • Suggested uses: perfect for contemporary branding and logo design, bold editorial design, dynamic packaging and countless other projects. • 73 styles: 8 weights + 8 italics + 8 backslant italics, 3 different widths + 1 variable font. • 968 glyphs in each weight. • Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Discretionary Ligatures, Denominators, Fractions, Kerning, Standard Ligatures, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Oldstyle Figures, Ordinals, Scientific Inferiors, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Subscript, Superscript, Slashed Zero • 219 languages supported (extended Latin, Greek and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Vietnamese, Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Greek, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük.
  35. Ah, the Grandiose Grantham! Crafted by the whimsical hands of Paul Lloyd Fonts, Grantham is not your average character (pun intended) in the world of typography. Imagine if the letters decided to thr...
  36. The Hocus Focus font, crafted by the talented artist Ward Zwart, stands as a testament to the unique blend of playful whimsy and artistic seriousness. Ward Zwart, known for his distinctive illustrati...
  37. Deco Pimp by David Kerkhoff is a font that effortlessly marries the extravagance of Art Deco with modern design sensibilities, resulting in a typographic experience that is as lush and daring as it i...
  38. Nu School Munitions isn't a font that I can specifically reference as of my last knowledge update in early 2023, suggesting it might either be a very new, specific, custom, or possibly not widely rec...
  39. ChickClicks, as evoked by its whimsical and engaging name, suggests a typeface imbued with playful charisma and a contemporary vibe, though it’s important to note that as of my last update, ChickClic...
  40. Ah, the font "Dancing_DL1.0" – if this font could tango, it would probably outshine the most flamboyant of dance partners on the dance floor. This isn't your ordinary, sit-in-the-corner-and-mumble ki...
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