Leader Santa is a brand new display font. Leader Santa is perfectly suited for stationery, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Keishue is a modern handwritten typeface, beautiful and luxurious. This elegant and beautiful font is stylish and versatile so you can use in a plethora of designs in both digital and print applications.

Rockabilly is a modern, minimalist serif that works beautifully in modern design pieces, clean lines; serifs are modern, and a little vintage. Looks great in logo work, magazine titles, books and printed materials.

Darkening is a brush display font. This font works well for many different things, including stationary, logos, t-shirts, papers, print designs, website headers, picture frames, flyers, album covers, posters, and image sliders.

Chevin Eco is a whimsical display variation on the original Chevin typeface with knocked-out circular holes producing a glitzy neon effect that saves toner when printed. Simultaneously glamorous, green and good fun.

Argufy is a cool, vintage styled and organic display font. It will look stunning on any food menu, poster flyer or print. Use this font for your designs and explore its endless possibilities.

Luruh are inspired by the flow of running and melting water. Luruh is guaranteed to make your text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, and headers. Publisher: Sebeningjingga

A font that can be used to simulate old dot-matrix style printing, older receipts, or even as marquee light lettering. Includes extended Latin diacritics, Roman Numerals, and Greek, Hebrew, and Cyrillic Alphabets.

Lovesome is a brand-new, brushed display font. Lovesome is perfectly suited for stationery, logos, t-shirts, paper, print designs, website headers, photo frames, flyers, music covers, posters, image sliders, and much more.

Spirals is a doodle-style font with lots of - you guessed it - spirals! This alphabet looks great printed out big or small. Use this alphabet whenever a playful approach to typography is needed.

The hand-lettered name of the "Junior Showcard Printer" (a 1930s-era rubber stamp printing set manufactured by the Superior Marking Equipment Company of Chicago) served as the prototype for Junior Printer JNL.

Ingenue is a friendly and simple display font. It is perfectly suited for stationery, logos, t-shirt, paper, print design, website headers, photo frames, flyers, music covers, posters, image sliders, and much more.

Conscious Valentine is a brushed display font. Conscious Valentine is perfectly suited for stationery, logos, t-shirt, paper, print designs, website headers, photo frames, flyers, music covers, posters, image sliders, and much more.

Keep Me is a brand new display font. Keep Me is perfectly suited for stationery, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Garalde: the word itself sounds antique and arcane to anyone who isn’t fresh out of design school, but the sort of typeface it describes is actually quite familiar to all of us. Despite its age—born fairly early in printing’s history—the style has fared well; Garaldes are still the typefaces of choice for books and other long reading. And so we continue to see text set in old favorites—Garamond, Sabon®, and their Venetian predecessor, Bembo®. Yet many new books don’t feel as handsome and readable as older books printed in the original, metal type. The problem is that digital type revivals are typically facsimiles of their metal predecessors, merely duplicating the letterforms rather than capturing the impression—both physical and emotional—that the typefaces once left on the page. MVB Verdigris is a Garalde text face for the digital age. Inspired by the work of 16th-century punchcutters Robert Granjon (roman) and Pierre Haultin (italic), Verdigris celebrates tradition but is not beholden to it. Created specifically to deliver good typographic color as text, Mark van Bronkhorst’s design meets the needs of today’s designer using today’s paper and press. And now, as a full-featured OpenType release, it’s optimized for the latest typesetting technologies too. With MVB Verdigris Pro Text, Van Bronkhorst has revisited the family, adding small caps to all weights and styles, extensive language support, and other typographic refinements. Among the features: • Support for most Latin-based languages, including those of Central and Eastern Europe. • Precision spacing and kerning by type editor Linnea Lundquist. The fonts practically set beautiful text by themselves. • Proportional and tabular figure sets, each with oldstyle and lining forms with currency symbols to match. • Ligatures to maintain even spacing while accommodating Verdigris’ elegant, sweeping glyphs. • Numerators and denominators for automatic fractions of any denomination. • Useful, straightforward dingbats including arrows, checkboxes, and square and round bullets in three sizes. • Alternative ‘zero’ and ‘one’ oldstyle figures for those who prefer more contemporary versions over the traditional forms. • An alternative uppercase Q with a more reserved tail. • An optional, roman “Caps” font providing mid-caps, useful for titling settings, and for those situations when caps seem too big and small caps seem too small. __________ Sabon is a trademark of Linotype Corp. Bembo is a trademark of the Monotype Corporation.

Abril is an extension of the Abril typographic system that was engineered as a response to a very specific requirement from the editorial design community: a low contrast typeface for head- lines. Given its broad range of styles though, Abril deserves to be considered a separate font family on its own. Based on the original text styles of Abril, the letter shapes are sturdy, very legible, and deliver a newsy and trustworthy feel. The accented editorial style of the Scotch Roman finds continuity in this new type family, but some of the details have been ironed out for improved performance in headline, both in print and on screen. The family is conceived as four series of different widths, with four weights in each series plus matching italics, a total of 32 fonts. This wide range of styles allows for setting titles at almost any size. The wider series are aimed for smaller point sizes while the con- densed weights can deliver a striking and cohesive appearance as front cover headlines. Abril was designed as a versatile tool for those graphic and web designers looking for a workhorse with high impact. It is also an excellent companion for the rest of the Abril type family: Abril Titling and Abril Narrow.

This is a digital revival by Cristóbal Henestrosa based on an experimental typeface named Charter, designed – yet never fully accomplished – by the prominent William Addison Dwiggins. It is an upright italic, unconnected script typeface, whose main features are a pronounced contrast, condensed forms and exaggerated ascenders. While Dwiggins worked on this project from 1937 to 1955, he only completed the lowercase and a few other characters. However, it was used to set a specimen in 1942 and a short novel in 1946. The sources that Cristóbal used for Mon Nicolette were the original sketches by WAD as well as printing trails kept at the Boston Public Library, and a copy of the 1946 edition of The Song-Story of Aucassin and Nicolette. This gorgeous typeface can be used successfully in headlines, subheads and short passages of text from 12 points onwards, in applications such as fashion magazines, soft news, advertising, poetry, albums, and book covers. This project started ten years ago, while Cristóbal was studying the Type@Cooper Extended Program at New York City. A previous version was selected to be part of the Biennial Tipos Latinos 2018, and now Mon Nicolette is finally ready for commercial distribution with Sudtipos… and we are very proud of it! Festina lente.

Schorel commands the room and sets the audience at ease. This new Scotch Roman typeface from insigne is a confident personality with a tasteful amount of contrast. Cool, sharp, balanced, and contemporary, Schorel not only delivers well in longer texts, but can use its mass to meet the needs of subheadlines, callouts, and other similar projects. Scotch typefaces initially come from Scottish foundries, popular in the United States in the late 18th century. This beautiful genre of type grew in popularity through the Victorian era and most of the 20th century to make regular appearance in books, magazines, newspapers, and advertisements. Schorel itself, with its moderate contrast and organic design, features short ascenders and descenders and calligraphic italics. The design features a few ball terminals, but mostly touts its bracket serifs, which come to a sharp point. The typeface, ideal for medium to large sizes, is useful for both headlines and text, carefully created for both print and screen. This OpenType font supports most Latin-based languages. Schorel has nine weights and a true italic, and many special features such as small caps, fractions, old-style figures, and numerous extras complete each font. It’s every bit a delight to your reader’s eye.

Epica is a contemporary interpretation of the Venetian Renaissance types. A humanist type family with a contemporary design. This family encompasses different typographic scenarios with emphasis in style and functional equilibrium. Its letterforms show the visual richness of Epica that includes some calligraphic reminiscences perfectly legible in small and display sizes. Its strong personality makes it distinguish, because it perfectly combines the elegance of antique typographies and the forcefulness of contemporary ones. This family has been designed in two different moments. Epica Serif, which have a more classical design, was finished 5 years ago in its first version. The first sketches were drew 8 years ago during the Master of Type Design at the University of Buenos Aires. Through the years was re design in several times to the point of reaching its current version. On the other hand, Epica Sans was completed in 2020 and is the counterpart of Epica Serif. A complementary system designed to enrich the serif version and give new options for hierarchy and composition. This is a versatile type family perfectly fit for books, editorial, and usage in print and on screens. It possesses great legibility in body texts, which makes it ideal for extended reading and supports a variety of languages.

Wolby is a rough and organic hand drawn typefamily which draws inspiration from a variety of sources such as sign painting, hand lettering, comic books, cartoons, health food, sticks and stones to name a few. The letter shapes were all originally created by writing with a pointed brush. The use of one writing tool results in an aesthetical harmony between the very different styles making them all fit together. The family consists of eight styles; upright and slanted caps in regular and bold, a layered block style in fill, outline and shadow styles and a lively script. Wolby is capapble of creating very different moods depending on which style you choose to highlight. Because of it’s aesthetics, range of styles and extensive language support, Wolby is especially suitable for use in advertising, packaging design and gritty branding & fashion design. When using the layered block styles you’ll get the best result by placing the shadow layer on the bottom, the fill in the middle and the outline layer on top. These can also be combined freely so you can use just shadow + fill, shadow + outline or fill + outline. The script style is armed with a set of ligatures and swash capitals which allow you to supercharge your designs.

Our Generation is a brand new handwritten font. Our Generation is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Hurstmonceux is a distressed, antique Victorian-esque typeface. The eroded style is based on the aged quality of printed books from the Victorian time. Capitals are ornately decorated, with lowercase set in small caps.

Lampoon Brush originates from a film strip of paint brush lettering. It has crisp deliberate brush strokes and is perfect for use in many different applications namely when you’re seeking that retro/vintage feel.

Modeled from a set of individual painting stencils, Mess Hall JNL is named for the armed services cafeteria where thousands of enlisted men endured bland, boring meals day in and day out for years.

Summer Splendor is a brand new handwritten font. Summer Splendor is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Backstay is a casual and relaxed single line script font. It matches any branding project such as logos, t-shirt printing, creative products, and more. It will look extraordinary in a variety of contexts.

Fearful House is a brand new display font. Fearful House is perfectly suited for stationery, logos, t-shirt, paper, print design, website headers, photo frames, flyers, music covers, posters, image sliders, and much more.

Instinct Question is a brand new display font. Instinct Question is perfectly suited for stationery, logos, t-shirt, paper, print design, website headers, photo frames, flyers, music covers, posters, image sliders, and much more.

Cute Rabbit is a friendly and sweet display font. It is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Striking Rainbow is a brand new display font. Striking Rainbow is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Gladsome Morning is a cool, clean, and simple display font. It will look stunning on any food packaging design, poster, flyer, or print. Use this font for your designs and explore its endless possibilities.

Shy Darling is a cool and romantic display font. It is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Sweet Daydream is a brand new display font. Sweet Daydream is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Schoolblock is the typeface German schoolchildren learn to imitate when they are taught the printed letters. I just had to do this one for use in a German schoolbook. Your education-designer, Gert Wiescher

Poozer is a hand drawn stencil font that started out as a doodle and ended up on a custom skate deck. It has a nice organic, painted feel. Definitely not your usual stencil font.

Christmas Eve is a brand new handwritten font. Christmas Eve is perfectly suited for stationery, logos, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Slab Compact JNL was based on the printed title found on the box cover of a 1950s-era word games set called “Lex-O-Grams” and is available in both regular and oblique versions.

Expression Exchange is a brand new handwritten font. Expression Exchange is perfectly suited for stationery, logos, t-shirt, paper, print design, website headers, photo frames, flyers, music covers, posters, image sliders, and much more.