Quickly scribbled grafitti font that has got that bad-boy-feeling!

A grungy and narrow bad-boy tagfont. Take it to the streets, home!

Mulkshake is messed up pretty good, and was acutually made on a real bad copymachine!

This typeface was created based on the handwriting of the famous Ukrainian bard and artist Viktor Bairak.

PixelZoo gathers over 70 animal species turned into pixels. They are wild and domestic animals, mixing mammals, fishes and birds.

Here's a bit of fun! Need a dingbat with character? Let these birds strut their hand-drawn way across your work.

Feathery is a collection of 45 cute and fantastical bird illustrations. All illustrations are drawn by hand and of the highest quality.

It is the 3rd inscription font I shared with Liljegren Runic, one of the inscriptions in America. I couldn't find much information about it.

Golondrina, spanish for swallow, a bird that cannot carry a coconut but migrates form north to south like the angles in this font. Also, like the bird, Golondrina can adaptate to different needs, going from a traditional blackletter with small lowcase characters and ornamental capitals, to a hardcore uppercase and sharp small caps. The right font for designs with a medieval, traditional spirit or a coarse lettering for a Heavy metal band.

Solo Print mimics letters that had a close encounter with a slightly bad copy machine, The 5 different versions of each letter makes it even more realistic!

Stencil-like lettering appearing on a 1930s WPA (Works Progress Administration) poster for the Pennsylvania Game Commission saying “Protect Our Birds” is the basis for Fall Fashion JNL.

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. This typeface contains Escher-like tessellations of birds. A number of years ago I decided to see how many of the 28 Heesch types of tessellations I could use to make birds standing on the backs of other birds. I found standing bird patterns for all 17 of the types that had either translated or glided edges. The TessieStandingBirds typefaces contain the standing-bird shapes that I discovered. At first glance they seem to be quite similar, but small differences matter in how they fit together. Most of the patterns require more than one character. The sample file here shows how pieces fit together to give tessellating patterns. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns.)

Aderyn is a hand drawn, elegant font with a light touch to it. Aderyn is soft and sleek, but also comes in bolder styles to give a little extra oomph to your designs. Aderyn is Welsh for 'bird', a language I meant to master, but never took beyond 'good morning', 'bird' and 'cat'. I know, it's pathetic… Aderyn comes in 12 styles, all of which have kerning, stylistic and contextual alternates for both lower and upper case letters. It even has a smiley!