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  1. DIN Next Devanagari by Monotype, $103.99
    DIN Next is a typeface family inspired by the classic industrial German engineering designs, DIN 1451 Engschrift and Mittelschrift. Akira Kobayashi began by revising these two faces-who names just mean ""condensed"" and ""regular"" before expanding them into a new family with seven weights (Light to Black). Each weight ships in three varieties: Regular, Italic, and Condensed, bringing the total number of fonts in the DIN Next family to 21. DIN Next is part of Linotype's Platinum Collection. Linotype has been supplying its customers with the two DIN 1451 fonts since 1980. Recently, they have become more popular than ever, with designers regularly asking for additional weights. The abbreviation ""DIN"" stands for ""Deutsches Institut für Normung e.V."", which is the German Institute for Industrial Standardization. In 1936 the German Standard Committee settled upon DIN 1451 as the standard font for the areas of technology, traffic, administration and business. The design was to be used on German street signs and house numbers. The committee wanted a sans serif, thinking it would be more legible, straightforward, and easy to reproduce. They did not intend for the design to be used for advertisements and other artistically oriented purposes. Nevertheless, because DIN 1451 was seen all over Germany on signs for town names and traffic directions, it became familiar enough to make its way onto the palettes of graphic designers and advertising art directors. The digital version of DIN 1451 would go on to be adopted and used by designers in other countries as well, solidifying its worldwide design reputation. There are many subtle differences in DIN Next's letters when compared with DIN 1451 original. These were added by Kobayashi to make the new family even more versatile in 21st-century media. For instance, although DIN 1451's corners are all pointed angles, DIN Next has rounded them all slightly. Even this softening is a nod to part of DIN 1451's past, however. Many of the signs that use DIN 1451 are cut with routers, which cannot make perfect corners; their rounded heads cut rounded corners best. Linotype's DIN 1451 Engschrift and Mittelschrift are certified by the German DIN Institute for use on official signage projects. Since DIN Next is a new design, these applications within Germany are not possible with it. However, DIN Next may be used for any other project, and it may be used for industrial signage in any other country! DIN Next has been tailored especially for graphic designers, but its industrial heritage makes it surprisingly functional in just about any application. The DIN Next family has been extended with seven Arabic weights and five Devanagari weights. The display of the Devanagari fonts on the website does not show all features of the font and therefore not all language features may be displayed correctly.
  2. DIN Next Cyrillic by Monotype, $65.00
    DIN Next is a typeface family inspired by the classic industrial German engineering designs, DIN 1451 Engschrift and Mittelschrift. Akira Kobayashi began by revising these two faces-who names just mean ""condensed"" and ""regular"" before expanding them into a new family with seven weights (Light to Black). Each weight ships in three varieties: Regular, Italic, and Condensed, bringing the total number of fonts in the DIN Next family to 21. DIN Next is part of Linotype's Platinum Collection. Linotype has been supplying its customers with the two DIN 1451 fonts since 1980. Recently, they have become more popular than ever, with designers regularly asking for additional weights. The abbreviation ""DIN"" stands for ""Deutsches Institut für Normung e.V."", which is the German Institute for Industrial Standardization. In 1936 the German Standard Committee settled upon DIN 1451 as the standard font for the areas of technology, traffic, administration and business. The design was to be used on German street signs and house numbers. The committee wanted a sans serif, thinking it would be more legible, straightforward, and easy to reproduce. They did not intend for the design to be used for advertisements and other artistically oriented purposes. Nevertheless, because DIN 1451 was seen all over Germany on signs for town names and traffic directions, it became familiar enough to make its way onto the palettes of graphic designers and advertising art directors. The digital version of DIN 1451 would go on to be adopted and used by designers in other countries as well, solidifying its worldwide design reputation. There are many subtle differences in DIN Next's letters when compared with DIN 1451 original. These were added by Kobayashi to make the new family even more versatile in 21st-century media. For instance, although DIN 1451's corners are all pointed angles, DIN Next has rounded them all slightly. Even this softening is a nod to part of DIN 1451's past, however. Many of the signs that use DIN 1451 are cut with routers, which cannot make perfect corners; their rounded heads cut rounded corners best. Linotype's DIN 1451 Engschrift and Mittelschrift are certified by the German DIN Institute for use on official signage projects. Since DIN Next is a new design, these applications within Germany are not possible with it. However, DIN Next may be used for any other project, and it may be used for industrial signage in any other country! DIN Next has been tailored especially for graphic designers, but its industrial heritage makes it surprisingly functional in just about any application. The DIN Next family has been extended with seven Arabic weights and five Devanagari weights. The display of the Devanagari fonts on the website does not show all features of the font and therefore not all language features may be displayed correctly.
  3. DIN Next Paneuropean by Monotype, $92.99
    DIN Next is a typeface family inspired by the classic industrial German engineering designs, DIN 1451 Engschrift and Mittelschrift. Akira Kobayashi began by revising these two faces-who names just mean ""condensed"" and ""regular"" before expanding them into a new family with seven weights (Light to Black). Each weight ships in three varieties: Regular, Italic, and Condensed, bringing the total number of fonts in the DIN Next family to 21. DIN Next is part of Linotype's Platinum Collection. Linotype has been supplying its customers with the two DIN 1451 fonts since 1980. Recently, they have become more popular than ever, with designers regularly asking for additional weights. The abbreviation ""DIN"" stands for ""Deutsches Institut für Normung e.V."", which is the German Institute for Industrial Standardization. In 1936 the German Standard Committee settled upon DIN 1451 as the standard font for the areas of technology, traffic, administration and business. The design was to be used on German street signs and house numbers. The committee wanted a sans serif, thinking it would be more legible, straightforward, and easy to reproduce. They did not intend for the design to be used for advertisements and other artistically oriented purposes. Nevertheless, because DIN 1451 was seen all over Germany on signs for town names and traffic directions, it became familiar enough to make its way onto the palettes of graphic designers and advertising art directors. The digital version of DIN 1451 would go on to be adopted and used by designers in other countries as well, solidifying its worldwide design reputation. There are many subtle differences in DIN Next's letters when compared with DIN 1451 original. These were added by Kobayashi to make the new family even more versatile in 21st-century media. For instance, although DIN 1451's corners are all pointed angles, DIN Next has rounded them all slightly. Even this softening is a nod to part of DIN 1451's past, however. Many of the signs that use DIN 1451 are cut with routers, which cannot make perfect corners; their rounded heads cut rounded corners best. Linotype's DIN 1451 Engschrift and Mittelschrift are certified by the German DIN Institute for use on official signage projects. Since DIN Next is a new design, these applications within Germany are not possible with it. However, DIN Next may be used for any other project, and it may be used for industrial signage in any other country! DIN Next has been tailored especially for graphic designers, but its industrial heritage makes it surprisingly functional in just about any application. The DIN Next family has been extended with seven Arabic weights and five Devanagari weights. The display of the Devanagari fonts on the website does not show all features of the font and therefore not all language features may be displayed correctly.
  4. Ah, Kingthings Stirrup by Kingthings—where to even begin? Imagine, if you will, a font that decided to go on a whimsical adventure, trotting through the verdant fields of creativity, its serifs flari...
  5. Oh, "Heartfont," the name alone conjures images of love letters penned in the wee hours, secret admirers typing away on their vintage typewriters, and the digital equivalent of a heart-shaped box of ...
  6. As of my last update in April 2023, the font named Calico Cyrillic, attributed to Page Technology Marketing Inc. or Mr. Nobody, represents an intriguing case within typography, primarily due to its n...
  7. As of my last update in April 2023, "The Haine au Carré!" by TN2 isn't a widely recognized or documented font within mainstream typography resources. Since it's not a part of the commonly known font ...
  8. Imagine stumbling into a whimsical, quirky little coffee shop in the heart of an artsy neighborhood, where every nook and cranny is packed with charm and character. That’s the essence of Miss, a font...
  9. Once upon a time, in a galaxy not-so-far away, nestled within the boundless universe of typography, there emerged a font that was unlike any other. It was a font so whimsical and so eccentric that it...
  10. As of my last update in April 2023, "Shot" is a font created by The Type Fetish, a foundry known for its collection of unique and eclectic typefaces. The Type Fetish, founded by Michael Wallner, prid...
  11. As of my last update, the Damage™ Maim font by Clearlight Fonts stands as a striking example of typographic design that embodies a certain level of intensity and emotional expression rarely captured ...
  12. In the whimsical world of typography, where letters stretch and contort with the flexibility of a cartoon cat, there lies a font that has donned the cloak of mystery and intrigue – meet Arcanum, brou...
  13. The Circus Ornate font, created by Dieter Steffmann, is a typographic delight that harkens back to the golden age of circus posters and Victorian decorative arts. This font stands out with its detail...
  14. Kingthings Versalis is a font that truly captures the essence of elegance and historical depth. Created by the font designer, Kingthings, this typeface draws inspiration from the intricate and ornate...
  15. The Electric Hermes AOE font, designed by Astigmatic One Eye, stands out as a distinctive and energetic typeface that captures the essence of classic signage and retro futurism. Astigmatic One Eye is...
  16. Font in a Red Suit by Utopiafonts is an intriguing and uniquely named typeface that instantly catches attention not just for its name but for its distinctive design qualities as well. This font embod...
  17. As of my last update in April 2023, the font "Jon Handwriting" specifically might be less well-known or perhaps even a custom or personal creation, rather than one of the widely recognized typefaces ...
  18. The Great Escape, designed by Kimberly Geswein, is a font that carries a sense of personal touch and warmth, embodying traits that make it stand out in a world filled with digital texts and standard ...
  19. The Planet TriColore font is a captivating display typeface created by the design group known as The Planet. Characterized by its unique blend of vibrancy and creativity, this font takes inspiration ...
  20. The DEEPER font, created by the renowned designer SpideRaY, is a distinctive and evocative typeface that captures the imagination of its audience from the first glance. This font stands out due to it...
  21. Radio 187.5 is a captivating typeface created by the renowned typographer Måns Grebäck, whose expertise in crafting visually striking fonts shines through in this design. The font embodies a unique b...
  22. The D3 Circuitism Oblique font, created by the entity or individual known by the designation D3, presents a unique and visually striking typeface that’s designed to capture the essence of electronic ...
  23. The font Sofachrome, crafted by the renowned typeface designer Ray Larabie, is a glimpse into the future through the lens of the past. It's a font that embodies the spirit of the high-speed, technolo...
  24. The Farckenzlabb font, created by the imaginative artist Tup Wanders, embodies a playful and unique design that effortlessly stands out in the world of typography. This font is not just a tool for co...
  25. Bubble Driving is a delightful and playful font created by the talented designer Vladimir Nikolic. This font embodies a sense of fun and creativity, making it perfect for projects that aim to stand o...
  26. Certainly! Gondola SD is a charming and distinctive font designed by Steve Deffeyes that seems to transport you to another time and place, reminiscent of narrow Venice streets and serenading gondolie...
  27. CuprumFFU is a captivating typeface created by the talented designer Jovanny Lemonad, who has made a notable contribution to the world of typography with this creation. The font is characterized by i...
  28. "Seeing Stars" by Blue Vinyl Fonts is a distinctive typeface that captures the whimsical and enchanting essence of the celestial wonders it is named after. The font stands out for its unique approach...
  29. GALLEDIS is a font that distinguishes itself with its unique blend of elegance and modern flair, designed to capture the attention of viewers through its distinctive characteristics. This typeface, m...
  30. The _a e i o u font by Pia Frauss is a visually striking typeface that embodies a unique blend of artistry and emotion, drawing its inspiration from the elemental sounds of the human voice. Crafted w...
  31. The font White Bold, created by J. Fordyce, is a remarkable typographic achievement that stands out for its distinctive characteristics and versatility. It is a font that carries a bold personality, ...
  32. "Lots of Frames" by Darrian is a distinctive and imaginative font that offers more than just letters to its users. This font is a creative trove for anyone looking to add a unique and artistic touch ...
  33. The TPF Senseless Strokes font, crafted by the talented Samuel Marcius, offers an intriguing journey into the realm of abstract and expressive typography. This font stands out due to its distinctive ...
  34. Transistor, an evocatively named font, conjures imagery of technology, innovation, and connectivity. This font, with its futuristic yet retro vibe, bridges the gap between the golden years of analog ...
  35. Sure thing! "ACED IT" is a font that instantly communicates a sense of achievement and playfulness, thanks to its stylish design by Grimgrin. This font embodies a unique blend of casual and dynamic e...
  36. Roycroft Initials, crafted by the talented Dieter Steffmann, is a font that harks back to the charm and distinctiveness of the Arts and Crafts movement. This font category, known for its artistic bea...
  37. The "Rose Tattoo" font, crafted by Billy Argel, is a striking and ornamental script that embodies a unique blend of elegance and rebellion. This font stands out due to its intricate designs and the s...
  38. The KR Eight Santas font by Kat Rakos is a whimsical and festive typeface that instantaneously transports its audience to the heartwarming and joyful season of Christmas. Designed with a cheerful and...
  39. The Schwabacher font, revitalized by Dieter Steffmann, is a captivating blend of history and artistry, standing as a tribute to the rich heritage of German typography. Originating from the 15th and 1...
  40. Drummon, crafted by Apostrophic Labs, embodies a remarkable marriage of innovative typographical design with a distinct flair that captures the imagination. This font is a testament to the creative e...
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