Nonchalant was inspired by an old Peter Sellers poster from the around 1970 (the year that I was born!) I wanted to keep the funky look of the 70's but update with a more modern 21st century look. That's how Nonchalant ended up looking like a hybrid between funk, grafitti and sans serif! Use Nonchalant for your posters, commercials, postcards, invitations, shout-outs or whatever needs something funky! Comes with an extensive amount of international letters!

I fell in love at the age of twelve in Wales, recalls Bernard Philpot. "My father brought me to a small graveyard in the Welsh hills to show me two headstones carved by the great Eric Gill. I instantly fell in love with the beauty of the carving and the perfection of the letterforms. I still go back to marvel at these works of art." However, the ITC Bolthole™ design, Philpot's first commercial typographic endeavor, is quite unlike the works of Eric Gill that first captured his heart. Bolthole is a craggy sans serif with a definite grumpy attitude. It's not terribly legible, and, if more than a few words are set in the design, it's not very readable. To round out its cranky personality, Bolthole does not like to be set in small sizes. Like Cheez Whiz® and bullfights, you either love or hate this typeface. But whichever emotion dominates, there is no denying that Bolthole has a personality to be reckoned with - one with ample magnetism to ensure reader attraction. If used to set brief blocks of display copy, the typeface makes a powerful statement. Bolthole was originally designed to complement a whimsical ad for the Royal Society for the Prevention of Cruelty to Animals. As Philpot recalls, "although the ad didn't win any awards, the type attracted some very positive comments for its original look and feel." Philpot studied graphic design and typography at the London School of Printing, and soon after graduation found himself working in a large advertising agency in London. According to Philpot, "After designing type for everything from packaging to ads, I thought it time to convert one of my designs into a complete font - and Bolthole was born." ITC Bolthole could very well be the Shrek™ of typeface design - which might not be such a bad thing."

What started as an image of a single vintage brass stencil of the letter 'P' spotted in an online auction has turned into Blacksmith JNL. From that single letter Jeff Levine has created a complete Western stencil font, retaining the hand-made look of the original stencil piece.

Horse Puckey JNL is a lighthearted and fun, Western-styled font based on Halavah Twist JNL by Jeff Levine. This font lends itself to the less-serious side of Cowboy life... rodeos, barbecue cookouts, barn dances, etc. Use it liberally wherever the Western look is needed for informal headlines.

Mancino is an all caps family of 4 fonts, inspired by hand painted signs and advertising. Uppercase and "lowercases" are slightly different, for a more natural look. You can also turn on discretionary ligatures to replace the second letter of any pair (EE, LL, OO) by its other variant.

Dalliance Script is based on the elegant handwriting found on a map of a horrific battle between the Habsburg Coalition and France which took place at Ostrach, in southwest Germany, in 1799. A roman style, and flourishes, were added to turn Dalliance into a fully functional typeface family.

Gilgamesh is the work of British designer Michael Gills, based largely on his calligraphic experiments and named after a poem from Middle Eastern mythology, The Epic of Gilgamesh". Gilgamesh offers functionality with style and will give emphasis to any typographic design."

Prismatiq JNL was modeled from lettering found in a French alphabet book from the turn of the last century - the type sample appearing online at an image sharing site. All of the imperfections of hand-lettering were left intact. This is a limited character set comprising A-Z, 1-0, basic punctuation, forward slash and dollar and cents signs, and is best used in large headline applications.

“Behind the hieroglyphic streets there would either be a transcendent meaning, or only the earth.... Another mode of meaning behind the obvious, or none.” Tristero is an expansive geometric sans with letter forms that are both classic and quirky. There are over 550 characters in 3 weights. A versatile typeface with a friendly character.

Hasta Luego means ‘see you later’ in Spanish. It is something you say when parting, but it doesn’t really mean you’ll have to see each other again. Hasta Luego is a happy, all caps font. It’s a bit random, a bit wobbly and it comes with some interesting discretionary ligatures for you to play with.

“Tonight Friend” is a bold and quirky display font with a fun, trendy street-style vibe. From posters designs to t-shirts and packaging, Tonight Friend will give your designs that alternative minimal look and make your creative work look supercharged. “Tonight Friend” is drawn by direct hand so that it looks more unique. The modern typeface has a host of ligatures included. Combine its bold shapes to give your work a more unique, hipster attitude. Easily create professional cool-type lockups that look like hand lettering. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Inspired by the hand-lettered sound effects found in comic books, Dave West takes a three-dimensional deep dive into the genre with his extensive onomatopoeic alphabet originally designed for Photo-Lettering, Inc. The sonorous voice of Kerpow’s caps captures “cartoon” brilliantly, while the accompanying lowercase provides options for broader applications. Turn to Kerpow for eye-catching children’s book covers, fast casual restaurant marketing, or family fun centers, and…BAM!…all eyes will be on your design. Originally drawn in the late 1960s, Kerpow was digitized by Allen Mercer in 2011. Please note that the shaded version of the typeface is composed by layering the Regular font and a separate Drop Shadow font. Some assembly required. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

PT Sewed is based on a set of monoline vectors/ letters. Designed for a cultural project. The sewed look was generated for an encyclopedia about jeans. Recommended only for T-shirt Designs and Headlines.

Humanistic sanserif in 4 fonts The Parisine Office typeface family can be considered as the text version of the Parisine. When Parisine xheight fit Helvetica large xheight, Parisine Office is more close to Gill Sans in term of proportion, as it was developed for Ratp, the public transport in Paris to allow compatibility with documents set in Gill Sans without changing the length of text. Parisine Office by default is a humanistic sanserif available in 4 fonts perfect for text setting. The design of the italic lowercases is more cursive than in Parisine. About Parisine Parisine helps Parisians catch the right bus Observateur du design star of 2007

In their book "Lettering of Today" by W. Ben and Ed C. Hunt, an Art Deco "thick and thin" alphabet with some stylized characters (which leaned a lot toward a calligraphic style) stood out from the rest. This is now available as Stylized Deco JNL, in both regular and oblique versions.

The starting point for CA Slalom was the aspiration to create a contemporary interpretation of classics like Gill and Antique Olive in terms of aesthetics, flexibility and usefulness. The outstanding S soon became the visual hook and starting from the extra bold extended weight, CA Slalom evolved into a huge family with four widths. It’s rather round instead of squarely with stroke-ends pulled deep and a relatively low x-height. This gives CA Slalom a taste of its own, and although it is clearly contemporary, it has the potential to become a classic.

The starting point for CA Slalom was the aspiration to create a contemporary interpretation of classics like Gill and Antique Olive in terms of aesthetics, flexibility and usefulness. The outstanding S soon became the visual hook and starting from the extra bold extended weight, CA Slalom evolved into a huge family with four widths. It’s rather round instead of squarely with stroke-ends pulled deep and a relatively low x-height. This gives CA Slalom a taste of its own, and although it is clearly contemporary, it has the potential to become a classic.

The first Antique Olive fonts were produced by the French type foundry Olive, in 1962-1966 and designed by poster designer Roger Excoffon (1910-1983). All Excoffons fonts are flamboyant, elegant and highly stylistic. They include the Banco, Mistral, and Calypso fonts. Antique Olive was launched to rival Helvetica and Univers, but the shapes it took were totally refreshing. Antique Olive is probably the most striking Sans Serif since Futura and Gill, and more refined than either. It is perfect for posters and display material as it works well in larger sizes.

The starting point for CA Slalom was the aspiration to create a contemporary interpretation of classics like Gill and Antique Olive in terms of aesthetics, flexibility and usefulness. The outstanding S soon became the visual hook and starting from the extra bold extended weight, CA Slalom evolved into a huge family with four widths. It’s rather round instead of squarely with stroke-ends pulled deep and a relatively low x-height. This gives CA Slalom a taste of its own, and although it is clearly contemporary, it has the potential to become a classic.

The starting point for CA Slalom was the aspiration to create a contemporary interpretation of classics like Gill and Antique Olive in terms of aesthetics, flexibility and usefulness. The outstanding S soon became the visual hook and starting from the extra bold extended weight, CA Slalom evolved into a huge family with four widths. It’s rather round instead of squarely with stroke-ends pulled deep and a relatively low x-height. This gives CA Slalom a taste of its own, and although it is clearly contemporary, it has the potential to become a classic.

Disjecta, derived from disjecta membra meaning fragmented or disjointed, was developed as a grunge script face.

Like many of Jim Parkinson's alphabets, Pueblo began as poster lettering. It shows a range of influences: turn-of-the-century sign painting, old Speedball lettering books, and a touch of art nouveau. While developing Pueblo, Parkinson debated whether to make the ends of the serifs rounded or square. Rounded looked more like the work of a Speedball lettering pen, but squared stroke endings made the letters more legible at small sizes. The finished design sports serifs that are just slightly rounded. According to Parkinson, the design feature is “enough to be noticed at large sizes, while going virtually unnoticed at smaller point sizes,” adding to the versatility of this distinctive typeface.

Maria Martina Schmitt was born in Vienna, Austria in 1950. Since 1998, she has been working as a freelance designer, focusing on cultural collateral, economic publications, illustration, type design, and logo design. Airam blends contemporary legibility with historic blackletter forms, creating a contemporary text face that speaks to the old European past. Airam certainly appears darker than most other contemporary text faces. Airam’s letterforms are slightly broken, too. They display angled joints in lieu of smooth curves. This “broken” aspect actually aids legibility at smaller point sizes. While Airam may not be suitable for setting whole books or newspapers, this font will add a splendid touch to short tracts of small text. Additionally, Airam looks superb in large headlines.

Meaning of Tinkuy. Tinkuy is a Quechua word that means a meeting of opposing forces that complement each other. A meeting of opposites and differences. A meeting point where different thoughts, interests, feelings and aspirations confront and converge, providing the resurgence of new ways of thinking and that are embodied in confrontational actions, in mobilizations that seek change. Tinkuy patterns is born from the analysis of different archaeological pieces of native cultures of the Andes, where the visual signs that are recorded on them are related to the concept of encounter. It is part of the research project Crónicas Visuales del Abya Yala by designer Vanessa A. Zúñiga Tinizaray. — The Tinkuy Patterns. The Tinkuy Patterns system is divided into six files containing a total of more than 2650 modules that can be combined together creating an infinite range of possibilities. The digitization of the typeface family has been carried out by Ale Paul, through the Sudtipos foundry. An infinite number of possible combinations can be accessed by using the letters on the keyboard. Although a certain shape predominates in each set, they can be combined with each other.​​​​​​​

As if gliding in on the tide, ITC Kahana floats across the page with the pulse and sway of the sacred Hawaiian hula dance. The original drawings for this display typeface were created while designer Teri Kahan lived in the Aloha State, and its bold verticals symbolically convey the power and strength of the Polynesian people. Kahan has spent most of her life working with letters. She discovered Speedball lettering pens in her teens, opened a design studio that specialized in the lettering and calligraphic arts while in her early twenties, and grew her business in California and Hawaii. Today, she embraces new design challenges and digital technology, but letters are still at the core of her work. In ITC Kahana, Kahan created a design that is both distinctive and versatile. Menus, posters, display headlines, packaging and brochures fall easily within this typeface's range. And the word “kahana” is more than just a namesake: in Hawaiian, “kaha” means “to mark, draw, place, turn or surf,” and “na” means “belonging to.” ITC Kahana also includes an enchanting decorated alphabet in the lowercase position that expands this typeface's usefulness to the designer.

Brush lettered scripts have such a quick expressive quality to them and have amazed me since I was a little girl. The quick whip of the wrist can make or break a letterform so easily. They are filled with personality and visual flavor. Beckford Script taps into that association and brings a quick handed sassiness reminiscent of vintage travel brochures and old pulp and romance novels. But for whatever you might need this script for, you'll find it up for the task. Spice up your font collection and pick up Beckford Script today!

The Joanna® Sans Nova family is the only typeface in the Eric Gill Series that was not initially designed by Gill. Created by Monotype Studio designer Terrance Weinzierl over a three-year period with digital applications at the forefront of the design criteria, Joanna Sans Nova is a humanist sans serif based primarily on Gill’s original Joanna. The design comprises 16 fonts, from thin to black, each with a complementary italic. Joanna Sans Nova has a larger x-height to ensure high levels of legibility – even on small digital screens. Due to its inherent humanist proportions, Joanna Sans Nova is surprisingly comfortable for longer form reading. Its low contrast in character stroke weights also improves imaging in a variety of environments. In addition, the calligraphic and fluid details enable the roman and italic designs to shine in headlines and other display uses. Joanna Sans features a robust range of OpenType features for fine typography, including small caps, old style figures, proportional figures, ligatures, superscript and subscript figures and support for fractions. With over 1000 glyphs per font, Joanna Sans supports more than 50 languages – in Latin, Greek and Cyrillic scripts. “I've always been a fan of Gill’s work, explains Weinzierl, and found the simple, humanist qualities of Joanna really fitting for a sans serif design. I wanted to make something with Gill flavor, but with more harmony in the extreme weights than Gill Sans – and with my twist on it. I went through six or seven different italic designs before landing on the current direction.” “The original Joanna had a very distinct italic, Weinzierl continues. “It’s very condensed, and has a very shallow angle. I wanted to have an italic that stood out, but in a different way. I took a cursive direction for the italic details, which are wider and slanted more, both improving character legibility.” The Joanna Sans Nova typeface family is part of the new Eric Gill series, drawing on Monotype’s heritage to remaster and expand and revitalize Eric Gill’s body of work, with more weights, more characters and more languages to meet a wide range of design requirements. The series also brings to life new elements inspired by some of Gill’s unreleased work, discovered in Monotype’s archive of original typeface drawings and materials of the last century.

It's another beautiful day in scenic Astro City, home of post modern gods and ordinary mortals alike. Look into the sky and perhaps you'll get a glimpse of everyone's favorite man of the hour, if not the man of tomorrow... SAMARITAN! See the families related to Samaritan Lower: Samaritan & Samaritan Tall .

Kopi means coffee, and Senja means sunset. The inspiration of Kopi Senja Font Duo is indie music fans. Every curves of the character is originaly drawn by my hand with heart. Kopi Senja has sans and script version, mix and match it with your own imagination. Be creative and make your project stand out with Kopi Senja.

Mukadua consists of two fonts: serif and script. Mukadua means "two-face", and so it can be used in a happy and fun concept, but still looks great in dark, horror, or scary concepts! The main font is a serif font type with unique bouncing baseline, includes upper and lowercase characters, punctuation, numerals, and multilingual support. It also has OpenType features like stylistic alternates and ligatures.

Loving me is a new, fresh, sweet, and quirky handmade font. It’s ideal for branding and decorate your projects. Loving me font has a classy, and modern look that can be used for logos, branding, invitations, poster, advertising, stationery, wedding designs, social media posts, and much more! It is PUA encoded which means you can access all of the glyphs and swashes with ease!

Honey Butterfly is a beautiful handwritten font. It has a classy, elegant, and modern look which can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more.This font is PUA encoded which means you can access all of the butterfly-themed glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Loving Astrid is a new, fresh, sweet, and unique handcrafted font. It's ideal for branding and decorating your projects. Loving Astrid font has a classy and modern look that can be used for logos, branding, invitations, posters, advertisements, stationery, animated films, social media posts, youtube channel, and much more! It is PUA coded, which means you can easily access all the glyphs and sweeps!

Sharland is a beautiful and refined script font. It has a classy, elegant, and modern look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease! Fall in love with this font and bring your projects to the highest levels!

Miya Mine is a sleek and unique handwritten font, carefully crafted with a touch of creativity. Great for product packaging, branding projects, magazine covers, social media, weddings, or simply used to express words over a background. This font is made for those who need a beautiful and refreshing look. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Kathira is a lovely script font. It has a modern and elegant look and is perfect for logos, branding, invitations, photography, wedding stationary, labels, and every other design which needs an unique and luxurious touch. This font is PUA encoded which means you can access all of the cute glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Rolling Beat is a bold script font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable, and, ultimately, incredibly versatile. This font will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Hello Easteria is a new, fresh, sweet, and unique handcrafted font. It's ideal for branding and decorating your projects. Hello Easteria font has a classy and modern look that can be used for logos, branding, easter, invitations, posters, advertisements, stationery, animated films, social media posts, youtube channel, and much more! It is PUA coded which means you can access all the glyphs and sweeps easily!