Introducing La storia - a fine tip signature font. Beautiful monoline signature, looking so classy and natural. There are 2 version, - Regular - Bold La storia is perfect for branding, photography, invitations, quotes, watermarks, advertisements, product designs, labels, and more that needs a natural sign feel. Includes number-punctuations and multilingual support. I created 89 ligatures to keep this font looks natural. at ct dt et ft gt ht it jt kt lt mt nt ot qt rt st tt ut vt wt xt zt an in un en on ar ir ur er or aa ant int unt ent ont att itt utt ett ott ii ee oo uu ff rr ss xx zz ll adl idl udl edl odl ald ild uld eld old art irt urt ert ort fl fh fb jl Fr Gr Hr Ir Kr Mr Nr Or Pr Tr Ur Vr Wr Dr space-r Titling and Ending Swash - Quick Access Add underscore 2x before or after a lowercase (you can see this on the presentation posters). For example a_ _ or _ _a Swash Lines make this font complete. Add underscore 2x before numbers from 1 to 9, you'll get 9 variations of swash line (as shown in the posters). For example _ _1 Thank You so Much!

South Wind Font is a handlettered font with 107 ligatures, lot of alternate characters and multilingual support. Is ideal for blog website, instagram, branding, invitations, business cards, weddings and many more. Ligatures list: ab ae al am an ar as at ax ay bb bl cc ch cl ct dd ee ef el en ep er es et ff ft gh ia ic ie il in it iu kt ll of ok ol om on oo op ot ov rr sh sl sm ss st th ts tt Af Ap As Be Dl Em Es Et Eu Ft If Is It Kt Ml Mr Ms Mt Ph Pl Pt Se Sh Sl St Us outh all alt arr ass can cus ell esl etl ett ill obl old oll oth out sim ted South Wind font also include multilingual support for Western and Central Europe. South Wind Font is a set of 542 glyphs, Upper and Lowercase characters with 107 ligatures, numerals, lot of punctuation glyphs, 3 alternates for each lowercase character and 2 alternates for each uppercase character. For access to Stylistic Alternates is required software with glyphs panel like Photoshop, llustrator, Inkscape etc. No special software is required to use Ligatures.

Bouquet font is a cursive fat typeface influenced by brush writing and skilfully flavored with elements of fractur. The result is really amazing – a font with bespoke personality, strong unique presence and classy standing out amongst the other look. Type designer Dzianis Serabrakou really did well in every single letterform, aperture, curve and line, but this was probably below satisfactory and he didn’t stop here – Denis developed the font to a higher level by making it fully open-type compatible. Bouquet supports large set of multilingual diacritics plus a beautifully designed set of Cyrillic characters. Additionally you will be able to use also ligatures and really lots of alternative symbols to bring more life, versatility and personalization in your work. Initially Bouquet has been designed as a logo font – it is so identical that could easily turn every brand name into logo icon. Furthermore this font is perfect for designing t-shirts, typographic posters, packaging etc and it is highly recommended for letterpress as well as for normal offset and screen printing.

Light and flexible, slightly retro, casual and readable, Hoofer combines 28 brush script, mono line script and sans-serif styles with ornaments into one Mega-Family. The different styles of the Hoofer Mega-family have been chosen to work together and to harmonize in a pleasing way. The Hoofer Mega-Family of fonts can be divided into three sub-families: Hoofer BRUSH subfamily: An eclectic group of five fonts. These are mainly joined scripts. Hoofer LINE subfamily: Seven mono-line scripts with joined letters in a number of weights, widths and styles. Hoofer SANS subfamily: Sixteen casual, Sans-Serif fonts. They are very readable and in a variety of weights & styles The mood of the Hoofer mega-family is light and flexible, slightly retro, casual and readable. It combines script and many sans-serif styles with ornaments into one Mega-Family. The different styles of the Hoofer Mega-family have been chosen to work together and to harmonize in a pleasing way. The Brush Sub-Family is designed for titling, packaging and display purposes, The Line Sub-Family can also be used for titling, packaging and display, however, it is less “showy”, and conveys an air of informality. The Sans Sub-Family is designed to shine as sub-heads and as body text. The wide range of Hoofline styles gives you, the designer, great flexibility in creating just the mood or impression that you want. Most of the fonts can use one or more OpenType Features. These can be accessed in a number of ways. The reason for this is that the major software producers provide different (and often conflicting) ways of accessing OpenType Features. In some cases such software manufacturers provide NO way of accessing certain OpenType Features. We have tried to remedy this by providing a highly flexible family of fonts. OPENTYPE (these OpenType features are only available in the “otf” fonts and not in the “ttf” fonts.) OpenType features that Hoofer makes use of are: Swashes (Word-Begin and Word-End Features); Alternate Numerals; and True Small Caps. ORNAMENTS In addition the Hoofer family has a font containing 94 ornaments. ALTERNATE NUMERALS You can access two sets of figures (numbers) in Hoofer Sans fonts. Both sets are tabular and lining but they differ in the height (but not the width) of the figures. The height of the alternate figures has been chosen so that they are compatible with the small caps. However, these alternate figures are available in ALL Hoofer Sans fonts, whether they feature small cap fonts or not. Hoofer has all the features usually included in a fully professional font. Language support includes all European character sets, Greek symbols and all punctuation. Opentype features include automatic replacement of some characters and discretionary replacement of stylistic alternatives.

Nouch is a brush font made with ink and soya, inspired by love for street art and asian calligraphy. Recommended for extreme applications.

Breesh font is a dancing handwriting, quickly trace with a pointed brush. The inspiration come from both asian calligraphy, italic and copperplate alphabets.

Bangke is a textured brush font with rough and casual letters. It’s great for logos, branding, print projects and any attention drawing headline.

OT Puppy is a decorative and fun brush font. Include Latin 2 and Cyrillic 1 language set. Good for postcards, packaging and posters.

Created with a fine brush, this font has a robust appearance with some elegant features to it. Use this typeface anyway you like!

Monday Bay is a cute handwriting brush font that you can use for many things. Perfect for cute quotes, branding, and much more.

Introducing Pauline Didone Variable, a flawless blend of Art Deco elegance and contemporary script. Inheriting a splash of femininity from its lineage, Pauline, it’s the perfect choice for eye-catching logos, standout headings, and memorable snippets of copy. Dive into a 10-font family arsenal, complete with 5 distinct weights, italics, and a treasure trove of OpenType alternates. Reflecting the allure of retro scripts, its geometric silhouette, paired with bold brush contrasts, commands attention. Pauline Didone’s contemporary high-contrast design ensures your artwork isn’t just in Kansas anymore but in the vibrant world of modern design. Enhance your projects with over 150 alternate characters, including a set of whimsical ball terminals reminiscent of Toto's playful spirit. Access these Oz-inspired elements with advanced software like the Adobe Suite or Quark. Step into a realm of enchantment with Pauline Didone and let your designs shine like the Emerald City.

TurvyTopsy offers all the fun of delightful hand-drawn irregularity, captured in a typeface. Designing this was a wonderful exercise in ignoring all the rules of precise geometric construction to which we normally work. These irregular forms somehow achieve a delightful character & legibility all of their own.

Reality Check is a family of two display fonts (plus their Italics). These fonts can be used together in a design, but work just as fine on their own. Reality Check comes with an alternative s - just in case you get bored with the ‘normal’ one.

Digdope is a fun and natural font like a handwritten sans font, so you will get a more realistic feel. Digdope is a layered font available in three styles, REGULAR/NORMAL, OUTLINE &, SHADOW. Perfect for branding, logos, posters, quotes, headlines, movie titles, book titles, and other designs.

SF Kitab is An Arabic typeface for desktop applications. The font is dedicated for printing diverse books and publications. SF Kitab is clear and the reader feels comfortable reading long texts. It is contains two weights: normal and bold. This font supports Arabic, Persian and Urdu.

Edgewater Serif, the companion font for cm5dzyne's Edgewater, is suited for various projects requiring anything from refined titling to a futuristic theme. Its rounded corners reduce the rigid visual impact of normal slab-serif fonts and give it a more casual feel than its sans-serif counterpart.

Solanum is cosmic style sans family. It contains Latin and Cyrillic alphabet, Latin with Western, Central and South Eastern European, Vietnamese and Pinyin diacritics. Solanum is perfect for display purposes. This typeface family contains 12 styles from Thin to Regular and from Normal to Ultra Expanded.

Fallaxe Graffiti is a spectacular, with bold graffiti display font, there are two style font inside, normal style and dripping style. It will elevate a wide range of design projects to the highest level, be it branding, headings, wall art illustration, apparel, labels, and much more!

Developed from Rian Hughes’ Black Panther logo for Marvel, Panther Black is a sharp and stylish three-weight headline sans. Built from sweeping curves and tapered crossbars, its bold, dynamic design is seen to best effect in shorter settings. Available in condensed, normal and extended variants.

A throwback to the 70s, a graphic design with a lot of different applications. You can use this font with a normal setting or a very tight setting even over lap it, it has such great flexibility. Experiment with the possibilities and you will be pleasantly surprised.

Garden Party has a calligraphic feel without appearing formal. The ample x-height, short ascenders and descenders make this a distinctive typeface.

Formalized from some hand lettering by the multifaceted Jugendstil designer Bruno Mauder, perhaps better known for his work in glass and ceramics.

Your grade school teacher would be proud of this smooth flowing handwriting font. Perfect for any formal invitation, newsletter, scrapbook layout, etc.

Reynard is an arts and crafts period font with a bit of a Celtic inclination. Very well suited to formal, elegant titles.

Here’s what happens when your trusty felt tip marker takes a trip to cartoonland. Each of Valentina’s plump characters has a rough and splotchy texture. Some letters even bounce up and down like a 3-year old. As cartoon faces go, Valentina is a bit on the imperfect side. But that’s normal for a funny face. Use it in a variety of comical situations. Make convincing captions under your own artwork or design greeting cards with it. You can even blow it up to huge sizes to create a wild and crazy look. Valentina Medium is now available in the OpenType Std format. Some new characters have been added to this OpenType version as stylistic alternates. This advanced feature works in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Chellin is a calligraphic script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Chellin is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . . Chellin has 380+ Glyph alternative characters, including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results necessary for your creativity in combining these variations of the Glyph.

Kaglia is a font duo package contain a hand drawn bold script and sans serif which looks great to be paired especially for vintage and adventure theme! This font duo is purposely made for headline, display or logotype, and signature which need a standout appearing. This font is also suitable to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Kaglia Script Regular and Rough Kaglia Sans Regular and Rough uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

ITC Flora is the work of Dutch designer Gerard Unger, and is named for his daughter. He started by doing calligraphy experiments with felt-tip and ballpoint pens, and developed these drawings into a formalized script typeface. Swiss typographer Max Caflisch advised the Dr.-Ing Rudolf Hell GmbH technology firm to add a new round-nibbed script face to their Digiset type library, and in 1984, Flora was released by Hell. Unger used a chancery cursive skeleton in this design, which imparts grace and movement. Flora was also intentionally designed to be simple and sturdy, and with its minimal variation in thick/thin stroke ratio, it worked well on the early digital typesetting machines. In 1989, the International Typeface Corporation released the font. ITC Flora continues to work well on current printers and typesetters, and it has an enduring popularity for uses that range from short text passages to display headlines.

Dramaturg is a handwritten, brush, fully connected script with ligatures and contextual alternates to help with flow and readability. Dramaturg is the most complete style, it contains over 600 glyphs, 7 stylistic sets, contextual alternates and ligatures. Every lowercase letter has six variations (uppercase letter has four). When the font is used in OpenType-savvy applications, the 3 variants of glyphs are automatically alternated to achieve a random-like effect. Dramaturg A and Dramaturg B have less glyphs than the Regular one (no stylistic sets), they only contain some selected alternates and ligatures. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Notorious is a brush script typeface with features that come from gestural calligraphy plus a touch of personality, therefore, it delivers wider freedom in both rhythm and composition of words. As a result, this typeface is highly suitable to convey expression in a most natural way. Notorious is composed by two styles; the first one is black and the other one textured. Both generate a more natural look when it comes to writing. Every weight includes alternative characters, ligatures, numbers, final forms, swashes, extras and catchwords giving you more options in terms of fostering your creativity. If you are looking to create expressive and gestural messages Notorious is your ideal choice.

BRIGHT LIGHT! A handwritten script brush font, all caps. BRIGHT LIGHT font is suitable for branding, logotype, apparel, T-shirt, Hoodie, product packaging, quotes, flyer, poster, book cover, advertising, etc. Whats Include? Opentype support Multilingual support PUA encoded Features: All uppercase, numerals, punctuations, and ligatures Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word Please message me if you're unsure of any language support. Thanks for looking, and I hope you enjoy it! Please don't hesitate to drop me a message if you have any issues or queries.

Forte was designed by the Austrian commercial artist by Carl Reissberger who was trained as a compositor and later taught typography and drawing in Vienna. The idea for the Forte script font came from the study of plants, individual letter forms being inspired by the long stems and furry heads of the reed. Slightly inclined, it gives the impression of having been made with a bold brush or marker, and can therefore be used in work that requires an informal appearance. Forte is a strong design which contrasts well with sans serif faces and classical modern types. Use the Forte font in advertising, flyers and labels.

First of all, I don’t have an uncle called Edward, nor do I know anyone by that name. When I had finished this font, it had a strong ‘Uncle Edward’ feeling to it, so the name stuck. Uncle Edward is a handmade script font. I used a Japanese brush pen and some rough paper to create that ‘vintage’ look. Use Uncle Edward for your book covers, your invitations or your product packaging. Create labels for your vintage record collection with it, or print a guest list for your Christmas dinner party. Uncle Edward gives you his blessing. Comes with ligatures for double letters and a whole bunch of accents.

Named after the strong cold winds on Southern France, the Mistral font family is another original creation displaying the panache of the French graphic artist Roger Excoffon. Mistral is an informal script in which all letters link up in vigorous strokes. First issued in 1953, its brush-like stems look spontaneous and fresh. The descenders are fairly long and the whole alphabet has a distinctive and unforgettable effect on the page. Mistral is a good complement to sans serif typefaces. Mistral is a trademark of Heidelberger Druckmaschinen AG, which may be registered in certain jurisdictions, exclusively licensed through Linotype Library GmbH, a wholly owned subsidiary of Heidelberger Druckmaschinen AG.

Struffoli are small, marble sized deep fried dough balls from Naples. They are served with a variety of sweet condiments, like honey, sugar and sprinkles. There is nothing deep fried about Struffoli font, nor does it resemble a deep fried dough ball: I just liked the name and at least now I can say what Struffoli are! Struffoli was handmade using a brush and Chinese ink. It does look like a connected script font, but it is not (really): only a few letters connect, making it a more versatile font. Use it for your cookbooks, posters and toy packaging. Rest assured, it comes with a generous serving of diacritics.

Introducing of our new font Vallocka, digitised from hand painted characters with brush markers. This font is good for logo design, social media, movie titles, book titles, short text (and even long) text, letters, and a good choice when combined with other script, sans, or serif fonts as secondary text font. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that fully support OpenType features and have a Glyphs panel such as Adobe applications or Corel Draw for you Ito make use of all the variations of the glyphs. Hope you enjoy our fonts!

Briquete is natural handwritten script font manufactured by Ardana Creative, which support OpenType features and includes, numeral, punctuation, and it also supports multi-languages. This typeface is very catchy and natural because it was made using brush pen. This font is perfect for branding projects, wedding designs, advertisements, product packaging, product designs, label, photography, invitation, quotes, etc. Briquete features: A full set of upper & lowercase characters Numbers & punctuations Multilingual language support PUA Encoded Characters Briquete includes: Briquete.otf Briquete.ttf Briquete.woff For more information about accessing alternative, you can see this link: http://adobe.ly/1m1fn4Y Feel free to give me a message if you have a problem or question. Thank you!

Ahkio is a brushed disconnected script family of 5 fonts. Ahkio’s roots are in 1930s sign painting and showcard lettering but with a modern and individual twist. Main characteristics are soft, rounded forms and a bit curved stems. Ahkio is a friendly and gentle font that suits well in titles, packages, logos and for example posters. 5 weights makes Ahkio a versatile font that gives you a possibility to add contrast and interest to your typography. Ahkio includes black and white manicules. You can use them easily with OpenType options. Just choose Stylistic set 1 and make sure Standard ligatures are on. Then just type: >> for Blackmaniculeright >> for Whitemaniculeright

P22 Slogan is a non-connecting script font that captures the essence of the lettering used in 1950s European advertising. Bold strokes of this brush-drawn face make this design a great choice for both retro design and contemporary work. The font is based on the 1957 design Slogan by Aldo Novarese for the Italian Nebiolo Type Foundry. At the time of its original release, it was touted for "striking publicity work". This new digitization accurately reproduces the outlines of the original not found in previous digital versions of this design. P22 Slogan is a non-Pro Opentype font that includes Central European characters.

HALUS! A handwritten display script brush font, uppercase and lowercase. HALUS font is suitable for branding, logotype, apparel, T-shirt, Hoodie, product packaging, quotes, flyer, poster, book cover, advertising, etc. Whats Include? Opentype support Multilingual support PUA encoded Features: All uppercase, numerals, punctuations, and ligatures Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word Please message me if you're unsure of any language support. Thanks for looking, and I hope you enjoy it! Please don't hesitate to drop me a message if you have any issues or queries.