The Chaplin font is a light-hearted script created for display purposes. Chaplin leans slightly to the right. Used for packaging and posters, the Chaplin font has a relaxed charm.

A package for a swim mask and snorkel was the basis for this decidedly unusual typeface with a wild 1970s-era design. There's no telling how to apply this font to a project, but think black light posters, psychedelic music and some cheap wine!

Spleach is a splendid mix of comic text, grafitti and unicase letters - as always, the pizzadude way! The letters are heavy and black, but still light enough to funk up your text! You will need to use OpenType supporting applications to use the autoligatures

I was commissioned by Publish magazine to digitize Trio in 1990. Originally designed in a Light weight only, Trio is now available in Medium and Bold weights as well. Uppercase only, but each weight includes two alphabets, one more "deco," the other more "modern."

Supra-compressed – designed by Gert Wiescher in 2013 – is the extreme version of this family. But despite it being very slim it is still – because of its openness – a very readable font. The light and normal weights and the dominant x-height with its high ascenders make for easy reading of long copy. The heavy and x-light weights are great for elegant headlines. Supra is a versatile OpenType family with lots of different weights.

FS Koopman is a hard-working typeface. A crossbred workhorse that draws on inspiration from Swiss grotesks, American gothics and early British grotesques. It refuses to fit neatly into any of these categories, it’s neither one nor the other, but all of the above. It’s kinda Swiss meets American… (but with a slight Yorkshire twang).

False Idol is based on bad rub-down lettering from 1970s pornographic magazines and home-made religious leaflets. The letterforms were intended to mimic a feeling of cheap glamour but just became seedy. Somehow an alluring beauty emerges from this mix of sleaze and chic...

Wickenburg is a rough and tumble grunge slab typeface that has taken a lickin' but keeps on coming back for more. It is a powerful heavyweight serif that makes a strong design statement. Pick up this bad boy and take him for a ride!

Here is my font with carved out letters, like a really bad stamp. Each lowercase letter has 3 different versions, and that makes your text more natural, organic and handmade. Normally I kern my fonts throughout, but this time there is no kerning at all...and that's odd, when we're not talking about monospaced fonts. Anyway, Bottle Fork has its flaws and jumpy x-height...but that's exactly the charm of it all! :)

Jh Flynn is modern tall sans serif typeface; a variable type including eight weights: light / regular / medium / bold and the italics; Ideal for headlines, logo design, signage and short text paragraphs.

Bouclé.2 – an upgraded edition of Bouclé fonts (2009), with careful refinements to glyph shapes and extension of glyph amounts, which enabled support of more Latin languages. New edition consists of eight styles: Light, Regular, Bold weights for plain and round fonts respectably, plus Regular and Light italics. Typeface is released in OpenType format with some OpenType features.

This font opens a new era of typewriting and type design. At first sight, the font seems creepy, but it has a deep connection with some urban motives in its tune.

Banco was the first typeface work of French designer Roger Excoffon and was released in 1952. The strong forms look as though they were rolled out of sheet metal and feature upright, tapering strokes. The slight slant, the varying heights of stroke ends, and the relationships between line and curve give Banco font its sense of liveliness and dynamism. Excoffon did not design a matching lower case alphabet for his capitals, but this was accomplished later by Phill Grimshaw, who also designed the light weight. He deliberately 'underdesigned' the lower case forms, producing a more reserved alphabet based on the design ideas of the original.

Enfluence is a modern typeface perfect for titles and short texts. It could worked in print and digital mediums. It depicts a fresh and modern image but with some winks to older typefaces. About the shape of the letter, it was built with a wide “x” height, short ascendants and descendants, a high contrast, angular serif, and some round terminals. Some letters such as “m, n, h” show a light inclination in the right stem. These characteristics give this typeface great readability with a strong attraction to the eye for its cool forms. Not enough? Also includes a set of ornamental capital letters perfect for the creation of awesome designs.

Okay, we admit it! Comicraft's latest offering -- wrenched heavy-handedly from the pages of CHARLEY LOVES ROBOTS – is definitely a little awkward, maybe even loose-limbed and goofy. Those (usually) awfully nice chaps in the Comicraft studio are perhaps best known for their dexterity, their lightness of touch and nimbleness of finger rather than the kind of bungling, graceless, clumsy work evident in their latest digital alphabet. So, yes, MALADROIT is probably the most inept, cack-handed, undiplomatic addition to our catalogue ever submitted by freewheelin' John Roshell (formerly GAUCHE-ell) but might just possibly be the perfectly wrong font choice for your more bungling, inept, incompetent and hamfisted characters.

Android is an experimental 3D shadow outline font developed by the American type designer Alex Kaczun. The unique lighting created by the beveled edge in combination with an outline font was particularly difficult to create. But the result was worth the effort. Android makes for a powerful headline display that virtually pops off the page. There is a true three dimensional quality to this innovative new typeface. Use the regular Android when setting tight leading for smaller point sizes, and use Android Tall which has taller capitals for larger headlines. By experimenting with Type Effects in Illustrator or PhotoShop you can achieve some spectacular additional 3D effects.

Hello! Asbanur is here. Asbanur brings modern, clean and neat looks. This font can be used as the logo of your brand, headline title, magazine title or many things. We have two versions: light and regular, but both of the versions is cool! Try them and enjoy!

Mineola got tired of being like all the other serifed fonts, got some hip body art, and moved to the cool part of town. But every so often, when no one's watching, Mineola puts on a light blue oxford shirt and listens to top 40 radio.

ROMANICA is a relaxed humanist sans with subtly curved corners and slightly flared glyphic terminals that are expressively angled where appropriate. Romanica has the authority of the ages without the harshness of many classically inspired typefaces. All eight fonts include a full complement of Latin Extended-A characters, Welsh diacritics, Irish dotted consonants, and additional oldstyle numerals. ROMANICA is available in three packages - • Basic Family (Regular, Italic, Bold & Bold Italic) • Light (Light & Light Italic) • Medium (Medium & Medium Italic)

Programmers often try to knock the "bugs" out of their computers, but P22 allows you to install them and use them to your advantage. Insectile is a set with 38 accurate insect illustrations and a font (Infestia) made up of actual scanned and rearranged insect parts.

Artù ! Strano ma vero, strange but true. A beautiful, intelligent and lively Italian dog and a great friend, unfortunately no longer among us ... but his memory lingers. A typeface designed in Rosennano (Tuscany), its Italian, but executed in Amsterdam. This monospace typeface might prove to be extremely useful for household products like washing powder or any anything like that. Just use it in your designs, let it live! Concept/Art Direction/Design: André Toet © 2017

ITC Woodland is the work of Japanese designer Akira Kobayashi. It is based on Kobayashi's hand lettering with a flat brush or square-edged pen. I wanted to design each weight to act its own part," says the designer. "The light version tends to look almost fading in small sizes, but the heavy weight is as black as Cooper Black." The cheerful ITC Woodland is ideal for graphics, greeting cards, correspondence, and other applications requiring a light touch.

"Atnew" is a modern typeface that includes six individual fonts (ExtraLight, Light, Regular, Medium, SemiBold, Bold) and a variable font ranging between Light (50pt) and Bold (200pt). Keeping geometric shapes but with soft curves gives fonts a playful feel. They can be used in interfaces, websites, posters, stationery, tv show credits, and many other purposes. It could be for your everyday activities like journaling. The variable font version provides more flexibility for your needs by fine-tuning weight points.

A Bloomer is a crusty loaf of bread with rounded ends. I don’t know why I chose this name, but it may have to do with the fact that my wife signed up for a bread baking course. Bloomer is a rounded, hand made cartoon-ish font. It will look especially good on product packaging, but any design in need of some authenticity could do with a bit of Bloomer! Comes with ligatures and a light dusting of alternates.

Nosegrind is a bit of a departure from our usual more traditional font offerings. It's based on skate-culture graffiti gleaned from various samples of similar style found on walls in Austin and online. The font includes two character sets, one which is plain and one which is enhanced with outlines. In normal usage the characters should nest, with slight overlap from one character to the next as shown in the sample to the right, but the lower case characters in the font are spaced evenly but not pre-nested, leaving the degree of overlap up to the user - nesting is easily adjusted with the tracking option in programs like Photoshop, Quark or InDesign. Ultimately Nosegrind will be added to our Modern Fonts collection, where it ought to fit in nicely.

Although ITC Styleboy has a retro feel, it isn't based on any earlier typeface. As far as inspiration goes," says designer Chester Wajda, "I'd have to say comic strips of the '20s and '30s, and silent-film marquee lettering from the '20s - with a hint of a Chinese brush?" He originally created the typeface for a children's book he was working on. "I wanted it to be fun, but still somewhat formal in its underlying structure," he says. "It's largely based on right and 45-degree angles, with slight tucks inward on the stems and bowls, and a few flourishes here and there." Styleboy's top-heavy look is most noticeable in the caps, but it's exaggerated too in the "8" and the lowercase "g." Styleboy is Wajda's first typeface design."

Unique family of color realistic fonts Frudis. Trick is to have two fonts - bold and thin. Each one can serve individually, but the real magic begins when you stack them in different colors, creating unique play of textures and colors. Features: - Duo Font - Ability to adapt letters to other languages - Kerning IMPORTANT: - Check the glyphs in the font before buying! - SVG fonts contain raster letters. - Check it www.colorfonts.wtf - Try a FREE DEMO version before buying. ld.luxfont@gmail.com