Anderlacht is a vintage serif font with a stamp texture that is perfect for quotes, logos, designs, digital art and more. Also accompanied by several illustrations that make it possible to make designs very easily, and there is also a multilingual language. Anderlacht Regular & Italic Anderlacht Stamp Regular & Italic 12 illustrations in lines, solids and textures PUA Encoded Multilingual Language Support

This fun typeface is great for quote, tagline, or headline. Letter Sketch is all caps hand drawn font with two style, rough sketch and filled version. It's have natural drawing feels in each characters and give personal touch to your projects. Letter Sketch Regular : a funky rough pencil sketch font Letter Sketch Bold : the filled version of Letter Sketch Regular

FECKTOR - MODULAR TYPEFACE Fecktor is a decorative typeface made for display needs, headlines, logos etc. Made with minimalism inspired by the shape of butterfly wings combined with modular to produce a modern Art deco impression and style. Fecktor has 8 variations ( light, regular, bold, solid, extended light, extended regular, extended bold and extended solid ) equipped with uppercase, lowercase, numbers and some symbols

Get ready to be transported back in time with Algol—the low-resolution display typeface that takes inspiration from classic computer pixel fonts. But don’t be fooled, Algol is not just your typical pixel typeface– it adds a touch of elegance to the digital age. By overlapping intersections with rounded corners, Algol creates a softened effect that sets it apart from other pixel fonts. Say goodbye to the sharp, precise pixel junctions and hello to a font that works perfectly for vinyl-cut signage systems and other cases where a more gentle look is desirable. With Algol, you have the choice of three members of the family—Algol Regular, Algol VII, and Algol IX. For a truly dramatic look, layer Algol Regular and Algol VII in inventive color combinations that will leave an impact on anyone who lays their eyes on it. Algol IX, on the other hand, is more relaxed in its spacing, allowing the spectator to look directly through it. But don’t be fooled by its simplicity—hidden alternate letters with closed counters open up a whole universe of design options for you to explore. So what are you waiting for? Let Algol take you on a journey to the past, all while creating stunning designs that are sure to impress. Most Latin-based European, Greek, and some Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greek, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Ukrainian, Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Compact" because as you can see everything is very close and decorative symbols are at a maximum. The first "alef" has neither a "hamzit wasel" nor a "fatha", this indicates to skip that first alef so instead of saying "AR-RAHMAAN" you say "R-RAHMAAN". (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). The calligraphy is anything but traditional & we have used all the decorative letters except for the "Ye". In other calligraphy you don't usually find the decorative letters: "Dal, Ra & Ye" but we like them and we use them, the important thing is that they don't change the pronunciation or the meaning. Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He, Kaf, Alef, Ta, Dal, Ra & Saad". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran. Here is a link to all the extra files you will need: https://drive.google.com/drive/folders/1Xj2Q8hhmfKD7stY6RILhKPiPfePpI9U4?usp=sharing

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "complete" because this is the only calligraphy where the complete set of decorative letters have been used. The calligraphy is more on the traditional side, letters don't overlap, the "ye" at the end of the names doesn't have the two dots, and a decorative "ye" has been included. The first "Alef" doesn't have a "hamzit wasel" nor a "fatha", this indicates to skip the pronunciation of that first letter. So instead of saying "AR-RAHMAAN" you say "R-RAHMAN". (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). In other calligraphy you don't usually find the decorative letters: "Dal, Ra & Ye" but we like them and we use them. Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He, Kaf, Tah, Dal, Ra, Alef, Ye & Saad". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran. Here is a link to all the extra files you will need: https://drive.google.com/drive/folders/1Xj2Q8hhmfKD7stY6RILhKPiPfePpI9U4?usp=sharing

Beardman is a condensed sans-serif font designed specifically for bold and powerful headlines and titles. With four variants available: regular, italic, regular outline, and italic outline, this font allows you to express yourself with a style that suits your design project. The name "Beardman" is inspired by the meaning of a man who is masculine but has a soft heart, and it is reflected in the font's design. With strong and sturdy letterforms, the font also has a gentle and smooth touch that gives an elegant and modern impression. With its strong and expressive appearance, "Beardman" is suitable for use in graphic design projects such as posters, brochures, magazines, websites, and much more. Add a touch of masculine yet gentle to your design with the "Beardman" font. What did you get? Regular, Italic, Regular Outline & Italic Outline Alternates & Ligatures Numbers & Punctuation Multilingual Support Works on PC & Mac Simple Installations

MIX TRIPPY TAROT is a witchy handwritten serif, sans serif AND a dingbat set. The perfect balance of cute and creep to complete any of your crafty woowoo, astrology, zodiac, mystic, spellbook, or magic projects. This family of fonts come with an abundance of glyphs, alternates and ligatures. The dingbat set is a collection of 36 doodles that perfectly go with the regular or serif Trippy Tarot font (or any other font, for that matter)! WHAT YOU'LL GET: Mix Trippy Tarot Regular Mix Trippy Tarot Little Sans Mix Trippy Tarot Dingbats Mix Trippy Tarot Regular comes with the following glyphs: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@$#%^&*()`~♥❤•· ÷×+−±≈=≠≥≤[]:;’”,.|/?{}“”‘’-–—_… ©®™‹›«»°¹²³ªº¡¿₱¢€£¥½¼¾¶§№† ÁÀÂÄÃÅĂĀĄÆĆĈČÇÐĐÉÈÊËĖĒĘĜĤIÍÌÎÏĪĮĴŁŃÑŇ ÓÒÔÖÕŌŐØŒŔŘŚŜŠȘŤȚÚÙÛÜŮŰŬŪŲẂẀŴÝŶŸŹẐŽŻÞ áàâäãåăāąæćĉčçðđéèêëėēęĝĥıíìîïīįĵłńñň óòôöõōőøœŕřśŝšșťțúùûüůűŭūųẃẁŵýŷÿźẑžżþß Ligatures: ee ff fl ft ll mm nn ss tt Alternate: Q Mix Trippy Tarot Regular comes with the following glyphs: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@$#%^&*()`~♥❤•· ×+−=[]<>:;’”,.\|/?{}“”‘’-–—_…©®™‹›«»°¹²³ªº¡¿₱¢€¥Þþß Fellow witches, enjoy!

Beardman is a condensed sans-serif font designed specifically for bold and powerful headlines and titles. With four variants available: regular, italic, regular outline, and italic outline, this font allows you to express yourself with a style that suits your design project. The name "Beardman" is inspired by the meaning of a man who is masculine but has a soft heart, and it is reflected in the font's design. With strong and sturdy letterforms, the font also has a gentle and smooth touch that gives an elegant and modern impression. With its strong and expressive appearance, "Beardman" is suitable for use in graphic design projects such as posters, brochures, magazines, websites, and much more. Add a touch of masculine yet gentle to your design with the "Beardman" font. What did you get? Regular, Italic, Regular Outline & Italic Outline Alternates & Ligatures Numbers & Punctuation Multilingual Support Works on PC & Mac Simple Installations

ITC Merss proves that sometimes accidents work out just fine. Late one evening Eduardo Manso, an Argentinean graphic and type designer, spilled coffee on his desk. When he began to wipe up the mess, he noticed that one of the splashes looked like a roman letter 'l' - complete with serifs. This triggered his imagination. “What if a complete alphabet was created with this same irregular flow to the character designs?” ITC Merss was the result of Manso's experiments with “fluid” letter shapes. The oddly handsome design looks aged and spontaneous at the same time. Its irregular texture is striking-the result of careful modeling of character shapes. While Manso wanted to maintain the free-form character of spilled liquid, he also knew the individual letters had to work together with an underlying harmony. When not experimenting with typefaces - or spilled coffee - Manso creates award-winning graphic and publication designs. A contributor to the design magazine el Huevo (the Egg), he also writes articles on type and typography and is part of the publication's design team.

Collette was named in honor of an art deco font called "Independent" designed in the 1930s by Collette and Dufour. Collette is influenced by the design of the original font, however, there are substantial differences: instead of small caps, a true lower case was created, the upper case character proportions and shapes have been greatly modified, and all missing characters have been created to make a truly modern font which nevertheless has all of the panache of the original. It is best used to create a retro feel and in headings, subheads and in short passages of text.

Food Doodles Too is a 31-picture clipart font of food. Use them as dingbats or enlarge the small pictures and use them as clipart. Lots to choose from… from soup to nuts OK no nuts. But there is pizza, pasta, soup, eggs, sushi, sandwich, hot dog, hamburger, fish, kabobs, toast, breads, cheese, pickles, shrimp, soufflé, and desserts galore… cake, pie, cookie, cupcake, trifle, sundae, banana split, milk, tea and more. Food Doodles Too works nicely with Coffee & Tea Doodles. If you need some fancy cakes check out Party Doodles. All in the same line drawing style to mix and match.

The term Sanseki (Japanese for Three [Brush] Traces) is used to describe three famous Heian period calligraphers: Yaseki, Gonseki and Saseki. Not that I would ever dream of comparing my messy brush-work with theirs, but the name stuck and I kind of liked it. I used Chinese ink and a high quality brush (which I got in a sale actually) to create this font. All glyphs were hand painted in one go! Sanseki is a very detailed brush font. Upper and lower case letters mingle and there’s even an alternate for every lower case glyph. Comes with an abundance of diacritics.

Gears, designed by Janet Valdez of Janworx, was inspired by the popularity of steampunk artwork, for which gears and levers are a defining element. Gears is a single bold typeface, incorporating gears and levers into each glyph in one form or another. It is intended to be used at a large size, and works well in graphics with gradient finishes, textures, and bevels. Lower case letters are uniformly understated, whereas upper case are more elaborate. This typeface is suitable for posters, screen printing, or any general graphics work that requires short words or slogans with high-impact, particularly in a steampunk theme.

Zirkle is a monoline font in which the upper-case letters were designed from circles or bits of circles, with interior straight lines. It was the first font I designed in Fontographer when Fontographer was still in version 2 and the most advanced Macintosh was the Macintosh II. I have heard from people who like it, but it was designed not to meet some need but to play with the geometry of circle-based letters. ZirkStressed is a “squared” version that was the result of playing with a font distortion program, which in this case produced a result that seemed interesting.

Originally I called this font YearInYearOutYoureInUrine, but I was told that that name was too long and maybe not in good taste. I settled for WaterCloset when it was first released, but then renamed it with a more appropriate title. It is caps only but the letters on the lower-case keys differ from those on the upper-case keys. It comes with a large assortment of accented letters to support most European languages. Although you certainly would not want to use it for formal invitations, when bad taste is called for, it might be ideal.

Palo is a 72 style utility type system built around 4 widths and 9 weights plus matching italics. It's semi grotesque appearance gives it a unique personality while the stylistic alternates give a true sense of flexibility and customisation. Design features within Palo are evident without being excessive. 3 stylistic sets provide a range of functional to fluid design approaches. Case sensitive punctuation & ligatures offer a professional feel. The italics have been optically adjusted to improve their weight balance and on select lower case glyphs they feature unique designs to make the italics a feature unto their own.

Ersatz has its vibrant roots in the Mediterranean climate of Spain. Tired of the functional monoline sanserif fonts used throughout Europe from road signage to corporate identity, Richard Dawson and Dave Farey, British type designers who crave color and sunlight, created a style that is refreshing and lively. The basic constructions are simple and attractive, mixing lower case shapes into the capitals - and unique letterforms into the lower case. There's a raunchy feel to Ersatz, soft curves and back kicks, if you listen very carefully you can hear the sharp guitars and the soft tambourine of the Flamenco.

Sensual Initials JNL is a revamped and cleaned-up version of an old freeware font by Jeff Levine. Redrawn, and now utilizing the typeface French Art Initials JNL

The Fast Hand set was inspired by casual, neat hand lettering. They are casual and informal and ideal for use in conveying these qualities. They are excellent for casual text and at large sizes an effective casual display font. Both fonts have the same uppercase alphabet, numbers, punctuation, accented characters, symbols, and miscellaneous characters. As their names imply Fast Hand Lower Case has a lowercase alphabet while Fast Hand Small Caps has small caps in place of the lowercase alphabet. Fast Hand Lower Case and Fast Hand Small Caps are sold as a set priced at $20.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This expanded version only contain the bold weight, however there are also stencil (Nouveau LX Stencil) and condensed version (Nouveau LX) available.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This font family only contain the bold weight, but there are also a stencil and expanded versions available.

Glitzy is a caps-only font with extreme contrast. It was inspired by Art Deco typefaces, especially Broadway by Morris Fuller Benton, but Glitzy is not an attempt to reproduce that typeface. The letters on the lower-case keys differ slightly from the letters on the upper-case keys. The large black interiors invite decoration and the family includes four faces with interior decoration. These four faces with interior decoration can be used in layers with the base font to add color to lettering. (OakPark is a another attempt to do high-contrast lettering with an Art Deco feel.)

EmBauhaus is a display typeface, geometric in style, inspired by the face named after the world changing Bauhaus School. To aid readability I rethought the original typeface and closed all of the voids cut out of the strokes. We also modified the upper case to make it a more traditional design. An example of this is the upper case L, where a 90 degree angle was added.  This typeface was designed to be used judiciously in a layout, to draw focus to words and headlines, using stark angles, radii and geometry to create visual rhythm and gestalt.

Linotype Irish Text is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. German artist Torsten Weisheit designed this font based on Irish scripts of the 5th century. Characteristic of this style is the mixture of upper case letters in the mostly lower case alphabet and vice versa. The letters look as though written with a broad tipped pen and have triangular serifs, displaying a decorative tendency akin to that of Irish calligraphy. Linotype Irish Text is intended exclusivley for headlines in large point sizes.

Duran is a strong, versatile geometric sans with industrial quality. Inspired by technical style letterforms with simple construction, the typeface is useful in both large format and body text. Its compact lateral shape helps save space across layouts and is good to go across a wide range of modern applications. Details include seven weights with matching italics and over 670 characters per style. Opentype features consist of eight variations of numerals, including inferiors, superiors, fractions, case figures and circled figures. Additional features include case-sensitive forms, stylistic alternates, ligatures, game symbols, arrows and language support covering Western, South and Central Europe.

Brrrrr is supposed to represent snow-covered letters, though it could also be letters covered with frosting. The lower case letters are identical to the upper-case letters. Buried in the font is another set of letters on Christmas tree ornaments. (They are on unicode characters in the 2400 block, circled digits and letters. See here.) The OpenType Stylistic Sets feature makes accessing these letters easier than using unicode, and another font, InsideLetters-Christmas, develops them further. The Brrrrr-Icing style can be used in a layer over Brrrrr to give the snowcap any color, not just the background color.

Thunderspeed is a futuristic and sporty look font. It is sharp yet easy on eyes of readability. It is perfect for your branding and logo, mainly in design theme related to sports, futuristic, space, etc. Thunderspeed features complete set of upper case and lower case with standard International characters. Of course come with the numbers and punctuations. The font come in format: OTF TTF WOFF/WOFF2 That's a wrap! I do really hope you like this font, and please don't hesitate to contact me if you have any questions. Also, drop by to our instagram! Tigadestd | Doli Harahap

Introducing "Korge", a captivating and versatile retro bold slab serif font that seamlessly marries vintage aesthetics with modern functionality. With its bold design, serif form, and a trio of regular, rounded, and extruded versions, Korge offers a wealth of creative possibilities for your design ventures. Korge is a font that transports your projects back to the golden eras of design. Its bold and distinct serifs evoke a sense of nostalgia, lending your creations a classic and enduring appeal. Korge provides not one, but three distinct styles to choose from. The regular version exudes a commanding presence, while the rounded variant softens the edges for a more approachable feel. The extruded version adds depth and dimension, giving your text a 3D, eye-catching quality. Korge is a font that speaks the language of design across borders. With its multi-language support and PUA encoding, it ensures your message resonates with audiences from diverse linguistic backgrounds. From logo design to branding, packaging, posters, and beyond, Korge adapts seamlessly to a wide array of design projects. Its bold slab serifs demand attention, making sure your message is delivered with both authority and style. Korge invites you to embark on a journey of creative exploration. Craft memorable headlines, iconic logos, or striking signage – this font is your canvas for pushing the boundaries of design. With Korge, the possibilities are limitless. Its vintage-inspired bold slab serif design, multi-language support, and versatile styles make it the ideal choice for designers seeking to infuse their projects with timeless charm and contemporary appeal. Get ready to bring your visions to life with Korge, where classic meets cutting-edge. ——— Korge features: A full set of Uppercase & Lowercase letters Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features +237 Total Glyphs Rounded Style + Regular Style Extruded Style Korge Includes: Korge Regular Korge Regular Extruded Left Korge Regular Extruded Right Korge Regular Extruded Left Italic Korge Regular Extruded Right Italic Korge Rounded Korge Rounded Extruded Left Korge Rounded Extruded Right Italic Korge Rounded Extruded Left Korge Rounded Extruded Right Italic

This is a perfect font for historical or fantasy titles. It is influenced by ancient Nordic runes. the strokes flare slightly, to a concave terminal for a finely carved appearance. There are two sets of capitals in PR-Vanaheim-DC (Dual Capitals); one set of narrow letters, more closely related to Runic forms, and one set which includes wider and circular letters, which can be freely combined with the narrow letters for the variety associated with hand lettering. There is one version with dots placed in the centre of large counters and one version without the dots. The broad caps character set includes characters which allow for tight spacing; a dropped L, and a tall T. There are also two different lowercase sets, one modern, and one archaic, all of which can be freely mixed to fine tune the appearance of your text. Here is the brief description of the available faces: PR-Vanaheim-Med-DC-01 Duplex Caps PR-Vanaheim-Med-DC-02 Duplex Caps, Dotted counters and dot space PR-Vanaheim-Med-DC-03 Duplex Caps, Dotted counters PR-Vanaheim-Med-LC-04 Broad Caps, with modern style lower case. PR-Vanaheim-Med-LC-05 Narrow Caps, with modern style lower case. PR-Vanaheim-Med-LC-06 Broad Caps, with archaic lower case. PR-Vanaheim-Med-LC-07 Narrow Caps, with archaic lower case.