Introducing Rolfter, a classic serif typeface with many features including ligatures, tons of alternates and multilingual support. All the ligatures and alternates can be accessed by installing just one font file. LIGATURES & CONTEXTUAL ALTERNATES We recommend that you turn on both ligatures and contextual alternates for best results. You can do this in either Photoshop or Illustrator. Photoshop: Open the "Character" panel via Window - Character and check the standard ligatures and contextual alternates icons at the bottom left corner of the panel. Illustrator: Open the "OpenType" panel via Window - Type - OpenType and also check the standard ligatures and contextual alternates at the bottom of the panel. OPTIONAL ALTERNATES These are optional alternates that can be used depending on your current design. We recommend moderate use of these for optimal results as using too many can easily make the font unreadable. To access these you need to open the following panels depending on your software: Photoshop: Window - Glyphs (Note that this panel may not be available in earlier PS versions) Illustrator: Type - Glyphs You will then have access to all the glyphs inside the font file to use them as you like.

Astrid Grotesk is a normalized version of Schizotype Grotesk. Normalized; not neutralized. Where many neo-grotesks appear cold with their harsh neutrality, Astrid has a warmth, eminating from its (for want of a better word) clunkiness. With the latest update, it becomes a true workhorse, with a range of widths and italics for the normal widths. Astrid Grotesk, while being clearly a neo-grotesk in appearance, has a personality all of its own. Standout characters include the f and t, and the default binocular g, unusual in neo-grotesks. And the right angled terminals on c, e and s. Stylistic sets offer up alternate forms of a, g, y, I, @, dutch IJ, german eszett and l. A full complement of numerals is included: proportional and tabular, lining and oldstyle, plus fractions, subscript and superscript. Note also that the tabular figures are duplexed across weights - very useful when highlighting specific entries in tables. The tabular figures feature also substitutes in fixed width (across all weights) comma and period, so your decimals line up perfectly always. Lastly, case sensitive forms of certain glyphs are included for all-cap settings. This typeface will be useful for corporate identities and branding work. It’s spaced more for text settings in the normal width, and gets more display-optimized as the width decreases, but with careful tracking, all styles can sing at display sizes. Bored of those other Swiss style typefaces? Astrid Grotesk could be the face you need to breathe new life into your designs. Coupled with Schizotype Grotesk, its more eccentric cousin, you've got an unorthodox branding system ready to use straight out of the box.

Rameau for classic elegance The type family Rameau™ was designed by Sarah Lazarevic She started with the italics; these she derived from the manuscript of the opera Les fêtes de l´hymen et de l´amour", the music for which was composed by Jean-Philippe Rameau in 1747. In the 18th century, musical compositions were published in the form of impressions from copper plates that had been hand-engraved in contrast with books and other texts, which were printed from moveable lead type. The italic letters of Rameau include many ligatures and are thus typical of the engraving style of the period. Rameau exhibits much of the harmonious rhythm associated with genuine manuscript. The marked Antiqua contrasts make the pages on which the font is used quite literally sparkle. This effect is enhanced by the excessively sharp terminals and the prominent serifs of the upper case letters. This highly legible and stylish type family can be used for printing high quality books, invitations, menus and all kinds of texts - anywhere the grace and elegance of France in the 18th century is to be invoked."

Galvantur is a sans serif font, suitable for a wide range of applications. The main characteristic of this font is the slightly alien feel it can invoke, allowing it to really appear different and stand out, comparative to what other sans serifs may look like. The multiple styles included can further help customize your designs and projects, whether it's a body of text or an attention grabbing title. For example switching a block of text from regular style to oblique, can drastically change the overall appearance and feel of said text. Comes in 7 different styles - Regular, Oblique, Bold, Bold Oblique, Outlines, Bold Outlines and Oblique Outlines. To get an idea of the various styles, please check out the preview pictures or use the preview field to type in text. A full list of the glyphs included in this font can also be seen in the preview images. Galvantur supports Latin and Cyrillic based languages. The font includes a single alternative character for the letter "h". Because of the lack of ligatures and alternates, the font is rather standardized and will work with any and all software/applications.

Four fonts entirely of decorative initials of which the uppercase basic letters of RMU Initials One are occupied by Walthari initials, the lowercase ones by Eckmann initials, both released first by Rudhard’sche Gießerei, Offenbach, Germany, about 1900. RMU Initials Two consists of Jubilaeumsinitialen in the uppercases and Augsburger Initialen in the lowercases. RMU Initials Three comes with floral ornaments, whereby the lowercase initials can be colorized by yourself due to non-joining elements. RMU Initials Four consists of hand drawn initials by Rudolf Koch and letters of a former Klingspor font called Queen.

Hi Font Lovers! Bring back my newest font, Introduce Beautiful in White. Script! This is a modern font script. This font comes in a sleek and italic style, created very slowly for a neat result that will give this font a very elegant impression. There are 410 glyphs in it! so you can get used to it freely and follow the current trends. Please try and hope you enjoy it! With a style like this, this font is suitable for logos, branding projects, home appliance designs, product packaging, mugs, quotes, posters, shopping bags, logos, t-shirts, book covers, business cards, invitation cards, congratulations. cards, and all your other beautiful projects. You can use this font for your work very easily. Because there are many features in it. Contains full set of lowercase and uppercase letters, punctuation, numbers, web fonts, and multilingual support. This font also includes several ligatures and alternative styles for the Stylistic Set for those of you who have software that can work with OpenType (Corel Draw / Photoshop / Illustrator / InDesign). Thank you for purchasing!

Inspired by the of brutalism design, this font is made with an expanded width, with the authenticity of each letter, making this font look strong and brutal, suitable for use in the application of titles, posters, billboards and more.

Originally issued as Apollo by the Central Type Foundry of Saint Louis, this face evokes the glamor of late Victorian era. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

This updating of Berthold’s Ideal Grotesque was supervised at Monotype in 1926 by F.H. Pierpont. With some of the eccentricities in the borrowed original reduced, this series retains enough character to have become one of the world’s great sanserifs.

An inline adaptation of a distinctive slab serif, Cesium is an unusually responsive display face that maintains its high energy across a range of different moods. The Cesium typeface was designed by Jonathan Hoefler in 2020. An energetic inline adaptation of Hoefler’s broad-shouldered Vitesse Black typeface (2000), Cesium is named for the fifty-fifth member of the periodic table of the elements, a volatile liquid metal that presents as a scintillating quicksilver. From the desk of the designer, Jonathan Hoefler: I always felt that our Vitesse typeface, an unusual species of slab serif, would take well to an inline. Vitesse is based not on the circle or the ellipse, but on a less familiar shape that has no common name, a variation on the ‘stadium’ that has two opposing flat edges, and two gently rounded sides. In place of sharp corners, Vitesse uses a continuously flowing stroke to manage the transition between upright and diagonal lines, most apparent on letters like M and N. A year of making this gesture with my wrist, both when drawing letterforms and miming their intentions during design critiques, left me thinking about a reduced version of the typeface, in which letters would be defined not by inside and outside contours, but by a single, fluid raceway. Like most straightforward ideas, this one proved challenging to execute, but its puzzles were immensely satisfying to solve. Adding an inline to a typeface is the quickest way to reveal its secrets. All the furtive adjustments in weight and size that a type designer makes — relieving congestion by thinning the center arm of a bold E, or lightening the intersecting strokes of a W — are instantly exposed with the addition of a centerline. Adapting an existing alphabet to accommodate this inline called for renovating every single character (down to the capital I, the period, and even the space), in some cases making small adjustments to reallocate weight, at other times redesigning whole parts of the character set. The longer we worked on the typeface, the more we discovered opportunities to turn these constraints into advantages, solving stubbornly complex characters like € and § by redefining how an inline should behave, and using these new patterns to reshape the rest of the alphabet. The New Typeface The outcome is a typeface we’re calling Cesium. It shares many of Vitesse’s qualities, its heartbeat an energetic thrum of motorsports and industry, and it will doubtless be welcome in both hardware stores and Hollywood. But we’ve been surprised by Cesium’s more reflective moods, its ability to be alert and softspoken at the same time. Much in the way that vibrant colors can animate a typeface, we’ve found that Cesium’s sensitivity to spacing most effectively changes its voice. Tighter leading and tracking turns up the heat, heightening Cesium’s sporty, high-tech associations, but with the addition of letterspacing it achieves an almost literary repose. This range of voices recommends Cesium not only to logos, book covers, and title sequences, but to projects that regularly must adjust their volume, such as identities, packaging, and editorial design. Read more about how to use Cesium. About the Name Cesium is a chemical element, one of only five metals that’s liquid at room temperature. Resembling quicksilver, cesium is typically stored in a glass ampule, where the tension between a sturdy outer vessel and its volatile contents is scintillating. The Cesium typeface hopes to capture this quality, its bright and insistent inline restrained by a strong and sinuous container. Cesium is one of only three H&Co typefaces whose name comes from the periodic table, a distinction it shares with Mercury and Tungsten. At a time when I considered a more sci-fi name for the typeface, I learned that these three elements have an unusual connection: they’re used together in the propulsion system of nasa’s Deep Space 1, the first interplanetary spacecraft powered by an ion drive. I found the association compelling, and adopted the name at once, with the hope that designers might employ the typeface in the same spirit of discovery, optimism, and invention. —JH Featured in: Best Fonts for Logos

NEW UPDATES MORE THAN 80 CHARACTER SWASH & CONTEXTUAL ALTERNATES Hi ... Introducing the latest styles Malisia Script with the kind of modern hand scratches, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic Sets for those of you who have software that is able to work OpenType (Photoshop / Illustrator / InDesign). Malisia Script is suitable use for market design developed at this time, this font has a model Trendy, natural and gentle, with this font you can take advantage of the opportunity in every moment of one wonderful way to highlight the celebration of the feast of your best, because this font will be advocates for purposes such as wedding invitations, party, graduation, birthday, gathering, etc. This Font has given PUA unicode (specially coded fonts). if you have a problem? Contact me: genesislabstudio@gmail.com

"Linford" is a very professional and elegant serif font. This font is very easy to use for all your work. This font comes with 8 elegant and attractive ligatures. This font can be used to promote all your business (branding, banners, posters, social media, hotel promotions, villas, companies, products, invitations, and more).

Peace, love, togetherness and a fun font from Jeff Levine called Groovy Summer JNL harkens back to the long summer days of the 60's or 70's when life was just a little bit slower and happier...

A creepy and gloomy display typeface is called Ghostly Whispers. This typeface is perfect for use in stationary, logos, t-shirts, paper, print design, website headers, picture frames, flyers, album covers, posters, image sliders, and other items.

An offering from the 1910 specimen book from Inland Type Foundry, originally called Drew, provided the pattern for this engaging little face. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

An ad from the 1930s for a Spanish company called Intex Textiles featured some hand lettering in a bold and unique stencil design. This is now available as Textile Stencil JNL, in both regular and oblique versions.

Martini Script is a cool, retro script with its origins in the hand-lettered ads of the 40s and 50s. During the second half of the 20th century, the introduction of new technologies, along with a change of taste, brought about the demise of hand lettering skills. We have attempted to revive this hand lettered look in the design of Martini Script. Martini Script has a casual, friendly, stylish charm, and is extremely versatile. The font comes in two styles; Martini Script Regular and Martini Script Fat, which work together to create a dynamic, confident look, perfect for a variety of applications, from posters and signs, to book and music covers and product packaging. Martini Script has standard OpenType features, and language support includes all European character sets.

Hs Alnasma is an Arabic display typeface, under “titles” category. It is useful for book titles, creative designs and modern logos. Also, it is used when a contemporary and simple look is desired that can fit with the characteristics of Latin fonts where horizontal parts are thinner than vertical ones for use in technical and engineering company. The font is based on some modern lines of Kufi calligraphy along with some derived ideas of Latin fonts, maintaining the beauty of the Arabic font and its fixed rates. This font supports Arabic, Persian, Urdu, Kurdish and Pashto and also includes Basic Latin and consisting of two weights (regular and bold) which can add to the library of Arabic and Latin fonts contemporary models that meet with the purposes of various designs for all tastes.

Romantic Knight is a Handwritten Script Font. Romantic Knight is a flowing handwritten font, described by an elegant touch, perfect for your favorite projects. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs! This creative font will look great on baby clothing, wall art, fashion, magazines, children’s books, quotes, and social media posts. Romantic Knight also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Say hello to Kokomo Breeze - A deliciously bold and nonchalant casual marker font. Kokomo Breeze was designed to keep a naturally handwritten marker-style look , while still maintaining some subtle inky marker imperfections on its edges , to keep in line with a more realistic, yet very legible look. Great for headlines, bold branding, classy packaging, eye-catching callouts and stand-out advertising, Kokomo Breeze is designed to be your jack of many trades. Be sure to turn on your OpenType features when type with Kokomo Breeze - it’s packed with natural-looking ligatures and alternate characters for both upper and lower case - all of these opentype extras make your type design look mush less mechanical, and much more like naturally formed words as you type. Pair it with a bold tall sans serif font, or a classy serif to add another whole new dimension to this very versatile marker font. Great as large and small sizes, Kokomo Breeze is perfect for any size design.

The famous Catalan architect, Antoni Gaudí, used to say “there are no straight lines or sharp corners in nature…” However, with Between The Lines that’s exactly what you’ll find: straight lines, parallel and perpendicular, all in a glorious display of Art Deco style. Here the verticals and horizontals dominate while the diagonals “sit this one out”. Curvilinear lines also run free here: they serve as refreshing counterpoints to prominent straights. These forms suggest a somewhat expressive script-like characteristic, (especially in lowercase) wherever the font’s many initials, terminals and contextual alternates are employed. Between The Lines offers many options for alternate letterforms (ligatures, stylistic alternates, contextual alternates, etc.). When these OpenType features are used judiciously and selectively, your typography will be greatly heightened. You’ll find BTL right at home in a number of environments: music album covers, snack food packaging, magazine headlines, cosmetics, signage and more. PLEASE NOTE: due to its very tall ascenders, Between The Lines benefits from generous leading (line spacing). Multilingual support included.

This typeface is based on lettering by Carl Marx (1911?1991), designed during his first semester at the Bauhaus in Joost Schmidt?s class, in 1932. Although the letter proportions are based on Schmidt?s teachings, the forms are not constructed from compass and ruler, but drawn with brush and marker, lending the words a warm and lively touch. Hidetaka Yamasaki redrew the letters from scratch and added all missing characters for today?s needs. A set of hanging figures, alternates for some critical letterforms (such as f, r, and t) as well as several ligatures make CarlMarx especially suitable for use in body text. As suggested by Marx, Yamasaki captured two weights from the original drawing and perfectly adjusted light and bold to highlight words and create hierarchy in headlines ? without losing or adding space. True to the original, Yamasaki captured the wobbly contour in CarlMarx, preserving warmth in the condensed geometric style of the early 1930s.

Adegianty feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

The Mancho Font was completely created by graphic tablet. This font family comes in two weights; regular and bold. They're all capital but lowercase and capital letters are different from each other. The name “Mancho” comes from Turkish Rock Music Singer "Barış Manço". The Mancho font can be a part of your stylish designs with its free and powerful outlook.

Soda Berry is a lovely paint-brushed handwritten font with Tropical Vibes, featuring a sweet flow and unique glyph. It can be used for various purposes such as logos, wedding invitations, headings, letterhead, signage, labels, news, posters, badges and so much more. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Kuranji, a brand new display font. It’s quirky letterforms make this font perfect for branding, headlines, logotype, stickers, editorial design, and more. Features : Regular Italic We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Contact us if you need something! Happy Designing!

Gista Danes feel equally charming and elegant. It looks lovely on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, and every other design that needs a handwritten touch. This font is PUA encoded, which means you can easily access all of the glyphs and swashes! It features a varying baseline, smooth lines, gorgeous glyphs, and stunning alternates.

Qadisah feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates

Saloon Girl is a revival of an old classic font used by sign painters and includes the rarely seen lowercase. Saloon Girl comes with extra fill fonts, you will need an application that works in layers in order to use the fill fonts that come with FontMesa fonts. In this all new 2020 version we've added case sensitive form, small caps and italics.

Grozery is a stylish and bold serif font. It is a modern and classic font that has its own unique style & modern look. This typeface is perfect for logos, books or movie title designs, fashion brands, magazine covers, clothes, lettering, quotes, and so much more. Grozery is PUA encoded which means you can access all of the glyphs and swashes with ease!

Proudly Introducing, Biomorph! Biomorph is a brand new condensed sans font family released by us. This font is very suitable for your projects especially for brandingm publishing, titles, book, magazine, website, etc. Biomorph is font family that comes from thin, extra light, light, regular, medium, semibold, and bold version, with all of these styles gives yoiu freedom to design as you like!

Cuckoo Fast was first seen in 1988 (with Cuckoo and Cuckoo Fat) when I painted on a record shop's window. Since then this hand lettered font has been there and done that. Cuckoo Fast was hand drawn on an angle, not software slanted. It has a character all its own, giving a sense of speed, urgency, or bargains whenever it is applied.

Malika feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

Mattera is a minimalist script font designed with an incredibly modern and beautiful feel. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs, and stunning alternates. Mattera will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline!

Hostil is a modern typeface ready to fight for you. In any territory. Hostil has complete sets in Latin, Hebrew, Cyrillic, and Greek chracters. Plus Central European, Vietnamese, Baltic, Turkish complete sets with all diacritic signs and punctuation marks and extra characters belonging this ranges. Hostil has a wide variety of presentations, like Regular, Bold, Italic, Outline Wide, ExtraWide, Shadow and Compressed.

Pelana is a stylish and incredibly elegant script font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.