Natalya Swashes provides a diverse set of flowing swashes and ornaments originally designed to complement the popular insigne script Natalya. The basis point for Natalya's ornate swirls is the golden ratio, and this makes for especially harmonious swashes with timeless appeal. These poised and graceful flourishes can be easily adapted to many design situations, even in situations that don't call for Natalya Swashes' script companion. Natalya swashes can be resized and rotated easily without any loss of quality and converted to outlines and modified. Combine them to form unique compositions or insert them into your copy to create interest. Please see the sample .pdf to see all 56 ornaments in action. The Natalya Swash package comes with an inDesign sample file to quickly reference ornaments and copy and paste them into your layouts.

I became interested in designing Bodoni Classic because of a lazy graphic designer at Jacques Damase publishing house. He had to change a single letter on a bookcover about J. B. BODONI. The French call him Jean Baptiste instead of Giambattista! And that unknown graphic designer just took any old “J” from some newly cut Bodoni. All the new Bodoni cuts have square serifs, whereas the originals had rounded serifs and slightly concave feet. The single letter “J” with the squared off serif was for me like a road sign to start redesigning the entire Bodoni family. That’s exactly what I started in 1993 and a dozen years later I am finished. Okay, I am still adding new Bodoni Classics, but those are my personal additions. Yours very retro, Gert Wiescher

I became interested in designing Bodoni Classic because of a lazy graphic designer at Jacques Damase publishing house. He had to change a single letter on a bookcover about J. B. BODONI. The French call him Jean Baptiste instead of Giambattista! And that unknown graphic designer just took any old “J” from some newly cut Bodoni. All the new Bodoni cuts have square serifs, whereas the originals had rounded serifs and slightly concave feet. The single letter “J” with the squared off serif was for me like a road sign to start redesigning the entire Bodoni family. That’s exactly what I started in 1993 and a dozen years later I am finished. Okay, I am still adding new Bodoni Classics, but those are my personal additions. Yours very retro, Gert Wiescher

I became interested in designing Bodoni Classic because of a lazy graphic designer at Jacques Damase publishing house. He had to change a single letter on a bookcover about J. B. BODONI. The French call him Jean Baptiste instead of Giambattista! And that unknown graphic designer just took any old “J” from some newly cut Bodoni. All the new Bodoni cuts have square serifs, whereas the originals had rounded serifs and slightly concave feet. The single letter “J” with the squared off serif was for me like a road sign to start redesigning the entire Bodoni family. That’s exactly what I started in 1993 and a dozen years later I am finished. Okay, I am still adding new Bodoni Classics, but those are my personal additions. Yours very retro, Gert Wiescher

Elevate Your Designs with Elegant Luxury Orliet Pro is a meticulously crafted serif font designed to add a touch of elegance and luxury to your visual creations, especially ideal for enhancing the sophistication of logos. This font stands out for its uniqueness, boasting over 50 ligatures and alternative characters with artistic flair. Its well-designed script optimizes your designs, ensuring a seamless integration into your projects. Key Features: Versatile Ligatures and Alternatives: With over 50 ligatures and alternative characters, Orliet Pro provides a wide range of design possibilities. Each character exudes a unique artistic charm, allowing you to customize your text in a myriad of ways. Elegance in Every Detail: The design of Orliet Pro aims for elegance. The serif style adds a touch of class to your projects, making it perfect for creating logos that exude luxury and simplicity simultaneously. Seamless Font Families: Each member of the Orliet Pro font family complements one another effortlessly. Whether you choose the Orliet Pro script or Orliet Pro icons, they work harmoniously to enhance your overall design. Enhanced Design Flexibility: Orliet Pro script and Orliet Pro icons contribute to the ease of design integration. The script is thoughtfully designed to optimize your creative process, while the icons provide additional elements for a professional touch. Cyrillic Alphabet Inclusion: For an added layer of versatility, Orliet Pro includes the Cyrillic alphabet in regular, italic, bold, and bold italic styles. This ensures that your designs can reach a broader audience with diverse language preferences. Optional Details: Design Concept: Orliet Pro was conceptualized to bring an air of sophistication to your designs, with a focus on creating an elegant and timeless serif font. Creation Inspiration: The font draws inspiration from classic design elements, aiming to provide a timeless aesthetic that resonates with a modern audience. Historical Context: While not a revival, Orliet Pro pays homage to the timeless elegance of serif fonts, adding a contemporary twist to meet the demands of today's design trends. Elevate your designs with the timeless elegance of Orliet Pro. Explore the possibilities of serif and script styles, accompanied by convenient font icons, all seamlessly integrated into one versatile font family. Embrace luxury and simplicity in every character.

Grand brother of Super National in extra bold. Looks nice in all size.

officially funky is a brand new, creative & unique font duo. It is a part of my font duo series and after French Lovers & Silver Garden it was time to create a font that is both modern and nostalgic. It is a 2 in 1 font, where the sans makes it modern and alternate serif letters & cool ligatures will make each of projects projects 100% unique. The font also includes over 45 ligatures and I am sure you will love this funky vibe. It also includes full language support, punctuation, numerals and detailed instructions how to use alternate letters most of the apps on your computer, as well as in Canva. I invite you to check out the preview images, and I hope you will be immersed in my vision for this creative typeface that, I am sure, will work for all kinds of interesting projects you might be working on this year. If you end up publishing your designs on Instagram, tag me - @silverstagco and I will make sure to showcase your design and work to my audience as well! Officially Funky - Modern Font Duo Includes: Over 45 ligatures in sans & serif font Numerals & Punctuation Web Font Kit is included as well Detailed instructions on how to use alternates in most of the apps on your computer and in Canva Happy creating everyone!

Crafter Pieces - Multi-Style Font is a truly unique font that offers multiple styles within a single typeface. With a total of 8 different styles accessible through alternate characters, this font provides versatility and creative options for various design applications. From super bold and stencil to thin, slab, serif, sans-serif, sport, and postage stamp styles, Crafter Pieces is a font that can be applied to any design and suit any theme or style. Each style can stand on its own or be combined with others, making it a perfect choice for branding, logos, posters, quotes, books, magazines, headlines, and more. The versatility of Crafter Pieces is truly exceptional, as it allows you to experiment with different styles within a single font. The availability of 8 distinct styles in one typeface opens up a world of possibilities for your creative projects. Whether you need a super bold look for a striking poster, a stencil style for an edgy branding design, or a thin font for an elegant quote, Crafter Pieces has it all. With Crafter Pieces - Multi-Style Font, your design possibilities are endless. Whether you're working on a modern or vintage theme, an edgy or elegant concept, this font will be your go-to choice, offering a wide range of styles to suit every project and creative vision.

Restrict is a san serif font that we design with a wide selection of beautiful characters and strong characteristics. Having a distinctive shape that is attractive to the eye and easy to read when you make it as a sentence is our main goal in designing this font. Not limited to that, the bold calligraphy font is designed to keep paying attention to the beauty of each letter, there are alternate options for the letters which are certainly easy for you to access, so you can automatically customize the letters you want to enhance the visual appearance of your design project. This charming font also offers the beauty of abstract typography harmony for a wide variety of design projects, including digital natural handwriting for designs, quote designs, for social media business designs, advertisements, trademarks, food and beverage promotion banners, text, posters, a signature, and all designs require handwriting or whatever design you want. What’s Included : File font Web Fonts Standard glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support for; Afrikaans, Albanian, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish Thank you for your purchase! Hope you enjoy our font!

Rome Ionic is a serif display font inspired by architectural features in ancient Roman building columns. The Ionic columns are taller and slender compared to 'Doric and Corinthian' columns. On the Ionic Capitol column, there is a geometric spiral like a paper roll. We used those elements in this roman style font. The base of this font is serif shaped, more slender and towering, and equipped with 8-18 stylistic set alternates. This is the development of the basic shape on which we added spiral ornaments to the left and right. This serif font's characteristic is soft and simple, not sharp and complicated like Doric and Corinthian. The composition of the softness of the basic and alternate fonts does not reduce the splendor of this font. We complemented this font with support for the Latin extend as an analogy to the Roman region. Rome Ionic is perfect for 'impressive luxury and power' designs. With this font, your branding will show the robustness and refute the splendor of other products.

Cocogoose Pro Narrows has been completely re-engineered in 2020 to include extra features and technologies. A darkmode weight range has been added to the whole family, to keep consistency of effect when the typeface is used in reverse on the web and in dark mode interfaces. Also, a new Ultra Compressed subfamily has been developed for display usage. Designed by Cosimo Lorenzo Pancini in 2013, Cocogoose was first expanded in 2015 with the help of Francesco Canovaro who co-designed the decorative display weights and Andrea Tartarelli who developed the condensed widths. In 2020 a full redesign of the typeface has been published: Cocogoose Pro now includes new widths, weights, open type features and characters, thanks to the help of Mario De Libero. Influenced by vernacular sign-painting and modernist ideals, Cocogoose is drawn on a classic geometric sans skeleton, softened by rounded corners and slight visual corrections. Its very low contrast, dark colour and tall x-height make it a solid choice for all designers looking for a powerful display typeface for logos, headings and vintage-inspired branding. The tall x-height makes texts set in Cocogoose very readable even at small sizes, while the bold regular weight allows for maximum impact when used as a branding, signage or decorative typeface. Cocogoose Pro was designed as a highly reliable tool for design problem solving, and given all the features a graphic designer needs, starting from its wide range of widths and weights. Its 2000+ latin, cyrillic and greek characters make sure it covers over 200 languages worldwide, while its comprehensive set of open type features allows faultless typesetting thanks to small capitals, positional numbers & case sensitive forms. A wide range of alternate letterforms, developed along nine different stylistic sets, gives you an extra level of design fine-tuning. The layerable and colour-ready display variants include inline, outline, shadow and a letterpress version that can simulate the effect of old print, also thanks to programmed randomization of its letters.

Immi 505 is another of Tim Donaldson�s prolific works. Inventive and fun-loving as always, Tim used a pen nib called a ?Brause 505? to create the letterforms for this design. The Brause 505 was an invention of Karlgeorg Hoefer. Hoefer created his typefaces Salto" and Saltino" with this nib. The other part of the name, Immi, is the nickname of Donaldson�s five-year-old daughter Imogen. The resulting unusual curves and open character of Immi 505 create a distinctive rhythm and color appropriate for short blocks of ad copy, titles, music CD covers, and Web page headlines where a bit of extra width is needed."

Go back in time by downloading this calligraphy style script font. The elegant letters are charming additions to any lettering project that needs calls for fancy, stylish, and graceful embellishments.

A clean and easy to read Aurebesh font, in the style used at the Droid Depot at Disney's Hollywood Studios. This style is also called Droidebesh. Have fun with it.

This is the mature version of our previous release Infantometric Pro - The same basic skeleton, but with a more normal x-height. One feature is that no letters (except some accented letters - with cedillas, ogoneks and comma accents) go below the baseline, so this is one condensed font that is perfect for headlines! :) ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Signque is a contemporary sans serif typeface based on geometric shapes. The persistent tension between precise lines and accurate curves as well as the ongoing contrast between open and closed contours constitute the main characteristics of this fresh and modern font family. While unconventional letterforms make up signque’s distinctive appearance, extended widths, tall x-heights and clear shapes provide good legibility and nice readability. With its unique look and feel, signque will perform outstanding for headlines as well as for almost any other type of analogue and digital application. The signque font family comes in nine weights and includes unique letterforms as well as extensive ligatures, fractions, and figures.

Hatelliya Script Font is interesting because the typeface is pleasing to the eye, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . . Hatelliya has alternative characters, including support for multiple languages. With OpenType features with an alternative style and elegant binding. The OpenType feature does not work automatically, but you can access it manually and for the best results required for your creativity in combining these Glyph / Character variations. Font Features : * Lowercase beginning and ending swash * Uppercase beginning swash * Initials * Intenational Language I heavily use programs that support OpenType features and the Glyphs panel such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so that you can view and access all the variations of the Glyph. Hatelliya Font is coded with Unicode PUA, which allows full access to all additional characters without having any special design software. Mac users Mac users, and Windows users can use Character Map to view and copy any of the additional characters to paste into your favorite editor / application. Please send a message if you have questions or problems, and don't hesitate to say hello on Instagram : Thank You & Happy Designing!

A collection of DIN Mittelschrift variants with a slightly sinister and scary appearance - perfect for that Halloween ad, brochure or article. The Plain font is included if you buy the family pack, and can be mixed in. The DINfun Pro fonts are special versions of the classic DIN 1451 Mittelschrift, far removed from the original typeface's serious and no-nonsense roots. I have made them as companions to the classic, with some some very different expressions, complete with a large multilingual character set. Time to spice up that DIN profile! :) ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Baldione is a highly stylised variation upon a classic Didone typeface, incorporating a globular decorative 'ball' or 'blob' in each character's design. The result has a feel of the 1970s about it somehow and works well in poster and advertising designs with a hint of the outré' about them. Balidone includes an extensive range of ligatures and stylistic alternates. Article abstract: Baldione is a highly stylised variation upon a classic Didone typeface, incorporating a globular decorative 'ball' or 'blob' in each character's design. The result has a feel of the 1970s about it somehow and works well in poster and advertising designs with a hint of the outré' about them.

Rock Painting is based on ancient Northern rock paintings and I edited the glyphs to resemble latin letters, runelike. So it's quite writable and the characters can also be used separately in bigger shape. Some of the glyphs are idols of old Finnish gods and spirits: A - Ahti, god of (usually) water element or a spirit that lives in a pond, a lake or a river etc. I - Ilmarinen, god of the air K - Kaleva, ancient giant blacksmith, the great ancestor of Finns L - Luonnotar, the spirit of all nature, gives birth to creatures T - Tapio, god of the forest or the forest itself N - Nyyrikki/Nyrki, son of Tapio, a great hunter and so on. The font also includes glyphs resembling animals and things like moose, beaver, swan, fish, sickle, boat and more.

Moron is a distinctive and idiosyncratic display typeface: a winsome-but-nasty, old-and-yet-new drawing of Victorian sans-serif letterforms (with some 1970s sausage fonts thrown in). Moron started life as a sans-serif redrawing of Nylon but developed into a unique typeface with a character all its own. It is based, very loosely, upon Victorian Tuscan and Grotesque type found in the churches and cemeteries of the city of Glasgow. These letterforms originated before the dawn of modernism and at a time when the Arts and Crafts Movement was flourishing. In this age of early mass production and mechanisation, the Victorian ability to balance functionality with ornamentation had fascinating results. The typography of that period displays a unique combination of industrial heft and romantic decoration.

The main inspiration is from Art Nouveau which flourished in Europe at the end of the 19th and beginning of the 20th centuries. This design included furniture (Majorelle, Lalique) and architecture (Victor Horta, Henry Van de Velde, Gaudi, Alfons Mucha). But Hector Guimard remains the favorite for all aspects of its art and, of course, its typefaces used on the Parisian Metropolitan posters. In particular, the various kerning of the various letters he used to make the poster a whole design from singular designs, leading to numerous variations. As a designer, I first worked with the individual glyphs Hector Guimard designed and I discovered that they vary constantly from a poster to another, depending on the overall result he was looking for. Another difficulty in transferring his design to printing is that there was no lower case. I was excited to create the whole font from the original designs of Hector Guimard, incorporating its variations and "crazy kerning". After several attempts, it appeared to be impossible to include all variations and I slightly moved to my own new design as a complete font, upper and lower case, with kerning. I voluntarily limited the ascenders and descenders to the usual typography so that it can be used from 10 / 12 points. This version can be used to edit letters and books in the context of Art, specially Art Nouveau and Art Deco of course, posters of any kind.

Schnorr is a family of three fonts drawn by a German designer, Peter Schnorr. Schnorr Dekorativ is one of the less frequently seen of the alphabets he designed and one of the few for which he designed as lower case. Like many of the alphabets of the period, Schnorr Dekorativ is a delicate design. To provide a little more presence, we have added a DEMIBOLD version. Included in both Schnorr Dekorativ and Schnorr Demibold are an ornament of Schnorr’s design, seven T-ligatures and an alternate lower case t. 123=Ta, 125=Te, 135=Th, 137=Ornament, 167=Ti, 172=To, 188=Tr, 190=Tu and 177=alternate t. Schnorr’s design for the lower case t is unusual and not readily recognized. The alternate may be used to improve readability. Schnorr Initialen was designed as an upper case only design and as such is quite popular. It is often seen under the name of Odessa. Our font is a fresh scan and is paired with our Schnorr Demibold to provide a compatible lower case, along with all the rest of the auxiliary characters. Schnorr Initialen includes all the extras supplied with Schnorr Dekorativ and Schnorr Demibold: 123=Ta, 125=Te, 135=Th, 137=Ornament, 167=Ti, 172=To, 188=Tr, 190=Tu and 177=alternate t. In addition, Schnorr Initialen also includes an alternate uppercase I (172) and five lotus ornaments (123, 125, 167, 188 and 190).

Retaining all the imperfections and irregularities of wood type, Wormwood Gothic is a gothic sans with all the naive and uneven character shapes typical of the period. The ‘capitals’ feature extended characters, while the ‘lower case ’ features capitals of squarer proportions. Freely mix the two in word settings or colour in red and black for a Dada collage, billposter, urban grit or antique Americana atmosphere.

Trapped in a world they never made, the characters in our Story So Far have been engaged in final battle with their Arch Enemies... the characters known only as ToBeContinued. One of our characters will win, one will die, at least two of them will be engaged in a Clash of Titans. Face Front, True Believer, This One's Got it All! The Story So Far & Near complete family includes eight weights with support for Western & Central Europe.

Have you been looking for a vintage font? Do you dream of creating headings that stand out and inspire modern and artistic? Lastones - A Vintage Font Lastones is a display font made all in uppercase typeface that shows retro looks. A great display font that appears to drip down on the page, as if sprayed there only moments ago. Well suited to titles, poster designs, branding, and logos. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Swashes Stylistic Set PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Kammerlander is a sans typeface with a distinctively strong thick/thin contrast. It’s based on Messner- a hairline font with a constant stroke weight, so their combination looks very natural. They look great in fashion magazines, in the expensive world of beauty and glory. Kammerlander is an all caps face, especially suitable for larger sizes.

Morris Fuller Benton's 1917 typeface named Invitation provided the pattern for this elegant and endearing face. Classic Engravers Roman style caps are exquisitely balanced with a sinewy lowercase, adding warmth and charm. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Berlinsa is a modern script font. It has smooth strokes to give character of a simple, sweet and realistic handwritten style. Berlinsa is perfect for logos, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

Misterall is a hand made, all-caps, brush font by Bartek Nowak which contains two variations for each letter and a lot of ligatures. It can be used for invitations, greeting cards, posters, advertising, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Budrick BB is a slick, clean body copy font family that's just a bit rounded. It is available in four weights: Regular, Italic, Bold, and Bold Italic. (And those Italics have some slightly different letter forms than the plain versions!) To top it all off, Budrick BB has a hefty collection of European characters.

The main 20-th century handwritten display font in the USSR, usually performed with a flat brush or a wide poster pen for all kinds of signage during 1920-1990s. It had also many analogues in other countries, but never was that popular as in the Soviet Union, used everywhere. The softened modern humanistic version.

Rephran is a font completely designed by hand, with brush and black indian ink,all the lines were softly made by hand. Every letter is like a piece of art, including the numbers and signs. Check the PDF in the gallery section to see the details. It includes Capitals, lower case letters, Signs and Numbers.

Warilah is a modern handwritten with characters that dance along the baseline. It can be used for various purposes such as logos, wedding invitations, headings, t-shirts, letterhead, signage, labels, news, posters, badges and so much more. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Hearts & Swirls is a playful little font by Justine Childs & Rae Kaiser. 52 whimsical hearts and swirls, some solid, some line but lots of little graphics to finish off that wedding, birthday or baby announcement, invitation or flyer. Many ways to say I Love You. 41 hearts for all your Valentine and Wedding needs.